“Gravity.”
“Oh shit for real?”
"Untold riches if answered correctly, endless suffering if wrong," said the Sphinx.
"I accept. Ask your question, beast." "Why does an object fall when dropped?" it asked.
Hey OP, by any chance can you give us some sources to look at?
a quick psa to anyone recently getting into greek mythology and is a victim of tumblr and/or tiktok misconceptions:
-there is no shame in being introduced to mytholgy from something like percy jackson, epic the musical or anything like that, but keep in mind that actual myths are going to be VERY different from modern retellings
-the myth of medusa you probably know (her being a victim of poseidon and being cursed by athena) isn't 100% accurate to GREEK mythology (look up ovid)
-there is no version of persephone's abduction in which persephone willingly stays with hades, that's a tumblr invention (look up homeric hymn to demeter)
-as much as i would like it, no, cerberus' name does not mean "spot" (probably a misunderstanding from this wikipedia article)
-zeus isn't the only god who does terrible things to women, your fav male god probably has done the same
-on that note, your fav greek hero has probably done some heinous shit as well
-gods are more complicated than simply being "god of [insert thing]", many titles overlap between gods and some may even change depending on where they were worshipped
-also, apollo and artemis being the gods of the sun and the moon isn't 100% accurate, their main aspects as deities originally were music and the hunt
-titans and gods aren't two wholly different concepts, titan is just the word used to decribe the generation of gods before the olympians
-hector isn't the villain some people make him out to be
-hephaestus WAS married to aphrodite. they divorced. yes, divorce was a thing in ancient greece. hephaestus' wife is aglaia
-ancient greek society didn't have the same concepts of sexuality that we have now, it's incorrect to describe virgin goddesses like artemis and athena as lesbians, BUT it's also not wholly accurate to describe them as aromantic/asexual, it's more complex than that
-you can never fully understand certain myths if you don't understand the societal context in which they were told
-myths have lots and lots of retellings, there isn't one singular "canon", but we can try to distinguish between older and newer versions and bewteen greek and roman versions
-most of what you know about sparta is probably incorrect
-reading/waching retellings is not a substitute to reading the original myths, read the iliad! read the odyssey! i know they may seem intimidating, but they're much more entertaining than you may think
greek mythology is so complex and interesting, don't go into it with preconcieved notions! try to be open to learn!
Writing is just aggressively whispering “Suffer.” at fictional people and then crying about it like it wasn’t your fault.
HEY!!!!! HEY!!! HEY!!! HEY!!! YEAH, YOU!!!!
DO YOU STILL REMEMBER WHY YOU STARTED??? DO YOU STILL REMEMBER THAT DAY WHEN YOU GOT A LITTLE CLOSER TO YOUR DREAM??? TO YOUR GOALS??? DO YOU???
WELL, LET ME REMIND YOU, GET BACK TO YOUR WORK AND START PURSUING YOUR GOALS!!! 🚀🔥
YOU ARE ACHIEVING ALL YOUR GOALS FOR SURE! WINNING IS IN YOUR FATE, REMEMBER THAT!!! 🏆✨
GOD BLESS!!!!! 🙏
(We get lost sometimes, but keep walking the path that will lead you to a better place. Resting is fine, but keep moving!)
-Y.N. / Dark Asher
Let’s talk romance—specifically the kind that makes readers scream into pillows, clutch their chests, and whisper “just kiss already” at the page. Whether you're a seasoned romance author or just dipping your toes into the love pool, there's one golden truth to remember: good romance is about *tension*. And tension lives in the delicious space between lust and love.
Lust is that electric charge between characters. It’s the stolen glances, the way one of them notices the other's hands or voice or the way they lean in a little too close when they talk. Lust is immediate. It’s instinctual. And let’s be honest, it’s fun as hell to write.
But if you stop there—if all your characters do is pine and make out and pine some more—you risk making it all surface-level. Lust is the spark, but it’s not the whole fire.
Love, real love, is slower. It’s about trust, vulnerability, and seeing the other person fully—flaws, baggage, weird hobbies and all—and still leaning in. It happens in the quiet moments: making tea for someone who's had a bad day, remembering how they take their coffee, watching them geek out about something they care about. That’s where readers fall with your characters.
The magic is in the shift—when your characters go from “I want to kiss you until my brain falls out” to “I’d burn the world down if it meant keeping you safe.” It doesn’t happen all at once. And that’s where the slow burn comes in.
Slow burn romance is a masterclass in delayed gratification. It's all about restraint. You’re letting readers live in the tension—the almost-touches, the lingering stares, the confessions that never quite happen. And every time the characters get this close to admitting their feelings or acting on them and then don’t? Readers get more hooked.
But here’s the key: something has to be progressing. Slow burn doesn’t mean nothing happens. It means everything matters.
Every moment builds the foundation. Every emotional beat gets us one step closer to that glorious payoff.
Think of it like cooking over a low flame. You’re letting the flavors deepen. So when the first kiss finally lands? It’s earned. It’s fireworks. It matters.
- Give them obstacles. Emotional baggage, clashing goals, external threats—give your characters legit reasons not to jump into bed right away.
- Let them see each other. Intimacy isn’t just physical. Let your characters learn each other’s fears, dreams, scars.
- Build micro-tension. Hands grazing. One of them patching the other up after a fight. A joke that turns into a confession. Let every small moment do work.
- Make the payoff worth it. When they finally get together—make it satisfying. Let it feel like the culmination of everything they’ve been through.
It’s easy to write about two people who are attracted to each other. What’s harder—and infinitely more rewarding—is writing two people who choose each other. Who grow, change, fight, make up, and fall deeper the whole time.
So go ahead. Light the match. Let them burn slowly. And when your readers are begging for that kiss? That’s how you know you’ve done it right.
Guys I’m so lost how do I engage in the boops
reblog if you’re okay with people writing fanfics of your fanfics and/or fanfics inspired by your fanfics
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
I love talking with neurotypical people about my executive dysfunction because I'm like "yeah there's this invisible wall in my head that I'm incapable of getting past no matter what I do and it stops me from doing things" and they're like what the actual fuck
Meanwhile other neurodivergents are like
Writing Prompt #2
“I swear to whichever god is listening right now, if I have to bring you back from the brink of death ONE MORE TIME, I’m going to kill you myself.”
Hello! Welcome to my silly little corner of the internet.
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