Like i swear you will be happier with the show if you just rewrite it instead of arguing with people about it. be a happy hater it will change ur life (coming from someone who did the same thing. and i’m not even a writer like that. u seem like your good at writing judging by ur posts dude
Thanks for the comments about my writing, I really do appreciate. I love writing and stories and such, and really do wish I could make the next Hazbin Hotel, but I'm a minor rn so tumblr posts is the best it's gonna get right now
But I really am pretty happy (as happy as you can get with severe depression lol). I guess something about my tone makes people think I'm frothing at the mouth, screaming at my screen, and punching the air whenever people "argue with me." (I'm not trying to say you specifically, but a lot of people tend to think I'm angrier or meaner than I'm trying to be.) I swear guys, it's the autism, I actually have a lot of fun debating.
I do like Hazbin Hotel. a lot. I might even say I'm a fan, despite all its issues. A lot of these "arguments" are just debates, my largest one being with someone who's now a mutual. I think the problem is that a lot of critics can't say their opinion without being called whiny or nitpicky, and I think that's something all fandom can work on. What I'm trying to say is: I'm very happy with my place in the fandom. I enjoy the show, and enjoy analyzing it. Criticism ≠ hate :)
watched a goofy movie and I TOTALLY VIBE POWERLINEEEE 🥺🤩⚡⚡
“B-but stolas has trauma!!”
He bout to have some more if he don’t shut up
You know,the worldbuilding for hazbin and helluva are interesting but at the same time,I feel a bit bored by it. Sorry,it's just it has potential and all of that but hell is just like a nighttown that you can go there and suffered no consequences. And I know helluva is a spinoff to hazbin hotel except it's just destroys the both meanings of it. Especially since hazbin is about redeeming sinners while helluva boss is just don't get mad at me but just soap opera between an elitist with a peasant. I thought helluva boss is gonna be us seeing the IMP doing their missions and encountered many different challenges on navigating a business not seeing a dramatic retelling yaoi festizhization love story of stolas and blitzo. And with hazbin,it's just I wanna see hazbin having different customers and guests and how they interact with the hotel not a literal fight with heaven of all things. What's next? Do I need to get into getting myself info a lore Livestream of Viv telling us? No,I want subtle storytelling not an Italian soap opera,ah man. Ah,now because of this I have to entertain myself with fans making fanmade comics of both helluva and hazbin hotel and I'm not complaining because let's face it,fans does it better than the creator Viv does.
Vivziepop so quickly strays from her original concepts, and it makes both shows difficult to watch. The last Helluva Boss episode that includes I.M.P. going to Earth on a mission to kill someone is episode 5, ‘Unhappy Campers,’ and that was only Millie and Moxxie. The last time the whole team went was episode 4 of season 1! Helluva Boss is now just a show about Viv’s twinks and kinks. I genuinely think I’ve seen enough of Stolas for a lifetime. There’s so much potential with a show like this, and I would have loved to see Helluva Boss explore both Hell and the Human World, but it does neither. There are so many ways this show could be executed to explore the worlds and character dynamics, but we barely even know anything about how these characters interact with each other.
Hazbin Hotel does the same thing. We have the possibility to explore Hell and Heaven, but we don’t. Hazbin Hotel is also supposed to be more about the women characters, but we know very little about Charlie, Vaggie, Niffty, or any of the other women; we instead get episodes about Husk, Alastor, Lucifer, Angel, Vox, and Val. Hazbin was supposed to be about new people coming to the hotel to learn about redemption. The only person we actually get is Sir Pentious, who doesn’t even change or learn anything about virtue and redemption. We also kind of get Cherri, but she isn’t even part of the hotel. 8 whole episodes for two official people in the hotel. I’d rather we see people coming to the hotel and learning about redemption for an entire season instead of the drama we see go down with Adam and Heaven.
Hazbin Hotel and Helluva Boss just move WAY too quickly. I think it’s even difficult for fans to write fanfics and comics about these characters because they have nothing to go off of. Almost none of the characters have personalities, and we don’t know how they interact with each other. However, I do think that Viv’s Hell is an interesting world. I just wish it was explored more. We’ve only see a few of the rings, met a few of the sins, and seen very little of Hell at all. I have no hope that Hazbin Hotel or Helluva Boss will be better shows, the only hope I have is that in 30 years, someone reboots these shows, and actually makes them good.
I've had a recent realization about Stella and Striker
I am 100% a Stella defender. She's flawed, but she deserves better than having Stolas in her life. But whenever I defend her, people always bring up the time she hired Striker to kill Stolas.
I have thoughts about this. First off, it's Hell, and hiring an assassin to kill your cheating, bitchy husband seems pretty standard. But why is hiring an assassin seen as a bad thing? And why is Striker even a villain? Striker is a hitman and an assassin, and that's seen as horrible and immoral. However, our main fucking characters are also hitmen. (Hitmen, NOT assassins, I see so many people confusing the two 😭) Why is it evil for Striker to be a hitman and assassin? Why is it evil for Stella to hire this hitman/assassin? And why is it NOT evil for the main characters to literally be hitmen? Why is it bad when Striker does it, but not when Blitzo, Moxxie, and Millie do it? And why is it evil for Stella to hire an assassin, when our main characters' careers and incomes rely on people like her hiring assassins and hitmen?
This also just shows a larger issue in the Vivziepop fandom, which is "It's bad for others but not for the main characters." Things are shown as being evil and immoral (murder, abuse, assassinations, SA, etc.) SOMETIMES, but when it's supposed to be comical, or when it's done by a main character, suddenly it's fine
DO NOT MATCH MY FREAK. I AM MENTALLY ILL. SAVE YOURSELF.
who on earth gave harry hook the right to have that much untapped sexual tension in a disney channel movie in the year of our lord two thousand and seventeen
What's your opinion on the hazbin hotel songs?
(I've heard a few and i think they're okay..)
I'm so glad you asked bc I have some OPINIONS
(I'm not gonna talk about the pilot, just the episodes)
I've watched the first four episodes and they're better than I expected, but my expectations were on the floor
The first song is "Happy Day in Hell" from "Overture." Although this song/plotpoint should have been WAY later in the series, I like it. It feels like "Inside of Every Demon is a Rainbow" from the pilot, however both songs are on my playlist. It's a good song that serves as a recap of the pilot, showing Charlie's personality, motives, and her relationship with Vaggie (a little). It's a nice song with little substance, and feels like a Disney Princess' "i dream of something more" song. 7/10
In the same episode, we get "Hell is forever" sung by Adam. THE Adam. The first man Adam. Charlie meets with the Angels (just Adam and Lute, a girlboss exterminator who I think is in love with Adam?) and discusses her plan to redeem sinners. Adam laughs her off, singing "Hell is Forever," trying to convince Charlie that sinners can't change. Adam is such a dickbag that it's hard to like any part of this scene. He is really disrespectful towards women, grossly sexual, swears more than most characters in the show, and talks about being the "original dick." It wasn't unbearable, but it's probably the most forgettable song so far. 2/10
Next is "Stayed Gone" from the episode "Radio Killed the Video Star." It feels like a rap battle. It's a competitive song between Alastor and Vox that takes place over the radio and on TV respectively. A basic rundown is that Vox is kind of horny and down bad for Alastor, won't admit it. Vox is really pissed that Alastor came back (he was gone for 7 years) and is basically going on TV to shit on him. However, before he left, Vox had asked Alastor to join the Vees, (an influential group of overlords with names that start with 'V'; it's giving middle school popular girls) and Alastor refused. Vox is mad that Alastor didn't join, which leads Alastor to drop the iconic line "I said no and now he's pissy, that's the tea." This is probably one of my favorite songs in HH. It's catchy and unproblematic (which seems to be difficult for Viv). 8/10
"It starts with Sorry" is a song Charlie sings to Sir Pentious, telling him she'll accept him into the hotel if he owns up to his mistakes. It's an okay and forgettable song, but it's super ironic. A song about acknowledging you've hurt people, apologizing, and becoming a better person? In Vivienne fucking Medrano's show? Absolutely hilarious to listen to, if you go at it with a different perspective. Viv should take her own advice. 3/10
The episode "Scrambled Eggs" is based more around women (shocker, it wasn't written by Viv or Adam). The first song in this episode is "Respectless." It's sung by Velvette, one of the Vees, and Carmilla Carmine, an overlord. Velvette brings a decapitated angel head to an overlord meeting, and announces that angels CAN be killed, contrary to their previous belief. Velvette suggests they fight back against the angels and the exterminations, while Carmilla is adamant against it. The song's fine, but I especially love Velvette's lines. She has an English accent (Essex? I think?) and basically says "I'm not just a bitch. I'm THE bitch" and I love her for it. 5/10
Right after that, we find out that Carmilla killed the angel, which would have been shocking, but we only knew her for like, 5 minutes. The meeting's over, and it's just her and a few others. She says that she killed the angel to protect her daughters, and that going to war would endanger them again (basically "going to war endangers the people we started killing for"). She sings "Whatever it Takes" about protecting those she loves? I think, the song wasn't good enough to pay attention. This song's got a side-by-side with Vaggie, who's singing about wanting to protect Charlie. It's a sweet and nice song, but was just kinda mid. There's also a problem with Vaggie's singing, in which her voice is deep and monotonous, but her singing is light and high-pitched. 4/10
Oh boy. The next episode. "Masquerade." The first song is "Poison," sung by Angel Dust. It was released early, and got lots of hype and controversy. Similar to "Addict," it's a song where Angel talks about his struggles with addiction and his sexual abuse at the hands of his pimp, Valentino. Both of these songs are also on my playlist. It's catchy and fun to listen to, while also tackling deeper topics. Angel feels like his sexual abuse is his fault, and although he absolutely hates it, he feels like he has no choice but to stay. The song on its own? 9/10. Then the episode came out. The song shows Angel dancing and singing this song while graphic images flash behind him. Images of his rape and sexual assault. This episode had ZERO trigger warnings. The creators of this song were Viv and Raph (I can't find his last name right now). We can only speculate for Viv, but Raph 100% has a Rape kink. He ships Angel x Valentino, posts cosplay and art shipping them, publicly sexually harassed (asked for the nudes of?) a 15 year old, and essentially has admitted he finds rape and SA hot. He also lied about being an SA victim. Neither Viv nor Raph are SA victims. This song is just to fuel their rape kinks. Viv and Raph have yet to apologize for sexualizing SA, and have since doubled down on why this is "good representation." Truly disgusting, I have no choice but to say 0/10
"Loser, Baby" is similar to "Poison" in the sense that's it's fine until you REALLY think about it. In this song, Husk tells Angel that he used to be an overlord, but lost his power to Alastor. He says that he understands how Angel feels, since both their souls belong to overlords. The song is supposed to portray a "you're not alone, I understand what you're going through" message, but instead feels victim blame-y, with Husk kinda telling Angel that he should just try to ignore and move past it because everyone struggles. 6/10 song, 0/10 message
The songs were kinda disappointing, especially the last two. Fuck Vivienne Medrano