Little Duchess In Kalevala šŸ’šāœØ

Little Duchess in Kalevala šŸ’šāœØ

Little Duchess In Kalevala šŸ’šāœØ

More Posts from Lagoonia and Others

1 month ago

it’s not just katniss who’s descended from the covey—prim is, too. when effie sends katniss a list of possible ā€œtalentsā€ she could have as a victor, katniss fails at cooking, flower arranging, and flute playingā€¦ā€œbut prim has a knack for all three.ā€

because katniss is set on understating her similarities to her mother, she emphasizes prim’s shared qualities with asterid while positioning herself as the reflection of her father. in doing so, katniss makes it easy to forget that her voice is not the only place burdock everdeen lives on—he’s there behind prim’s blonde hair and blue eyes just as much.

the loss of their covey connection is a loss of culture for both everdeen girls. but they never truly lost their musical talent, not even with the loss of burdock and the music he brought to their home. because katniss knew her mother had returned to them the day asterid started to sing.

in a free world, a world where haymitch had been the symbol of a successful revolution, a world where the covey had been allowed to live on, katniss and prim both would have had a place in the community, the family that theirs had been forced to abandon. katniss armed with her voice and prim with her flute, clad in dresses of forest green and baby blue, they’d begin:

ā€œnothing you can take from me was ever worth keepingā€¦ā€

4 months ago

šŸšŸŽšŸŽ š‘µš‘¶š‘µš‘½š‘¬š‘¹š‘©š‘Øš‘³ š‘·š‘¹š‘¶š‘“š‘·š‘»š‘ŗ . Ā  Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ  actionĀ  prompts .Ā  Ā matureĀ  andĀ  potentiallyĀ  triggeringĀ  themes Ā are Ā present . Ā  add Ā ā€œ + reverse ā€ Ā to Ā swap Ā assigned Ā roles .)

āˆ— o1﹕ senderĀ  tucksĀ  hairĀ  outĀ  ofĀ  receiver’sĀ  face . āˆ— o2﹕ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . āˆ— o3﹕ senderĀ  placesĀ  theirĀ  feet / legsĀ  inĀ  receiver'sĀ  lap . āˆ— o4﹕ senderĀ  offersĀ  receiverĀ  anĀ  earbudĀ  toĀ  shareĀ  theirĀ  music . āˆ— o5﹕ senderĀ  comfortsĀ  receiverĀ  inĀ  theĀ  aftermathĀ  ofĀ  aĀ  nightmare . āˆ— o6﹕ senderĀ  givesĀ  receiverĀ  companyĀ  inĀ  theĀ  hospital . āˆ— o7﹕ sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . āˆ— o8﹕ senderĀ  showsĀ  upĀ  atĀ  receiver’sĀ  homeĀ  lateĀ  atĀ  night . āˆ— o9﹕ senderĀ  fallsĀ  asleepĀ  leaningĀ  againstĀ  receiver . āˆ— 1o﹕ senderĀ  wieldsĀ  aĀ  [ gun / knife ]Ā  atĀ  receiver . āˆ— 11﹕ senderĀ  runsĀ  theirĀ  fingersĀ  throughĀ  receiver’sĀ  hair . āˆ— 12﹕ senderĀ  invitesĀ  receiverĀ  toĀ  dance . āˆ— 13﹕ senderĀ  takesĀ  aĀ  [ picture / video ]Ā  ofĀ  receiver . āˆ— 14﹕ senderĀ  placesĀ  theirĀ  headĀ  inĀ  receiver’sĀ  lap . āˆ— 15﹕ senderĀ  andĀ  receiverĀ  makeĀ  eyeĀ  contactĀ  acrossĀ  aĀ  busyĀ  room . āˆ— 16﹕ senderĀ  pushesĀ  receiverĀ  againstĀ  aĀ  wallĀ  toĀ  kissĀ  them . āˆ— 17﹕ senderĀ  andĀ  receiverĀ  cookĀ  together . āˆ— 18﹕ senderĀ  comesĀ  toĀ  receiverĀ  afterĀ  beingĀ  injured . āˆ— 19﹕ senderĀ  sitsĀ  inĀ  receiver’sĀ  lap . āˆ— 2o﹕ senderĀ  liftsĀ  receiver'sĀ  chin ,Ā  invokingĀ  eyeĀ  contact . āˆ— 21﹕ senderĀ  overtakesĀ  receiverĀ  inĀ  combat . āˆ— 22﹕ senderĀ  findsĀ  receiverĀ  [ injured / bloodied ] . āˆ— 23﹕ senderĀ  straightensĀ  anĀ  articleĀ  ofĀ  receiver’sĀ  clothes . āˆ— 24﹕ senderĀ  crawlsĀ  intoĀ  bedĀ  withĀ  receiver . āˆ— 25﹕ senderĀ  rollsĀ  theirĀ  eyesĀ  atĀ  receiver . āˆ— 26﹕ senderĀ  lightsĀ  receiver’sĀ  [ cigarette / joint ] . āˆ— 27﹕ senderĀ  isĀ  caughtĀ  wearingĀ  receiver'sĀ  clothes . āˆ— 28﹕ senderĀ  strikesĀ  receiverĀ  withĀ  aĀ  pillow . āˆ— 29﹕ senderĀ  writesĀ  aĀ  noteĀ  onĀ  receiver’sĀ  skin :Ā  [ note ] . āˆ— 3o﹕ senderĀ  wrapsĀ  aĀ  blanketĀ  aroundĀ  receiver’sĀ  shoulders . āˆ— 31﹕ senderĀ  runsĀ  andĀ  jumpsĀ  intoĀ  receiver’sĀ  arms . āˆ— 32﹕ senderĀ  shovesĀ  receiverĀ  outĀ  ofĀ  anger . āˆ— 33﹕ sender Ā hovers Ā over Ā receiver’s Ā shoulder Ā as Ā they Ā complete Ā a Ā task . āˆ— 34﹕ senderĀ  isĀ  foundĀ  byĀ  receiverĀ  somewhereĀ  theyĀ  shouldn’tĀ  be . āˆ— 35﹕ senderĀ  curlsĀ  upĀ  againstĀ  receiverĀ  inĀ  theirĀ  sleep . āˆ— 36﹕ senderĀ  isĀ  foundĀ  drunkĀ  byĀ  receiver . āˆ— 37﹕ senderĀ  throwsĀ  anĀ  itemĀ  ofĀ  sentimentĀ  bitterlyĀ  atĀ  receiver . āˆ— 38﹕ senderĀ  joinsĀ  receiverĀ  inĀ  theĀ  shower . āˆ— 39﹕ senderĀ  isĀ  caughtĀ  followingĀ  receiver . āˆ— 4o﹕ senderĀ  tracesĀ  oneĀ  ofĀ  receiver’sĀ  [ scars / bruises ] . āˆ— 41﹕ senderĀ  twinesĀ  theirĀ  fingersĀ  withĀ  receiver’s . āˆ— 42﹕ senderĀ  bargesĀ  intoĀ  receiver’sĀ  homeĀ  unannounced . āˆ— 43﹕ senderĀ  kicksĀ  receiver’sĀ  shinĀ  beneathĀ  aĀ  table . āˆ— 44﹕ senderĀ  aggressivelyĀ  shovesĀ  pastĀ  receiver . āˆ— 45﹕ senderĀ  kissesĀ  receiver’sĀ  [ forehead / cheek ] . āˆ— 46﹕ senderĀ  pullsĀ  receiverĀ  outĀ  ofĀ  harm’sĀ  way . āˆ— 47﹕ senderĀ  isĀ  foundĀ  sobbingĀ  byĀ  receiver . āˆ— 48﹕ senderĀ  locksĀ  receiverĀ  outĀ  ofĀ  theirĀ  room . āˆ— 49﹕ senderĀ  bringsĀ  receiverĀ  [ coffee / tea ]Ā  inĀ  theĀ  morning . āˆ— 5o﹕ senderĀ  restsĀ  theirĀ  foreheadĀ  againstĀ  receiver’s . āˆ— 51﹕ senderĀ  playsĀ  aĀ  songĀ  forĀ  receiverĀ  thatĀ  remindsĀ  themĀ  ofĀ  them :Ā  [ song ] . āˆ— 52﹕ senderĀ  takesĀ  aĀ  [ punch / stab / bullet ]Ā  meantĀ  forĀ  receiver . āˆ— 53﹕ senderĀ  buysĀ  receiverĀ  aĀ  drinkĀ  atĀ  aĀ  bar . āˆ— 54﹕ senderĀ  needsĀ  receiver’sĀ  helpĀ  gettingĀ  inĀ  theĀ  bath . āˆ— 55﹕ senderĀ  andĀ  receiverĀ  crossĀ  pathsĀ  inĀ  theĀ  kitchenĀ  lateĀ  atĀ  night . āˆ— 56﹕ senderĀ  twistsĀ  receiver’sĀ  armĀ  behindĀ  theirĀ  back . āˆ— 57﹕ senderĀ  winksĀ  atĀ  receiver . āˆ— 58﹕ senderĀ  isĀ  foundĀ  collapsedĀ  byĀ  receiver . āˆ— 59﹕ senderĀ  preventsĀ  anĀ  injuredĀ  receiverĀ  fromĀ  gettingĀ  up . āˆ— 6o﹕ senderĀ  clapsĀ  aĀ  handĀ  overĀ  receiver’sĀ  mouthĀ  toĀ  silenceĀ  them . āˆ— 61﹕ senderĀ  cagesĀ  receiverĀ  againstĀ  aĀ  [ wall / the floor ]Ā  withĀ  theirĀ  arms . āˆ— 62﹕ senderĀ  stormsĀ  awayĀ  fromĀ  receiverĀ  duringĀ  anĀ  argument . āˆ— 63﹕ senderĀ  isĀ  foundĀ  byĀ  receiverĀ  sleepingĀ  inĀ  receiver’sĀ  bed . āˆ— 64﹕ senderĀ  [ applies / touches up ]Ā  receiver’sĀ  makeup . āˆ— 65﹕ senderĀ  throwsĀ  receiverĀ  intoĀ  aĀ  wallĀ  duringĀ  combat . āˆ— 66﹕ senderĀ  dancesĀ  sensuallyĀ  withĀ  receiver . āˆ— 67﹕ sender Ā strikes Ā receiver Ā across Ā the Ā face . āˆ— 68﹕ senderĀ  placesĀ  theirĀ  handĀ  onĀ  receiver’sĀ  legĀ  whileĀ  driving . āˆ— 69﹕ senderĀ  pullsĀ  aĀ  chairĀ  outĀ  fromĀ  underĀ  receiver . āˆ— 7o﹕ senderĀ  catchesĀ  receiver’sĀ  wristĀ  whenĀ  theyĀ  turnĀ  toĀ  leave . āˆ— 71﹕ senderĀ  leavesĀ  anĀ  intimateĀ  markĀ  onĀ  receiver . āˆ— 72﹕ senderĀ  beatsĀ  receiverĀ  inĀ  aĀ  videoĀ  game . āˆ— 73﹕ senderĀ  andĀ  receiverĀ  standĀ  inĀ  stunnedĀ  silenceĀ  afterĀ  aĀ  fight . āˆ— 74﹕ senderĀ  caresĀ  forĀ  receiverĀ  whileĀ  they’reĀ  sick . āˆ— 75﹕ sender Ā andĀ  receiverĀ  goĀ  onĀ  aĀ  hike . āˆ— 76﹕ senderĀ  isĀ  caughtĀ  snoopingĀ  inĀ  receiver’sĀ  things . āˆ— 77﹕ sender Ā andĀ  receiverĀ  cuddleĀ  whileĀ  watchingĀ  television . āˆ— 78﹕ senderĀ  throwsĀ  somethingĀ  aggressivelyĀ  atĀ  receiver . āˆ— 79﹕ senderĀ  creepsĀ  upĀ  behindĀ  receiverĀ  toĀ  scareĀ  them . āˆ— 8o﹕ senderĀ  andĀ  receiverĀ  goĀ  shoppingĀ  together . āˆ— 81﹕ senderĀ  helpsĀ  receiverĀ  [ dye / style ]Ā  theirĀ  hair . āˆ— 82﹕ senderĀ  drawsĀ  receiverĀ  intoĀ  aĀ  kissĀ  byĀ  theĀ  backĀ  ofĀ  theirĀ  neck . āˆ— 83﹕ senderĀ  isĀ  discoveredĀ  havingĀ  aĀ  panicĀ  attackĀ  byĀ  receiver . āˆ— 84﹕ senderĀ  accidentallyĀ  injuresĀ  receiverĀ  duringĀ  sparring . āˆ— 85﹕ senderĀ  grabsĀ  receiverĀ  roughlyĀ  byĀ  theĀ  hair . āˆ— 86﹕ senderĀ  bringsĀ  receiverĀ  toĀ  theirĀ  kneesĀ  duringĀ  combat . āˆ— 87﹕ senderĀ  showsĀ  receiverĀ  evidenceĀ  ofĀ  aĀ  lieĀ  theyĀ  told . āˆ— 88﹕ sender Ā winksĀ  [ seductively / mockingly ]Ā  atĀ  receiver . āˆ— 89﹕ senderĀ  yellsĀ  atĀ  receiverĀ  toĀ  putĀ  theirĀ  handsĀ  inĀ  theĀ  air . āˆ— 9o﹕ senderĀ  helpsĀ  receiverĀ  patchĀ  upĀ  aĀ  wound . āˆ— 91﹕ senderĀ  holdsĀ  receiverĀ  asĀ  theyĀ  cry . āˆ— 92﹕ senderĀ  silentlyĀ  andĀ  angrilyĀ  pointsĀ  receiverĀ  towardsĀ  theĀ  door . āˆ— 93﹕ sender Ā gesturesĀ  forĀ  receiverĀ  toĀ  sitĀ  down . āˆ— 94﹕ sender Ā pullsĀ  receiverĀ  intoĀ  theirĀ  lap . āˆ— 95﹕ senderĀ  cradlesĀ  receiver’sĀ  face . āˆ— 96﹕ senderĀ  tacklesĀ  receiverĀ  outĀ  ofĀ  theĀ  wayĀ  ofĀ  danger . āˆ— 97﹕ senderĀ  hasĀ  hiddenĀ  anĀ  injuryĀ  fromĀ  receiver ,Ā  andĀ  receiverĀ  findsĀ  out . āˆ— 98﹕ senderĀ  confrontsĀ  receiverĀ  aboutĀ  theirĀ  unhealthyĀ  behavior . āˆ— 99﹕ senderĀ  proposesĀ  toĀ  receiver . āˆ— 1oo﹕ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .

4 months ago
Young Obi-Wan And Satine, By Jake Bartok.

Young Obi-Wan and Satine, by Jake Bartok.

4 months ago
Unrestrained* Summer Fun

Unrestrained* summer fun

* actually somewhat restrained, really

1 month ago
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)
Melmoth The Wanderer By Charles Maturin // Stills From Star Wars Episode Iii: Revenge Of The Sith (2005)

melmoth the wanderer by charles maturin // stills from star wars episode iii: revenge of the sith (2005) dir. george lucas // love, mystery and misery: feeling in gothic fiction by coral ann howells // dressing a galaxy: the costumes of star wars by trisha biggar

2 months ago
The Kree
The Kree

The Kree

The Official Handbook Of The Marvel Universe Deluxe Edition #07 (June1985)

2 months ago
(Andrew Day)

(Andrew Day)

2 months ago
Tyler Hoechlin On James Gunn’s SupermanĀ 

Tyler Hoechlin on James Gunn’s SupermanĀ 

ā€œIm [a] huge Guardians fan,so I can't wait to see what James has done with it.David [Corenswet] sent me a really nice note before they started shooting.He's a very,very classy guy,so I wish him & Rachel & Nick & everybody there the bestā€

@jetslay @lostsoulincssea @daily-tyler-hoechlin @superman-and-lois-love @tyler-wreckloin @wulfnerd

4 months ago
Ā Ā  Ā  Ā  Ā  Ā  Ā theĀ  Ā forceĀ  Ā isĀ  Ā known,Ā  Ā toĀ  Ā itsĀ  Ā mostĀ  Ā fundamentalĀ  Ā grounds,Ā 

Ā Ā  Ā  Ā  Ā  Ā  Ā theĀ  Ā forceĀ  Ā isĀ  Ā known,Ā  Ā toĀ  Ā itsĀ  Ā mostĀ  Ā fundamentalĀ  Ā grounds,Ā  Ā byĀ  Ā thoseĀ  Ā whoĀ  Ā areĀ  Ā ableĀ  Ā toĀ  Ā p o s s e s sĀ Ā  it.Ā  Ā itĀ  Ā isĀ  Ā ofĀ  Ā everyĀ  Ā star,Ā  Ā &Ā Ā  everyĀ  Ā moon.Ā  Ā itĀ  Ā isĀ  Ā breath,Ā  Ā itĀ  Ā isĀ  Ā LIFE.Ā  Ā itĀ  Ā f l o w sĀ  Ā betweenĀ  Ā everyĀ  Ā stone,Ā  Ā &Ā Ā  whenĀ  Ā itsĀ  Ā rhythmicĀ  Ā turnĀ  Ā greetsĀ  Ā finalityĀ Ā  withĀ  Ā aĀ  Ā graciousĀ  Ā bow,Ā   —  Ā seeksĀ  Ā shelterĀ  Ā inĀ  Ā theĀ  Ā skiesĀ  Ā above.Ā  Ā itĀ  Ā isĀ  Ā becauseĀ  Ā ofĀ  Ā thisĀ  Ā dance,Ā  Ā thatĀ  Ā theĀ  Ā tempoĀ  Ā ofĀ  Ā herĀ  Ā heartĀ  Ā livesĀ  Ā o nĀ   …  Ā itĀ  Ā isĀ  Ā whyĀ  Ā sheĀ  Ā isĀ  Ā ableĀ  Ā toĀ  Ā visitĀ  Ā here,Ā  Ā toĀ  Ā travelĀ  Ā homeĀ Ā  –  Ā beĀ  Ā near.Ā  Ā ( she’s h a r d l y gone. )

Ā  Ā  Ā  Ā  Ā  Ā  Ā  thisĀ  Ā isn’tĀ  Ā theĀ  Ā firstĀ  Ā timeĀ  Ā constellationsĀ  Ā ledĀ  Ā herĀ  Ā offĀ  Ā aĀ  Ā guidingĀ  Ā light’sĀ  Ā pathĀ  Ā toĀ  Ā distancesĀ  Ā leftĀ  Ā unfrequentedĀ  Ā &Ā  Ā uninhabitedĀ   –  Ā thatĀ  Ā is,Ā  Ā by love,Ā  Ā by goodĀ   –  Ā SINCEĀ  Ā FORGOTTEN.Ā  Ā byĀ  Ā him.

Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  Ā  ā› —- you’reĀ  H U R T I N G. āœ

Ā   ╱ Ā  Ā  a starter for: ⊰ @vadaer​​​ ! ⊱

1 month ago

ONE YEAR AGO šŸ’•

ONE YEAR AGO šŸ’•
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