Guys look at this mans š©š
Said I'd draw him w/ fangs and I lived up to that promise~ (posted earlier on my Twitter~)
It's been a long time since I drew Stan.
(I don't really like how it turned out after adding color digitally)
these were supposed to be warm ups but i kinda went insane with it
Sometimes I wonder what path Cedric would've taken if he had a real choice
do me a solid and just reblog this saying what time it is where you are and what youāre thinking about in the tags.
Wanted more of the twins so I drew more of the twins even though I still don;t know how to draw them aaaa
If you're taking prompts, here's a shitty shitty headcanon/au type thing that I've always had a soft spot for. WHAT IF, post curse, all the servants (and maybe Adam idk) found that they could change back and forth from their cursed forms at will. At first when they figure it out no one ever does it because ANGST and SADNESS but eventually they all use it for hide and seek and stupid shit
dude ive been holding off posting this just cuz i love it so much but i wanted u to know that i see it and i love it and I WANNA WRITE IT SO BAD
I have no ideaā¦
Iād been wanting to create my own AU for a while. It took me some time to decide which of all my ideas to focus on first, but I eventually went with this one because it felt like something I hadnāt explored before. And personally, I *love* stories where a character is accidentally de-aged. *Gravity Falls* has so many characters you can have fun with when it comes to that concept.
Lately, Iāve had a bit of a soft spot for McGucket, and Iāve basically been devouring every fanfic and fanart I can find of himāso I couldnāt resist making him the protagonist of this AU.
Hereās the premise: in this universe, during the episode *āThe Legend of the Gobblewonkerā*, McGucket stumbles across a strange mushroom growing inside the cave behind the waterfall. The spores from this mushroom have rejuvenating properties, which causes Fiddleford to turn back into a 13-year-oldāretaining only the memories he had at that age.
With no idea what to do, Dipper, Mabel, and Soos decide to take a very confused Fiddleford to the lake shore and try to explain what happened. Fiddleford, of course, doesnāt believe a word of it and runs off the moment he sets foot on dry land.
It only takes him a day to realize heās on the other side of the country⦠and that itās the year 2012. Naturally, he doesnāt take it very well.
Dipper and Mabel eventually find him and offer him a place to stay. At first, they sneak him into the Mystery Shack every night behind Stanās backābut Stan doesnāt take long to figure it out and just lets Fiddleford stay, as long as he helps out around the Shack with Dipper and Mabel.
Fiddleford ends up having an amazing summer, joining the twins on most of their adventures.
Meanwhile, Tate McGucket is losing his mind over his fatherās sudden disappearance.
DBH is full of little details that help understand the charactersā background and their motivations, details which can go entirely amiss if the player isnāt paying enough attention to their surroundings.Ā
You have to play several times over to notice bits and pieces of information scattered everywhere and be able to reconstruct the charactersā background by patiently piecing them together. If youāre thorough enough, you can even uncover whole chunks of the charactersā past which they refuse to talk about (something VERY frequent in Hankās caseā¦and equally frustrating).Ā
Here are a few details about the life of Hank Anderson, the lieutenant who is chosen to help Connor with his investigation, along with some interpretations of my own about his mysterious past based on the evidence we find in the game:
The park where Hank goes to drink after the Eden Club mission is a playground for children. If you pay attention, youāll see the place is full of recreational equipments, like a swingset, a toy house and a merry-go-round.Ā He says the place has a nice view and mentions going there a lot before something happened. This is where he used to bring his son Cole to play before his death.
What hurts most about this scene is how a human notices the photo of Hankās dead son on his kitchen table, then the fact Hank drove to a playground and immediately associates them both, while an android (Connor) is unable to see the correlation between them. This is why Connor asks before what?. Heās clueless to the overwhelming evidence around him of Hank thinking about his son in that moment and choosing to revisit the playground.Ā
Hank used to be part of a multi-department unit called the Red Ice Task Force which successfully busted a ring of drug dealers that sold red ice in Detroit. He has a photo of his unit on his desk, and you can even see the notes he left on each of them, where some nicknames were scribbled and associated to each of their faces. Some of them are fond nicknames, others, not so much:
The nicknames (from right to left):Ā
Prick & Asskisser - the two male policemen in the far right
Nice girl - the smiling policewoman in front of Prick and Asskisser
Asshole - the smiling policeman on the front
Real police - the policewoman in the back, behind Asshole
A good cop - the policeman in the back, right next to her
Hank Anderson
??? - policeman on his left
Not seen since 2019. Owes me some $ - last policeman, in the far left
Hank worked in the Red Ice Task Force two years before the birth of his son Cole. Cole was born in 2029, as seen in the photo below.
Hank also lost his son in 2035, only three years before the events of DBH, as seen in Coleās picture below.
The reason why Hank feels so disenchanted is because he worked hard to end the traffic of red ice in the city only to lose his son to a doctor who was a drug addict. This made him feel like his work was ultimately worthless and even guiltier about losing his son, since despite his efforts, there was nothing he could do to save him. The day Cole died, he learned he was fighting a losing battle. So he just gave up. On life. On his job as a good police officer. On everything.
Hank plays Russian roulette because deep down, he doesnāt want to die. Something keeps him from offing himself once and for all. Heās afraid of death. Proof of that is how scared he becomes when he is holding for dear life on the ledge right at top of that building during our chase for the deviant Rupert (where you must choose between saving Hank and keep chasing the android). Hank was so scared of the prospect of dying he punches Connor in the face and yells at him due to the androidās refusal to save him. Therefore, Hank might have suicidal tendencies, but heās not truly suicidal. If he truly wished to die, then all he needed to do was to let go from that ledge or fully load his gun next time heās at home and shoot himself. And he knows that.
His sense of guilt and helplessness for his sonās death is what makes him so protective of Connor. Heās aware Connor is just an android. And yet prevents him from facing potentially fatal situations. Hank just canāt cope well with death and will project his fatherly feelings for Cole onto Connor. This is why he commits suicide if he witnesses Connorās death over and over. But this is also the reason why he warms up to Connor throughout the game. He inevitably associates the android with Cole despite himself.
Hank shoots you if heās hostile after Connor repeats over and over again that heās just a machine, unable to have real emotions. Hankās actions have two root causes:Ā
1) The doctor who was high on red ice was emotionally dysfunctional. He used drugs to cope with his personal problems, a behaviour that seemed normal in Detroit given the socioeconomic hardship the city was going through (thirty percent rate of unemployment). We also see how androids are progressively replacing humans in every line of work. Remember when Hank complained how people are replacing normal relationships with humans for androids (Eden Club mission)? This seems to be a big issue in Detroit. Along with the huge unemployment rate, it indicates a depersonalisation of human interaction. That is to say,Ā a tendency for humans to avoid contact with each other and replace real interaction either with an android or with drug abuse, something which Hank not only disapproves, but finds disturbing.
2) In the very first scene of the game, we see the mother despair when she learns they sent an android instead of a real human to save her daughter. Hankās son didnāt survive because an android was sent to save him. Or at least thatās how Hank sees it. Much like that mother, he believes Cole would be alive if a human doctor had been there for Cole, another consequence of the ongoing depersonalisation process, as Hank sees it.Ā
This is why itās so important for Connor to restore Hankās faith in the possibility of there still being real human interaction left in this world. Of there being people who CARE about something. And if Connor fails to do so, repeatedly telling Hank heās just a machine, this will trigger Hank to the point heāll relive the day - or night - his son died because the hospital assigned a machine, something less than a human - an android - to save his son. Hank feels wronged, betrayed by mankind, by the very people he swore to protect as a police officer. Despite his efforts to save the city, they let him down. The fact that nobody cared enough to save ColeĀ is what killed him inside and later triggered his suicidal tendencies. Human indifference took away the most important thing in his life.
Thoughout the game, Hank is watching you, trying to figure out what sort of person Connor is. This is why he questions your decisions after every mission. Remember his dialog with Connor where he asks why didnāt he shoot Chloe at Kamskiās place? Thatās when he begins to wonder if androids arenāt more than just programmed machines and capable of free willā¦and even empathy.
Unless Connorās actions succeed in restoring Hankās hope in humanity, he sees no light at the end of the tunnel. And what could give a disillusioned, mourning father more hope than an android being able to feel and empathise with both humans and androids, to the point he rebels against his program and spares his targets, regardless of his mission?
There might be more on Hank, so this post will be edited in the future as I notice more details with each gameplay.Ā
If you liked this analysis, please like and share it. Do not repost without mentioning the source or without posting a link to the original post. I think that goes without saying, right?
Alastor as Charlie
Vox as Vaggie
Cherri Bomb as Angel Dust
Sir Pentious as Husk
Charlie as Alastor
Vaggie as Vox
Angel Dust as Cherri Bomb
Husk as Sir Pentious
Niffty as Mimzy
Mimzy as Niffty
Alastorās mother as Lucifer
Lucifer as Alastorās mother
Velvette as Adam
Adam as Velvette
Valentino as Lute
Lute as Valentino
This blog will probably be focused in any hyperfixation that I have at the moment (main blog @pashfoxx)
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