Getting a new computer soon. Where’s that windows debloat guide people post every so often
WARRIORS BOOKS DOWNLOADS
The Prophecies Begin
Into the Wild
Fire and Ice
Forest of Secrets
Rising Storm
A Dangerous Path
The Darkest Hour
The New Prophecy
Midnight
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Power of Three
The Sight
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Outcast
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Sign of the Moon
The Forgotten Warrior
The Last Hope
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The Blazing Star
A Forest Divided
Path of Stars
A Vision of Shadows
The Apprentice’s Quest
Thunder and Shadow
Shattered Sky
Darkest Night
Super Editions
Firestar’s Quest
Bluestar’s Prophecy
SkyClan’s Destiny
Crookedstar’s Promise
Yellowfang’s Secret
Tallstar’s Revenge
Moth Flight’s Vision
Hawkwing’s Journey
Tigerheart’s Shadow
Novellas
Hollyleaf’s Story
Mistystar’s Omen
Cloudstar’s Journey
Leafpool’s Wish
Tigerclaw’s Fury
Dovewing’s Silence
Mapleshade’s Vengeance
Goosefeather’s Curse
Ravenpaw’s Farewell
Legends of the Clans
Manga
Graystripe’s Adventure: The Lost Warrior
Graystripe’s Adventure: Warrior’s Refuge
Graystripe’s Adventure: Warrior’s Return
The Rise of Scourge
Ravenpaw’s Path: Shattered Peace
Ravenpaw’s Path: A Clan in Need
Ravenpaw’s Path: The Heart of a Warrior
SkyClan and the Stranger: The Rescue
SkyClan and the Stranger: Beyond the Code
SkyClan and the Stranger: After the Flood
Tigerstar and Sasha: Escape from the Forest
Tigerstar and Sasha: Return to the Clans
Guides
Secrets of the Clans
Cats of the Clans
Code of the Clans
Battles of the Clans
The Ultimate Guide
hey did i mention it very mildly annoys me when people confuse possession/mind control/hivemind infections/other similar tropes, so i made an entire “possession shorthand” code that can communicate almost all aspects of a possession/mind control/jekyll and hyde/etc character in a string of letters and numbers
i was very bored
^ conditions
^ more detailed explanations of each condition
edit: Here i made this its even more. detailed explanations beacuse the previous explanations sucked still. also you can use the phrase “reoccuring” instead of “jekyll and hyde” for brevity or if you’re just uncomfortable with using the latter term for any reason 👍
i tried to make it so that you can communicate enough to get a basic idea for the dynamic of any possession-esque character. DO i plan on using this to communicate with anyone? No but it’s fun to have
(rules for use if you wanna use it for some reason:
1. DON’T use for characters/people with DID, OSDD, etc. this is supposed to be for silly fictional tropes you’d see in a cartoon not Dissociative Disorders)
2. DON’T use for f*tish/s*xual purposes fuck you)
*disclaimer: this is based on what’s worked for me, aka an artist that likes to make comics/storyboards. so this advice is directed at people who do that
you can do things like this:
Which is fun! Character sheets like this are great, especially for personal reference! But frankly, I don’t think most people engage with this (at least I personally don’t). You could have the coolest character in the world, but it will be harder for most people to feel invested when they’re presented so neutrally like this.
My main piece of advice is: get better at writing.
That might sound harsh when said like that, but let me explain what I mean! (Not trying to imply you’re bad at writing either!)
What I tend to do is just throw characters into situations with as little handholding as I can. Give enough context that readers can follow along, but don’t feel like they’re being explained to.
what can you learn about the characters through their designs alone? (age, personality, economic status, occupation, etc)
what can you learn about the characters’ relationship though their interactions alone? (are they close? familial? romantic? is there hostility? are they tense/relaxed?)
what are the characters currently doing? what were they doing previously (how long have they been talking)? what are they going to do next? can you convey this without dialogue?
how do they feel about what they are doing? are they content? focused? over/understimulated? would they rather be doing something else?
where are they? does it matter? would establishing a setting in at least one panel clarify the scene? is there anything in the enviroment that could tell some of the story?
what time of day is it? what time of year is it? what is the weather like?
Now, with all this in mind, I'm going to give you another example. I'm going to use completely brand new characters for the sake of the experiment, so you won't have any bias (aka I can’t use Protagonist from above, since you already know all about him).
Did this get more of an emotional response from you than the first example? Why do you think so? Who are these characters? How do they know each other? What else can you infer about them? What happened? Who is "she"?
Now, you don't have to actually answer all those questions. But think about them! You can tell people a whole lot about your characters without ever showing them a list of their likes and dislikes.
Obviously, comics aren't the only way to get people invested in your original characters! But regardless, easily digestible formats will grab people's attention faster than huge blocks of text, and comics are a lot less work than doing wholeass storyboards.
Now go and share your ocs with the world!!!
i love your art you should do a shading tutorial (but only if you want to ofc)
THANKS!!!! AHH i did make one at one point
i could update it bc theres like really vague points in there that i've learned a bit more about now, but here it is :)
Hey, if you're wanting to make some changes to how you eat, remember- it's much easier, healthier, and more sustainable to ADD foods that make you feel good than it is to REMOVE foods.
If you feel like you don't drink enough non-sugary fluids, it makes more sense to try drinking more tea and sparkling water than it does to just avoid soda. You gotta add in the good (and remember, that the only value food has is how it makes YOU feel. Food is morally nuetral and should be enjoyed.)
Try:
Adding a handful of easy produce to lunch and dinner- baby carrots or cherry tomatoes, something 0 prep. And yes, you are allowed to dip it in dressing! (The fats can make it easier for your body to absorb the vitamins in the veggies)
Adding a cheese stick or yogurt to breakfast. The protein is good and can help you wake up faster.
Adding some roasted nuts to your afternoon snack. (ADD, not replace.) That variety and little protein boost will do you good!
Have a glass of tea, sparkling water, or juice each time you have food. Let's be honest- you aren't hydrated enough. Go buy yourself some Kool Aide mix if that'll make you drink more water! Really!
If you struggle with binge eating sugary foods and it makes you feel yuck when the sugar crash comes- eat 1 or 2 pieces of chocolate with lunch and dinner. Every day. Really. Make it not a big deal. Make it not special. Make it something you can expect, instead of crave. Let yourself enjoy it without guilt.
Remember- food is a gift. It should bring you joy, not stress. Trust your body. Enjoy the cookie. Drink something tasty.
So I have only my two cents to give on the "curing disabilities in fantasy/sci-fi stories" trope, as just one disabled person among many disabled people, but here are my two cents nonetheless.
One defense of the trope is that it's simply a form of escapism, and moreover, a fantasy that disabled people themselves can quite reasonably find joy in — as a feel-good story, a break from all the pain of real life. Many — not all by a long shot, but many — of us would jump at the chance for a cure, after all, and it's not like we're not valid to do so. Lots of us take pride in being disabled, but nevertheless, sometimes it really fucking sucks.
The counterargument to the above is this: that this isn't a realistic trope, and that particularly in combination with the suffocating frequency that this trope is used, this becomes the opposite of a hopeful fantasy. When you have an incurable condition, and the only happy endings you see represented for people like you in fiction are inevitably only achieved once the characters stop being like you — that can be indescribably upsetting.
Disabled characters do not get happy endings while remaining disabled — and fiction is fiction and all, but I'm not going to pretend like this doesn't have gradual, accumulative real-life effects on the amount of effort people/society are willing to put into accessibility and acceptance, because of beliefs like "aren't you going to be cured someday anyway?" Or "isn't this disability just going to stop existing, someday? one way or another?"
I hope I don't have to explain how damaging it is to think the above way, or to imagine a future where disability doesn't exist. (Yes, even though disability is partially socially constructed. That's a load-bearing "partially".)
So, if you couldn't tell, I do generally relate a lot more to the harsher, more critical view of this trope — but I certainly don't want to judge actual disabled people for writing it either (and especially not people with progressive conditions), not when there is genuine catharsis and escapist joy that can be wrung from it. I obviously don't trust non-disabled folks with writing "cure" stories any further than I could throw them, due to a long fucking history of non-disabled people fucking it up — but also, no one should be forced to reveal personal details, let alone medical history, to justify their choice to write something.
This is the paradox that I am willing to come to terms with, by throwing up my hands and saying, "okay, so some of the time I sure don't like it, but it's technically none of my business."
That said: if you're non-disabled, or you're writing about a disability much different from your own (a physical disability when you're autistic, for example), and you want to write an escapist feel-good story featuring disabled characters: I also want to stress that "escapist themes" versus "no one's disability gets cured ever" is very much a false binary. You can have both.
I've never written a "curing a disability" story. But I've both written and enjoyed some extremely escapist, unashamedly hopeful stories revolving around disabled characters — and it's all about accommodation.
A story of any genre where society is more accepting of — and willing to collectively help care for — chronic illnesses and chronic pain? That's escapist, and if it's something that characters once fought tooth and nail for, it's pretty damn cathartic. A fantasy or sci-fi story where medicines are still required to treat a condition, but the medicines are more accessible, more effective, et cetera, may also be escapist depending on the context.
Fantasy service animals, high-tech service robots, magical or indistinguishable-from-magic mobility devices? They're all possibly escapist too. (Just note that a lot of disabled people may still maintain a personal preference for seeing the "real world" versions, and that's that's also perfectly reasonable. Remember that the gripe with the original trope has a lot to do with a lack of variety in representation, justified by arbitrary rules about how fantasy/sci-fi "should" look, and the goal should be not to replicate that.)
So, in conclusion: if you find yourself writing a disabled character, and want to give them a happy ending, I urge you not to jump to "their disability is cured now" without at least thinking through the alternatives. Do your research regardless, and accept that disabled people will likely have a wide range of opinions on whatever you decide to go with — but accept that disabilities themselves are varied, and should not inherently have to consign either characters or real human beings to tragic lives by their mere existence.
the problem with autism is sometimes you want to do something (brave) but you need someone to gently walk you through each step so you know what will happen. and people don’t like doing that
Sims 4 page on Steam. Not to be controversial but I think the CEO of EA should be beheaded for this
main @starboundsealrb blog for art/writing resources, advice, other important stuff, and the like
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