it’s easy to get caught up in dialogue or a character’s internal dialogue and forget altogether that they, too, exist in their own physical world. as authors, it’s primarily our job to convey the exact amount of information: the reader is on a need to know basis, but they also need to know enough to draw their own conclusions. i’ll admit, it’s a difficult task, but here are some tips to help set a scene:
- imagine the world from the eyes of your character: how do they see things? do they see the big picture first or are they drawn to smaller details that others don’t often notice? what’s pulling their attention away from the action or their own thoughts?
- breathe life into your scenes: i don’t mean the english teacher’s equivalent of “the curtains were blue means that the character is sad.” i’m talking about the blue filter in Twilight that conveys the “constant cover of clouds and rain” and the shift from the Arizona desert to the cool Pacific Northwest. think about all the small details that convey information about a scene and allow the readers to make inferences. if the character walks along a street and the yards shift from overgrown hedges with frayed yard chairs and a birdbath containing a mini swamp to yards with freshly cut grass with white picket fences and ornate wreathes hanging on the doors, you’re providing all of the details for readers to make an inference. context is needed, too, but that will be provided in the whole of your novel or short story. don’t be afraid to provide details and use figurative language.
- spread out your details: did you feel bombarded in the last tip? i provided a lot of details quickly, all at once, without spreading them between action, dialogue, or internal dialogue. i’m not going to stop you from being the next J.R.R. Tolkien if that’s how you like to write, but try not to overwhelm the reader with details all at once. it will feel more natural if you spread things out and allow the reader to feel as if they, too, are with the character in their environment. this is more of a stylistic tip, so take it with a grain of salt and think about what will work best for your novel. always go back to that and to what your character is seeing. how is this all playing out for them? how can you put feeling into the scene?
- place your characters within the scene: where are they in their environment? how are they interacting with the people or objects in it? what do they think about these things? you don’t need to tell the reader everything your character does, but provide enough information so that we don’t get lost in their movement or stagnation. it helps to have someone else read your work if you’re struggling with this part. if they’re lost as to where the character is or what they’re doing, chances are a good portion of your readers will be confused, too. check out your prepositions. are there too many? too few? use them, but don’t abuse them.
happy writing! if you need help setting a scene or have any questions, our ask box is always open!
very:
extremely
strikingly
incredibly
overly
awfully
damn
dreadfully
totally
genuinely
unusually
highly
quite
talk/whisper:
speak
tell
chatter
discuss
gossip
converse
prattle
blab
mention
utter
chitchat
verbalize
mouthed
voice out
murmur
mutter
mumble
suddenly:
unexpectedly
out of the blue
all at once
without warning/notice
instantly
surprisingly
in a flash
out of nowhere
in an instant
like a shot
abruptly
on spur of moment
by surprise
before you know it
with one's guard down
look/saw:
watch
view
glance
glare
gawk
set eys on
stare
peek
gaze
glimpse
sight
scan
peep
eyed out
perceive
noticed
witness
these are just some words that are often redundant in texts but of course, these synonyms would still depend on the context of what you are writing. i will add more if i can !! you guys can also add more if you want to.
Ship Dynamics
How to create quick chemistry
How to write a polyamorous relationship
How to write a wedding
How to write found family
How to write forbidden love
Introducing partner(s) to family
Honeymoon
Date gone wrong
Fluffy Kiss Scene
Love Language - Showing, not telling
Love Language - Showing you care
Affections without touching
Giving the reader butterflies with your characters
Reasons a couple would divorce on good terms
Reasons for breaking up while still loving each other
Relationship Problems
Relationship Changes
Milestones in a relationship
Platonic activities for friends
Settings for conversations
How to write a love-hate relationship
How to write enemies to lovers
How to write lovers to enemies to lovers
How to write academic rivals to lovers
How to write age difference
Reasons a couple would divorce on good terms
Reasons for having a crush on someone
Ways to sabotage someone else's relationship
Ways a wedding could go wrong
Arranged matrimony for royalty
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So you’re looking to write some smut but feeling stuck, uninspired, or unsure where to start. Smut writing comes easily to some and not others, and that’s okay! Here are some tips I’ve gathered over my few years of writing smut to take with a grain of salt! It's my opinion; you can always do what you want!! <333
It’s fiction writing at the end of the day. So, it’s okay if you haven’t experienced what you’re writing about or maybe you have experienced it but you find it difficult to put it into words. I’ve never fought a creature from the Upside Down but I’ve written about it because that’s what fiction writing IS!! You’re creating a story from your own experiences/thoughts/emotions and applying it to a made-up scenario. So don’t feel discouraged by your own personal journey, anyone can write smut!!
When in doubt, plan it out. When I’m really stuck, just simply grabbing a piece of notebook paper and writing out each event in a sequence, even in the most basic terms, can make things so much easier. For example: making out, blow job, hand job, prep, fuck. Write down positions (sometimes limbs can get lost in the sauce and it is so hard to figure out how they’re actually doing it lmao). Write down settings. Write down if one person is leading it more than the other or if they switch off. Write down desperation levels (personally, I think it’s more fun when desperation is very high but casual fluffy smut is fun too!!) This will help the writing process feel a lot less daunting.
More specifically, remember that prep is important. I can’t tell you how many times I’ve been taken out of a smutty fic because they get to the main act (penetration, typically) way before someone should be ready to. Fingers, mouths, and lube (actual lube or something that can be safely used as lube. Blood is not lube. Blood is not lube as it is a liquid that dries quickly and offers no moisture so it will not help you penetrate anything, as hot as it would be.) Foreplay and prep can be a really good tool to establish a sexy dynamic between your characters and get the reader ramped up to read through to the end!
If you feel like the action part is getting too technical, this is where you can add in thoughts and emotions that will give your smut some personality. It can feel very silly to write, for instance, your character A thinking “Wow character B is so hot” but it’s a thought that would probably cross their mind!! Write out any nerves the characters are feeling or maybe even the confidence they’re feeling. Write out what sensations they pay attention to. Write out what they like and dislike. Write out what actions cause an immediate response from them (moaning, bucking their hips, groaning, eyes rolling, etc.) Write out how your character would verbally respond (Are they dirty talking? Are they praising? Are they degrading? Are they stuttering through their words? Are they incoherent because the sex is so good?) It’s important that your characters still feel natural and not like sex robots. Unless your story is about sex robots, then go off!!!
The thesaurus is your fucking FRIEND!! Smut can feel ridiculously repetitive, especially if you’ve written it before. I say every time I write a blow job scene that “god blow job scene is blow job scene is blow job scene” because that’s how it FEELS! Use your resources like the thesaurus or there are a million posts with other ways to say “said”, ways to describe a kiss, etc. Just be careful that you don’t fall into using words that seem unnatural to the flow of the story (for example, a lot of synonyms for cock are simply…unsettling and can take your reader out of the story). Find ways to creatively tell the same action again and again which leads to tip #5…
Go read some smut. The tag “porn what plot” is so unbelievably helpful. Even if the writing isn’t exactly your style or your preference, sometimes reading someone else’s descriptions of sexual acts can be helpful if you’re lost! I have a few faves that I go back to read to get inspiration and I have notes about what it is specifically I enjoyed about their work. While you’re at it, if a fic inspires you and you feel comfortable doing so, leave a comment! It’ll make the author’s day, I promise.
TAKE THIS TIP WITH AN ABSOLUTE GRAIN OF SALT but…go watch it. Or my personal preference, go listen to it. If I’m really lost, I’ll seek out audio porn that follows the same ~vibe~ of whatever I’m writing. There are many websites for this but Soundgasm is my go-to (it’s a free upload site so there are THOUSANDS of sounds and varying quality levels so it might take a second to find what you’re looking for)! Even a sexy playlist on Spotify can put you into a good headspace for writing. Just make sure you’re being safe and looking out for your own comfort levels. Never put yourself in a situation to experience something triggering for the sake of writing a good story.
All of this to say, it is so different to write smut than it is to write a regular plot. It can feel incredibly daunting to go about it and find the perfect balance between technical actions and thoughts/feelings/dialogue and then make it all cohesive in the end. It’s hard to do but it’s not impossible!
I`ve posted a list about things you don´t need to give a fuck about while writing your first draft. Here are things you NEED TO CARE about! (in my opinion)
Your Authentic Voice: Don't let the fear of judgment or comparison stifle your unique voice. I know it´s hard,but try to write from your heart, and don't worry about perfection in the first draft. Let your authenticity shine through your words.
Your Story, Your Way: It's your narrative, your world, and your characters. Don't let external expectations or trends dictate how your story should unfold. Write the story you want to tell.
Progress Over Perfection: Your first draft is not the final product; it's the raw material for your masterpiece. Give a fuck about making progress, not achieving perfection. Embrace imperfections and understand that editing comes later.
Consistency and Routine: Discipline matters. Make a commitment to your writing routine and stick to it.
Feedback and Growth: While it's essential to protect your creative space during the first draft, be open to constructive feedback later on. Giving a f*ck about growth means you're willing to learn from others and improve your work.
Self-Compassion: Mistakes, writer's block, and self-doubt are all part of the process. Give a f*ck about being kind to yourself. Don't beat yourself up if the words don't flow perfectly every time. Keep pushing forward and remember that writing is a journey.
Remember, the first draft is your canvas, your playground. Don't bog yourself down with unnecessary worries.
I miss the days when, no matter how slow your internet was, if you paused any video and let it buffer long enough, you could watch it uninterrupted
traits turned sour
honest - insensitive
persuasive - manipulative
caring - overprotective
confidence - arrogance
fearless - cocky
loyalty - an excuse
devotion - obsession
agreeable - lazy
perfectionism - insatisfaction
reserved - aloof
cautious - skeptical
self loved - selfish
available - distractible
emotional - dramatic
humble - attention-seeking
diligent - imposing
dutiful - submissive
assertive - bossy
strategic - calculated
truthful - cruel
Violence: A Writer’s Guide: This is not about writing technique. It is an introduction to the world of violence. To the parts that people don’t understand. The parts that books and movies get wrong. Not just the mechanics, but how people who live in a violent world think and feel about what they do and what they see done.
Hurting Your Characters: HURTING YOUR CHARACTERS discusses the immediate effect of trauma on the body, its physiologic response, including the types of nerve fibers and the sensations they convey, and how injuries feel to the character. This book also presents a simplified overview of the expected recovery times for the injuries discussed in young, otherwise healthy individuals.
Body Trauma: A writer’s guide to wounds and injuries. Body Trauma explains what happens to body organs and bones maimed by accident or intent and the small window of opportunity for emergency treatment. Research what happens in a hospital operating room and the personnel who initiate treatment. Use these facts to bring added realism to your stories and novels.
10 B.S. Medical Tropes that Need to Die TODAY…and What to Do Instead: Written by a paramedic and writer with a decade of experience, 10 BS Medical Tropes covers exactly that: clichéd and inaccurate tropes that not only ruin books, they have the potential to hurt real people in the real world.
Maim Your Characters: How Injuries Work in Fiction: Increase Realism. Raise the Stakes. Tell Better Stories. Maim Your Characters is the definitive guide to using wounds and injuries to their greatest effect in your story. Learn not only the six critical parts of an injury plot, but more importantly, how to make sure that the injury you’re inflicting matters.
Blood on the Page: This handy resource is a must-have guide for writers whose characters live on the edge of danger. If you like easy-to-follow tools, expert opinions from someone with firsthand knowledge, and you don’t mind a bit of fictional bodily harm, then you’ll love Samantha Keel’s invaluable handbook