Libraryidealist - Dried Flowers And Art

Hello, OP here.

I didn't quite know how to feel about this post ad-on, since I wrote the post in a spur of the second, omg-I'm-so-excited-about-this-show flash. And the Palestine-Israel conflict is one I very much avoid, for a few reasons.

But I do want to say that I very much appreciate how @mo-mode puts an emphasis on seeing things from all sides. The chance that every person you disagree with is a monster is actually very slim, my friends.

I'm just not a friend of the internet and this website's quick hand at polarizing and simplifying complex topics.

THAT BEING SAID

Reblog with your fave illegal streaming website, y'all. Kick Disney where it hurts.

After tireless searching I've finally found an illegal website to stream Percy Jackson over and now I'm making it everyone's problem

“X celebrity is the most beautiful woman in the world etc etc.” Uh no it’s my mom and also a random girl i saw while i was at work once

This. Is. Epic. You win the internet.

My family is not very religious most of the time.  We pray at Christmas and Easter and Thanksgiving dinners, and my mom’s entire side of the family excluding her parents and siblings is hardcore religious so whenever we do anything with them it’s kind of religious.

But the point is, most of the time we aren’t, but every year at Christmas time, a church in the next town over puts on a Bethlehem and it’s kind of a tradition to go.  They go all out.  The building is massive, and they’ve got it all decked out.  There’s animals and stalls and everyone is in costume and in character.  When you get there, they give you some pennies and you can go and barter for cool little trinkets, and there’s other more expensive things you can buy with your own money.  And they have the best apple cider.  All in all, it’s pretty cool.

But anyway.  We go every year, bundled up in hats and scarves and mittens, and have a good time.  We’ve been doing it for as long as I can remember, and my mom talks about going when she was a kid.

I’m going to mention again that everyone is massively in character, especially the really super hardcore religious adults.  Because this is an important fact.

Every year since I was about thirteen or so, there’s been this one lady who worked at a stall selling ponchos (I have, like, three.  They’re really cool).  She was probably there before that, but I was thirteen when she started trying to barter for me to marry her son, who was also about thirteen.

“What a pretty little thing.  I think you’d make a very good wife for my son.  These are your parents?  I’ll give you six goats for your daughter’s marriage to my son.”

Her son, meanwhile, is in the “shop” behind her looking absolutely mortified and like he’d rather be anywhere else than there, and I’m pretty sure I probably looked just as embarrassed.

My parents gave her some sort of excuse, like it wasn’t enough goats or they weren’t ready to marry me off yet or something, and we moved on.

The next year we’re back again, and come up near to the same stall.

“Ah!  You’re back again!  Have you married your daughter off yet?  I can up my offer to nine goats and three chickens for your daughter to marry my son.”

Somehow she remembered the exact people she’d tried to buy their daughter off of for an entire year?  So my parents are refusing her offers again and me and the son are trading embarrassed looks and we go on our way.

And then it happens again.  And again.  And again.  Each and every one of the last six years this lady has tried to buy me in goats to be her son’s wife. 

 A couple years ago when we were waiting in line to get inside my mom jokingly said that they should accept this year and see what she’d do and I completely refused because it was mortifying enough as it was.

One year we brought my friend with us and we’re waiting outside and my sister was like “Are you gonna sell Kee this year?” and my dad was like “Maybe if there’s enough goats” and my friend was confused as heck and I was like “This lady tries to buy me to marry her son every year.  I told you that” and she’s like “Yeah but I didn’t think this was a thing that actually happened” and she was still skeptical and by the time my parents had finished refusing the lady’s offer, she’s killing herself laughing and then spent the next few months telling me I couldn’t look at guys because I already had a fiancée.

Anyway, it happened again this Christmas and the son has somehow gotten almost ridiculously attractive since last year.  The speech this year had something to do with how I was far too old to not have a husband yet, and the son and I just rolled our eyes at each other as his mom tried to barter with my parents for me.

This year’s offer was twenty six goats and nine chickens.  My sister looked up how much goats are worth, and was mad our parents didn’t sell me so she could have sold the goats and gotten $2000-$8000 for them.  My dad says they’re waiting out on an offer of a camel.  My brother thinks they should have it more than once a year so he can get more apple cider.

Now I’m back at uni, and in my first psych class of the semester the guy sitting beside me looked really familiar.  

As in his-mom-tries-to-buy-me-with-goats-every-Christmas familiar.

That kind of familiar.

We introduced ourselves before class started and I sat there for a couple minutes readying to make a total fool of myself in case I was wrong before turning to him again.

“This is going to sound really weird if you aren’t who I think you are, but by any chance does your mom try to buy you a wife with goats every Christmas?”

His friend gives me a weird look as he walks past me to sit on the other side of him, but he’s definitely putting the pieces together.

“That’s you?  Bethlehem in [city name], right?  God, my mom is so mortifying.”

And we both kinda laugh and meanwhile his friend is giving us both weird looks now because apparently he didn’t know that his friend’s mom was trying to buy him a wife using livestock.

So he turns to his friend and is like

“Oh, I forgot to introduce you.  Danny, this is my fiancée, Kee.”

And I kinda rolled my eyes and was like

“I’m not actually your fiancée.  Your mom hasn’t offered my parents enough goats yet.  But apparently my dad will sell me for a camel.”

And he laughed and shook his head like

“I am not telling my mom that.  I don’t want to see what she has planned for if your parents ever accept.”

So yeah.  His friend was really confused by that point and we explained it to him and it turns out he’s pretty cool and we’re Facebook friends now and hang out in psych classes.  Apparently his mom only ever tries to buy me for him and she and my mom had gone to the same church growing up which is why she can always pick us out.

So yeah.  That’s the story of how some lady tries to use goats to buy me to be her ridiculously attractive son’s wife every Christmas, and how he’s in my class and we’re friends now.

if there’s one wisdom i can leave you with its smoke weed, eat local, and fuck often

Never argue with stupid people. They will drag you down to their level and beat you with experience.

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer listed. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.

Thank you all so much.

drew over something i wrote for a class and liked :] sorry the cars are lowkey ugly, its because I fucking hate cars and cant be bothered to learn what they look like beyond ominous hunks of metal

edit: transcript of the poem by itself under the cut

6 Tips for Crossing the Road

Look both ways

The road is for cars. 

Make sure to look for them before crossing. Even when you have the right of way, cars have a lot of safety features and you have none. 

Use designated crosswalks 

The road is for cars. 

So is the crosswalk but, under brief and temporary conditions, you can use it too! Never jaywalk, never walk in the road, just hope there is a clear and functional sidewalk. 

Cross at the light

The road is for cars. 

There are rules and signs for them, but that can only go so far. Walk quickly and hold your breath and hope that the light doesn't turn. Make eye contact with drivers as their cars teem with potential energy, rumbling with disdain at the inconvenience of your crossing. Try to ignore the cloud of exhaust that you are in and they are above. 

Leash your pets

The road is for cars. 

Obviously. 

To you, it may be natural to sacrifice so much space to them but to your dog, it is not. His instinct is to explore freely. You must curb it. Modern US car models have such high hoods that the average child, let alone dog, is obscured. Even on the sidewalk, hold the leash tight because the sidewalk (if you are so blessed) is next to the street and the threat still looms.

Look out for road kill

The road is for cars. 

And no one was there to leash the deer. 

Or the raccoon. 

Or the cat. 

Did you know that the most reliable sample method for wildlife in an area is looking at the roadkill? 

Remember these tips

The road is for cars. 

Cars are everywhere. In the city. In the suburbs. In the country. In the woods (the US Forest Service manages more roads than the entire Ministry of Transit in China.) Cars are everywhere because there are roads to bring them there, which is great if you are a car and want to get from place to place fast without worrying about the in-between. 

Unfortunately, you are not a car. 

You are an animal. 

You are in-between. 

So remember to look both ways. 

People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.

— Iris Murdoch, A Fairly Honourable Defeat” (Chatto & Windus in 1970) (via Thoughts)

late spring by Mary Oliver

Among the stars on a Friday afternoon (2022)