1,415 words Summary: Cowboy!Schlatt x original character. Dollie and John get to know each other a bit more. A/N: Sat my ass down and managed to write this chapter in about three hours. đȘ
[Part 1] [Part 3] [Part 4]
Divider: elleisdesigning
âYou're a bandit like me
Eyes full of stars
Hustling for the good life
Never thought I'd meet you here
It could be love
We could be the way forward
And I know I'll pay for itâ
âcowboy like meâ by Taylor Swift
Dollie leads John upstairs and shows him her spare room. Itâs not much - quite small, the wallpaper is tattered and coming off the wall in some places, the furniture is quite old, and the bed squeaks when you sit on it. But itâs a place to sleep.
âWell, hereâs my spare room,â Dollie says.
John grunts in response. He walks into the room, looking around before sitting on the bed with a loud squeak.
âMy room is just down the hall,â Dollie says. âIf you need anything just holler.â
âYou got any spare clothes?â John asks.
Dollie juts her head toward the wardrobe in the room. âShould be some clothes in there, but donât count on it. I donât get visitors a whole lot.â
John nods. âAlright, thank you,â he says.
âDonât mention it,â Dollie says before shutting the door and walking to her room.
Dollie lay awake that night, her mind restless as she thought about John. He wasnât what she expected. Not at all. The stories painted him as some ruthless outlaw, a gunslinger with blood on his hands, but the man sitting in her saloon tonight had been quiet, almost careful. There was something in his eyes - something thoughtful, something tired.
Her father wouldnât see that, though. He was the sheriff, and to him, an outlaw was an outlaw. If he found out she had given John a place to stay, thereâd be hell to pay.
The next day, Dollie gets up bright and early to open the saloon. She makes a quick breakfast for herself and leaves some out for John when he wakes up.Â
She goes downstairs into the saloon and does her normal opening tasks before her first customer walks in.
John finally joins her about midday. The folks in the saloon give him wary glances as he walks up to the bar.
âYou heading out?â Dollie asks.
John sits down at the bar and looks up at her. âThink Iâll stick around for a few more days if thatâs alright.â
ââCourse,â Dollie says. âMy saloon is always open to ya, John.â
John smiles. âGood to hear,â he says.Â
âCan I get ya anything to drink?â she asks.
âJust a whiskey.â
âYou bet.â
Dollie pours him a drink and goes back to serving other customers.Â
Sheâs not sure how much time has passed, but eventually the sun starts to set. Golden rays of light pour in through the saloonâs windows.Â
Just as sheâs about to start polishing glasses, a group of three men burst into her saloon. They all wear similar tattered clothes and each wear a cowboy hat. She doesnât recognize them, but she gets plenty of folks she doesnât recognize in her saloon all the time.
âHow can I help you, boys?â Dollie asks.
âWe heard Big Bad Johnâs in town,â one man says. âHeard he might be here. Just wanted to pay him a visit.â
By the way the man is looking at her and how he said Johnâs name, Dollie isnât sure these guys are looking for a friendly chat. But before she can say anything, John gets up and approaches them.
âThat would be me,â John says. âWhat can I do you for?â
âWell, you see,â says another man. âWe caught wind of you passinâ through town. You killed our brother a couple years ago. Weâve come to get payback.â
John looks like heâs sizing the three men up. Heâs studying them intently, planning his next move. She notices a flicker of something dangerous in his eyes.Â
Dollie doesnât like it.
Silence settles in the saloon - thick, heavy. Some patrons back away, some leave entirely. Dollie herself isnât sure what to do.Â
One man shifts on his feet, his hand moving toward his holster.
John takes notice. âNow, I donât want any trouble,â he says, putting his hands up. âIf you boys are smart, youâll walk away.â
âIs that so?â the man who spoke first - likely the leader - asks. âFunny. Last I heard, Big Bad John doesnât walk away from no fight.â
Before John can respond, Dollie slams her hand down on the table with a loud thud. The men look at her.Â
She shakes her finger at the leader. âThatâs enough,â she says. âI donât care what unfinished business yâall think you got, but it ainât gettinâ settled under my roof.â
âThis ainât your fight, lady,â the leader sneers.
âIt sure is when itâs happening in my saloon,â Dollie retorts. âNow, unless you boys are lookinâ for a drink, I suggest you run along.â
The man who had been reaching for his gun scoffs. âYou think you can just send us packinâ?â he asks.
âI donât think,â Dollie says. âI know. This is my saloon. You start trouble, I promise you wonât like how it ends.â
The leader scoffs and juts his chin toward the door. âLetâs go,â he says. âBut this ainât over.â
âIt is for now,â Dollie says.
The men make their way toward the door, glaring at Dollie as they do so. She watches them leave and listens as the sounds of their heavy boots get quieter and quieter.Â
After a few moments, the saloon goes back to its normal hum of conversation.Â
Dollie turns back to John who has returned to his seat at the bar. âYou sure do know how to attract trouble,â she says.
John smirks, taking a sip of his whiskey. âNot my fault folks donât know when to let things go.â
She rolls her eyes. âNext time, donât bring it into my saloon.â
Later that night, Dollie and John stand on Dollieâs balcony, sharing a cigarette. The cool night air feels good on her face and she can just barely see John in the moonlight.
They sit quietly for awhile, just taking turns with the cigarette.
âSo, Dollie,â John starts. âHowâd you get to own the saloon?â
âGrandpa owned it before me,â she says. âI practically grew up in the saloon. Mom died when I was quite young and dad didnât know what else to do with me while he was working, so heâd dump me here durinâ the day. Grandpa taught me how to tend the bar when I was about eleven. He taught me everything I know. After he passed, I inherited the saloon. Been runninâ it by myself ever since.â
âSorry about your grandfather,â John says.
âDonât be,â Dollie says, taking a drag of the cigarette before handing it to John. âIt happened a while ago.â
The two are quiet for a moment, taking in the night breeze.
âWhat does your dad do?â John asks, breaking the silence.
Dollie chuckles a bit. âHeâs the sheriff, actually.â
She looks over at John - even in the dark, she can see his eyes go wide.Â
âHe doesnât know youâre here,â Dollie says. âMy dad and I⊠we ainât on the best of terms. He donât approve of me runninâ the saloon. In fact, he wanted to sell it after grandpa died, but legally, itâs mine. Now, Dadâs set on marrying me off to some guy and convincing him to sell the saloon. But he ainât found anyone to marry me yet.â
John nods, not adding anything.
âHowâd you get into the cowboy life?â Dollie asks.
John exhales, watching the smoke swirl into the night air. âDidnât have much of a choice. My old man worked cattle. Taught me how to ride and shoot. Figured out real quick that life ainât always fair. You either get tough or get left behind.â
Dollie studies what she can see of him for a moment, seeing something deeper in his words. âThat why you left? To find something better?â
John smiles softly. âSomething like that.â
Dollie leans on the railing, very aware of the way Johnâs side presses against hers. âYou ever think of leavinâ the cowboy life behind?â she asks.
John turns his head, his gaze meeting hers in the moonlight. âSome days,â he says.
Neither of them says anything for a moment. The air feels heavier, charged with something neither of them are quite ready to name.Â
Without thinking, Dollie shifts closer. John hesitates for only a second and leaning in to press a soft kiss to her lips. The kiss is slow and tentative, almost like theyâre feeling this out, trying to figure out what the other is thinking.
When they pull apart, John chuckles. âI didnât see that cominâ,â he says.
âMe neither,â Dollie says, smirking. But she definitely doesnât regret it.
Previous Part - Next Part
Big guy's looking fucking IMMACULATE in the new Schlatt and Co vid holy shit đ€€đ«
1,487 words Summary: Cowboy!Schlatt x original character. What the title says. NSFW / MDNI A/N:Â The smut took me forever to write. Iâm no good at smut so if itâs bad, Iâm sorry.
[Part 1] [Part 2] [Part 4]
Divider: elleisdesigning
âAnd I was going, just about as far as she'd let me go
But her evaluation of my cowboy reputation
Had me begging for salvation all night longâ
âSave a Horse, Ride a Cowboyâ by Big & Rich
Dollie lays in her bed, staring at the ceiling. The scene of John kissing her replays in her head.Â
After the kiss, their conversation continued a bit before John called it a night and they returned to their rooms.
She's restless, constantly shifting positions to get comfortable, but to no avail.Â
Finally, she gets up and goes into the hallway. A soft light coming from the kitchen casts shadows on the walls. Dollie turns the corner to see John sitting at her kitchen table, drinking out of a glass of water.Â
âCouldn't sleep?â John asks as Dollie enters the room.Â
âNo,â Dollie says. âKept tossinâ and turninâ. You?â
âSame,â John says.Â
Dollie crosses over to her cabinets to grab a cup and fill it with water. She turns around to look at John as she leans against the counter.Â
The two are silent for a moment. The tension of their kiss from earlier still twists in the air. She can still feel his lips on hers, the warmth of his hands still lingering on her skin.Â
She knows he feels it, too - the ghost of the kiss shared between them, lingering in the silence.
John leans back in his chair, looking at Dollie. âSo, that kiss,â he says. âYou regret it?â
Dollie exhales, taking a sip of water before setting her cup down on the counter. âDo you?â
âNo,â John says, sighing. âBut I wonder if you should.â
Dollie cocks her head, a confused look on her face. âWhyâs that?â
John looks away, shaking his head. âI ainât a good man, Dollie,â he says. âI got a past full of trouble.â
âI ainât askinâ you to be a saint, John,â Dollie says.
He looks back at her. âYou should.â
âWhy?â
âI donât want you to get hurt.â
Dollie studies John for a moment - his hands make fists at his side and his jaw is clenched.
She scoffs. âYou think I ainât been hurt before?â
âNot the way I mean,â John says.
She walks over to the table, placing her hand on the table in front of him and leaning over him. âYou keep talkinâ like you got some kinda say in what I do, John. Like you get to decide whatâs best for me.â
His gaze flickers at her. âMaybe I ainât got no say,â he says. âBut that ainât stoppinâ me from carinâ.â
Dollie stills at that. He said it so simply. Like she hadnât heard that from men like him - men who come and go and donât leave much behind but their shadows.Â
She watches him, how he wonât quite meet her gaze, like heâs waiting for her to call him a liar. But she doesnât.
Instead, she takes another step closer, standing between his knees.
âJohn,â she says, her voice a little softer now. âYou really think Iâm scared of a bit of trouble?â
John finally looks into her eyes, his lip twitching slightly, like he wants to smile, but wonât let himself. âAinât a little trouble Iâm talkinâ âbout.â
Dollie tilts her head, resting her hands on his shoulders. âMaybe I donât care.â
John exhales slowly, his hands making their way to her waist. âYou should,â he murmurs, but thereâs no longer any weight behind his words.
Dollie smirks. âYou keep sayinâ that, but you ainât exactly pushinâ me away.â
John chuckles. âIâm not,â he says.
A quiet moment passes between them and John pulls her in a bit closer.
Dollieâs fingers travel along his jaw, tracing patterns in his thick mutton chops. âYou gonna kiss me again, cowboy?â
John doesnât respond - at least not with words.
He reaches up to cup her cheek, pulling her toward him. Their lips meet in a slow, deliberate kiss like they know they shouldnât be doing this but canât bring themselves to stop.
Dollie sighs into his lips, her fingers tightening against the fabric of his shirt as he deepens the kiss. His other hand slides up her back, holding her in place as if sheâll slip away.
âDollie,â John breathes.Â
âYes, John?â Dollie asks, pulling away from his mouth.
John looks her up and down. âCan we please go to my room?â
Dollie nods.
John moves quickly to scoop Dollie off her feet bridal-style. Dollie giggles as he carries her to his room, nudging the door open with his boot and gently setting her down on the bed. But thereâs nothing gentle about the way his lips find hers again - desperate, urgent.Â
His hands roam her body with reverence and hunger, like heâs trying to memorize her by touch alone.Â
âDollie,â he breathes as he kisses down her jaw and neck. âYou donât know what youâre doinâ to me.â
Dollie laces her fingers into his hair, pulling him back up to her lips. âThen show me.â
Thatâs all he needs.
John smirks. He slips off her nightgown, tossing it away as he pushes her back against the mattress, his weight pressing into the creaky bed. He starts to unbutton his shirt while Dollie fumbles with his belt buckle.
He pulls off his shirt and tosses it to the floor, revealing a body marked by a life on the run - scarred, tanned, and worn in the only way real cowboys are. He then helps Dollie with the belt buckle before throwing his belt across the room and pulling off his jeans and boots.Â
Dollie looks up at the man in front of her, admiring him.
John chuckles, noticing her stare. âAinât much to look at, Iâm afraid,â he says.
âYouâre beautiful,â Dollie says. And she means it. Every inch of him is something she wants to explore - to cherish.
John moves to press his weight into the bed once more. âYouâre killinâ me,â he says, half in awe, half in agony. âI ainât ever wanted somethinâ like I want you.â
Their lips crash into each other again. Johnâs hands rub tiny circles into Dollieâs hip.
Dollie slips a finger into the waistband of Johnâs boxers. âTake these off,â she breathes.
He does as she tells him, his hard cock bobbing up as he does so. His hands slide down her body to do the same to her.
When their lips meet once more, there's a beat of stillness. No bravado, no games. Just John and Dollie together as if it was always meant to be that way.Â
John lines up with her entrance and thrusts into her. Dollie gasps at the feeling of him filling her up.Â
When he moves inside her, it's slow and deliberate - like he's savoring each second, like this may be the only time they do this. His breath stutters against her neck as he rocks into her.Â
âGod, Dollie,â he moans. âI ain't gonna last.â
âYou don't have to,â Dollie says. âJust stay with me.â
And he does. Every touch, every kiss, every gasp is full of the kind of need that borders on devotion.Â
They move together as if they've done this hundred times before in a dream. Like fate brought John into the saloon for them to find each other.Â
John gives his last few thrusts through both of their climaxes, pulling out and laying down next to Dollie. He places his head on her chest. Dollie moves a hand to his head, scratching it gently.Â
The room is quiet except for the sounds of their quiet breathing - slow and uneven as if they're trying to come back to earth.Â
Eventually, they both drift off to sleep, wrapped up in each other's arms.Â
The next morning, the sound of frantic knocking wakes up Dollie. She pushes John off of her, quickly slips her clothes back on, and gets up to walk over to her door.Â
She opens the door and Charlie comes stumbling in - his eyes wide and body trembling.Â
âCharlie, what is it?â Dollie asks, reaching out to steady him.Â
âYour father,â he gasps, catching his breath. âHe uh - he found out about John stayinâ here. He's not happy about it. Says he's on his way.â
âShit,â Dollie breathes. âShit, shit shit.â
She rushes over to John's room to wake him.Â
âJohn, you need to leave,â she says.Â
John sits up, trying to gather his clothes and groggily puts them on. âWhy? Was last night that bad?â he asks, chuckling a bit.Â
Dollie stares at him. If she wasn't so terrified of her father, maybe she'd laugh too. âIt was amazing, John. But seriously, you need to get out. My father found out that you're here.â
John's eyes widen, he starts to move faster, trying to get his clothes on.Â
But it's not enough.Â
When Dollie opens the door to let John leave, her dad is standing on the other side.Â
Previous Part - Next Part
Hear me out.
I want to write a Schlatt fic in which the chapters are out of order (each takes place at a different point in time). The MC and Schlatt are sort of in this situationship. It takes years for them to finally realize their true feelings for each other. (Sort of inspired by One Day except there's no sad ending because I don't like sad endings.)
I hope this made sense. I can't wait to start writing it. đ
Alice makes vlogs with her twin brother, Mason, and their best friend, Astra.
Alice has tattoos littering her arms and is constantly at the gym. Youâll find her in a crop top, biker shorts, and her AirPods in. Outside of the gym, she loves a good bomber or leather jacket on top of a tank top. Her go-to pair of shoes is her beat-up pair of Doc Martens.
Alice who gets thirsted over online by her fans. She tries not to let it get to her head, but she canât help it. She knows sheâs hot.
Alice who lives in LA despite absolutely hating it there. She only moved there because Mason and Astra wanted to. She would much rather be living in their old midwestern hometown.
Alice who pretends not to care, but always notices when somethingâs off. She doesnât flinch if someone yells, but will completely unravel if someone she loves cries.
Alice who, despite her rough exterior, is genuinely one of the nicest people you will ever meet. She can be sarcastically mean to you in one moment and then super sweet the next.
Alice who loves driving at night with the windows down and music loud enough to drown out her brain. She has exactly one playlist for lifting, one for crying, and one for when she feels like the hottest person alive.
Playlist!
Divider: enchanthings-a
Hello! I'm Harley (she/her). I'm 18. I love writing silly little stories. I will likely post them here. And literally anything else I feel like posting, really.
Interests: Jschlatt, Sam and Colby, Taylor Swift, Marvel, Brooklyn Nine-Nine, SNL, shifting, New Girl, Sinjin Drowning, Smosh, The Sims 4
Shifting Side Blog: @harleyshifts
My asks/requests are open! Guidelines are at the bottom of this post.
àšâŻ masterlist! âŻà§
Guidelines for asks:
âł I will not write anything offensive (fetishization, SA, self harm, etc.).
âł Anything else is fair game.
Dividers: thecutestgrotto
Summary: In the town of Ghostridge, Georgia, Dollie Sheppard runs a quiet saloon where nothing ever really happens. That is until Big Bad John passes through town. Heâs supposed to be a legend, a ghost story. But heâs real, heâs handsome, and nothing Dollie expected. With tensions rising, Dollie finds herself caught between the law, her past, and the man with a reputation that could ruin them both.
The Devil Went Down to Georgia â Cowboy Like Me ââź Save a Horse, Ride a Cowboy âźâ„ But Daddy I Love Him ââź
âSaying me, me, me, me, me more cowboy than you!â
âMe More Cowboy Than Youâ by The Brudi Brothers
Divider: elleisdesigning
fucked but iâm so used to seeing that stupid fucking filter on him that i donât trust any pic of schlatt from snap to Not have the filter on it
REAL AF. He looks so good with the filter, too. It's actually obscene.
Look at the ones I found on Pinterest đ
Thinking about cowboy!schlatt. May need to let the brain worms take over and write it.
Started writing it today. 𫥠I have about 3-4 parts planned and there's just so much angst omg.
Thinking about cowboy!schlatt. May need to let the brain worms take over and write it.