I NEED TO SEE OMEGA AND HERA IN A TOP GUN SHOW!

just came to the realisation that the protagonist of the beatboxing puppy movie and the second coming from animator vs animation have the same power

Point 1: Torgrutas live for an average of 94 standard years

Point 2: A torgruta who is powerful enough in the Force can live to 200 standard years

Point 3: During Rebels Yoda was talking to Ezra and Kanan through the Force from Dagobah even though he’s very much alive

Conclusion: Ahsoka hasn’t died by RoS she just hears everyone talking to Rey in the Force so grabs her Force megaphone and just goes “leT IT FLOW THROUGH YOU”

NO WAY-

animation vs sky: children of the light

i was going to draw more for this but then i didnt. many such cases

Headcanon: Marc has claustrophobia.

It makes sense, given how Randall died, so Marc would definitely have PTSD from that which was definitely a contributor to his DID in the first place.

Naturally, ‘When danger is near, Steven Grant has no fear’ Steven isn’t claustrophobic and so he doesn’t at first realize that his ‘fearless’ host is in fact scared of small, dark spaces. Especially underground. Mainly caves. With water.

I also recon that this is a big reason why Marc didn’t insist on fronting in episode 4 until he absolutely had to, he was quite happy to let Steven do all the dark, underground tomb-raiding, something he probably carefully got out of doing when he had been out doing archeological stuff with Layla in the past.

(This is, if she doesn’t already know about his claustrophobia or know about Randall, which is definitely the kind of thing that would be on The List of Marc’s Secrets From Layla.)

But I feel like there could be a time when for whatever reason, Marc and Layla have to go into a cave, there could be a river in there too, it could keep getting louder as they go deeper in and the tunnels get narrower, and Marc is pushing down panic but it’s getting harder. Steven, from the reflection in the water, would figure it out pretty quickly and gently try to convince Marc to let him take the body, but Marc keeps insisting that he’s fine. He’s not, and Layla notices, she and Steven trying their hardest to talk Marc out of a panic attack.

Then Marc goes very still, eyes flickering, then lets out a deep breath and Steven turns to a confused and concerned Layla just to say ‘let’s keep going,’ then he walks off.

Later, Layla would find time to ask one of them about what happened back in the cave, and that could be how Layla finds out about Randall, Wendy, and how Marc created Steven in the first place.

Just an idea.

I know Anakin's desilusions of grandiosity are the talk of the town, but something something Padmé dehumanization of herself as a result of so much survivor trauma and so many close death calls. She's the senator with the highest murder attempts on her, she gets assesination attempts weekly and brushes them off, and she keeps chasing for justice to the point of collition, she sees people dying around her all the time but she keeps on living and living, at some point she's flirting with death as much as Anakin does in the battlefield. And something something, Anakin, ironically, in his extreme trauma and fear of death taking the people he loves, being the only one to say "You're a person, and your name is Padmé, not queen nor senator, and you're as fragile as any other live being" Something something the irony that person that most adored her being also the one who saw her as a person Something something Anakin commiting atrocities not for a goddess, no for a politician no for royalty, for a person. Something something how contrarian it is, that Anakin sees himself as a weapon, and Padmé's extreme guilt becoming what seems like superiority.

And particularly here in this comic something something how easily Anakin can walk through that storm Padme has created, how easily he can enter into her headspace and she doesn't flinch, doesn't blink, she isn't even surprised because she expects him and he's the only one that knows and can reach her like this, they're just having a conversation, something something.

Something.

I swear this was the end of me, so idc if i'm rambling, this comic kept me up awake for more than one day, because the power would go out every single time i sat to work on it, damnit

i need to sleep asap, and eat, eating first probably

YEA I WAS GONNA COME ON HERE AND ASK WHAT U THOUGHT

i might just explode. who knows. u?

oh im so sick

i hate this series /extremely pos

I'm honoured, thankyou!!! :DD

HELLO UM-

Your little Harbour PotC AU gives me absolute life, just for the record. Even tho i am very very late, thank you for making it :D

There is a headcanon I got that wouldn't leave my brain after looking at your art, originating from that one conversation between Beckett and Jack where there were some implications about canon being everyone’s previous lives. Whether this is actually a part of your au or not, it got me thinking eheheh

Theoretically, (perhaps in an au of an au, if this headcanon contradicts your lore,) what if your au and canon were the same 'verse, just several hundred years later? And what if not everybody were on their second life?

We obviously have a sprinkling of supernatural stuff, so what if the secretly-a-goddess Calypso and immortally-cursed Davy Jones were the OGs that they were in the films? Like, Davy Jones maybe came back somehow (as per movie 5's end-credit scene lol) and took back the role of the Dutchman's Captian after Will went back to Shipwreck Cove. All is good.

He learned his lesson now and actually does his job of ferrying souls. As times changed, so did his ship, in some magical way. She's no longer a sailing ship, and he'll always miss that, but he doesn't mind all that much. His crew usually only stay for that 100 yr contract, so he's seen plenty of sailors come and go. Eventually, he even hires living mortals. Less people die at sea, so by the 20th century, Jones takes a mortal job as a fisherman (or whatever his job is in your au) as well.

Whether or not he knows about the whole reincarnation thing doesn't really matter; the day he employs a familiar man by the name of Bill Turner, he chalks it up to coincidence. Even if Bill has a son named William, well- it's been 200 years, perhaps it's just a really really big coincidence. Either way, it doesn't matter to him.

It's not until he's docked in a small, out-of-the-way harbour, and three troublemaking kids sneak onto the Dutchman that he finally realises. Bill's boy, on his own, is just a matter of coincidence. Those three, together? It's unmistakable. And as bothersome those three pirates were, so long ago, I'd like to think that he looks back on that age, on those people, with some kind of fondness.

(Until he discovers they can be the most INFURIATING little gremlins he's ever met in all his centuries. But he'll find that out later.)

Anyway I drew it :D Have my humble, scribbly offerings.

(I feel bad about running away with this, even as just a headcanon-of-an-au, please don't take this as a 'you should do this' lmao, it's just me adoring all of your content it makes my brain go brrr you are amazing thankyou!!!)

This is so lovely 😭😭😭

The idea of Calypso and Jones being the same ones from canon but just... having had a lot of time to chill down and have a second chance is so??? Inagine what Jones must be thinking looking at those kids... this is so bittersweet (but mostly sweet)

I'm sorry it took so long to respond, I wanted to write a proper reply expressing just how much I love this but couldn't get around to it. Hope you don't mind me posting this publicly; I need everyone else to see this as well.

Ok okay

Hear me out-

What if-

But what if-

Just… what if?

(Weird ass hyperfixations I’m sorryyyyyyyy)

Couldn’t if we tried, Shwub ✌️

my spotify wrapped came early this year?!?!

first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line