I Seriously Need People To Understand How Insane Hazbin Hotel Is. That's A Show With A Maximum Of Two

Meet the IDW

how my brain picks a new favorite character who sucks

This is such an amazing and phenomenal analysis that I am simply speechless...

Thank you so much for this, it's a shame I found it so late but I just want to say I love the way you think 😭❤️

Also...Soldier Prototype! You're literally the only person I've ever seen, besides me, who thought that Prototype might have a soldier background XD

Absolutely obsessed with the ecosystem and interpersonal political implications going on in Poppy Playtime right now, like.

What we have in the Playtime Co factory is a society made up of creatures who were all, at one point, human. And while it's stated that the experiments have varying levels of intelligence and ability to recall their former lives, we know that a lot of them, if not all of them, retained at least some of their humanity post-transformation. For example:

Most of the experiments are angry, resentful and vengeful towards Playtime Co - they understand they have been wronged, and they are capable of holding grudges.

Poppy and the Prototype seem to have the same end goals (putting a stop to the experiments and saving the innocents being used in them), but diametrically opposing views on how to go about achieving them (the Prototype is a gritty realist who knows no war was ever won without bloodshed and is willing to cause collateral damage in the name of his cause, where Poppy is far more idealistic, moderate and morally opposed to/upset by the deaths of the Playtime Co employees). This dispute has escalated far enough that the Prototype apparently shut Poppy away before the Hour of Joy could begin, and Poppy now wants the Prototype dead for what she sees as a crime equal in atrocity to Playtime Co's - they are able to understand ideologies, have ideological disagreements, and strategise against each other.

Huggy Wuggy, who seems to be only slightly more intelligent than a predatory animal, can still write, and uses the ability to try to guide fleeing prey in the wrong direction - that suggests he uses the vents to hunt on a regular basis, and he's clever enough to use basic deception.

On the subject of Huggy Wuggy, when he escapes the facility, his first instinct is to go home.

There are also numerous examples of the experiments being able to form and maintain social bonds, and work together:

Mommy Long-Legs is described as "nurturing" and "motherly" towards the other experiments, as well as the children. She's placed in the Game Station precisely because her desire to protect and care for the children outweighs her hatred for her captors: she won't act aggressively in front of them.

DogDay says that he's "the last of the Smiling Critters", implying that the Playcare originally had a full complement of Bigger Bodies Critters and that they were all able to coexist peacefully.

Kissy Missy and Poppy clearly have a friendship, with Poppy willing to charge into unknown danger to help her friend.

Miss Delight originally calls the other teachers her sisters, and she's horrified and grief-stricken by her own actions when she turns on them.

Miss Delight and CatNap form a non-aggression pact that seems to include some kind of respect for territorial boundaries, as Ollie claims that CatNap usually avoids the school. That's Miss Delight's turf, and he clearly respects her space, even though it technically falls inside his own territory.

The Prototype - who's usually kept in isolation and under surveillance precisely because he's known to be violent - was on multiple occasions set loose in a room with at least CatNap (and potentially other experiments) without bloodshed. He's even confirmed to have patiently tolerated CatNap lowkey imprinting on him and following him around like a duckling.

The Prototype also opts to save Theo Grambell's life, knowing damn well that to do so means sacrificing his shot at freedom. There is no reason for him to do this other than caring for Theo.

Again, DogDay is the last of the Smiling Critters. Despite the fact that there would have been six of them, and one of CatNap. Working together, they should have been able to overpower him easily, and the fact that they couldn't makes me think that either a) there was a big confrontation in which CatNap either arrived with or was able to call out for backup or b) CatNap became an infinitely more capable strategist and picked them off quietly one at a time, using skills he'd have to have learned from someone.

Anyway. My point here: these were originally people, with all the associated moral hangups and emotional messiness, and they retained a lot of their humanity post-transformation. And they were on the same side, to begin with. During the Hour of Joy, they all turn on the workers together.

But after that? The complete breakdown of that unity and those complex social relations into an essentially animal ecosystem, and the psychological impact on the surviving experiments, fascinates me.

By the time the game starts, the experiments have run out of food, and they've begun turning on each other out of desperation. The Bigger Bodies monsters, previously social and cooperative, have been forced into direct competition for food, and as a result they've largely become solitary apex predators with fiercely-defended territories, where they can pick off smaller, weaker experiments at will. There's some evidence of cooperation and coexistence between predators - Bunzo Bunny and the Mini-Huggies survive ten years in Mommy Long-Legs' territory, possibly filling the scavenger niche and surviving off her leftovers, and Miss Delight is tolerated in CatNap's - but the small toys we see scattered bloodily all across the factory (and the small Bunzo we see picked off by CatNap as it tries to cross a room) show that there's a whole category of experiments whose lives would've become all about hiding, and sneaking, and being where the Bigger Bodies critters aren't. The predators, driven to the edge of starvation, have had to surrender a lot of the human values and morals they had before. The prey have essentially become rodents - they're in danger every second they're not safely hidden away somewhere.

And yet!

The way they've reacted to their trauma is still so human.

Like. Take the difference between CatNap and Mommy Long-Legs.

Mommy and CatNap - Marie and Theo - have a very similar start in life. Both were children when they were experimented on and transferred into their mascot bodies. Both were orphans, and both are described as not fitting in or being particularly happy in the Playcare - Marie was bullied, and Theo is described as "odd" and "antisocial with other children".

But post-transformation, it seems Marie was largely left to, essentially, raise herself. We know that she was aggressively hostile towards staff, and gentle and nurturing towards orphans and other experiments, but we have no suggestion that anyone was caring or parental towards her. Like most of the experiments, she has a digestive tract and would have needed to eat, so she must have had a "keeper" of some kind, but she doesn't seem to have had any attachment to anyone who could serve as a parental substitute and guide her into adulthood.

When we meet her as Mommy Long-Legs, she would be a young adult - she's grown up in her mascot body. But even acknowledging that she's been driven mad by fear and isolation, her emotional development shows several damage markers you'd expect from a child so utterly deprived of love and care and guidance. She's emotionally unstable and prone to throwing extreme tantrums over small and arbitrary inciting factors, like "cheating" at a rigged game - there's very limited ability or desire to moderate or regulate her emotions. She's erratic, has poor impulse control, and when she's angry she lashes out violently at whoever is most convenient - like Bunzo - even though it's someone else - the player - that she's actually mad at. She does try to hide her disappointment at our continued existence behind her bubblegum Mommy persona, but she never quite learned to convincingly mask her emotions the way adults can. Nor has she mastered the art of making and executing a plan - when she attacks, it's all aggression - the single-minded grab-and-smash of an angry, thwarted child. Even Huggy, limited though his intelligence is, stalks the player and tries to chase them into a kill zone. But Mommy relies solely on her stretch ability - automatic, instinctive - and her sheer rage to make her the GameStation's apex predator. Left to raise herself, she never learned a lot of adult skills or survival strategies, and it's become a fatal flaw - she knows her territory, she knows where there would be machinery to look out for, but she's so single-mindedly focused on punishing the player that she completely overlooks her own safety.

Contrast: CatNap.

CatNap is also a young adult when we meet him, and if he'd also been left alone to raise himself, he'd probably have a lot of the same developmental stunting. But he doesn't, and that's interesting.

Now, let's take a very quick detour to look at the behaviour we've seen, not from CatNap, but from the Prototype. We know he's fiercely intelligent, calculating, and a tactical thinker with a talent for using his environment and anything in it (up to and including the player - he makes use of Mommy after we kill her, even though he's the facility's super predator and could easily have done it himself) to his advantage. We know he's stealthy - from how close to us he is at the close of each chapter, he's likely been tailing us from the moment we entered the factory, keeping his distance and watching us to see what we'll do and how he can make use of our actions. Some of his behaviours are strongly reminiscent of a soldier in action - I have a theory here that whoever became the Prototype had, at some point in his previous life, been a military man.

And now look at CatNap. Who has he become?

An intelligent, calculating stealth predator who uses his environment and any weaponizable thing he can get his claws on to take out his prey with minimal risk to himself. He's capable of adult logic and reasoning skills - i.e. the teachers will get hungry and harm the surviving children, so locking them in the school to fight to the death removes all but one threat, who can then be negotiated with once the children have been moved to safety. He's able to form and maintain alliances and agreements. He's even able to identify that the player is either a) not a threat to him or b) proving useful to the Prototype, and overlook his own hunger to offer them mercy: leave Playcare, or I'm coming for you.

In other words, he's grown up a lot like the Prototype.

And there's a reason for that! We know from the interdepartmental report on CatNap that for some reason, after his transformation procedure, he was allowed to socialise with the Prototype - an experiment who's considered so dangerous usually kept on lockdown in isolation under constant surveillance. And the report notes that CatNap "follows [the Prototype] around like a lost puppy" and that the Prototype "doesn't seem to mind".

Which, on its own, could just mean that the Prototype recognised Theo for what he was - a traumatized, hurting, confused little boy - and, aware that CatNap was not a threat, opted for tolerance over violence. But when you consider CatNap's history with the Prototype, I don't think that's it. Theo befriended the Prototype, or vice versa, long before Theo ever became CatNap. He was mortally injured trying to help the Prototype escape, and the Prototype gave up that shot at freedom to get Theo medical attention. They are close, and the fact that CatNap, a decade later, has assumed so many of the Prototype's traits and skills implies that they remained close for a good long while after the Hour of Joy.

Theo, aged 7, is clinging to the one person he feels safe with and protected by after a major trauma. If he follows the Prototype everywhere, he won't be left alone with the scientists. If he's not left alone with the scientists, they can't hurt him anymore. And the Prototype lets him, reinforcing the idea that you're safe with me. It's not unlikely that he feels responsible for CatNap's fate - if he hadn't taken Theo to the Playtime counselors for medical attention, the boy would have peacefully died, and wouldn't be living a nightmare - and he's stepped up to parent CatNap.

And you can see echoes of that ongoing bond in how CatNap behaves a decade later. Who taught him to hunt? The Prototype. Who taught him strategy and tactical thinking? The Prototype. Who gave him the survival skills he needed to make his way to the top of the food chain and stay there? The Prototype.

Unlike Marie, Theo had someone to protect him. Someone to play with and care for him. Someone to hunt for and feed him once the bodies began to run out, at least until he was fully capable of catching, killing and pulling apart his own prey. Someone to socialise with. And he's better adjusted - for a given value of "better adjusted", because like, nobody in this factory is even remotely okay - as a result.

And that's still so human. Despite the absolute horror-show feral animal situation they're all living in.

Just? idk man i have a lot of feelings

I don't feel like Orion trying to stop D-16 from killing Sentinel was because Orion felt like Sentinel deserved to live. I mean, he crashed an entire train into the guy just minutes before.

Imagine you have a chill best friend who is the voice of reason between the two of you, but he goes through a trauma that turns him into a roiling pit of rage. You keep reaching out to him and he keeps shoving you away. He is suddenly getting fusion cannon boners from beating the shit out of potential allies, and you have to beg him not to blow said ally's head off. Your friend frames this restraint as "the last time I will show mercy."

When Orion says "Don't be like Sentinel", I don't think he means "Um, have you considered that ACTUALLY this is not The Proper Way to change the government?", I think he means "You are losing yourself and it's scaring me and it's hurting you."

He was not trying to save Sentinel, he was trying to save D-16.

J. R. R. Tolkien, undisputedly a most fluent speaker of this language, was criticized in his day for indulging his juvenile whim of writing fantasy, which was then considered—as it still is in many quarters— an inferior form of literature and disdained as mere “escapism.” “Of course it is escapist,” he cried. “That is its glory! When a soldier is a prisoner of war it is his duty to escape—and take as many with him as he can.” He went on to explain, “The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as possible.“

Stephen R. Lawhead

Look man, I don't know. There are a lot of fascist fuckwits trying their best to ruin everything for everyone right now. There have often been a lot of fascist fuckwits trying to ruin everything for everyone. Not to downplay the pain and trauma we're all feeling at having to struggle through this particular go-round when the future looks especially dark, but it's not exactly a new thing in human history. Alas.

There are still many, many people telling the fascist fuckwits to eat shit. There are still long green spring evenings and slow golden summer afternoons and winter nights and autumn leaves. There are still coffee shops and weird little bookstores and small businesses on sidewalks lined with flowered trees. There are still sunrises and sunsets and blue skies and ocean shores and mountains. Oh yes, there are still mountains, which I have an especial fondness for. High up there in thin air, you can see forever.

There are still Gay People In Your Phone and texts and in-jokes. There are your blorbos. There is still fic and fanart. There are still books and music and games and art. There is a lot of art. Even with the AI beast trying to gobble and commercialize everything, there's still art! There are still people who think using your own brain to do things is important! There are still universities and publishing houses and other places where it's our job to think about things that matter!

There is still work that feels fulfilling to do. There are still constant little moments of quiet and beauty and rest. There are still jaw-dropping pictures of nebulae and galaxies and the great immensity of space, as we continue to learn things we never knew before. And amid all those stars, there is still a tiny, beautiful, and vulnerable blue planet which we only get to live on for a very short time, and there are still kids who are counting on us to make sure they get to inherit it in some kind of recognizable form. There is still the weird fact that when you give someone a hug and sit with them for a while and tell them over and over that it will be okay, it actually feels like it might be okay. I think that all means something.

Doomerism is really easy right now. I get it. I honestly 100% do. But I also don't see any point whatsoever in throwing up our hands and letting said fascist fuckwits gleefully terrify us into submission and make us live in fear and act like they're the Actual Meaning of the World (they are not). They suck so incredibly hard, but they're also so small and so stupid and so ultimately insignificant. They will not define this particular moment if we don't let them, and if we stick around to make sure they don't. Fuck 'em. I believe in you.

Courage, etc.

“Drawing techniques for the structure and appearance of the fingers when the hand is extended”

Source: Twitter

MASSIVE TRIGGER WARNING FOR SH and depictions of PSYCHOSIS

I spent days researching schizophrenia for this guy

warmth in the cold

TF One Worldbuilding Bits That Make Me Lose My Mind

The constant "Transforming" of the very planet itself, and the Cybertronians' culture somewhat revolving around having to work with their topography constantly changing and moving.

The premise that the energon of Cybertron does not flow if the "true ruler" is not present.

"He who so findeth this Matrix of Leadership is rightwise king, born of Cybertron..." Optimus is literally King Arthur, and Alpha Trion is Merlin

What little we see of the "Organic" aspect of the planet- the "Deer," the grass, the moss, the evidence that not all of Cybertron is just shiny metal.

The evidence of the ruined buildings up on the surface, indicating that life up on the surface and solid, permanent structures were once possible and they're not doomed to live underground.

The fact that the buildings of Iacon seem almost like upside-down skyscrapers hanging from the ceiling, which indicates either they were built this way, like stalactites of a cave, or perhaps were topside at one time and then the planet folded the entire city into its underground to hide it from danger.

Roads and tracks that form in front of the transports and fade out behind them rather than being present all the time so the air is open for flight-capable bots, which seem to be in abundance.

The height difference between the cog-less bots and those with cogs- it's like Sentinel trapped them in prepubescence and wouldn't let them get their high-school growth spurts.

The Art-Deco inspired designs of Iacon