storyteller
sometimes I forget that I'm just a teenager writing a webcomic in my spare time, so I shouldn't hold myself to the same standards as, say, a feature film with an entire team of professional writers, or Hiromu Arakawa. Writing flawed stories is okay, and even necessary in order to write better ones :)
(if you want to read aforementioned amateur webcomic...)
I’m curious!
You too, pookie! (Or whatever kids say this days)
Happy Valentine's Day to all my moots! Thank you for helping me build my lil community on this blog. Even tho I'm not one for online friendships the same way some people are, I still love and appreciate all y'all ❤️❤️❤️
@skybiie @cosmic-nebula356 @sideswipe1730 @rubesherzheart @kroltheprotocol @heyacris and any other moots I forgot to mention because there's no easy way to look at a list of moots on Tumblr lol
an "ordinary russian" man : "I want to catch a 16-year-old khokhlushka (slur for a ukrainian woman) whose father died near Bakhmut, take off her underwear and tights, leave her only with a t-shirt with the inscription “Everything will be Ukraine”and roar to deflower her, kissing her tears and looking at her into the eyes where the pupils dilate to the size of Mother Russia."
these are the people you like to infantilise and justify so much btw
welcome to a new series <3
you can follow it on webtoons here so you don’t miss an update
I just realised yet another little detail that symbolises so much in the story!
During Dos Orugitas, we see a young Alma Madrigal that seemed to be cheerful, playful and even a little clumsy. The braided hair, the frilly dress and the big smiles help create an image of her as a sweet, carefree young woman who was not afraid to just be herself.
Once the tragedy with Pedro happens and the miracle is born, Alma immediately takes shelter in casita and we see her alone, silently processing the events of the evening; looking extremely weary, lonely and traumatised. She looks down at her babies. Her Julieta, her Pepa and her Brunito, and her expression changes. She knows she needs to be strong for them. She’s resolute, but there’s a sadness in her eyes that says she knows what this means for her, too. She can never go back to the woman she used to be.
The next time we see Alma, she is putting on a black cloak and leaving the room. This room was the cocoon where she transformed into a new person, leaving her old self behind. She’s become different. Her smile doesn’t quite meet her eyes anymore. She looks tired, somber. Older, even.
There’s a shadow, a trauma she’s carrying that soon takes form in the perfectionism and control that eventually hurt her loved ones. This event shapes the way she deals with challenges from this moment on, and she is always in fear of the family losing their home once again.
She became harsh. Strict. Everything has to be perfect in order to protect and earn the miracle the love of her life granted their family with his noble sacrifice.
This is an incredibly strong woman who has been through hell and came out alive, for her family’s sake. This black cloak follows her from her young years to her old age, and becomes a constant throughout the movie. It represents the weight and the burden of the grief she silently carried ever since that moment, and will continue to carry for the rest of her life. It represents the change she had to go through, putting her emotions last in order to become the strong matriarch her kids and the village needed. It represents the loss of not only her beloved Pedro, but also of her innocence, her youth, her laughter and her smile.
From the moment young Alma Madrigal and her children were gifted a miracle, she became the one responsible for the whole village. She, as the only one blessed with the magic and the one whose gift repelled the enemies, was naturally placed in a position of power and leadership in the worst moment of her life.
It’s likely she was the one everyone immediately looked to for directions right after the miracle happened, and that she had to leave her feelings behind to help other lost and grieving people rebuild their lives and their homes, creating what the village of Encanto eventually became. She put everyone else first. She was extremely selfless.
Alma Madrigal is such a complex character. There are so many layers to her personality. This is why you guys can’t just write her off as a villain or as a horrible person/grandmother. It’s not so black and white.
The main reason why some people refuse to see Dabi as once an abused child, and keep deeming him insane or evil since he was born, is undoubtedly because his abuser was Enji who is trying to change now.
Shigaraki and Toga are villains who were also once abused when they were children (in Shigaraki's case, he is still used by AFO till now). Fortunately, people generally aren't very keen on refusing to admit Shigaraki was groomed by AFO or was abused when he was a child. People usually have no hard time calling AFO or Kotaro an abuser and don't use excuses like AFO giving lil' Tenko a hug, Kotaro only slapping Tenko twice, or Kotaro not being harsh to his wife, to back them up. People also do not really deny Toga was neglected by her parents.
Matter-of-factly, neglect is one of the things Enji did to his children. The difference is Enji neglected Touya, Fuyumi, and Natsuo inside a luxurious house, provided them clothes and food. Other than that, quoting Natsuo's words, Enji was just like a complete stranger to his children.
How about physical abuse? Ironically, there are people who genuinely consider the things Enji had done to his family as not abuse. They think since Enji was hitting Shouto and Rei "rarely", then it wasn't abuse. Another common misunderstanding (or excuse) is since Enji was doing more of mental abuse to his family and "rarely" did physical abuse, then he wasn't abusive. In all honesty, what kind of conclusion is that?
Does Hori need to show us Enji hitting Rei 10 times for us to admit Rei was not only mentally but also physically abused by her husband? Does Hori need to draw a graphic image describing how Shouto could puke when Enji was "only training him" for us to include it as a physical abuse as well?
Ever consider if mental/psychological abuse is not part of abuse why it has word "abuse" in it? Mental abuse is included in the types of abuse too, though.
In addition, if child neglect is not part of child abuse then why WHO, APSAC, APA (American Psychological Association), and many others indicate it as a form of child abuse/maltreatment as well?
Someone who performs any type of abuse is called an abuser. Abuser is an example of a noun ending in -er. The ending -er is added to verbs to make nouns with the meaning ‘a person or thing that does something’, for example: builder, farmer, or sprinkler. Thus, since Enji was doing abuse so he was called an abuser, or in present settings, he is an ex-abuser. There is literally nothing wrong in calling Enji an ex-abuser or saying he was abusive. Getting mad or defensive when people calling Enji an ex-abuser or once abusive is overly ridiculous to me.
Dabi was once an abused child. Touya was neglected just like Fuyumi and Natsuo. Among the main trio villains or the Todoroki children, it seems like Dabi/Touya is the one denied the most (if not the only one) of his status as once an abused and innocent child. Tragically, encountering people deeming Touya was insane since he was born or calling him an evil manipulative child is not rare nowadays. Yet, almost no one calls Tenko an insane and evil child, considering both Touya and Tenko ended up as villains today. Tenko and Touya both were hurt and traumatized children. It is weird when people are able to symphatize with Tenko but not with Touya, forgetting Touya was engulfed brutally in broad-scale wildfire and his body was horrifically consumed by scorching fire; a 13-years-old boy almost died.
Why do people react to Tenko's story and Touya's so differently? Well, Touya/Dabi's abuser is trying to change now, isn't he? Now, let's think. If, for example, AFO wins the fight with Deku in the future, then he suddenly has a change of heart and wants to try to be a better person, would you say Shigaraki was never groomed by him before? Or, if Hawks's father some time later is released from the prison and wants to try to change to be a good father to Hawks then, would you say Keigo was never abused in the first place?
No matter happens to an abuser now, whether he's trying to change or not, it will not change the facts that the past still exists, the abuse still happened, and his victims will still be the victims. It is ironic to watch people doing it easier to label Rei as an abuser than Enji. Shifting the blame to someone else who was also one of Enji's abuse victims is not making his character any better. Refusing to admit Shouto, Touya, Fuyumi, and Natsuo were once children abused by Enji is not making his character any better either.
Truthfully, because of the past can't be erased, that's why Enji is trying to make amend to that in the present. Enji is in the process of trying to atone for his abusive self. If we are to erase and downplay his abuse, shift the blame to someone else, and refuse to acknowledge whom his victims were, then what is character development that he's going through all this time for?
TBH I was hoping for Touya to die. So, he won’t suffer anymore and I really don’t want him to be stuck in prison for the most of his life or for rest of his life. He do not need that. He once died and should have stay die. Now it’s like all over again for him to “come back from death” and probably still don’t want to do anything with his family. Damn.
A Blacksmith’s Dream