rereading the lee jihye cinema scene is really making me think about the parallels between kim dokja and lee jihye in ways that are so evil. like the point of this scene is lee jihye grappling with her trauma from killing na bori with kim dokja's help, with him telling her that its true she did a terrible thing but that all that matters now is she lived, and that she has to continue living. "Atone for the rest of your life or live a garbage life. Just somehow survive!"
lee jihye did something horrible to someone who loved her deeply in order to survive. the fact that na bori gave up her life willingly doesn't ease lee jihye's guilt - she still feels as though she doesn't deserve to be alive. and kim dokja feels so much compassion for her in this moment! he sees her for what she is - a terrified kid who just wanted to live - and fights for her to survive. he encourages her and empathizes with her and generally does his best to ensure she can live on even with all her guilt because he doesn't see her wanting to survive even at the cost of others as an unforgiveable crime.
which makes the fact you can see the clear parallels between lee jihye and the oldest dream here so much more heartbreaking. the oldest dream is an extension of the message that kim dokja passes onto lee jihye here - no matter what, you must somehow survive. thats what the oldest dream's existence is, a kid trying to somehow survive. that desperation is what his all powerful dreams are born out of. he pushes orv's message about living having a cost, and having to bear that cost, to its extreme - oldest dream's survival was very expensive indeed, causing incalculable suffering across universes and taking 1864 of yoo joonghyuk's lives. this is something kim dokja has to bear to keep living - its something hes unable to. orv forgives him for this, but he does not. both lee jihye and oldest dream are kids who want to live, both hurt those closest to them in the process, both are unable to live with that guilt even when absolved of it by the very person they hurt.
but where kim dokja empathizes with lee jihye, where he cares for her, where he sees her as still deserving of a future, he is unable to do so for himself. even in this very scene he is chastising himself for 'using' her, for doing what he has to to survive in an apocalypse, unable to see the irony. all of his companions have made horrible choices to survive in the apocalypse, all of them have chosen to live at an inevitable cost of someone else. and yet kim dokja holds only himself accountable for the crime of survival. it really exposes this supposed accountability for what it is - a deep self-loathing disguised. if it had been any other child sitting at that subway station, kim dokja would have understood. but because it was himself? of course he reacted with disgust and violence - look at the entire book. he's never been able to do anything else when it comes to himself! even when he cares so deeply for the others....oh kim dokja.....
grub is so back baby
i’m starting a collection
Reasons why the hermits should never work in the customer service industry (quotes sourced from this post of slip-ups)
Do y’all know where the phrase “eat the rich” comes from or do you just repeat it cause you heard it elsewhere?
It’s not a bad thing, I just saw someone say “we never said who would eat the rich” and realized a lot of y’all might not have heard the full quote
It’s from Rousseau and it’s “When the people shall have nothing more to eat, they will eat the rich"
And, well, there’s a lot of people with nothing to eat…
i really do love how trans the themes of orv are. orv really said you will have to face a loss of autonomy and control that is completely horrifying and people will try and push stories and roles that don't fit onto you in order to better catergorize you and you will grow up with this gigantic wall between the rest of you and humanity. and the only way to escape any of it is to partake in the art of creation and scribble over what was already written to begin writing your own story (your own self). which is only for you. and this is what being trans is like as well!
it’s doksoo week and i’m thinking of how the endless loop starts and ends with kdj on a hospital bed and hsy looking over him
they've moved the spawn for real now
(jevin and scar got back safely :P)
akeshu yuri, real morgana, roleswap
Forget touch-starved Kim Dokja, I want touch adverse Kim Dokja.
Give me KDJ who flinches at physical contact since he never learned how to receive it positively.
Give me KDJ who has to remind himself not to brush the kids off when they come over to hug him.
Give me KDJ whose personal bubble is so huge and subconsciously apparent it may as well serve as another wall.
Give me KDJ who apologizes for shying away from friendly and platonic gestures, and is visibly uncomfortable trying to act 'normal' about physical touch.
Give me KDJ who hates himself for not liking hugs, or hand holding, or even shoulders touching sitting next to his loved ones because this part of him makes his companions apologize to him for the action of loving him. And he asks himself, 'why can't I even do this right'?
Malevolent inspired AU where instead of Shen Yuan taking over Shen Qingqiu's body entirely Shen Jiu still controls the eyes and every cultivation aspect. Do they hate it? yes. Do they have a choice? no. I hope they annoy each other so much they explode before finding a different body for Shen Yuan
They become codependent and annoyingly inseparable later dw
If some of the expressions are weird I'm trying to convey that SJ controls the eyes and the general area around it so that would match his expression while everything else is SY. Which I think would make great comedy material because SQQ would be glaring daggers at LQG but also, with genuine excitement, talk about this new beast he found