All Of Them Together!!! (yes, I Added Bachelor Doodles)

now I really want to play some game like that

Cooking horror game where you play as a cook working in the galley of a ship in the 1800s. There’s some kind of supernatural nautical horror story going on in the background but you barely notice this because you spend all day cooking in the galley.

so my mother always tends to have new ideas for au's which is sometimes a bit annoying because I can't work in one au without having an idea for another, but coming to the point, what do you think about this idea? basically it would be some kind of roleswap but with martin whitly and harry watling just imagine this harry is the serial killer who has 23 victims to his name, martin on the other hand just blamed himself for edincott's death which was actually caused by Ainsley, so we have this murderous vicar and we have this surgeon who has never actually killed anyone but has dedicated himself to saving people.

Don't worry, I totally understand, I am... constantly making up new ideas, which makes it so hard to focus on anything involving my previous ones haha.

Hmmmm, so a while ago I saw a post where someone commented on how it's possible that they events we saw in the show of Harry were all told from his perspective, trying to make himself seem like such an innocent person in order to, ya know, not be guilty for kidnapping and all that, while he's talking to the one guy on death row.

This has me thinking that maybe he does this here too, pretends he never did those murders, they have the wrong person or he was just in the wrong place at the wrong time, he never did what he did. Come on, he's a vicar, well respected and loved by his community, how could he have ever done such horrible killings?

And Martin, hoo boy, taking the blame like Malcolm did, that would play so heavily on his mind. A constant reminder that there is blood on his hands, even if he didn't actually hold the weapon.

Fascinating... I rather like this, it has potential!

Relativity falls!!!

y’all just— thinking about how excited Stanley must have been to host the twins— Alex says he smokes cigars but he doesn’t smoke once in the show— has a beer gut but he only drinks sodas in front of the kids— doesn’t swear when they’re around which must have taken INCREDIBLE effort— Stanley Pines, known crook, buying pancake mix at the supermarket and many bottles of syrup— learning to cook basic healthy meals and burning so many of them before he gets it right— buying new sheets, new mattresses— avoiding bunk beds because it reminds him of Ford— looking at the attic room he made wondering “is this enough will they like me”— trying to act aloof at the bus stop so he doesn’t betray the fact that he was there hours early— watching them goof around and thinking of New Jersey beaches— then the first night they’re there, he watches them debate running away and only stay because Mabel shook a magic 8 ball. That must have kept him awake all night.

fountain of youth au where the stans get a second shot at their prime-- and the mystery twins trying to help them tackle the new 21st century all away from across the globe

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

Celebrating my bday (yesterday lol) by announcing that I’m finally working on my human huskerdust AU again!! It’ll be a while before I update cause I want to be able to make the uploads a daily thing!

I’d been wanting to create my own AU for a while. It took me some time to decide which of all my ideas to focus on first, but I eventually went with this one because it felt like something I hadn’t explored before. And personally, I *love* stories where a character is accidentally de-aged. *Gravity Falls* has so many characters you can have fun with when it comes to that concept.

Lately, I’ve had a bit of a soft spot for McGucket, and I’ve basically been devouring every fanfic and fanart I can find of him—so I couldn’t resist making him the protagonist of this AU.

Here’s the premise: in this universe, during the episode *“The Legend of the Gobblewonker”*, McGucket stumbles across a strange mushroom growing inside the cave behind the waterfall. The spores from this mushroom have rejuvenating properties, which causes Fiddleford to turn back into a 13-year-old—retaining only the memories he had at that age.

With no idea what to do, Dipper, Mabel, and Soos decide to take a very confused Fiddleford to the lake shore and try to explain what happened. Fiddleford, of course, doesn’t believe a word of it and runs off the moment he sets foot on dry land.

It only takes him a day to realize he’s on the other side of the country… and that it’s the year 2012. Naturally, he doesn’t take it very well.

Dipper and Mabel eventually find him and offer him a place to stay. At first, they sneak him into the Mystery Shack every night behind Stan’s back—but Stan doesn’t take long to figure it out and just lets Fiddleford stay, as long as he helps out around the Shack with Dipper and Mabel.

Fiddleford ends up having an amazing summer, joining the twins on most of their adventures.

Meanwhile, Tate McGucket is losing his mind over his father’s sudden disappearance.

Hazbin Swap AU

Alastor as Charlie

Vox as Vaggie

Cherri Bomb as Angel Dust

Sir Pentious as Husk

Charlie as Alastor

Vaggie as Vox

Angel Dust as Cherri Bomb

Husk as Sir Pentious

Niffty as Mimzy

Mimzy as Niffty

Alastor’s mother as Lucifer

Lucifer as Alastor’s mother

Velvette as Adam

Adam as Velvette

Valentino as Lute

Lute as Valentino

they have my whole heart