Labyrinthians - Lover Of Things

Tag Yourself: Hogwarts Houses as Types of Writer

Gryffindor: adventure stories, hero's journey, cocky characters, feats of derring-do, writing sprints, writer's block is their personal enemy, battered notebooks stained with careless coffee spills, borrows pens and forgets to return them, a disaster pantser

Hufflepuff: children's books and whimsy, settings full of flowers, massive worlds to explore, quaint villages, romance and friendship, cosy writing nooks, glitter gel pens, scented candles to set the writing mood, classic plantser who follows the fun

Ravenclaw: poetry and philosophy, writes at a desk laden with books, extensive notes in the margins, sticky notes and highlighters, drafts the same page six times and still can't decide, gets distracted by reading, repulsed by the mere thought of writing out of order, always wins NaNoWriMo

Slytherin: dark academia and grim fantasy, snarky heroes and obnoxious villains, hidden passageways and red herrings, fountain pens and Moleskin journals, meticulous plotter, success out of spite, cries when they kill characters but will never admit it

16 Villain Archetypes

The TYRANT: the bullying despot, he wants power at any price. He ruthlessly conquers all he surveys, crushing his enemies beneath his feet. People are but pawns to him, and he holds all the power pieces. Hesitate before getting in this man’s way – he’ll think nothing of destroying you. The BASTARD: the dispossessed son, he burns with resentment. He can’t have what he wants, so he lashes out to hurt those around him. His deeds are often for effect – he wants to provoke action in others. He proudly announces his rebellious dealings. Don’t be fooled by his boyish demeanor – he’s a bundle of hate. The DEVIL: the charming fiend, he gives people what he thinks they deserve. Charisma allows him to lure his victims to their own destruction. His ability to discover the moral weaknesses in others serves him well. Close your ears to his cajolery – he’ll tempt you to disaster. The TRAITOR: the double agent, he betrays those who trust him most. No one suspects the evil that lurks in his heart. Despite supportive smiles and sympathetic ears, he plots the destruction of his friends. Never turn your back on him — he means you harm. The OUTCAST: the lonely outsider, he wants desperately to belong. Tortured and unforgiving, he has been set off from others, and usually for good cause. He craves redemption, but is willing to gain it by sacrificing others. Waste no sympathy on him - he’ll have none for you. The EVIL GENIUS: the malevolent mastermind, he loves to show off his superior intelligence. Intellectual inferiors are contemptible to him and that includes just about everyone. Elaborate puzzles and experiments are his trademark. Don’t let him pull your strings – the game is always rigged in his favor. The SADIST: the savage predator, he enjoys cruelty for its own sake. Violence and psychological brutality are games to this man; and he plays those games with daring and skill. Run, don’t walk, away from this man – he’ll tear out your heart, and laugh while doing it. The TERRORIST: the dark knight, he serves a warped code of honor. Self-righteous, he believes in his own virtue, and judges all around him by a strict set of laws. The end will always justify his nefarious means, and no conventional morality will give him pause. Don’t try to appeal to his sense of justice – his does not resemble yours. The BITCH: the abusive autocrat, she lies, cheats, and steals her way to the top. Her climb to success has left many a heel mark on the backs of others. She doesn’t care about the peons around her – only the achievement of her dreams matters. Forget expecting a helping hand from her – she doesn’t help anyone but herself. The BLACK WIDOW: the beguiling siren, she lures victims into her web. She goes after anyone who has something she wants, and she wants a lot. But she does her best to make the victim want to be deceived. An expert at seduction of every variety, she uses her charms to get her way. Don’t be fooled by her claims of love – it’s all a lie. The BACKSTABBER: the two-faced friend, she delights in duping the unsuspecting. Her sympathetic smiles enable her to learn her victims’ secrets, which she then uses to feather her nest. Her seemingly helpful advice is just the thing to hinder. Put no faith in her – she’ll betray you every time. The LUNATIC: the unbalanced madwoman, she draws others into her crazy environment. The drum to which she marches misses many a beat, but to her, it is the rest of the world that is out of step. Don’t even try to understand her logic – she is unfathomable. The PARASITE: the poisonous vine, she collaborates for her own comfort. She goes along with any atrocity, so long as her own security is assured. She sees herself as a victim who had no choice, and blames others for her crimes. Expect no mercy from her – she won’t lift a finger to save anyone but herself. The SCHEMER: the lethal plotter, she devises the ruin of others. Like a cat with a mouse, she plays with lives. Elaborate plans, intricate schemes; nothing pleases her more than to trap the unwary. Watch out for her complex designs – she means you no good. The FANATIC: the uncompromising extremist, she does wrong in the name of good. She justifies hers action by her intent, and merely shrugs her shoulders at collateral damage. Anyone not an ally is an enemy, and therefore, fair game. Give up any hope of showing her the error of her ways – she firmly believes you are wrong, wrong, wrong. The MATRIARCH: the motherly oppressor, she smothers her loved ones. She knows what’s best and will do all in her power to controls the lives of those who surround her – all for their own good. A classic enabler, she sees no fault with her darlings, unless they don’t follow her dictates. Don’t be lured into her family nest – you’ll never get out alive.

oh hbo the television network that you are

calling all ~teenage~ writeblrs !!

like/reblog this post if:

you’re 18 or younger

you’re a writer

that’s pretty much it!!

i want to see more people my age on my dash, not just because i love seeing other young writers trying to reach their goals, but also because it’s nice to know that we’re not alone in balancing writing with school, friends, extracurricular activities, jobs, and everything else:)

(feel free to boost this if you want, even if you’re <18!!)

no thoughts, just "where is duty, where is sacrifice" and the way that alicent clings to abstract constructs like religion, honor, duty and sacrifice because her material life is so concretely terrible and empty. to have loved someone so dearly, and watch them be what you perceive as free while your entire personhood is reduced to a womb and made to serve the realm, a vessel for the rotting king to use and abuse. to not exist as a person for yourself but in only in service to others as you are ordered by your father under a patriarchal structure..........and then the contrast of that quote, which summarizes all of alicent's anguish and agony, to the classic, "what is honor compared to a woman's love? what is duty against the feel of a newborn son in your arms...we are only human, and the gods have fashioned us for love.".................but alicent doesn't have love, not anymore. duty, honor, these concepts - they're all she's got, and the lack of the very elements that make them meaningful has corroded her inside and out. so: honor, duty, sacrifice, all without love. and here we are.

room of swords ruined all other webtoons for me 😀

I WILL wake up Christmas morning and find these two scissoring under the tree 🙏🏻🙏🏻 please god

thinking about shauna listening to jackie talk about jeff like he never even mattered when shauna is pregnant with his baby because she just wanted something jackie had and wanted to be wanted by someone who wanted jackie and now jackie doesnt even care anymore and shauna is stuck with this forever. and then jackie dies and then the baby dies but not before shauna has to give birth to him in the wilderness in winter surrounded by people who eat the dead and now fucking jeff sadecki is the last thing she has of either of them and what the hell is she supposed to do with that? she's stuck with him forever.

thinking about shauna beating lottie almost all the way to death to get all of that rage out of her and then when that rage is out of her they give her a knife and tell her to slit natalie's throat, and then when natalie runs and shauna is let off the hook for one thing for once they give her the knife again and tell her to cut up javi, the closest thing to a baby, so they can eat him, and now she's stuck with this, too. and all that rage she burned off didn't go anywhere, really. it's still right there.

and then im thinking about shauna watching lottie and everybody else crown natalie the queen for virtue of not dying, which is the same thing everybody has been doing, except for jackie and the baby and javi who all took chunks of shauna with them and left her with nothing but a knife.

im thinking about shauna who watches everybody gossip and laugh through the springtime knowing that when winter comes she will be the person who will have to cut them all up one by one so the rest of them can live and its very easy to see why she isnt friends with any of them anymore by then. she looks at them and she sees cuts of meat and how is she supposed to look at anybody normally ever again after that?

and its cruel, of course it is, everything she does to coach ben. it's not his fault, it's not about him at all, really, except that he is exactly the problem. he's innocent. he judges them. he sees what they have had to do to survive and pretends he never profited from any of it. pretends to be above it, uninvolved. he judges them. he judges her.

and shauna needs complicity from these people. she needs somebody else to know what it feels like to hold the knife. she needs people to be stuck with those guilty votes forever. tai with the gun and melissa with the knife and natalie at the butcher's table so that she's not the only one. and so ben is the sacrifice.

i saw somebody say that shauna doesnt want natalie to have to feel the pain of butchering a person, thats why she puts the cloth over his face. but that's not true. she *needs* natalie to know the pain of it, the guilt of it, the weight. The cloth is a lie she told herself would make it easier but she knows that Natalie is about to know what the inside of this man's joints look like either way and that she's going to be stuck knowing that forever.

they are going to be rescued someday and everybody will say "we did what we had to do to survive" and shauna needs to not be the only one who really has to mean that when she says it. and i guess she has that now. or she's about to.

oh hbo the television network that you are