i will finish this damn assignment even if it's the last thing i do
i cannot get mad at myself for not being good at answering texts and dms n emails n returning phone calls when i know in my heart that human beings were never meant to receive this much correspondence. even half as much would make you a busy person. like its ridiculous what we’re all doing to each other. smash your phones
I was talking to a girl at ComicCon, the kind of person who has a million creative projects at the same time. As many people do, she has a story she wants to write, with amazing characters she wants to share with the world, but writing is hard and a first novel can be daunting. Here’s what I told her.
Now, this applies to the people who REALLY want to see their story done. These are the main pillars of the cathedral that is your story. Let’s begin.
1- YOUR GOAL IS TO WRITE A COMPLETE FIRST DRAFT. It will be shit. But it will be complete. You can build on it and rewrite, but the most important thing is to WRITE TILL THE END OF THE STORY.
2- SIT DOWN AND WORK. That’s the difference between writers and the million people who say they have a story that they’ll write someday.
3- Art is about causing your public to have emotions. Decide right now what emotion you want to leave your readers with when they close your book. Is it happy, sad, bittersweet, hopeful? Pick one. (This can be changed later if you rewrite and find some other ending, but we are working on the first draft.)
— Maybe you have a nice gimmick, a cool idea for a story, like idk, ‘What if you cloned yourself and that clone took over your life’. This is interesting, but it’s not a story in itself. A story needs emotions. If you don’t pick the emotions you want your reader to feel, your idea is just a gimmick.
4- Now that you have the final emotion, decide your ending in accordance to said emotion. Are characters dying? Is the bad guy defeated? Is everyone splitting up or leaving together as a found family?
5- You probably have a million characters you all want to write. Pick one to be your protagonist. Yes, just one. Multi-characters stories are harder to write and demand experience and time. We want this novel to exist, and not be stuck in limbo forever. Anyway, people tend to always prefer side characters. Who has heard of someone having a protagonist as a fave?? Your side characters will be loved, no worry.
How to find your protagonist: It’s the person who makes decisions and makes the plot advance. Simple as that. Not to be mistaken for the leader of a group.
6- Now that you have your protagonist, you decide what is normal for them. That is your beginning.
7- And then, you break that normality in some horrible way that will prevent your protagonist to come back to it. That is your inciting incident.
8- You google Three-Act-Structure and get one of these babies.
(But Talhí, I hear you say, why should I follow this? It’s been overdone, and my story doesn’t follow this, and I have more to write than this… Well, that’s your choice. I’m not the boss of you. I’m just saying that this is a solid model for western storytelling and it’s been proven to work time and time again. You can create outside of this, but again, the main goal here is to get your novel on paper. This is a solid template.)
9- You probably have a general idea of events you want to happen in the story. Place these scenes where you feel they should go on the structure. Like, a confrontation with the main bad guy goes in climax of act three, and the confrontation with the main henchman goes to climax of act two, etc. Be mindful of the rising action and tension: a cute misadventure in the woods would probably go earlier in the story than a fight to the death.
10- Now, a secret: What separates bad writing from good writing? Bad writing is adding a bunch of events in the middle and have the characters go through them like a checklist of scenes. You can often see this in movies. But good writing links the events. Each and every event that happens has to be a result of your character making a decision. Then, an obstacle happens, and your character makes another decision, that leads to your next event/obstacle.
11- Another secret: A character will gain power, money, weapons and allies through the story. In videogames, this is useful to defeat the bad guy. But storytelling is not videogames. Having a superpowerful hero at the end is boring. What we want is keeping the reader in suspense. So you’ll have to take everything from them. Leave them powerless and alone. And then, break their leg. I mean, not literally, although you can do that too, but have them super disadvantaged. And then they can use the personal growth they got in the adventure to prevail. (What is more interesting: a character fleeing from a facility but with weapons and kickass moves, or a character fleeing the same facility without weapons or shoes and with a broken arm? Who do you root for?)
The rest of the crew: I go with what Pixar does for characters: Main character gets three or more characteristics. That’s your Woody. Second tier character gets two characteristics. That’s your Buzz. Third tier characters get one characteristic, like Rex and Mister Potato Head. Keep control of your character tiers and never give too much time to the lower tiers ones, it doesn’t help your story.
Herd your cats: Characters will want to wander in every direction, and you’ll want to follow them. Keep them in groups, and even though you can follow a side character for a scene or two, focus 80 to 90% of your story on your protagonist.
DND is not a novel: I’m pretty sure your campaign is super fun, but you can’t just put it on paper and call it a novel. It needs a narrative arc and serious editing. You can use a campaign as a base, but it needs to be worked as a novel, because you’re changing mediums, and a novel has different requirements.
That’s pretty much what I can remember for now. This should help you with the bones of your novel, and you can add the meat on that. I hope it helps. But honestly, the best advice I can give you is
Please help us escape death from Rafah .. my friend posted here and I'm forever indebted to all of you for your generosity.. we started to lose hope. please help and share .
Rules: Send me two (2) tropes from this list + a ship and I’ll describe how I’d combine them in the same story.
Historical AU
Royal AU
Modern AU
Coffee Shop AU
Bar/Restaurant AU
Bookshop AU
Florist AU
Hospital AU
Dance AU
Airport/Travel AU
Neighbour AU
Roommate AU
Detective AU
Bodyguard AU
Criminal AU
Prison AU
War AU
Circus AU
Summer Camp AU
Teacher AU
Dystopian AU
Space AU
Performer AU
Soulmate AU
Fairy Tale AU
Massage Fic
Sick/Injured Fic
Proposal Fic
Wedding Fic
Holiday Fic
Birthday Fic
Pregnancy Fic
Baby Fic
Vacation Fic
Bathtub Fic
Text/Letter Fic
Coming Out Fic
Grief Fic
Survival/Wilderness Fic
Almost Kiss
First Kiss
The Big Damn Kiss
Dance of Romance
Flowers of Romance
Chocolate of Romance
Blind Date
Not a Date
Fake Dating
Fake Married
Arranged Marriage
Accidentally Married
Marriage of Convenience
Mutual Pining
Secret Relationship
Established Relationship
Awful First Meeting
Forgotten First Meeting
Accidental Eavesdropping
Interrupted Declaration of Love
Poorly Timed Confession
Love Confession
Love Confessor (Character A confessing their love for Character B to Character C)
Everybody Knows/Mistaken for Couple
Star Crossed Lovers
It’s Not You, It’s Me
It’s Not You, It’s My Enemies
Character in Peril
Heroic Sacrifice
Flirting Under Fire
Locked in a Room
Twenty-Four Hours to Live
Stranded on A Desert Island
Stranded Due to Inclement Weather
Huddling for Warmth
Bed Sharing
Did They or Didn’t They?
In Vino Veritas
Above the Influence
Anger Born of Worry
Green-Eyed Epiphany
The Missus and the Ex
Second Love
Intimate Artistry
Married to the Job
Innocent Physical Contact
I Didn’t Mean to Turn You On
Aroused By Her Voice
Erotic Dreams
First Time
Unexpected Virgin
PWP
Kink
Makeovers
Hair Brushing/Braiding
Sleep Intimacy
Scars
Time Travel
Curses
Magical Accidents
Accidentally Saving the Day
ophelia, friedrich wilhelm theodor heyser // ophelia, jean-baptiste bertrand // ophelia, sir john everett millais // ophelia, léopold burthe // ophelia, theodor von der beek.
hey rae! what piece of medias would you recommend to someone who is interested in gender studies and have done some readings (woolf, davis, a bit of de beauvoir) but overall don't know how to start? have a lovely day!
i've answered a few similar questions, so i'll include links to those answers here: [link 1] [link 2] [link 3] [link 4] [link 5] [link 6]
will likely be repeating myself a bit here re: those other answers bc i tend to recommend the same texts repeatedly to people asking about where to start with gender studies lol but! i think leslie feinberg's writing is a really great place to start--it tends to be very easy to read and honestly i think trans perspectives are a crucial foundation for gender studies (i really enjoyed 'trans liberation: beyond pink and blue'). bell hooks is also a good starting point if you're looking for a sort of feminism 101 jumping-off point, because she specifically wrote to be accessible + easy to understand ('feminism is for everybody' might be a good starting point). audre lorde's essays are also a good starting point ('sister outsider,' 'the master's tools will never dismantle the master's house,' etc). i know u said you've already read some davis, but 'women, race & class' is another good intro text.
i also usually encourage people to check out judith butler's 'performative acts and gender constitution,' but that one is a bit tougher to tackle if gender studies is still a new/unfamiliar field to you (still worth reading, imo, but just keep in mind it might feel frustrating at first + require some re-reading or slower reading to absorb what butler's saying!).
+ there are of course the various other texts recommended in those linked posts above! hope this is helpful ik it can be intimidating to figure out where to start but honestly there's no correct order or progression for learning about this stuff; just read what catches your eye and sparks ur interest!
*through gritted teeth* you are not a child taking a test with the purpose of getting the highest score, you are an adult trying new things and finding ways to enjoy your life, make mistakes, be a beginner, be mediocre, be where you need to be, be unlikeable, just. be.