Maybe A Nothing Sandwich. No Bread, No Sand, Not Even The Wich. A Good Ol Fashioned For Lunch

Walter: Got a job for you, 621. This one comes from Balam's Redguns. Let's see what they've got for us.

Michigan: Attention, G13 Raven! This request comes from the Vespers and the rest of the Redguns. You've been invited to the annual Balam-Arqurbus Cooperative Enrichment Stay -- or, in other terms, a sleepover! Your job is to locate the Walmart in the Contaminated City, and buy a party pack of cheddar cheese Ruffles! Your handler will transfer the credits to your account.

Michigan: We look forward to seeing you tonight, G13! We'll be voting on two movies to watch -- The Princess Bride and Mean Girls. If you're not comfortable sleeping in the same bed as Rusty, I have a rollout for you. Full attention, G13! See you there, champ. Walter: A sleepover, huh? I'll transfer you the credits. About time you've made friends, 621 -- even if they're rivals. Have fun out there, I guess. Ayre: Raven... Can we watch How to Train Your Dragon 2 instead? I've already seen Mean Girls and The Princess Bride.

Yknow the side of my jaw up by my ear really hurts and I can’t help but wonder if I made some homophobic wizard or witch mad at me via the role of YaoiMaster655

How To Write Trauma With Humanity

This short post is for those who think that they might be so focused on writing trauma well that they accidentally forget to write an actual character.

As someone who has an "interest" (read: deeply passionate and completely consuming dedication) for psychology and character analysis, I feel like sometimes writers don't really know how to write a character with trauma.

To quote a quote:

Don't Write A Traumatized Character, Write A Character With Trauma

I'm just trying to talk about those situations where the only interesting thing that we ever learn about this character is the fact that they have trauma and that's sad.

People tend to think that PTSD and trauma in general is just:

sit in dark, crying inconsolably about death

have nightmares

hide the fact that you have PTSD with broodiness

try to revenge

die tragically or happy ever after

Remember: Nobody has time for that

These people have obligations, responsibilities, family members, loved ones, and dreams that don't allow for this type of lifestyle.

Many people with PTSD *seem* like standard members of society. They sometimes participate in community activities. They have hobbies and vague interests that they put on their dating profile but don't really care about.

People with PTSD and trauma are interesting REGARDLESS of their trauma and trauma-related bullshit, not because.

If the only thing that's interesting about a character is what something else did to your character, it's not really interesting.

What's their dreams?

What do they like to eat in the morning?

What's their values?

Stop Trying TO ANSWER These Important Questions With:

"don't care :3 trauma will make this character complete :D"

Writing References: Character Development

50 Questions ⚜ "Well-Rounded Character" Worksheet

Basics: How to Write a Character ⚜ A Story-Worthy Hero

Basics: Character-Building ⚜ Character Creation

Key Characters ⚜ Literary Characters ⚜ Morally Grey Characters

Personality Traits

5 Personality Traits (OCEAN) ⚜ 16 Personality Traits (16PF)

600+ Personality Traits

East vs. West Personalities ⚜ Trait Theories

Tips/Editing

Character Issues

Character Tropes for Inspiration

Tips from Rick Riordan

Writing Notes

Allegorical Characters

Binge ED

Childhood Bilingualism ⚜ Children's Dialogue ⚜ On Children

Culture ⚜ Culture: Two Views ⚜ Culture Shock

Emotional Intelligence ⚜ Genius (Giftedness)

Emotions ⚜ Anger ⚜ Fear ⚜ Happiness ⚜ Sadness

Facial Expressions

Fantasy Creatures

Happy/Excited Body Language ⚜ Laughter & Humor

Hate ⚜ Love

Health ⚜ Frameworks of Health

Identifying Character Descriptions

Jargon ⚜ Logical Fallacies ⚜ Memory

Mutism ⚜ Shyness

Parenting Styles

Psychological Reactions to Unfair Behavior

Rhetoric ⚜ The Rhetorical Triangle

Swearing & Taboo Expressions

Thinking ⚜ Thinking Styles ⚜ Thought Distortions

Uncommon Words: Body ⚜ Emotions

Voice & Accent

Writing References: Plot ⚜ World-building

been playing disco elysium with some friends and was quietly tickled by how close fiddleford's canon wardrobe is to harry's. So please enjoy this extremely stupid post

when i was a kid i would get a sick thrill from learning someones middle name now i dont feel anything at all ever and im no good for nobody

If you could grow an extra body part, what would it be and why?

Probably a heart because lots of people need heart transplants and not too many are available and I could give it to someone.

Writing Notes: Flat & Round Characters

Flat Characters - Consist of only a few features (usually based on clichés). They’re generally static characters meant to serve the story.

Round Characters - Have depth. They have weaknesses, strengths, flaws, fears, tastes, and dreams. They are well characterized in order to seem real. They're dynamic and change over time. They feel affected by the story’s events because they suffer their consequences and learn from them which makes them more realistic and believable.

The use of flat characters

Flat characters are often used in TV comedies (30-minute sitcoms with canned laughter) because comedic stories usually focus on the anecdote and the joke.

Thanks to their commonplace situations and characters, sitcoms are able to transmit a sense of familiarity to the spectator.

Flat characters also have a supporting role in stories with round main characters in order to achieve one of these effects:

Fast recognition: You need your readers/audience to easily recognize the type of characters you are presenting.

Contrast: Flat and/or static characters can highlight the internal or external evolution of round characters.

When to avoid flat characters

Unless you’re specifically looking for one of the previous effects listed for flat characters, it’s best that your characters (especially the protagonists) are round in order for your readers to identify with them.

Creating round and deep characters

Consider the following:

1. Internal Changes

Do your characters undergo any internal changes throughout the story?

Think about their situation at the beginning of the story.

Is it the same as it is at the end? It shouldn’t be.

They can be worse or better, but the story’s events should have affected them in some way.

2. External Changes

Do the external circumstances surrounding your characters change throughout the story?

Just as their personalities suffer variations, their external conditions should as well.

For example, one of your characters could be a farmer at the beginning of the story and then become a warrior by the end.

3. Goals

What do your characters want?

They should have a conscious desire – something that moves them into action.

4. Wishes

What do your characters need?

Regardless of what they think they want, there’s something they need at an unconscious level – something different from what they consciously desire.

That contradiction will bring depth to your fictional heroes.

5. Achievements

What do your characters attain?

Do they achieve any of their goals?

How does that affect them?

If you have the answer to the last question, you’ll have a clearer idea of how the story’s events have changed their way of facing life.

For instance, if they achieve what they wanted at the beginning of the tale but that’s not what they really need, they can learn from their mistakes and try to correct them.

However, they might also give into frustration.

6. Weaknesses

What are their weaknesses?

Everybody makes mistakes and has fears and flaws, so if you want your characters to be more believable, they’d better have weak points and see themselves in need of facing them if possible.

Your characters overcoming these weaknesses or not depends on the story you want to tell and on the type of evolution you want them to experience.

Some overcome them and progress while others don’t and fail. The contrast between them is what makes the story more believable.

7. Strengths

What are their strengths?

Apart from weaknesses, your characters can have strong points they may or may not know about.

Sometimes, they discover them and learn how to make the most of them.

Other times, they do not know, and it leads them to failure.

You, as a writer, should be clear about those strengths and so should your readers be in order to better understand your characters.

8. Conflicts

What’s your characters’ inner conflicts?

Once you’ve answered the previous seven areas of question, you’ll find this one easier to answer.

Every good character must deal with an inner conflict throughout the story such as a mental debate between what they need and what they want or a moral struggle between what they’re trying to attain and what they consider correct.

This type of dilemma makes your characters interesting, and their experiences can turn into life lessons for your readers.

Source Writing References: Worldbuilding ⚜ Plot ⚜ Character ⚜ "Well-Rounded Character" Worksheet ⚜ On Conflict

Lesbians… they are like cowboys to me, you must understand. Maybe not quite heroes, but trailblazing in the same way an outlaw or sheriff would make his life in an old western. They’re mythological. Like pirates, knights, or ESPECIALLY cowboys. I could never be a cowboy; it’s just not practical in a way that suits my lifestyle. But I admire them so. Do you understand? You must understand.

I want to watch a western movie but everyone is lesbian