1,040 words Summary: Cowboy!Schlatt x original character. Dollie gets an unexpected guest in her saloon. A/N: Brain worms got me. đâ
[Part 2] [Part 3] [Part 4]
Divider: elleisdesigning
âNobody seemed to know where John called home
He just drifted into town and stayed all alone
He didn't say much, he kinda quiet and shy
And if you spoke at all, he just said, "Hi" to Big John"
âBig Bad Johnâ by Jimmy Dean
In the old town of Ghostridge, Georgia, nothing ever really happened for someone like Dollie Sheppard. She ran the town's saloon after her grandfather died. Most of her days were spent pouring drinks and dealing with the occasional rowdy drunkard. Folks passed through her saloon all the time telling stories about outlaws, shootouts, and menacing figures that haunted the West like ghosts. But in the quiet town of Ghostridge, Dollie didnât witness any of that herself.
There was one outlaw in particular that Dollie heard the name of a lot: Jonathan Schlatt. Most folks called him âBig Bad John.â He was the kind of legend that made men shiver and women clutch their children a little tighter.
They say he comes into town dressed in all black, his gun visible at his side. Some even claim heâs killed several people, but no one ever says the same number - itâs always either two, five, or even thirty.
Dollie doesnât believe in fairytales, and sure as hell doesnât believe in ghost stories. Hell, sheâs not sure âBig Bad Johnâ even exists. Folks come into her saloon spouting phony make-believe over a glass of whiskey all the time.Â
That was, until he walked right into her saloon.
One moment, sheâs standing behind the bar, polishing glasses while making small talk with Olâ Charlie. The next, the doors to her saloon fly open and a man scrambles in, his eyes wide and full of terror.
âItâs him! Itâs Big Bad John!â the man shouts.
Panic spread through the saloon like wildfire. Chairs scrape against the floor as men try to hide under tables. A few darted for the exit, practically tripping over themselves in their haste. The only ones who didnât move were Dollie and Charlie.
Dollie scoffed, arms crossed over her chest. âYâall really believe that nonsense?â she asks.Â
No one said a word.Â
Then, she heard it. Heavy boots against the wooden planks of the saloon floor. Slow. Deliberate. The kind of footsteps that belonged to a man who wasnât in a rush, because he didnât need to be.
Dollie lifted her gaze as the man entered her saloon.
He was tall, at least a foot taller than her, and built like a man whoâd spent his years taming the land rather than letting it tame him. Dressed in dark jeans, a belt with a large silver buckle, and a maroon button-up beneath a black vest, he carried himself with the kind of ease that only came with experience. A long black leather coat hung from his shoulders, dust clinging to the edges like heâd ridden through hell and back to get here. A black cowboy hat cast a shadow over his face, but when he stepped fully into the light, Dollie caught sight of sharp brown eyes and neatly trimmed mutton chops.
Something about his demeanor makes Dollie freeze for a moment. Was this actually Big Bad John? He looked dangerous. But not in the way people had described. He wasnât the monster they had painted in their stories - he was something else entirely.
She stood behind the bar, watching him closely as he made his way to the bar and sat down. He reaches for his hat, taking it off and setting it on the counter.Â
âWhat can I get for ya?â Dollie asks.
The man looks up at Dollie. She feels captivated by his good looks.
âWhiskey, neat,â he says.
âComing right up,â she says, reaching for a glass and pouring the man a whiskey. She slides the glass across the counter to him. âThere you are. Enjoy.â She smiles at him.
Dollie goes back to polishing glasses and speaking to Charlie. Slowly, the other saloon patrons go back to whatever they were doing before this mysterious cowboy entered the saloon.
âCan I get another?â The cowboy asks.Â
Dollie pours him another. âSo, cowboy, where ya from?â she asks.Â
âAll over,â he says.Â
Dollie nods, not pressing. âAnd your name?â she asks.Â
âThat a habit of yours? Getting to know every man who walks through that door?âÂ
Dollie looks him in the eye. âJust want to get to know whoâs sitting in my saloon,â she says.Â
âYour saloon?â he asks. âYou run this place?â
âIndeed, I do,â she says. âNow, are you going to tell me your name or what?â
He takes a long sip of his whiskey. âJonathan Schlatt,â he says. âBut most call me John.â
âLike Big Bad John?â Charlie pipes up.
John chuckles. âYes, like Big Bad John - if that's what they're calling me,â he says.Â
âWell, welcome to my saloon,â Dollie says. âIf you donât mind me saying, you donât seem so big and bad to me.â
John chuckles. âIs that so?â
âIf I believed all the stories, Iâd be shaking in my boots right now,â Dollie says. âBut youâre just another man looking for a drink, huh?â
John lets out a low chuckle. âMaybe. Or maybe Iâm just waiting for the right time to prove âem right.â
Dollie doesnât flinch. âIf you were going to prove âem right, I figured you wouldâve done it by now.â
John smiles. âSmart lady.â
Charlie let out a laugh. âI like this one, Dollie. Seems like heâs got some sense.â
John tipped his glass toward the man. âI try.â
Dollie leaned forward, placing her elbows on the bar. âSo, tell me, John. How does a man get a reputation like yours?â
John exhales. âPeople like to talk. Sometimes a story is better than the truth.â
She considers this. âI get that,â she says.
The three of them - Dollie, John, and Charlie - talk until Dollie closes the saloon. Charlie eventually heads out, but John stays.
âSo, where can a man get a place to sleep around here?â he asks.
âWell, there is an inn down the road, but they may not let you in. Not too many folks like âBig Bad Johnâ around here,â she chuckles.
John chuckles as well. âI guess thatâs true.â
The two are quiet for a moment before Dollie gets an idea.
âYou know,â she says. âYou could stay here. I live above the saloon. Thereâs a spare room.â
âThat would be nice,â John says.Â
âAlright, follow me, then,â Dollie says before leading John upstairs.
Next Part
1,373 words Summary: Fem!reader x teen!Schlatt. Youâve had a crush on Jay since you were twelve, unsure if he feels the same. Inspired by The Summer I Turned Pretty.
A/N: Iâm severely missing summer right now. Part 2 - Part 3
Divider: dialilimoon
June was always your favorite month. June meant bright blue skies and a shining sun. It meant no school. It meant spending time at the lake cabin your parents bought with their friends. It meant seeing Jay.Â
Jay.
You have had a crush on the nerdy teen boy since you were both twelve and he brought you soup when you felt ill. Thatâs all it took. Looking back, he probably only did it because his mother forced him to, but you didn't care. That one action had you whipped for life.
Youâre not sure if he feels the same. No one even knows you have feelings for him - other than your mom, your younger sister, and your best friend Robin. You tell them everything.Â
This summer is the summer before you go off to college and youâre determined to make a move of some sort.Â
You stuff a few cute swimsuits into your duffle bag and finish packing. You sling it over your shoulder and rush downstairs and outside to where your fatherâs pickup truck is parked on the driveway.
âY/N, are you ready?â your dad asks, holding out his hand to take your bag.
âYup!â you say, handing it to him.Â
âAlright, get in the car,â he says, throwing your bag in the bed of his pickup.
You open the back door of the pickup and jump into the seat behind the driver. Your sister, Maggie, is sitting in the one behind the passenger seat.Â
Eventually, your parents finish packing the car and get into the front seats, and youâre finally on the road.
You pop in your earbuds and play some music on your phone. You look out the window as you ponder the trip ahead. You havenât seen or spoken to Jay since last summer. What will you say? What will he say? Maybe youâre thinking too hard about this. Heâll be the same as he always is. Why wouldnât he?
You feel nervous yet excited as your father pulls into the driveway of the lake cabin. You get out as soon as he parks and grab your bag from the back.Â
âY/N! Maggie!â Jayâs mother, Susan, squeals, running out of the house to greet you two.Â
You drop your bag on the pavement as Susan pulls you in for a hug.Â
Your parents share the lake cabin with two other couples. Susan and Todd and Frank and Julie. Frank and Julie live in Maine near you and your family. They have two kids - their daughter, your best friend, Robin, and an older son named Gabe. Susan and Todd live in New York and Jay is their only child.
Susan was always your favorite of the parents - other than your own, of course. Her warm hugs and excellent cooking is unmatched.Â
âWhereâs Drew?â Susan asks.Â
âI think heâs coming later this week,â you say, though you're unsure if heâs even coming. Your older brother Drew is about two years older than you and goes to a college in Massachusetts. He doesnât visit home often. He said he would come to the cabin this summer, but heâs said that before and not shown up.
âWell, Iâm making dinner later,â she says. âYou girls go put your bags in your room and Iâll help your parents unload.â
You nod and promptly walk to your room with Maggie.Â
âYou think Drew will actually show up?â Maggie asks as you set your bag down at the end of your bed and throw yourself onto the sage green comforter.Â
âI donât know,â you say. âI hope so.â
âHey, guys,â says a familiar voice from the door. You look up to see Jay leaning on the door frame. He looks different than he did last summer - slightly taller, a bit more muscular. Did he start working out? You realize youâve been staring and quickly look away.
âHello, Jay,â you say, sitting up.Â
Maggie mumbles a greeting, but doesnât pay much attention to him as she unpacks her bag.
âGabe, Robin, and I are going to the beach after dinner, care to join?â Jay asks.
You smile. âOf course,â you say.
âGreat,â Jay says, smiling. He turns away and you watch as he walks down the hall.
âYou are so down bad,â Maggie says, chuckling.
Your face flushes as you throw a pillow at her. âShut up.â
After dinner, you return to your shared room with Maggie and Robin. You grab a pale pink bikini out of your dresser and take turns with the other two girls changing in the bathroom connected to your room.Â
âOh, lord,â Robin says as you exit the bathroom. âJay is going to love that.â
You scoff. âShut it, Robin,â you say, rolling your eyes a bit.â
âIâm serious, Y/N,â she says. âIf he hasnât noticed you before, thereâs no way he wonât notice you in that. Plus, you have changed a lot since last summer.â
âReally?â you ask.
âYeah,â Robin says. âYou got skinnier, your hair is longer, youâre glowing.â
âWell, thank you,â you say.
âYou guys ready to go?â Maggie asks, grabbing a few towels for the three of you.
âYup,â you say, cracking a smile.
The three of you make your way downstairs, meeting Gabe and Jay by the back door. You swear Jayâs gaze lingers on you a bit longer than normal as you approach.
You step out into the cool night air, the dirt below your feet a familiar and welcome feeling. You missed nights like these - longing for the simple moments with your friends.
You all fill Jay in on your lives since last summer. Him living so far away from you during the school year meant you donât talk to him too much when youâre not at the lake. Though, you wish you could.
You fill him in on your classes, friends, and the general chaos of your senior year. Robin chimes in with her own stories, and Gabe throws in the occasional sarcastic remark, making you all laugh. Jay listens intently, nodding along, and every now and then, you catch him looking at you.
The five of you reach the beach. The moon casts a bright light over the waves lapping on the shore, and the air is cool but not cold. Itâs perfect.
You lay down your towels. Jay takes off his shirt, revealing that he has definitely started working out. You try not to stare. Robin nudges you and wiggles her eyebrows. You roll your eyes and playfully hit her arm with the back of your hand.
Gabe is the first to sprint into the water, yelling like a lunatic as he dives in. Maggie and Robin follow, laughing as they wade in a shallow area before fully submerging themselves.
âAre you coming in?â Jay asks, standing beside you, his expression unreadable.Â
âYeah,â you say, stepping toward the water. The water envelops your ankles. It's cold, but you force yourself to keep going.Â
Jay follows you as your toes sink into the wet sand. Soon, the two of you are waist deep. Maggie, Robin, and Gabe are further out, already splashing each other like little kids.Â
You look over at Jay. The light of the moon reflects on his face perfectly, lighting up his best features. Before you can stare for too long, he speaks up. âSo,â he says, clearing his throat, âcollege next year, huh?â
You nod. âKind of crazy, right? Feels like just yesterday we were kids building sandcastles and arguing over who could hold their breath underwater the longest,â you laugh.Â
Jay chuckles. âYou always beat me. Not fair, by the way.â
âYou just have weak lungs.â
âMaybe,â he smirks. âOr maybe you just liked beating me.â
You tilt your head, considering. âMaybe you're right.â
There's a pause. Then, Jay sighs. âI've missed this,â he says.Â
Your heart skips. âMe too.â
You stare at each other for a moment. There's something in his gaze that makes you feel like the whole world just narrowed down to this moment. Before either of you can say anything else, Gabe splashes water in your direction.Â
âCome on, guys,â he shouts. âGet out into the water.â
Jay looks back at you and smiles before following Gabe farther into the water.Â
You smile. Maybe this summer will be different.
Next Part
2022 schlatt please save me. please save me 2022 schlatt. headband schlatt, if you can hear me. headband schlatt save me. save me 2022 schlatt please.
2,389 words Summary: Cowboy!Schlatt x original character. Dollie and Charlie plot to get John out of jail. A/N: Final chapter! I had so much fun writing this series, yâall have no idea.
[Part 1] [Part 2] [Part 3]
Divider: elleisdesigning
âToo high a horse
For a simple girl to rise above it
They slammed the door on my whole world
The one thing I wanted
Now I'm running with my dress unbuttoned
Screaming âBut Daddy I love him!ââ
âBut Daddy I Love Himâ by Taylor Swift
Sheriff Clyde Sheppard has had quite an interesting day. A little past noon, he had three boys in his Sheriffâs station claiming âBig Bad Johnâ was in town and staying at his daughterâs saloon.Â
Their claim led to Sheriff Sheppard sending his assistant, George, to go check it out and he confirmed that John was indeed staying at the saloon.
Clyde was pissed. His own daughter harboring an outlaw in her saloon? This simply will not do.Â
So, he devised a plan. In the morning, he would show up at her saloon and drag John out and imprison him. Clyde doesnât like the idea of an outlaw cowboy running amuck in his town. Heâll get him out one way or another.
Dollie stands in her doorway with a shocked look on her face as she faces her father. Charlie stands a few paces behind her and John stands around the corner, out of view.
âDaddy,â Dollie says, trying her hardest to keep her voice even. âWhat are you doinâ here?â
Clyde sighs. âStep away, Dollie,â he says. âI know heâs here.â
âWho?â
âDonât play dumb. You know who.â
Charlie shifts uncomfortably behind her, clearly wanting no part in this.
Dollie crosses her arms, blocking her fatherâs path like she could physically stop him if she tried. âYou didnât think to ask before showinâ up here?â
Clydeâs eyes narrow. âI got boys in my station claiminâ âBig Bad Johnâ waltzed into town like he owns the place. And from what George tells me, heâs been stayinâ here.â
Dollie swallows hard, but doesnât budge. âHe ainât causing no trouble.â
âYet,â Clyde snaps. âHeâs an outlaw, Dollie. You know what men like him do. You think youâre the exception? You think youâre safe?â
âHe ainât what people say he is,â Dollie says. âIâve seen more decency in him than the men you play cards with every Sunday.â
âDonât you start,â Clyde says, stepping closer. âYouâve already disrespected me enough by lettinâ him in that door.â
A tense silence falls over them. Around the corner, Johnâs hand moves to his pistol, but he doesnât draw. Not yet.
âWho I let into my saloon is my choice to make,â Dollie says.
Clyde scoffs. âYou lettinâ that man stay here isnât just a poor choice, itâs a crime.â
Charlie clears his throat. âNow, hold on,â he says, trying to calm them down. âMaybe we should all just take a second-â
âNo,â Clyde says. âIâm here to drag that outlaw out of here and put him where he belongs.â
John steps into view.
âAinât lookinâ for trouble, sheriff,â John says.Â
Clyde locks eyes with John. âThen why are you still breathinâ my townâs air?â he asks.
âBecause your daughter offered me a roof and I gave her my word that Iâd cause no harm,â John replies.
âYour word?â Clyde turns to Dollie. âAnd you believed that?â
âI did. Still do,â Dollie says.
Clyde lets out a humorless laugh, stepping forward until heâs toe-to-toe with her. âYou think that manâs different from the rest of âem? You think outlaws just stop beinâ dangerous âcause they look at you soft?â
John tenses. Dollie places a hand on his arm to hold him back.
âHe ainât dangerous,â Dollie says. âNot like you are right now.â
Charlie takes a cautious step forward. âSheriff, maybe thereâs another way to settle this that doesnât end with bullets flyinâ. Folks in town donât need the drama.â
Clydeâs gaze stays firmly planted on John. âDramaâs already here, Charlie. And itâs wearinâ a damn vest.â
John lifts his chin slightly. âI didnât come to cause problems. But Iâm not gonna let you treat me like some rabid dog either.â
Clyde looks him up and down. âThen letâs settle this the way men do.â
Dollieâs stomach drops.
âTomorrow. High noon. You and me, outlaw,â Clyde says. âOne shot each. You win, I let you stay. You loseâŠâ he glances at Dollie. âWell, you leave town and leave my daughter alone.â
âYou canât be serious,â Dollie says.
âIâm the law in this town,â Clyde snaps. âAnd this is me beinâ merciful.â
John crosses his arms, staring him down. âFine.â
Dollie turns to him. âJohn-â
âItâs the only way, Dollie,â John says.
Clyde reaches into his coat and pulls out a pair of iron cuffs. âAnd youâll be staying the night in my jail. That way I know you ainât gonna run.â
John nods.
Clyde steps toward him and puts the cuffs around his wrists.Â
As they start for the door, Dollie calls out, voice trembling with rage. âYou think this makes you a hero, Daddy? Arrestinâ an unarmed man in front of your daughter?â
Clyde pauses in the doorway. âNo, baby girl. This makes me the sheriff.â
And then theyâre gone.
The room goes quiet.Â
âSo, what now?â Charlie asks.
Dollie turns around, looking defeated. âI donât know Charlie.â
Charlie stays with Dollie for most of the day. She cries - a lot - until Charlie is struck with a plan.
âThereâs a trapdoor under the floorboards in the jail,â Charlie says, leaning into Dollie. âThe tunnel goes all the way out to the General Store. I used it once back when your daddy was still a deputy.â
Dollie stares at him. âIs it still usable?â
âShould be,â Charlie says. âThey sealed it up, far as I know. Just covered it up with some old boards. Your daddy probably forgot it exists.â
Something sparks in Dollie - hope. She has a chance to get John out of this predicament and save his life - and her fatherâs.
âWe could sneak in at night,â Charlie says. âGeorge donât stay the night and your father will be sleepinâ. Iâll go through the tunnel and get John, while you stay at the other end with one of my horses. ThenâŠâ Charlie trails off, looking a bit guilty.
âThen, what?â Dollie presses.
âWell, then heâs goinâ to have to get out of here, Dollie,â Charlie says, looking at her with sad eyes. âHe canât stay in town.â
Dollie looks down at her feet.Â
âI know, Charlie,â she says. âBut I donât want him gone. I want him here. With me.â
Charlie sighs, stepping closer to Dollie. âThis is the only way. John needs to leave town.â
âLet me go through the tunnel to get him,â Dollie says.
âDollieâŠâ
âPlease, Charlie,â Dollie says. âI need to see him one last time.â
Later that night, Dollie meets Charlie behind the General Store. He brings his horse, Patsy. Sheâs got a beautiful, brown coat and a black mane. Dollie pets her as she neighs affectionately.
âAlright,â Charlie says, he approaches the wall and taps his foot on the ground. âThe hatch should be around here somewhere.â
He taps his foot around some more before finding a hollow spot. He bends down to brush away some loose hay to reveal a hatch. He yanks it up to reveal steps leading down into a tunnel.
âWoah,â Dollie gasps.
Charlie turns around to look at her. âYou know the plan,â he says. âYouâll go and get John and then bring him back here so he can make his escape.â
âYup,â Dollie says. She stares at the steps for a while, debating if she truly wants to do this.Â
Charlie notices the hesitation on her face. âYou alright?â he asks.
âYeah,â Dollie says. âSorry, Iâm just a little nervous. Feels like Iâm goinâ down there just to say goodbye.â
Charlieâs gaze softens. âYou are, but itâs better than watchinâ him die at noon.â
Dollie sighs. She knows heâs right. Itâs better for John to get away knowing heâs alive rather than him stay and he dies. But sheâs afraid she might never see him again and she doesnât want that.
âYouâre right,â Dollie says.Â
With that, Charlie hands her a lantern as she steps down into the tunnel and makes her way through. The tunnel is shabby, the walls and floor cracked in some places. The air around her feels thick and damp.
She doesnât know what sheâs going to say when she sees him. Or how sheâs going to walk away when she already feels like sheâs leaving herself behind with every step.
She walks through it for what feels like forever before finding a trapdoor at the end of the tunnel. She sets down the lantern and uses all her strength to open it, trying not to make any sound.
The trapdoor softly creaks as it opens and she sees John sitting on a cot, staring at the floor with his head in his hands.
âJohn,â Dollie whispers.
His head snaps up and his gaze meets hers. âDollie?â
She pushes the trapdoor up more and pulls herself up to stand in the cell. John immediately rushes to her and tightly wraps his arms around her.
âWhatâre you doinâ here?â he asks, his voice soft.
âGettinâ you out of here,â Dollie whispers. âThereâs a tunnel. Charlie helped me.â
John exhales through his nose, half a laugh, half a sigh. ââCourse he did.â
They stand there for a moment, wrapped in each other. He smells like smoke and iron and dust, and she wants to breathe him in until she forgets what itâs like to be alone.
âYouâre not stayinâ, are you?â she asks quietly.
John pulls back just enough to look at her, and the answerâs already in his eyes.
âI canât, Dollie. Your daddy wonât stop âtil one of us is six feet under.â
âI know,â she says. âI hate it.â
He brushes his thumb across her cheek. âYou didnât have to do this.â
âI had to,â she says.
He leans in and kisses her - slow, full of everything he canât say out loud. Itâs the kind of kiss that tastes like goodbye and something worth fighting for all at once.
When they part, he rests his forehead against hers. âI love you, Dollie Sheppard.â
She stills.
âI love you too, Jonathan Schlatt,â Dollie says.
And she means it. Sure, sheâs only known the guy for a few days, but it feels like sheâs known him for a lifetime. She feels like she knows him better than she does anyone else.
âCome on,â she says softly. âWe gotta go.â
She lowers herself back into the tunnel and John follows close behind.Â
They barely speak as they follow the tunnel out. Speaking feels too final - like it really is a goodbye. Like they both know that theyâll never see each other again. Like thereâs no hope.
Eventually, they reach the end of the tunnel.
âFinally,â Charlie sighs. âI was beginning to worry that you got caught.â
âLuckily, we didnât,â Dollie says.
âWell, John,â Charlie says. âThis here is Patsy. Sheâs one of my horses. You can use her to get out of town.â
âThank you, Charlie,â John says, walking over to pet her.
He looks back at Dollie, whoâs standing a few feet away, holding back tears. He pulls her into another hug and puts a hand on the back of her head.Â
âIâll come back for you,â he says quietly, kissing her forehead. âI promise.â
She looks up at him, a tear rolls down her cheek. John reaches a hand to caress her cheek, wiping away her tears.Â
âIâll wait,â Dollie whispers.
He doesnât say when, doesnât make empty promises about how soon. Just gives her that look - like sheâs the only thing anchoring him to this earth. Like walking away might kill him more than any bullet ever could.
âI donât want to let you go,â she says.
âI know,â he says, brushing her hair back behind her ear. âBut if I stay, heâll win. And I ainât lettinâ your daddy be the reason you bury another man you care about.â
That one hits deep. Dollie swallows hard and nods.
Charlie clears his throat softly in the background - heâs trying to give them space, but timeâs running short. They all know it.
John steps toward Patsy, gives her a pat on the neck before putting one foot in the stirrup and swinging himself into the saddle. Heâs silhouetted against the night, tall and dark and unshakable like the legends say he is, but Dollie knows better. Sheâs seen the man underneath the myth.
He pulls on the reins, then looks down at her one last time.
âYou keep that saloon runninâ, yâhear?â he says, forcing a smile that doesnât quite reach his eyes. âAnd donât let your daddy sell it out from under you.â
âI wonât,â she says. âIâll keep a bottle of whiskey behind the bar with your name on it. Just in case.â
John gives her a final nod, then turns Patsy toward the dark stretch of open land beyond the general store. The hooves clatter quietly at first, then fade into nothing but wind and memory.
Dollie stands there long after heâs gone, her arms wrapped around herself like sheâs trying to hold something in thatâs already slipping away.
Charlie steps beside her. âYou alright?â
She nods, but her voice comes out barely above a whisper. âI will be.â
Years later, Dollie will be tending to the bar. A polished-looking man will waltz into her saloon. Sheâll recognize him by his eyes and his tamed mutton chops
Heâll walk up to her bar and take a seat. Heâll tell her heâs a changed man - dropped the cowboy life and became a banker. Heâll tell her heâs looking for work. He already talked to her dad and he reluctantly agreed to let him stay in town, but if he causes any trouble, heâs gone.
Sheâll drop a glass on the floor out of shock of her fatherâs kindness, causing it to shatter.Â
Heâll help her clean it up and pull her into a long awaited hug. Then, heâll ask if sheâs married.
Sheâll say no - she waited years to be back in his arms. Her father tried to marry her off a few times but she always found a way to get out of it.
Heâll ask for her hand in marriage.Â
Sheâll say yes as long as her daddy approves.
Heâll tell her he already asked and he said yes.
Theyâll marry and live together in a small cottage just outside town. Dollie will keep tending to the saloon. John will get a job in town as a banker. And they will finally be happy together.
Previous Part
Big guy's looking fucking IMMACULATE in the new Schlatt and Co vid holy shit đ€€đ«
That picture of him and Kalynn Koury lives rent free in my mind. He looks so good. đ€đ«Š
i need crazy wild relations with jschlatt
1,415 words Summary: Cowboy!Schlatt x original character. Dollie and John get to know each other a bit more. A/N: Sat my ass down and managed to write this chapter in about three hours. đȘ
[Part 1] [Part 3] [Part 4]
Divider: elleisdesigning
âYou're a bandit like me
Eyes full of stars
Hustling for the good life
Never thought I'd meet you here
It could be love
We could be the way forward
And I know I'll pay for itâ
âcowboy like meâ by Taylor Swift
Dollie leads John upstairs and shows him her spare room. Itâs not much - quite small, the wallpaper is tattered and coming off the wall in some places, the furniture is quite old, and the bed squeaks when you sit on it. But itâs a place to sleep.
âWell, hereâs my spare room,â Dollie says.
John grunts in response. He walks into the room, looking around before sitting on the bed with a loud squeak.
âMy room is just down the hall,â Dollie says. âIf you need anything just holler.â
âYou got any spare clothes?â John asks.
Dollie juts her head toward the wardrobe in the room. âShould be some clothes in there, but donât count on it. I donât get visitors a whole lot.â
John nods. âAlright, thank you,â he says.
âDonât mention it,â Dollie says before shutting the door and walking to her room.
Dollie lay awake that night, her mind restless as she thought about John. He wasnât what she expected. Not at all. The stories painted him as some ruthless outlaw, a gunslinger with blood on his hands, but the man sitting in her saloon tonight had been quiet, almost careful. There was something in his eyes - something thoughtful, something tired.
Her father wouldnât see that, though. He was the sheriff, and to him, an outlaw was an outlaw. If he found out she had given John a place to stay, thereâd be hell to pay.
The next day, Dollie gets up bright and early to open the saloon. She makes a quick breakfast for herself and leaves some out for John when he wakes up.Â
She goes downstairs into the saloon and does her normal opening tasks before her first customer walks in.
John finally joins her about midday. The folks in the saloon give him wary glances as he walks up to the bar.
âYou heading out?â Dollie asks.
John sits down at the bar and looks up at her. âThink Iâll stick around for a few more days if thatâs alright.â
ââCourse,â Dollie says. âMy saloon is always open to ya, John.â
John smiles. âGood to hear,â he says.Â
âCan I get ya anything to drink?â she asks.
âJust a whiskey.â
âYou bet.â
Dollie pours him a drink and goes back to serving other customers.Â
Sheâs not sure how much time has passed, but eventually the sun starts to set. Golden rays of light pour in through the saloonâs windows.Â
Just as sheâs about to start polishing glasses, a group of three men burst into her saloon. They all wear similar tattered clothes and each wear a cowboy hat. She doesnât recognize them, but she gets plenty of folks she doesnât recognize in her saloon all the time.
âHow can I help you, boys?â Dollie asks.
âWe heard Big Bad Johnâs in town,â one man says. âHeard he might be here. Just wanted to pay him a visit.â
By the way the man is looking at her and how he said Johnâs name, Dollie isnât sure these guys are looking for a friendly chat. But before she can say anything, John gets up and approaches them.
âThat would be me,â John says. âWhat can I do you for?â
âWell, you see,â says another man. âWe caught wind of you passinâ through town. You killed our brother a couple years ago. Weâve come to get payback.â
John looks like heâs sizing the three men up. Heâs studying them intently, planning his next move. She notices a flicker of something dangerous in his eyes.Â
Dollie doesnât like it.
Silence settles in the saloon - thick, heavy. Some patrons back away, some leave entirely. Dollie herself isnât sure what to do.Â
One man shifts on his feet, his hand moving toward his holster.
John takes notice. âNow, I donât want any trouble,â he says, putting his hands up. âIf you boys are smart, youâll walk away.â
âIs that so?â the man who spoke first - likely the leader - asks. âFunny. Last I heard, Big Bad John doesnât walk away from no fight.â
Before John can respond, Dollie slams her hand down on the table with a loud thud. The men look at her.Â
She shakes her finger at the leader. âThatâs enough,â she says. âI donât care what unfinished business yâall think you got, but it ainât gettinâ settled under my roof.â
âThis ainât your fight, lady,â the leader sneers.
âIt sure is when itâs happening in my saloon,â Dollie retorts. âNow, unless you boys are lookinâ for a drink, I suggest you run along.â
The man who had been reaching for his gun scoffs. âYou think you can just send us packinâ?â he asks.
âI donât think,â Dollie says. âI know. This is my saloon. You start trouble, I promise you wonât like how it ends.â
The leader scoffs and juts his chin toward the door. âLetâs go,â he says. âBut this ainât over.â
âIt is for now,â Dollie says.
The men make their way toward the door, glaring at Dollie as they do so. She watches them leave and listens as the sounds of their heavy boots get quieter and quieter.Â
After a few moments, the saloon goes back to its normal hum of conversation.Â
Dollie turns back to John who has returned to his seat at the bar. âYou sure do know how to attract trouble,â she says.
John smirks, taking a sip of his whiskey. âNot my fault folks donât know when to let things go.â
She rolls her eyes. âNext time, donât bring it into my saloon.â
Later that night, Dollie and John stand on Dollieâs balcony, sharing a cigarette. The cool night air feels good on her face and she can just barely see John in the moonlight.
They sit quietly for awhile, just taking turns with the cigarette.
âSo, Dollie,â John starts. âHowâd you get to own the saloon?â
âGrandpa owned it before me,â she says. âI practically grew up in the saloon. Mom died when I was quite young and dad didnât know what else to do with me while he was working, so heâd dump me here durinâ the day. Grandpa taught me how to tend the bar when I was about eleven. He taught me everything I know. After he passed, I inherited the saloon. Been runninâ it by myself ever since.â
âSorry about your grandfather,â John says.
âDonât be,â Dollie says, taking a drag of the cigarette before handing it to John. âIt happened a while ago.â
The two are quiet for a moment, taking in the night breeze.
âWhat does your dad do?â John asks, breaking the silence.
Dollie chuckles a bit. âHeâs the sheriff, actually.â
She looks over at John - even in the dark, she can see his eyes go wide.Â
âHe doesnât know youâre here,â Dollie says. âMy dad and I⊠we ainât on the best of terms. He donât approve of me runninâ the saloon. In fact, he wanted to sell it after grandpa died, but legally, itâs mine. Now, Dadâs set on marrying me off to some guy and convincing him to sell the saloon. But he ainât found anyone to marry me yet.â
John nods, not adding anything.
âHowâd you get into the cowboy life?â Dollie asks.
John exhales, watching the smoke swirl into the night air. âDidnât have much of a choice. My old man worked cattle. Taught me how to ride and shoot. Figured out real quick that life ainât always fair. You either get tough or get left behind.â
Dollie studies what she can see of him for a moment, seeing something deeper in his words. âThat why you left? To find something better?â
John smiles softly. âSomething like that.â
Dollie leans on the railing, very aware of the way Johnâs side presses against hers. âYou ever think of leavinâ the cowboy life behind?â she asks.
John turns his head, his gaze meeting hers in the moonlight. âSome days,â he says.
Neither of them says anything for a moment. The air feels heavier, charged with something neither of them are quite ready to name.Â
Without thinking, Dollie shifts closer. John hesitates for only a second and leaning in to press a soft kiss to her lips. The kiss is slow and tentative, almost like theyâre feeling this out, trying to figure out what the other is thinking.
When they pull apart, John chuckles. âI didnât see that cominâ,â he says.
âMe neither,â Dollie says, smirking. But she definitely doesnât regret it.
Previous Part - Next Part
Summary: Fem!reader x teen!Schlatt. Youâve had a crush on Jay since you were twelve, unsure if he feels the same. Inspired by The Summer I Turned Pretty.Â
Part 1 ââź | Part 2 ââź | Part 3 ââź
Divider: dialilimoon
Cowboy schlatt PLEEASE!!!
Writings by zuzu had schlatt in their Don't get the blues series and I miss him, we weren't going for him at all, but him as a cocky gunslinger who's good with the kids in his small side of town...
YESS I can so imagine him being this big tough cowboy but he's really just a big softie.