PERSONA 3 PORTABLE ON ALL PLATFORMS IN LESS THAN TWENTY FOUR HOURS

my favorite customer service slip ups

whatever man. he loved that story more than anything else in the world and still didn't understand it all that well. this is a microcosm for all human interaction

Boop

Man, the flesh sucks. I'm gonna abandon it for the machine.

orv bookmark draws, pt. 2! chps 207, 297, 371

Grian and scars new videos reminded me of something...

thinking again about kim dokja's face censor and how its such a good mechanic. foreshadows the most ancient dream reveal. shows how his desperate wish to be a normal child effects him still to this day. functions as an extension of his reader-self-insert status. and most excellently shows exactly how much his disassociation and distancing from everyone and everything in his life affects him, to the point where his loved ones can't even recognize his face. that when they think of him it is with his back turned and expression obscured because they never knew anything else. no one can recall his features, be reminded of them when they look at his mother or see his familiar facial expressions in his kids. he's perpetually a blank slate, someone neither we nor his loved ones can see anything distinctive in because thats the point of his character and i so deeply adore it. someone needs to get sing shong out of the kitchen because they cannot keep cooking like this

another batch of textposts: hermitcraft edition!

jumping in on the trend

idk if y'all remember that instance when yoo sangah decided to read all of dokja's memories, a move which made a lot of people hate her, but, here's my take on that: yoo sangah is a person who knows how to take risks, or at least she tries to know how to assess them correctly, and, you know, to have a relationship it is necessary to take those risks, especially if you want to get closer to someone else, if you want to let them know you're there for them. Then, what if the person you wanted to get closer to and so badly understand is Kim Dokja? The guy who's so deeply ashamed of himself he has to hide behind a wall, the guy who feels so proud of not letting anyone get to know him because he believes no one can nor will ever understand him so it's better to push them away, the coworker who paired up with you on your first interview, the coworker who kept quiet while you put pepper onto the coffe machine and even took the effort to move the cameras so that they wouldn't fire you, he, the one who talks to you without the intention to get something back nor seeing you as an object, and who also seems to be okay with you despite feeling so distant, Dokja, Kim Dokja, your dear friend.

And then he sacrifices himself. Over and over again. What would you do then? Yoo Sangah can't just stand there doing nothing, watching him suffer silently. She's an empath, she wants to be there for people, and he's her friend, she has to do something about it, let him know all KimCom is there for him, that she's there for him, but he's being so stubbornly distant with everyone. It is also at this point of the novel where Dokja's debating whether to tell them that they're all characters of a novel, and therefore being much more distant. What is there to do for yoo sangah? It's a desperate situation, and such desperate times require bigger risks to take in for the relationship; to read dokja's memories is dangerous, it is to overstep his boundaries and privacy, dokja may never want to talk to her again, because it is a betrayal in itself. Yoo sangah knows all of this, but she's willing to take the risk, for him. It is incredibly selfish as well, but it is the only way out for her, the only way she feels she can reach out to him beyond that wall.