𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles .)
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
Could you pretty please draw Padme? Hope you have a wonderful new year!!
Happy new year to you too Anon! Here is Padme :D
Book!Lucy Gray was glad that Coryo killed Bobbin & could not care less that he shot Mayfair (Even wrote a song abt how she loves him after). She even targeted Coral for attempting to murder Coryo. You think she'd wouldn't understand why he tattled on Sejanus? She loves all sorts of dangerous things, she doesn't mind that the snakes kill to survive, she understands why it does it, it's natural that a snake bites when threatened but trust is everything to her more than love.
❝ I’m so proud of you. You’ve come a long way since that day I found you by the lake. But can you keep your emotions in check long enough to take me on? Or will they get the better of you as always? I always told you, you’ll be ready the day you’ll knock me down as yourself. This is that moment. This is that moment, Vers! ❞
Halan hero, feared by his enemies and celebrated by the Kree - Kree Commander and leader of Starforce, YON-ROGG, with a devout loyalty to the Supreme Intelligence and the Kree ideology. *** *** *** independent, mutually exclusive and highly selective roleplay blog for Yon-Rogg from Marvel’s ‘Captain Marvel’. multi-verse, multi-ship, primarily set in the MCU only. - comandeered by Rhea // [ promo credit ]
Reading The Art of Revenge of the Sith and
Um what
Why would you leave any of this out
Another W for the trunks folks
The deleted scenes from Captain Marvel are giving us new insight into the Kree Empire and I’m loving how fundamentally messed up it is, to the point of the Kree themselves being victims of it.
First we got the Supreme Intelligence. Apparently it always gives the people it imitates white/grey hair and green eyes.
It’s interesting how differently it approaches Carol and Yon-Rogg.
It treats Carol like a friend and acts like a kind mentor because it knows she has always rebelled against people who tries to oppress her, while it’s incredibly abusive to Yon-Rogg
I don’t think it actually takes the form of those whom people admire the most either (though I’m sure that’s what it tells people), but rather those it can use most effectively to manipulate people with. Sure, often times that will be a respected person but if you pay attention both Carol and Yon-Rogg are uncomfortable with who they see.
By taking the form of Mar-Vell, someone Carol only sees in half forgotten dreams, it’s constantly reminding her “See how broken and confused you are. You need guidance”.
It takes the form of Yon-Rogg when talking to him, then mocks him for it “You are so full of yourself. Think you’re real important, huh?” which makes Yon-Rogg think he deserves to be humiliated and abused so he can become more humble.
I can definitely see why they left the Yon-Rogg scene out of the final film (though it’s apparently still canon). First off it’s incredibly unsettling. The SI very much acts like a mix between an abusive parent AND an abusive boyfriend. The way it touches Yon-Rogg gives off some strong sexual predator vibes that leaves you with a slimy feeling that it has used every trick in the book to humiliate him and destroy his self esteem.
And Yon-Rogg actually leans into the touch, maybe because he’s terrified and wants to please the SI, or maybe because he crave it’s acceptance and cherish every little act of kindness. Probably a mix of both.
The scene also puts his and Carol’s last encounter in a different light. Instead of it being a purely triumphant moment for Carol it makes us realize how cruel it is of her to send him back. She of course doesn’t know how the SI treats him and I have no doubt that she’d rather keep him captive somewhere else if she knew, but we’d know and it would sour the moment a bit.
Then there is of course the whole “control your emotions” thing. The SI tells Yon-Rogg that he’s too emotional and he then tells Carol the same thing. A lot of people saw it as him being sexist but it’s pretty clear that all Kree are expected to be as emotionless as possible, probably because the SI see emotions as a liability. Unfortunately they aren’t naturally less emotional. Kree are just as emotional as humans, maybe even more so.
Just look at Ronan. He starts out as an upper-class, well respected member of society who has seemingly mastered his emotions. He doesn’t let Yon-Rogg rile him up when they argue over the “phone” and he hardly even flinches when Carol destroys his ships. But it’s all facade. The people behind the movies have hinted that Ronan has a form of PTSD and that’s why he is the way he is in Guardians of The Galaxy. Kree warriors aren’t supposed to be affected by the horrors they commit, so when the war was over there was no system in place to help people like Ronan who had killed millions of people. Instead he turns to the old religion that existed before the SI where he can freely express his emotions.
Also, Yon-Rogg teaches a primary school class of some sort (the children aren’t called “students” but “recruits” which tells you everything you need to know about the Kree Empire) where he teach them to fight (they’re wearing the same style of clothes that he and Carol wore during their sparring scene) and Kree propaganda (“Skrulls are terrorists and it’s our duty to defend not just Kree but all other races who can’t fight for themselves”) and it’s implied that he and Ronan used to sit through the same classes as children. This tells us that the Kree aren’t naturally cruel. The SI has to tell them the lie that Skrulls are terrorist and speak to Kree compassion by telling them that Kree warriors have to protect others from the merciless Skrulls.
The Kree are a race of scarred and abused people who then inflict that abuse on everyone else because they think they’re doing good. It’s fantastically messed up.
I’m excited to see Vanessa Kirby as Sue Storm. I love how they made Sue Storms powers look like a rainbow.
Vanessa Kirby as Sue Storm THE FANTASTIC FOUR: FIRST STEPS (2025) dir. Matt Shakman
"Mysteries have a way of driving people mad."
The Hunger Games: The Ballad of Songbirds and Snakes (dir. Francis Lawrence) / "You Can't Catch Me Now," by Olivia Rodrigo / "Lucy Gray," by William Wordsworth / Decision to Leave (dir. Park Chan-wook) / Wuthering Heights, by Emily Brontë / The Ballad of Songbirds and Snakes, by Suzanne Collins / "Silver Springs," by Fleetwood Mac
Little Duchess in Kalevala 💚✨
Duchess