I’m Like A Child, The Way My Mind Works. I Want Us To Look At Each Other, But I Keep Covering My Eyes.

Art by Jason Scheier

Maybe I am not good enough for most things, and I am meant only to look at all I want and yearn so deeply that my body begins to die.

When I was a child I’d only known depression through medicine commercials, where the depressed person was a porcelain wind up doll that had to be wound over and over again to walk. I didn’t really understand it then, tucked away neatly in my television set. Why wouldn’t they want to keep going, always? Why would they need to be wound? And now as I look down at my porcelain foot, I wonder why it isn’t shuffling in front of the other.

I miss her. Is there anything else to say?

There are versions of me you’ve never met. I carry so much hatred you never see. It’s like an ornate blade, you could mistake it’s hilt for jewelry on my neck. But it’s there, in the slit where words come out, to silence any iteration of me that could offend you. Any glimpse of a possibility that I could hurt you, I instead hurt myself. I’d suppress and push down and erase and lie a thousand times over if it meant you were pristine. If you could leave this world untarnished on my filth, leave me filthy. Leave me nothing but your memory.

What softness could I find for myself, if I allowed it. I feel a tightness in my chest every time I love myself or forgive my failures as if it is a betrayal of who I am. Maybe some people are meant to hurt. Maybe love smothers some fires that are born to burn.

When I think on 18, and the years that have passed since then, I realize how many little deaths I’ve had in my one life. How many versions of me had to abandon my flesh for ephemerality for me to exist, fettering away. Do they watch me, the way runner up pageant girls watch the winner be crowned with sparkling tears gliding down her cheeks to match her sparkling tiara? Do they envy me? Or do they watch in glum acceptance, the way a parent would as their child draws in spontaneous sharpie all over their orderly white walls. Do they think they know better? Worst of all, do they watch in horror, the way the drug addicted’s partner would as the one they love most spirals down deeper and darker paths? Do they pity me?

Do they think of me at all? How lonely it would be to exist in this world as only one version of me.

Algae bloomed on the face of the lake at summer’s height, like zits in bundles of thick and slimy green. The siren that dwelt deep in the lake’s toes could not bear the warm swampiness, it drove her mad. Not only that, but her sailor girl, her shining beacon of hope for food had wounded her in her escape. She felt rotten, her gash festered in hot white patches. No food, no beauty, no cold deep blue lake water to retreat to. All that was left for her was a walk. To find the sailor girl and give her what was coming to her.

I am fickle with happiness. They say you don’t know a good memory is happening until it ends, but I do. I’m acutely aware of how precious the good times are—pair that with the odd feeling I get of being watched by my future self, having dealt with the deaths and tragedies that growing older brings, seeking refuge in the past. I feel anxious knowing it will be over, and that no matter how deeply and fully I cherish the strong legs beneath me, the wind on my face, my parents by my sides, it will end the same. All happinesses are doomed to be memories. And that bitters them for me; when I am at my happiest, and my smile is wide as it is earnest, I still taste the rancor in the back of my throat.

The candyfolk though sweet in stature were bitter hearted, something was very rotten about them. Though that didn’t stop them from whittling each other down with their tongues. Hungry, constantly. This place I’ve fallen into, it must be hell. Or if they taste well enough, a very brief heaven, and then purgatory.