Little Duchess in Kalevala šāØ
itās not just katniss whoās descended from the coveyāprim is, too. when effie sends katniss a list of possible ātalentsā she could have as a victor, katniss fails at cooking, flower arranging, and flute playingā¦ābut prim has a knack for all three.ā
because katniss is set on understating her similarities to her mother, she emphasizes primās shared qualities with asterid while positioning herself as the reflection of her father. in doing so, katniss makes it easy to forget that her voice is not the only place burdock everdeen lives onāheās there behind primās blonde hair and blue eyes just as much.
the loss of their covey connection is a loss of culture for both everdeen girls. but they never truly lost their musical talent, not even with the loss of burdock and the music he brought to their home. because katniss knew her mother had returned to them the day asterid started to sing.
in a free world, a world where haymitch had been the symbol of a successful revolution, a world where the covey had been allowed to live on, katniss and prim both would have had a place in the community, the family that theirs had been forced to abandon. katniss armed with her voice and prim with her flute, clad in dresses of forest green and baby blue, theyād begin:
ānothing you can take from me was ever worth keepingā¦ā
ššš šµš¶šµš½š¬š¹š©šØš³ š·š¹š¶š“š·š»šŗ . Ā Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ actionĀ prompts .Ā Ā matureĀ andĀ potentiallyĀ triggeringĀ themes Ā are Ā present . Ā add Ā ā + reverse ā Ā to Ā swap Ā assigned Ā roles .)
ā o1ļ¹Ā senderĀ tucksĀ hairĀ outĀ ofĀ receiverāsĀ face . ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . ā o3ļ¹ senderĀ placesĀ theirĀ feet / legsĀ inĀ receiver'sĀ lap . ā o4ļ¹ senderĀ offersĀ receiverĀ anĀ earbudĀ toĀ shareĀ theirĀ music . ā o5ļ¹ senderĀ comfortsĀ receiverĀ inĀ theĀ aftermathĀ ofĀ aĀ nightmare . ā o6ļ¹ senderĀ givesĀ receiverĀ companyĀ inĀ theĀ hospital . ā o7ļ¹Ā sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . ā o8ļ¹ senderĀ showsĀ upĀ atĀ receiverāsĀ homeĀ lateĀ atĀ night . ā o9ļ¹ senderĀ fallsĀ asleepĀ leaningĀ againstĀ receiver . ā 1oļ¹ senderĀ wieldsĀ aĀ [ gun / knife ]Ā atĀ receiver . ā 11ļ¹Ā senderĀ runsĀ theirĀ fingersĀ throughĀ receiverāsĀ hair . ā 12ļ¹ senderĀ invitesĀ receiverĀ toĀ dance . ā 13ļ¹ senderĀ takesĀ aĀ [ picture / video ]Ā ofĀ receiver . ā 14ļ¹ senderĀ placesĀ theirĀ headĀ inĀ receiverāsĀ lap . ā 15ļ¹ senderĀ andĀ receiverĀ makeĀ eyeĀ contactĀ acrossĀ aĀ busyĀ room . ā 16ļ¹ senderĀ pushesĀ receiverĀ againstĀ aĀ wallĀ toĀ kissĀ them . ā 17ļ¹Ā senderĀ andĀ receiverĀ cookĀ together . ā 18ļ¹ senderĀ comesĀ toĀ receiverĀ afterĀ beingĀ injured . ā 19ļ¹ senderĀ sitsĀ inĀ receiverāsĀ lap . ā 2oļ¹ senderĀ liftsĀ receiver'sĀ chin ,Ā invokingĀ eyeĀ contact . ā 21ļ¹ senderĀ overtakesĀ receiverĀ inĀ combat . ā 22ļ¹ senderĀ findsĀ receiverĀ [ injured / bloodied ] . ā 23ļ¹ senderĀ straightensĀ anĀ articleĀ ofĀ receiverāsĀ clothes . ā 24ļ¹ senderĀ crawlsĀ intoĀ bedĀ withĀ receiver . ā 25ļ¹ senderĀ rollsĀ theirĀ eyesĀ atĀ receiver . ā 26ļ¹ senderĀ lightsĀ receiverāsĀ [ cigarette / joint ] . ā 27ļ¹ senderĀ isĀ caughtĀ wearingĀ receiver'sĀ clothes . ā 28ļ¹ senderĀ strikesĀ receiverĀ withĀ aĀ pillow . ā 29ļ¹ senderĀ writesĀ aĀ noteĀ onĀ receiverāsĀ skin :Ā [ note ] . ā 3oļ¹Ā senderĀ wrapsĀ aĀ blanketĀ aroundĀ receiverāsĀ shoulders . ā 31ļ¹Ā senderĀ runsĀ andĀ jumpsĀ intoĀ receiverāsĀ arms . ā 32ļ¹ senderĀ shovesĀ receiverĀ outĀ ofĀ anger . ā 33ļ¹ sender Ā hovers Ā over Ā receiverās Ā shoulder Ā as Ā they Ā complete Ā a Ā task . ā 34ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ somewhereĀ theyĀ shouldnātĀ be . ā 35ļ¹ senderĀ curlsĀ upĀ againstĀ receiverĀ inĀ theirĀ sleep . ā 36ļ¹ senderĀ isĀ foundĀ drunkĀ byĀ receiver . ā 37ļ¹ senderĀ throwsĀ anĀ itemĀ ofĀ sentimentĀ bitterlyĀ atĀ receiver . ā 38ļ¹ senderĀ joinsĀ receiverĀ inĀ theĀ shower . ā 39ļ¹ senderĀ isĀ caughtĀ followingĀ receiver . ā 4oļ¹Ā senderĀ tracesĀ oneĀ ofĀ receiverāsĀ [ scars / bruises ] . ā 41ļ¹ senderĀ twinesĀ theirĀ fingersĀ withĀ receiverās . ā 42ļ¹ senderĀ bargesĀ intoĀ receiverāsĀ homeĀ unannounced . ā 43ļ¹ senderĀ kicksĀ receiverāsĀ shinĀ beneathĀ aĀ table . ā 44ļ¹ senderĀ aggressivelyĀ shovesĀ pastĀ receiver . ā 45ļ¹ senderĀ kissesĀ receiverāsĀ [ forehead / cheek ] . ā 46ļ¹ senderĀ pullsĀ receiverĀ outĀ ofĀ harmāsĀ way . ā 47ļ¹ senderĀ isĀ foundĀ sobbingĀ byĀ receiver . ā 48ļ¹ senderĀ locksĀ receiverĀ outĀ ofĀ theirĀ room . ā 49ļ¹ senderĀ bringsĀ receiverĀ [ coffee / tea ]Ā inĀ theĀ morning . ā 5oļ¹ senderĀ restsĀ theirĀ foreheadĀ againstĀ receiverās . ā 51ļ¹ senderĀ playsĀ aĀ songĀ forĀ receiverĀ thatĀ remindsĀ themĀ ofĀ them :Ā [ song ] . ā 52ļ¹ senderĀ takesĀ aĀ [ punch / stab / bullet ]Ā meantĀ forĀ receiver . ā 53ļ¹ senderĀ buysĀ receiverĀ aĀ drinkĀ atĀ aĀ bar . ā 54ļ¹ senderĀ needsĀ receiverāsĀ helpĀ gettingĀ inĀ theĀ bath . ā 55ļ¹ senderĀ andĀ receiverĀ crossĀ pathsĀ inĀ theĀ kitchenĀ lateĀ atĀ night . ā 56ļ¹ senderĀ twistsĀ receiverāsĀ armĀ behindĀ theirĀ back . ā 57ļ¹ senderĀ winksĀ atĀ receiver . ā 58ļ¹ senderĀ isĀ foundĀ collapsedĀ byĀ receiver . ā 59ļ¹ senderĀ preventsĀ anĀ injuredĀ receiverĀ fromĀ gettingĀ up . ā 6oļ¹ senderĀ clapsĀ aĀ handĀ overĀ receiverāsĀ mouthĀ toĀ silenceĀ them . ā 61ļ¹ senderĀ cagesĀ receiverĀ againstĀ aĀ [ wall / the floor ]Ā withĀ theirĀ arms . ā 62ļ¹ senderĀ stormsĀ awayĀ fromĀ receiverĀ duringĀ anĀ argument . ā 63ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ sleepingĀ inĀ receiverāsĀ bed . ā 64ļ¹ senderĀ [ applies / touches up ]Ā receiverāsĀ makeup . ā 65ļ¹ senderĀ throwsĀ receiverĀ intoĀ aĀ wallĀ duringĀ combat . ā 66ļ¹ senderĀ dancesĀ sensuallyĀ withĀ receiver . ā 67ļ¹ sender Ā strikes Ā receiver Ā across Ā the Ā face . ā 68ļ¹ senderĀ placesĀ theirĀ handĀ onĀ receiverāsĀ legĀ whileĀ driving . ā 69ļ¹ senderĀ pullsĀ aĀ chairĀ outĀ fromĀ underĀ receiver . ā 7oļ¹ senderĀ catchesĀ receiverāsĀ wristĀ whenĀ theyĀ turnĀ toĀ leave . ā 71ļ¹ senderĀ leavesĀ anĀ intimateĀ markĀ onĀ receiver . ā 72ļ¹ senderĀ beatsĀ receiverĀ inĀ aĀ videoĀ game . ā 73ļ¹ senderĀ andĀ receiverĀ standĀ inĀ stunnedĀ silenceĀ afterĀ aĀ fight . ā 74ļ¹ senderĀ caresĀ forĀ receiverĀ whileĀ theyāreĀ sick . ā 75ļ¹ sender Ā andĀ receiverĀ goĀ onĀ aĀ hike . ā 76ļ¹ senderĀ isĀ caughtĀ snoopingĀ inĀ receiverāsĀ things . ā 77ļ¹ sender Ā andĀ receiverĀ cuddleĀ whileĀ watchingĀ television . ā 78ļ¹ senderĀ throwsĀ somethingĀ aggressivelyĀ atĀ receiver . ā 79ļ¹ senderĀ creepsĀ upĀ behindĀ receiverĀ toĀ scareĀ them . ā 8oļ¹ senderĀ andĀ receiverĀ goĀ shoppingĀ together . ā 81ļ¹ senderĀ helpsĀ receiverĀ [ dye / style ]Ā theirĀ hair . ā 82ļ¹ senderĀ drawsĀ receiverĀ intoĀ aĀ kissĀ byĀ theĀ backĀ ofĀ theirĀ neck . ā 83ļ¹ senderĀ isĀ discoveredĀ havingĀ aĀ panicĀ attackĀ byĀ receiver . ā 84ļ¹Ā senderĀ accidentallyĀ injuresĀ receiverĀ duringĀ sparring . ā 85ļ¹Ā senderĀ grabsĀ receiverĀ roughlyĀ byĀ theĀ hair . ā 86ļ¹ senderĀ bringsĀ receiverĀ toĀ theirĀ kneesĀ duringĀ combat . ā 87ļ¹ senderĀ showsĀ receiverĀ evidenceĀ ofĀ aĀ lieĀ theyĀ told . ā 88ļ¹ sender Ā winksĀ [ seductively / mockingly ]Ā atĀ receiver . ā 89ļ¹ senderĀ yellsĀ atĀ receiverĀ toĀ putĀ theirĀ handsĀ inĀ theĀ air . ā 9oļ¹ senderĀ helpsĀ receiverĀ patchĀ upĀ aĀ wound . ā 91ļ¹ senderĀ holdsĀ receiverĀ asĀ theyĀ cry . ā 92ļ¹ senderĀ silentlyĀ andĀ angrilyĀ pointsĀ receiverĀ towardsĀ theĀ door . ā 93ļ¹ sender Ā gesturesĀ forĀ receiverĀ toĀ sitĀ down . ā 94ļ¹ sender Ā pullsĀ receiverĀ intoĀ theirĀ lap . ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . ā 96ļ¹ senderĀ tacklesĀ receiverĀ outĀ ofĀ theĀ wayĀ ofĀ danger . ā 97ļ¹ senderĀ hasĀ hiddenĀ anĀ injuryĀ fromĀ receiver ,Ā andĀ receiverĀ findsĀ out . ā 98ļ¹ senderĀ confrontsĀ receiverĀ aboutĀ theirĀ unhealthyĀ behavior . ā 99ļ¹ senderĀ proposesĀ toĀ receiver . ā 1ooļ¹ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .
Young Obi-Wan and Satine, by Jake Bartok.
Unrestrained* summer fun
* actually somewhat restrained, really
melmoth the wanderer by charles maturin // stills from star wars episode iii: revenge of the sith (2005) dir. george lucas // love, mystery and misery: feeling in gothic fiction by coral ann howells // dressing a galaxy: the costumes of star wars by trisha biggar
The Kree
The Official Handbook Of The Marvel Universe Deluxe Edition #07 (June1985)
(Andrew Day)
Tyler Hoechlin on James Gunnās SupermanĀ
āIm [a] huge Guardians fan,so I can't wait to see what James has done with it.David [Corenswet] sent me a really nice note before they started shooting.He's a very,very classy guy,so I wish him & Rachel & Nick & everybody there the bestā
@jetslay @lostsoulincssea @daily-tyler-hoechlin @superman-and-lois-love @tyler-wreckloin @wulfnerd
Ā Ā Ā Ā Ā Ā Ā theĀ Ā forceĀ Ā isĀ Ā known,Ā Ā toĀ Ā itsĀ Ā mostĀ Ā fundamentalĀ Ā grounds,Ā Ā byĀ Ā thoseĀ Ā whoĀ Ā areĀ Ā ableĀ Ā toĀ Ā p o s s e s sĀ Ā it.Ā Ā itĀ Ā isĀ Ā ofĀ Ā everyĀ Ā star,Ā Ā &Ā Ā everyĀ Ā moon.Ā Ā itĀ Ā isĀ Ā breath,Ā Ā itĀ Ā isĀ Ā LIFE.Ā Ā itĀ Ā f l o w sĀ Ā betweenĀ Ā everyĀ Ā stone,Ā Ā &Ā Ā whenĀ Ā itsĀ Ā rhythmicĀ Ā turnĀ Ā greetsĀ Ā finalityĀ Ā withĀ Ā aĀ Ā graciousĀ Ā bow,Ā Ā āĀ Ā seeksĀ Ā shelterĀ Ā inĀ Ā theĀ Ā skiesĀ Ā above.Ā Ā itĀ Ā isĀ Ā becauseĀ Ā ofĀ Ā thisĀ Ā dance,Ā Ā thatĀ Ā theĀ Ā tempoĀ Ā ofĀ Ā herĀ Ā heartĀ Ā livesĀ Ā o nĀ Ā ā¦Ā Ā itĀ Ā isĀ Ā whyĀ Ā sheĀ Ā isĀ Ā ableĀ Ā toĀ Ā visitĀ Ā here,Ā Ā toĀ Ā travelĀ Ā homeĀ Ā āĀ Ā beĀ Ā near.Ā Ā ( sheās h a r d l y gone. )
Ā Ā Ā Ā Ā Ā Ā thisĀ Ā isnātĀ Ā theĀ Ā firstĀ Ā timeĀ Ā constellationsĀ Ā ledĀ Ā herĀ Ā offĀ Ā aĀ Ā guidingĀ Ā lightāsĀ Ā pathĀ Ā toĀ Ā distancesĀ Ā leftĀ Ā unfrequentedĀ Ā &Ā Ā uninhabitedĀ Ā āĀ Ā thatĀ Ā is,Ā Ā by love,Ā Ā by goodĀ Ā āĀ Ā SINCEĀ Ā FORGOTTEN.Ā Ā byĀ Ā him.
Ā Ā Ā Ā Ā Ā Ā Ā Ā ā ā- youāreĀ H U R T I N G. ā
Ā Ā ā± Ā Ā a starter for: ā°Ā @vadaerāāā ! ā±