{Words By José Olivarez From Citizen Illegal /@fatimaamerbilal , From Even Flesh Eaters Don't Want

 {Words By José Olivarez From Citizen Illegal /@fatimaamerbilal , From Even Flesh Eaters Don't Want
 {Words By José Olivarez From Citizen Illegal /@fatimaamerbilal , From Even Flesh Eaters Don't Want

{Words by José Olivarez from Citizen Illegal /@fatimaamerbilal , from even flesh eaters don't want me.}

More Posts from Libraryidealist and Others

1 year ago

What I can't cope with, OK, is L.M. Montgomery's use of bedrooms as a site of both autonomy and belonging. When Emily arrives at New Moon, she has to share the bed with Aunt Elizabeth and feels she is in bed with a griffon but when she moves into Juliet's old bedroom in the "lookout" she is overcome with the sense of nearness to her mother as well as having true space and freedom for the first time at New Moon. Later, she loses a lot of this sense of place and independence moving into Aunt Ruth's spare room where she doesn't have to share a bed, but can't even choose the pictures hanging on the walls - at the same time she loses her freedom to write fiction. Jane hates her bedroom at 60 Gay Street, finding it "hostile and vindictive" - in many ways just like Grandmother Kennedy, but at Lantern Hill, her father lets her choose everything that goes into her bedroom and she is allowed self expression. Her friends give her gifts to furnish it, as emblems of their love for her. Like Jane, Valancy has no control over the furnishings in her room, from the painted floor to the tacky artwork to the dingy and unwelcoming furniture, but she's so constrained that her only rebellion is to throw the jar of potpourri out the window because she's "sick of the fragrance of dead things". To have a sense of self, she imagines a magnificent castle as an escape and is delighted to find Barney's house is just as good a place to be who she wants to be - free from her family, making her own choices. Anne, upon marking the first anniversary of coming to Green Gables, reflects on the garrett room and finds it "as if all the dreams, sleeping and waking, of its vivid occupant had taken a visible although unmaterial form and had tapestried the bare room with splendid filmy tissues of rainbow and moonshine." Before Green Gables her life was probably a mix of dormitories and makeshift beds in attics that she couldn't change, in versions of her life with no freedom or affection. THEIR BEDROOMS ARE SYMBOLS FOR THEIR LIVES OK. When their rooms are controlled by others, their inner/emotional/creative lives are constrained. When they have their own rooms, they have autonomoy, they choose furniture, they have freedom, they have themselves, they have love, they have me gnawing armchairs about it.

Also funny that both Valancy and Emily are tormented at various times by inescapable portraits of queens - I do wonder if LM had one in her home that no one would let her take down.

1 year ago

You know, Tumblr says some pretty wild stuff. And wild stuff that sounds sane, but actually doesn't hold up.

Not this line. I've thought about it over and over since I saw it on Pinterest once, and it's solid. It works in every situation. If you wouldn't go to someone for advice, don't take their criticism either.

If you wouldn't go to someone for advice, don't take their criticism either.

2 months ago

on endlings, and despair

Hey, y'all. It's...been a rough couple of weeks. So, I thought--better to light a single candle, right?

If you're familiar with wildlife conservation success stories, then you're likely also familiar with their exact polar opposite. The Northern White Rhino. Conservation's poster child for despair. Our greatest and most high-profile utter failure. We slaughtered them for wealth and status, and applied the brakes too slow. Changed course too late.

We poured everything we had into trying to save them, and we failed.

We lost them. They died. The last surviving male was named Sudan. He died in 2018, elderly and sick. His genetic material is preserved, along with frozen semen from other long-dead males, but only as an exercise in futility. Only two females survive--a mother and daughter, Najin and Fatu.

Both of them are infertile. They still live; but the Northern White Rhinoceros is extinct. Gone forever.

In 2023, an experimental procedure was attempted, a hail-mary desperation play to extract healthy eggs from the surviving females.

It worked.

The extracted eggs were flown to a genetics lab, and artificially fertilized using the sperm of lost Northern males. The frozen semen that we kept, all this time, even after we knew that the only living females were incapable of becoming pregnant.

It worked.

Thirty northern white rhino embryos were created and cryogenically preserved, but with no ability to do anything with them, it was a thin hope at best. In 2024, for the first time, an extremely experimental IVF treatment was attempted on a SOUTHERN white rhino--a related subspecies.

It worked.

The embryo transplanted as part of the experiment had no northern blood--but the pregnancy took. The surgery was safe for the mother. The fetus was healthy. The procedure is viable. Surrogate Southern candidates have already been identified to carry the Northern embryos. Rhinoceros pregnancies are sixteen months long, and the implantation hasn't happened yet. It will take time, before we know. Despair is fast and loud. Hope is slower, softer. Stronger, in the end.

The first round may not take. We'll learn from it. It's what we do. We'll try again. Do better, the next time. Fail again, maybe. Learn more. Try harder.

This will not save the species. Not overnight. The numbers will be very low, with no genetic diversity to speak of. It's a holding action, nothing more.

Nothing less.

One generation won't save a species. But even a single calf will buy us time. Not quite gone, not yet. One more generation. One more endling. One more chance. And if we seize it, we might just get another after that. We're getting damn good at gene editing. At stem-cell research. In the length of a single rhino lifetime, we'll get even better.

For decades, we have been in a holding action with no hope in sight. Researchers, geneticists, environmentalists, wildlife rehabbers. Dedicated and heroic Kenyan rangers have kept the last surviving NWRs under 24/7 armed guard, line-of-sight, eyes-on, never resting, never relaxing their guard. Knowing, all the while, that their vigilance was for nothing. Would save nothing. This is a dead species--an elderly male, two females so closely related that their offspring couldn't interbreed even if they could produce any--and they can't.

Northern white rhino conservation was the most devastatingly hopeless cause in the world.

Two years from now, that dead species may welcome a whole new generation.

It's a holding action, just a holding action, but not "just". There is a monument, at the Ol Pejeta Conservancy, where the last white rhinos have lived and will die. It was created at the point where we knew--not believed, knew--that the species was past all hope. It memorializes, by name there were so few, the last of the northern white rhinos. Most of the markers have brief descriptions--where the endling rhino lived, how it was rescued, how it died.

One marker bears only these words: SUDAN | Last male Northern White Rhino.

If even a single surrogate someday bears a son, we have erased the writing on that plaque forever.

All we can manage is a holding action? Then we hold. We hold hard and fast and long, use our fingernails if we have to. But hold. Even and perhaps especially when we are past all hope.

We never know what miracle we might be buying time for.

1 year ago

the coward's way out

if the fates conspire that only one of us may live, then lover, it must be you.

i will save you the grand speeches about how you are good and deserving. you are. you are. you are, but in the end, that is not the reason why.

the world may call me brave or strong or selfless but lover, you know the truth don't you?

in the end, i am only more afraid of facing a world without you than i am of facing death of facing anything.

in the end, i am only too weak to be the one left behind to pick up the pieces of a broken life a broken promise a broken heart and keep on bleeding when the blood in your heart is already dry.

i'm sorry. i'm sorry. but will you let me be selfish one last time?

can i ask you to live for me? to face what i feared most so that i might find peace in my eternal sleep with a smile upon my face?

if it is cruel of me to ask, then i beg you to forgive me. or curse my name and hate me if you must, only live.

only live, my lover so that my life and my death and all that came in between may mean something. may mean everything.

1 year ago

a collection of motivational insights regarding content creation and creative hobbies

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and of course the classic

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A Collection Of Motivational Insights Regarding Content Creation And Creative Hobbies
10 months ago
Vincent Van Gogh. Evening Landscape, Nuenen, 1885.

Vincent van Gogh. Evening Landscape, Nuenen, 1885.

1 year ago

Yesterday was a bad day, my apartment was too quiet. Too empty. There was nothing, nothing.

Then suddenly I was turning on lights and they were the perfect shade of yellow and the music from my little speaker hit me so hard I almost cried in the kitchen and those socks I bought kept my feet warm and my warmed-up tortellini were so good with the scrapes of my mom's pesto.

I listened to Billie Eilish and Hozier and The Neighborhood and suddenly they were just people.

Sometimes I lay in bed terrified that I'll stop feeling. Yesterday was not that day.


Tags
1 year ago
“the Ending Is Always The Same”
“the Ending Is Always The Same”
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“the ending is always the same”

war of the foxes - richard silken / waterloo - ABBA / euripides’ medea - the little theatre / anne carson / the three fates - luca cambiaso / the oresteia - aeschylus / road to hell II - hadestown / when i met you - mira lightner / andersen’s fairy tale anthology

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libraryidealist - Dried flowers and art
Dried flowers and art

(She/her) Hullo! I post poetry. Sometimes. sometimes I just break bottles and suddenly there are letters @antagonistic-sunsetgirl for non-poetry

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