Ways To Make A Character Apologise

As I may have already said, I'm a sucker for a good redemption arc.

I'm always on the hunt for more.

hi i’m still not over penelope bye

Thieves In Time Redux status

Here's how it's going in a nutshell...

I can't help it if the final mission of Episode 4 is so fun to imagine. My revenge against the vanilla game is going to go so hard.

Penelope is going to come out of this one as a total badass. Who's on the right side as she was always meant to.

By the way, none of these episodes are finished yet. Not even the Paris Tutorial. The only finished part is the intro cutscene, where our four heroes get their first lines.

One of my favorite moments in Sly 2 is the first time you go over the Contessa’s bridge.

You’re Bentley, completely alone. You have to make it to the first mission where Bentley eavesdrops on the Contessa. You struggle through the terrifying area outside the safehouse, which is swarming with guards, and then….

And then you get to an empty bridge. 

The only way to get to the mission is by going over this completely empty bridge.

  There are no guards. Those statues are unsettling, but everything here looks unsettling, so it’s fine. You feel like you’re finally in the clear. 

So you start carefully walking across the bridge…. and THEN

HOLY SHIT THEY cOME TO LIFE????? RUN!

A TANK??? THERE’S A TANK TOO??? DON’T RUN THAT WAY

RUN UP THE RAMP WAIT THERE’S FLOOR-SPIKES???? AVOID THE FLOOR SPIKES

A big part of why I like Jailbreak is because the level hub is designed to give you these fun moments of “cartoon horror” that make you really get what the little characters are feeling. 

let’s discuss the implications and the importance of Penelope’s introduction through the Black Baron and what it meant for her character development moving on, but without any formalities like post structure, intro, etc. because i have to read 6 Shakespeare plays by the beginning of term.

Flight of Fancy’s premise is that Bentley is looking for an RC specialist to help with the Cooper Vault heist and while searching for one, stumbles upon the supposed love of his life. the title itself literally embodies everything that happens in this episode: unrealistic ideas that couldn’t possibly work, but kudos for the great imagination !?!?? i mean if we strip the episode’s main points of any narration, it sounds like a fever dream. Muggshot returns and gets into an insult competition with Bentley, the big heist involves catapulting spinning windmills onto blimps, Sly survives too many aerial dogfights as an amateur. in the middle of all this, Bentley’s desire to get with Penelope, and Penelope thinking her Black Baron charade wouldn’t end are also two major unrealistic notions.

i’m seriously beating myself up trying to think if there’s an obscure element of homoeroticism at play here or if i’m being annoying (or both. i mean, probably). because absolutely no one suspected Penelope of being the Black Baron, which meant she played the part to a T, if it was even truly just a role (my opinion is that, as much as i hate TiT, Penelope most definitely has inner demons and villain potential, and the way all this is just swept under the rug at the end of the episode is so bizarre). so if Penelope’s masculinity - and masculinity is putting it lightly; sis really channeled her best Tom of Finland, butch queen, ultra-hetero taxidermy porn or some shit idk i don’t understand straighties - came out during the episode and Bentley was still persistent on wanting to bone after the big reveal, then ???? quite honestly, if this game came out today i’d just settle for gender is a social construct, but it didn’t so i’m genuinely curious as to finding out if Bentley is in touch with his femininity and if that was brought on by being a nerd and not an incel. we know SP wanted to make Murray bisexual originally, although we have to idea on what the taste level was gonna be on that (especially in 2002). i’m ending this point by saying that, when it comes to Bentley’s character development in regards to Penelope’s disguise, it defo lead to possibilities and ideas regarding his sexuality, his perception of gender and how in touch with his femininity he is. also, Penelope has a great British accent, we love to see it xx

i keep a cerebral log of my best moments from this hellsite, so let me quote myself: i think i put it best when i described Penelope as ‘a meek woman hiding behind a man’s disguise’ and what that meant. i always talk about how the sLy-VeRsE emulates life, from vices to corruption, from pollution to the treatment of feral animals. part of that includes gender politics and how women are mistreated. Carmelita, despite bringing in countless baddies (literally even a fucking evil mask), always gets shit from Barkley, for example. Penelope is no exception. for her to put her plans into motion she couldn’t do so as a woman, she had to dawn the disguise of the Black Baron. as a man, she is feared by everyone, even Dimitri, and has created an empire, living in a fucking castle lair. can we say girlboss ? i’d like to think that Sly beating her bossfight isn’t the only reason behind her dropping her guise. she is simply forced to overcome a horrible coping mechanism used to appease society. she got way too comfortable doing something which wasn’t right but it was ok. despite what i said about her having inner demons (who doesn’t?), she was never a villain. she was actually a victim of how the world works, so… yeah. that’s basically it.

although A Cold Alliance spotlighted Penelope’s chemistry with the rest of the gang in such a charming way, it wasn’t until Dead Men Tell No Tales that we really got to see her character post Black Baron. and i think for the most part, this was truly a mixed bag. we reach the climax of Penelope being pigeonholed into an unhealthy love triangle between Sly and Bentley (which i’m pretty sure Sly was 100% unaware about). as a baby playing this episode, girl i was living for the drama (Bentley shading Sly about ASCII *audible gasp, hand on chest*). in retrospect though, i couldn’t care less. i think Penelope wouldn’t care for either of them, whatever her sexual orientation is. however, i think it’s only natural she would pick Sly over Bentley. lil mama brawled with Sly on a fucking plane wing mid-flight. anyway, her being kidnapped by LeFwee didn’t quite make sense in my opinion. i mean, i’ve never been taken hostage on a desolate island inhabited by a clan of pirates and prehistoric lizards, but i’m pretty sure she could kick LeFwee’s sexist ass? let’s say the gang truly didn’t have a choice and this was worst case scenario, why did Penelope have to be the hostage again? wasn’t she just taken hostage by Tsao’s dragon? why couldn’t Bentley be kidnapped? LeFwee had beef with him over their competition of intellect, so why not take him instead? SP made progress with Penelope overcoming the Black Baron persona, why not switch the stereotypical gender roles here and have Penelope rescue Bentley, which would result in the same outcome of them getting together? i can’t be that mad at this because in the end she’s the one who fights LeFwee, bringing about the gender role swap i’ve just mentioned. and that’s fascinating. like, it makes sense for her to be able to handle a sword because she lived in a fucking castle for fuck’s sake. and the bossfight ends in one of the most brutal ways in the series, Penelope throwing LeFwee’s chauvinist ass to the sharks. i truly like this ending to the love triangle because it depicted a relationship based on a foundation of equality, equal forces. no one is being disrespected (by each other, not the SP writers unfortunately). and it’s interesting to consider that Penelope went from being a “villain” to accompanying Bentley in creating a new beginning for the Cooper legacy and lineage.

so yeah, to skip the formalities, Penelope is fucking awesome.

a gift for murray!

PENELOPE IN HER PIRATE OUTFIT

some rough bentley sketches i’ve done in-between being Busy over the past two months :^)

Penelope has cured my artblock ✨✨✨

Shining Friendship

“The peacemaker among monsters.”