:D

Is this it op?

https://twitter.com/Aiwasensei/status/1291385619919310848

Couldn't find the art on their Tumblr, but their url is aiwa-sensei here if you wanna see more of their lovely art!

i tried to find a specific piece of fanart i saw a bit ago as a writing reference but even after combing through several tags and files i did not manage to locate it. i'm losing my mind help

so!

it's a sketch-like/line art drawing with a yellowed background, aziraphale is on his knees on the left side, crowley is sitting down on the right. aziraphale is taking care of his burned feet i think, but it might also be just washing them without the burns, i can't remember exactly.

if anyone knows which fanart i mean please let me know in whatever way. oh, and if you find something similar that's also good!

Wendy Carlos (b. 9/14/1939), composer, musician, and first trans woman to win a Grammy

Suite from Tron (1982)

Happy Pride Month!

Holy forking shirtballs

I'm choosing violence today. I started this on Twitter, but I'm going to finish my thoughts here like I always do.

But what really blows my mind the most is the way that people look at Aziraphale's "choice" at the end, as if he had one to fucking begin with.

I'm sorry, but Aziraphale knows how messed up Heaven is. He told The Metatron, more than once, that he did not want to go back to Heaven! We can debate what each of us means by "choice" all night because my "choice" and your "choice" might be two different concepts. He could have been strong armed by The Metatron or he could have looked at where things were headed and realized he had no choice but to intervene himself.

You need to ask yourself what Aziraphale has a moral imperative to do.

What do we owe to each other?

Seriously, if you have not watched The Good Place, I recommend you go and watch it, because it absolutely shaped how I've viewed Good Omens 2 since its release.

My levels of frustration with the bad faith mischaracterizations of Aziraphale are off the charts. If you are blaming him for everything, implying that he should have to grovel and that Crowley has a right to hurt him back, you have missed the point of Good Omens entirely.

I defend Aziraphale, but I don't think one of them is more right or wrong than the other. They're equals. They're a group of the two of them, acting and reacting to each other throughout history. They're Alpha Centuri.

I cannot even begin to explain how fucking devastated I felt when Crowley said these words, knowing he was fighting a losing battle. What he said took a lot of courage because he's finally admitting something they've both been too scared to publicly define for 6,000 years. Crowley has had to spend so long with a rough outer shell because he fell and had to hide all of his softness.

The look on his face was one of pure joy when he created that nebula, but I think the fact that he got to share that moment with Aziraphale is what has always stuck with him.

So yeah, seeing Crowley with a broken heart at the end of "Every Day" was sad for me as well.

My brain still lives here!!

But Neil has said that Good Omens 3 is not quiet, gentle, or romantic. I imagine it's going to be more like the the first season in which they are not central to the plot. GO2 will help us make sense of how they ended up where they are when we see the bigger picture with all the other major players involved with GO3.

Aziraphale was still a soldier and accidentally got himself discorporated in his own magic circle in season one. He had a platoon waiting on him to start Armageddon, and he deserted them to go save the world with Crowley instead. Aziraphale is a deserter. I need everyone to remember that. He yeeted himself out of Heaven and sought out Crowley before even locating a body just to warn him about what was happening so they could try to save the world together.

I can't help but think of 1941 and that magician who had been arrested for being a deserter.

Aziraphale disobeyed orders. That took courage but it branded him as a traitor against Heaven. They tried to destroy him for it the same way Hell tried to destroy Crowley for his part in stopping the war.

Aziraphale and Job are the only characters we have seen interacting with God directly. Aziraphale has spoken to God before and he is determined to do so again.

Aziraphale knows Heaven is flawed, but he also knows it's supposed to be good. He wants it to be good. He does not like the way the system works and he wants to make a difference. (And I'm pretty sure he's also determined to talk to God without being intercepted by The Metatron.)

Since when is that a bad thing? I don't get it. And I've had this discussion before.

If you need to change the system by burning the old one to the ground, it's still change, and we don't know what Aziraphale has planned.

It seems to me that people just want to see Aziraphale fail because it would punish him for returning to Heaven instead of running off with Crowley.

Some of y'all take everything Aziraphale says or does and twist those things into malicious anti-Crowley actions because you think the only reason Aziraphale exists is to make Crowley happy, and if he isn't thinking only about Crowley then he's doing something wrong.

Aziraphale does not exist as a plot device to further Crowley's character. They come as a pair. They've been learning from each other for 6,000 years. Crowley challenges Aziraphale just as much as Aziraphale challenges him.

You can be mad at Aziraphale all you want, but villainizing him is gross. Defending Crowley does not mean you have to tear down and mischaracterize Aziraphale anymore than defending Aziraphale means you have to tear down Crowley (but I don't see that happen on nearly the same level it happens to Aziraphale). Stop painting Aziraphale as an abusive partner, for fuck sake.

Aziraphale knows there are flaws in the system. He wants to make a difference, and since he has seen that Gabriel can change, then maybe the whole system can. He has to at least try, and if he can succeed then maybe he and Crowley can stop hiding and finally be together without having to look over their shoulders all the time.

Why is that a bad thing? He's just as protective of Crowley as Crowley is of him!

But don't forget that Aziraphale's wing was covering Adam and Eve too. As much as a wants to protect Crowley, he has a moral imperative to keep humanity safe as well.

He sent Adam and Eve into the unknown with a flaming sword so they could protect themselves.

As much as he wants to be with Crowley, there are 8 billion people on Earth heading toward the Second Coming and Judgment Day. They'll work together to fight alongside humanity in the end. Aziraphale should not have to humiliate himself just to earn Crowley's forgiveness. That's a rancid notion.

The Resurrectionist was a whole ass moral dilemma for Aziraphale, which is why I brought up The Good Place earlier, but that's a post for a different time.

Aziraphale has his own motivations and they're just as important as Crowley's, and they don't have to be chalked up to Aziraphale being the bad guy. Weird, I know, but shades of grey.

"To the world."

me, sitting quietly with my coworker in the break room:

coworker: *whispers* what have i done

me, looking up to see her sadly holding a slice of bologna with a giant bite in the middle:

I need everyone to understand about the fremen.

They do not cry. Ever.

To give water to the dead is the most sacred honor that anyone could give but they rarely and never do that because it's ingrained in them to not waste water from birth. A single tear could mean life and death for them. To give water to the living? Unheard of.

Paul crying over killing Jamis in the book was a moment that astonished the fremen around him. Jessica ponders their reactions and knows that this is a holy moment.

Jessica then forcing Chani to cry for Paul(this was not in the book btw but I love it) is the ultimate betrayal of her autonomy. To force her to give what is essentially a piece of her life to him without her consent is sacrilegious and she knows it.

Water of Life indeed.

🎵FIGHTING EVIL BY GRIDLIGHT🎵

(just Tron under the cut)

Messiah

Good Omens 2 Opening-What are they marching toward?

Hi, there's something about the opening credit sequence that immediately caught my eye upon the first viewing. @metatronhateblog and I have discussed the whole opening credits at length (helps that we're siblings and can sit in the same room to talk about it) and we both will probably make some posts about things we haven't seen addressed yet.

I haven't seen anyone mention this particular thing yet, but forgive me if this has already been pointed out.

This mountain they are marching up? This is Zion.

I'm almost certain. It's a very interesting word that's used several times in the Old and New Testament, most notably for me in the book of Revelation, which I read a lot as a former Christian (I liked it cause it was the least boring thing to read).

It has a few different meanings from what I've gathered (a note: this is not about z*ionism.), which I will try to give brief explanations on.

Originally I believe it was meant to be an actual location in Jerusalem, a hill/mountain that held the City of David. Literally called Mount Zion I think.

In the Old Testament it also is described as being the place where God rests, where they are enthroned.

Now look at this.

Pretty sure that's a throne room? It looks like a Greek temple, so I think that's the vibe it's going for. The place where God is located.

Most interestingly, Zion is symbolic of the city of heaven, which will come to earth and God will dwell with the people upon Jesus' return and judgement (at least that's what I'm getting from the text? It can be difficult for me to decipher sometimes). Revelation 14:1 states

"Then I looked, and there before me was the Lamb, standing on Mount Zion, and with him 144,000 who had his name and his Father’s name written on their foreheads."

I believe this is the first time Jesus appears during(after maybe?) the great Tribulation (aka, all the torments the earth endures during this time before his return) with those who have been chosen by God. "The Lamb" refers to Jesus, for those who may not know.

I thought it was odd that this possible Zion reference was placed here in season 2 since it's not something that we've seen or heard mentioned thus far, but I think we can safely assume it has to do with season 3 and the Second Coming.

A side note, there's something else I caught while looking at this as well:

I could be wrong, but it looks like these cherubs are tipping bowls. BOWLS!

In John's visions in Revelation 16, we see seven angels with bowls pouring out plagues to the earth. Bowls of God's wrath. I could go into what they are but that's a whole other post. For some reason I always remembered the bowls the most, I have no idea why. There's so much to find in the opening, it's like a scavenger hunt and my little brain loves it! Anyway.

Fascinating that Zion is what the people and our heroes are marching toward. Are they simply moving toward the end times (again)? Are they marching straight to God's house to get some answers (Aziraphale might be)? Are they moving toward that utopian heaven on earth as they begin eternity, forever and ever amen (as Michael mentions in the forbidden heavenly footage)? Maybe all three.

It may not be all that important and just be purely symbolic, but I thought it was neat. There really is so much in the details!

Thanks for coming to my rambling! I'm going to go try finding more references now.

🚨 !! RAMBHEEM (RRR) MERCH ON SALE NOW !! buy on etsy !!

preorders ship out in may 2025. (if you purchase a preorder with an in-stock item, it will ship together when the preorder is ready (6-10 weeks) if you want in-stock items sooner, please make separate orders.

🙏 please consider supporting me with a reblog !

Career Timeline: 1981 - TRON

Moebius is hired by Disney Studios to begin concept design work for TRON(released in 1982). He would also serve as a backup storyboard artist.