SO HERE IS THE WHOLE STORY (SO FAR).

SO HERE IS THE WHOLE STORY (SO FAR).

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer listed. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

SO HERE IS THE WHOLE STORY (SO FAR).

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

SO HERE IS THE WHOLE STORY (SO FAR).

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

SO HERE IS THE WHOLE STORY (SO FAR).

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

SO HERE IS THE WHOLE STORY (SO FAR).

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

SO HERE IS THE WHOLE STORY (SO FAR).

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

SO HERE IS THE WHOLE STORY (SO FAR).
SO HERE IS THE WHOLE STORY (SO FAR).
SO HERE IS THE WHOLE STORY (SO FAR).

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

SO HERE IS THE WHOLE STORY (SO FAR).

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

SO HERE IS THE WHOLE STORY (SO FAR).

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

SO HERE IS THE WHOLE STORY (SO FAR).

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

SO HERE IS THE WHOLE STORY (SO FAR).

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

SO HERE IS THE WHOLE STORY (SO FAR).

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

SO HERE IS THE WHOLE STORY (SO FAR).

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

SO HERE IS THE WHOLE STORY (SO FAR).

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

Again, please, please PLEASE reblog this post instead of the one I sent originally. All the information is here, and it's driving me nuts to see the old ones are still passed around, sending people on wild goose chases.

Thank you all so much.

More Posts from Libraryidealist and Others

6 months ago
I Feel Like Throwing Up
I Feel Like Throwing Up
I Feel Like Throwing Up
I Feel Like Throwing Up

i feel like throwing up

2 years ago

Ginger bread bathtub

A friend once asked me for a sign

That the universe loved us.

I told her I had taken a bath today.

The water was green and the perfect temperature

The sky was darkening and the light was on

The room smelled like the ginger bread I had brought from the kitchen

Mixed with the eucalyptus of my bath oil.

A song played

It reminded me of a home we moved out of when I was eight.

It reminded me of my nanny teaching me how to paint my nails when my parents left the house

I would sit on a bar stool

My toes would barely brush the ground.

Oh, the universe loves us

The bath water was the perfect temperature today.


Tags
6 months ago

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

3 years ago
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered
John Singer Sargent (January 12, 1856 – April 14, 1925) was An American expatriate artist, Considered

John Singer Sargent (January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the “leading portrait painter of his generation” for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His commissioned works were consistent with the grand manner of portraiture, while his informal studies and landscape paintings displayed a familiarity with Impressionism.

2 years ago

What are apples and toffee

and irdescent bubbles

and waves of grass and wind dances on fields

and neon lights and mischievous strangers

and cookies from acquaintances

and unbroken water surfaces and fireworks

and daisies

to her.


Tags
2 months ago
“𝐵𝑒ℎ𝑖𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 𝑒𝑥𝑞𝑢𝑖𝑠𝑖𝑡𝑒 𝑡ℎ𝑖𝑛𝑔
“𝐵𝑒ℎ𝑖𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 𝑒𝑥𝑞𝑢𝑖𝑠𝑖𝑡𝑒 𝑡ℎ𝑖𝑛𝑔
“𝐵𝑒ℎ𝑖𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 𝑒𝑥𝑞𝑢𝑖𝑠𝑖𝑡𝑒 𝑡ℎ𝑖𝑛𝑔
“𝐵𝑒ℎ𝑖𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 𝑒𝑥𝑞𝑢𝑖𝑠𝑖𝑡𝑒 𝑡ℎ𝑖𝑛𝑔

“𝐵𝑒ℎ𝑖𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 𝑒𝑥𝑞𝑢𝑖𝑠𝑖𝑡𝑒 𝑡ℎ𝑖𝑛𝑔 𝑡ℎ𝑎𝑡 𝑒𝑥𝑖𝑠𝑡𝑒𝑑, 𝑡ℎ𝑒𝑟𝑒 𝑤𝑎𝑠 𝑠𝑜𝑚𝑒𝑡ℎ𝑖𝑛𝑔 𝑡𝑟𝑎𝑔𝑖𝑐”.

– 𝑂𝑠𝑐𝑎𝑟 𝑊𝑖𝑙𝑑𝑒

6 months ago
Le Rayon Vert
Le Rayon Vert

Le rayon vert

dir. Éric Rohmer

1986

6 months ago

there is always tomorrow

There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
There Is Always Tomorrow
1 year ago

Hiroshima

Der den Tod auf Hiroshima warf Ging ins Kloster, läutet dort die Glocken. Der den Tod auf Hiroshima warf Sprang vom Stuhl in die Schlinge, erwürgte sich. Der den Tod auf Hiroshima warf Fiel in Wahnsinn, wehrt Gespenster ab Hunderttausend, die ihn angehen nächtlich, Auferstandene aus Staub für ihn.

Nichts von alledem ist wahr. Erst vor kurzem sah ich ihn Im Garten seines Hauses vor der Stadt. Die Hecken waren noch jung und die Rosenbüsche zierlich. Das wächst nicht so schnell, dass sich einer verbergen könnte Im Wald des Vergessens. Gut zu sehen war Das nackte Vorstadthaus, die junge Frau Die neben ihm stand im Blumenkleid Das kleine Mädchen an ihrer Hand Der Knabe, der auf seinem Rücken saß Und über seinem Kopf die Peitsche schwang. Sehr gut erkennbar war er selbst Vierbeinig auf dem Grasplatz, das Gesicht Verzerrt von Lachen, weil der Photograph Hinter der Hecke stand, das Auge der Welt.

--Marie Luise Kaschnitz

7 months ago

one day I'll be living peacefully in a nice cozy apartment and nothing's gonna bother me

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libraryidealist - Dried flowers and art
Dried flowers and art

(She/her) Hullo! I post poetry. Sometimes. sometimes I just break bottles and suddenly there are letters @antagonistic-sunsetgirl for non-poetry

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