Remembering Him Is Like Biting Glass. I Don’t Know Why I Do It, Why I Keep Hurting Myself On The Sharp

I’ve whittled myself down,

Suckled myself to nothing like a cough drop in a cheek,

And all I have to show for this betrayal, is a familiar flavor in my mouth to mull over as the adults speak.

I can’t have children, I’d have too much love for them. I’d bring them up scared of the world like I am. Scared of nothing and everything at the same time.

I’ve a pin with a ball end pinched between my index and thumb. Ego inflating like boils in me, I pop every idea that I am something good, worthwhile. I wonder if a harsh inner critic is a blessing or a curse as she darts pushpins in my spirit, and punches holes in my identity until I am paper thin and hollow. Light as a feather taken by the slightest idea of greener grass; convinced going anywhere is better than here.

Sticks and stones may break my bones but words will never hurt me.

What a pretty little lie we peddle children as loves are ended by mouth, laws are written on paper, and wars are declared in ink.

She was a moth that waited for the light to find her. And when she died it was dark as always.

She caressed her lover’s hair like a bird tending her nest; she saw only futures in the black tangles clinging to her fingers.

What use is death to a creature like me?

Well, I’ll tell you:

Death is an old bedfellow, a partner, a wife;

Is there anything so sweet as a union born in blood?

A promise to always be at each other’s finger tips?

Tool the marble into statue, we sculpt the world,

To improve it, cull those unfit for life by scythe point.

A silly question to ask me, what use is death to a

Creature? Without it, I would not have a life at all.

Like a mutant calf, my village shunned and cast

Me out to meet her, Lady Death.

I thought the world decayed as I grew old. My weary eyes grazed easily against its pointed cruelties, and I wondered how so much could fall so fast. But it was always that way. I was too young to see it as it was and now I am too old to see it as it can be.

Ode to the Red Boy

I see a red boy winking, perpetually still. His right eye is closed, his left open, unmoving. He wears pajamas, the Spiderman kind my brother used to wear when he was small. The red boy is on the floor of a hospital in Gaza, his blood caked on his face with soot and ash. His chest does not rise and fall, his eyes do not blink, but he holds his wink. One eye shut, the other open. A playful gesture, as if he's playing a trick on me. As if soon he would awaken and wash the red from his face like strawberry jam, and go play with his spider-man figurine in the sunlight. But he does not move, the red boy. The fluorescent light holds him still. His swollen eyelid does not so much as twitch. He is determined to fool me, and I am happy to be fooled. If it means he will one day wake up, I am happy to be fooled.

Is that why people write? Because no one will listen?