me as a writer
Just felt like uploading some old Bentley/Penelope fluff
I saw some footage from Playstation Move Heroes and I noticed that the Bentley design in that game included a hovering wheelchair. And I like to believe that this was his primary motivation for building it. …..yeah, I know. I’m a huge sap. ^_^;
'Dynamic Duo' is a decent mission in an otherwise lacklustre episode, but what i really love about it is how much it develops Penelope's character. from giving her a cutie health metre (and by extent establishing lavender purple as her signature colour. iconic) to having the targets look like pieces of cheese because y'know she's a mouse
Flower crowns for flower crimes
YES, it's finally here! I could rattle about it's development but I did most of that in the foreword. Though I forgot to mention two details. - We included 'Original Ancestors. Don't worry there's only two of them and are an excellent and creative supplement to the Cooper bloodline in my honest opinion. They're written and illustrated in the style this zine was inspired by (the ancestral book) and we hope you enjoy them. - We also included 'Honourable Mentions' after Conner's page. I could've made a whole page just, announcing them but couldn't think of much to fill it in with SO, honourable mentions are canon characters who, in some way, shape or form assisted the Cooper family in the past. - These pages have transcripts! They're in the image description. That's all! We hope you enjoy and sharing would be appreciated! Thank you!
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Penelope in a Black Baron-ish outfit
sly cooper gijinkas bc brain rot is real
Subplot - a side story that runs parallel to the main plot.
It has a secondary strand of characters and events that can infuse important information into the main storyline.
Also known as a minor story, a subplot creates a richer, more complex narrative arc in novel writing and other storytelling mediums.
One way to do that is through subplots—secondary storylines found in novels, plays, television shows, and movies.
In creative writing, a subplot can reveal more about secondary characters, create plot twists, and add another dimension to a story.
Most importantly, a good subplot raises the stakes for a main character.
William Shakespeare weaves several subplots throughout this tragic love story.
The backstory of the long-running feud between rival families, the Capulets and Montagues, creates the central conflict in the play—two young lovers from warring families desperate to find a way to be together.
The subplots involving the warring families create dramatic plot points that escalate the tension, like when Romeo’s best friend Mercutio is killed by Juliet’s cousin Tybalt.
When coming up with writing ideas to enhance your main plot, think of using one or more subplots. These could include any of the following:
Mirror subplot: A smaller-scale conflict mirrors the main character’s in order to teach them a valuable lesson or illuminate how to resolve the conflict.
Contrasting subplot: A secondary character faces similar circumstances and dilemmas as the main character but makes different decisions with the opposite outcome.
Complicating subplot: A secondary character makes matters worse for the main character.
Romantic subplot: The main character has a love interest, and this relationship complicates the main plot.
When you’re writing a book, always brainstorm the best subplot ideas that can deepen the tension and make your main character’s scenario more complex.
Try these tips when you craft your next narrative:
Ensure that your subplots play second fiddle.
A subplot exists to support your main storyline but should never overpower it.
Subplots should end before the main plot.
The exception to this rule is a romantic subplot, which often concludes in the final scene.
Give your subplots a narrative arc.
Subplots are stories, too.
Create a narrative framework for each, though on a smaller scale than your main plot.
Use this technique to tell a supporting character’s story that affects the protagonist’s actions.
You might even incorporate flashbacks as a subplot, mirroring a character’s journey with something that happened in their earlier days, like high school.
Write character-driven subplots.
Just like your main story, characters should drive the action in a subplot.
Create foils that can highlight qualities in your main character.
These characters will either help or hinder the protagonist in the story.
Try a new POV.
Your subplot might provide information that your main character is unaware of.
If your main plot is told in first person, try changing the point of view in the subplot to third person.
Figure out how to connect the subplot and the main plot.
There are numerous ways to use subplots.
A parallel subplot runs throughout the entirety of the story, showing different sides of the same plot.
This builds suspense as the reader waits for the two plots to collide (think The Fugitive).
You can also write small, isolated subplots.
Briefly introduce a character who drops in early on, then revisit their journey near the end of the story to shed light on the deeper meaning of your main plot.
Ramp up the tension with a subplot.
Propel your main story with information revealed in your side stories.
Subplots are a strong medium for foreshadowing events, so use them to drop hints and clues.
Source
Sly: May 20 (Taurus)
Bentley: September 13 (Virgo)
Murray: February 26 (Pieces)
Penelope: December 30 (Capricorn)
Carmelita: October 31 (Scorpio)
Not sure what to give the others.
so seeing how Sly doesn't get stuck in Egypt, how does it end?
Well, of course our four heroes end up staying together. Beyond that, I'm not sure where to take them.
Sly and Carmelita? Sly has given up on a future with her. Does Carmelita want to make up with him? Maybe.
Bentley and Penelope? They're engaged. A very well deserved reward after she took down Le Paradox and led everyone to victory on his blimp. She's been forgiven, though she is having trouble with forgiving herself.