He Loved The Idea Of Her Before 7th Year. But Then He Actually Fell In Love With Her.

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The Class Dynamics between James Potter and Severus Snape: A Critical Analysis:

This is a dedication to all those who say that class has nothing to do with the bullying that James exerted on Severus, to those who claim that James couldn't be classist because "he never proactively despised anyone for being poor" or because "he was friends with Remus," to those who say "Snape also attacked him" or suggest it was a "rivalry" and that they were on equal footing, or simply to those who say they are "fictional characters" and that fiction has nothing to do with reality, blah blah blah. This is something I have written with bibliographical references because, once in a while, I can stop being a simp goof and show off my university degree in political science. And yes, I am going to be an authentic pedant because I can, and because many people seem to live in a candy-coated world regarding these issues, and it wouldn't hurt them to get a bit educated. That said, here goes my essay:

When analysing the interactions between James Potter and Severus Snape in the "Harry Potter" universe, it is common to find vehement defences of James, arguing that his bullying was not class-motivated. However, it is crucial to untangle how class dynamics operate structurally and how this influences interpersonal relationships. James Potter, as a member of a wealthy, pure-blood family, represents the dominant class, while Severus Snape, coming from a poor, working-class background, embodies the subordinate classes. In the magical world, pure-blood lineage is associated with inherited privileges similar to aristocracy in the real world, where blood purity is a marker of status and power. Authors like Anderson and Löwe (2006) have explored how heritage and lineage have been determining factors in the distribution of power and privileges throughout history, both in fictional and real contexts. This socioeconomic background plays a crucial role in the power dynamics between characters like James and Severus, highlighting how class structures affect their interactions and perpetuate inequality.

Social class, according to Marxist analysis, is a structural category that determines individuals' positions within society based on their access to the means of production. In "Harry Potter", pure-blood status equates to magical aristocracy, while Muggle-borns, Half-Bloods with muggle parent and those from humble origins, like Snape, represent the working or marginalised classes. James Potter, on the other hand, embodies the privileges of the elite, not only through his wealth but also through his lineage, which grants him a status that influences his interactions with others.

The bullying James exerts over Severus cannot be disconnected from its socioeconomic context. Although James may not have explicitly expressed disdain towards Severus for being poor, the way he exploits his superior position to humiliate and subdue Severus reflects power dynamics based on class. Pierre Bourdieu describes how power structures are reproduced through symbolic violence, where the dominant classes impose their cultural and social legitimacy over the subordinate ones, perpetuating inequality. In the context of 'Harry Potter', this symbolic violence is reflected in how the magical aristocracy imposes its values and norms on those of humble origin. The public humiliations James inflicts on Severus are not just acts of bullying but also manifestations of a structural power that favours the privileged like James. Besides Bourdieu, other theorists such as Michel Foucault could provide complementary perspectives on how power is exercised and perpetuated in institutions, in this case, Hogwarts as a microcosm of magical society.

In James and Severus's case, this symbolic violence manifests in the public humiliations James inflicts on Severus, using his status to ensure there are no significant repercussions. James's position as a popular and privileged student grants him social immunity that Severus, due to his humble origin, cannot counter. This demonstrates how class structures influence the dynamics of school bullying, where resources and social capital determine which behaviours are acceptable and which are not.

The "Harry Potter" fandom often minimises James's actions, portraying him as a mere prankster without malice, while pathologising Severus's response, attributing it to resentment and bitterness. This narrative reinforces the whitewashing of the actions of the rich and popular to the detriment of the poor and marginalised. Theodor W. Adorno and Max Horkheimer, in their "Dialectic of Enlightenment", explain how the culture industry and hegemonic discourses contribute to naturalising domination relationships, presenting them as inevitable or even fair. Their analysis reveals that modern media perpetuates class dynamics by presenting power structures as natural and immutable. This can be observed in how the dominant narrative in the 'Harry Potter' franchise tends to glorify high-class characters like James while marginalising figures like Severus, whose resistance to the system is viewed with suspicion or disapproval. Contemporary studies, such as Mark Fisher's "Capitalist Realism" (2009), also highlight how media reinforces the current economic and social status quo, making it difficult to imagine alternatives to the existing system.

By justifying James's bullying as mere youthful pranks, the fandom perpetuates a narrative that excuses the abuse of power and classism, ignoring the impact these actions have on individuals like Severus, who are already in a structurally disadvantaged position. This reinforces social hierarchies and strips victims of their agency and dignity.

Severus's portrayal as a bullying victim is intrinsically linked to his social class. His marginalisation is not just a product of his actions or personal choices but a consequence of social structures that privilege figures like James Potter. Antonio Gramsci's theories on cultural hegemony are useful here to understand how the dominant class's ideas are imposed as normative, silencing the oppressed voices and legitimising the violence they suffer. In the 'Harry Potter' narrative, this hegemony manifests through the glorification of the values and behaviours of pure-blood characters like James, while the perspectives of the marginalised, like Severus, are dismissed or vilified. For example, the Marauders, led by James and Sirius, both rich pure-bloods, are portrayed as mischievous heroes despite their aggressive behaviour towards Snape, who is depicted much more negatively even when acting in self-defence. This reflects how cultural hegemony shapes public perception, perpetuating a value system that favours the privileged and marginalises the oppressed. Authors like Stuart Hall have explored how media and popular culture reinforce these hegemonic structures, underscoring the need for critical analysis to dismantle these dominant narratives.

Severus, in this sense, represents those who are constantly repressed by power structures and whose narrative is distorted to fit a worldview that favours the privileged. His resistance and eventual adoption of extreme ideologies can be understood as a response to this marginalisation, a desperate attempt to reclaim agency systematically denied to him.

To fully understand the relationship between James Potter and Severus Snape, it is essential to acknowledge the influence of class structures on their interactions. The narrative that minimises James's bullying and blames Severus perpetuates a simplistic and biased view that ignores the complexities of social inequality and power. By applying a critical analysis based on Marxist theories, we can unravel how classism permeates these relationships. Studies on young adult literature, such as those by Maria Nikolajeva, and the analysis of victimisation frameworks in popular culture by Henry Jenkins provide a theoretical framework that reinforces the need to re-examine fandom's conceptions to avoid perpetuating these structural injustices. These investigations highlight how narratives of power and oppression are often shaped by dominant interests and how this affects the public's perception of marginalised characters like Severus.

"Also I think there's a slightly worrying tendency on the liberal 'left' (which is typically the majority in most fandom spaces) to shut down conversation and discussion in general, particularly if those conversations are uncomfortable. You see thought-terminating clichés frequently deployed in such spaces and I think it's just not helpful. Seeing posts from supposed leftists trying to convince people that it's morally wrong to even THINK about Harry Potter is pretty wild to me, tbh. I think that for a while now there's been much more of a focus among the left on idealism over materialism, to the point where material reality is totally ignored in favour of, essentially, trying to get everyone to think the correct thoughts. To me this just isn't a productive or intellectually responsible approach."

I have seen this tendency in every leftist space: no productivity whatsoever, just shaming people and policing their thoughts, completely hindering any reach beyond the likable.

What your opinion on all this talk of leaving the hp/marauder fandom because it directly/indirectly supports JKR? Do you have any desire to leave?

Well my opinion is that I can understand it completely if people choose to do so, but personally I have no desire to leave nor intention of leaving. I understand that it might bother individual people but I'm not asking anyone to look at this blog; in fact the reason I started to use this sideblog is so I could keep everything HP-related away from people who choose not to see it. While I think HP's cultural relevance today is such that it's impossible to avoid entirely, I do empathise with people who'd rather not see it. If someone wished to block me for continuing to blog about HP, I think that might be the healthiest option for everyone involved.

Anyway, I understand why this is happening and I think it's important to discuss. But that's the point. It's important to discuss, not stick our fingers in our ears.

I think this is a great post about it! Here are my own (long-winded) thoughts:

Personally I fundamentally disagree with the idea that we should stop reading and discussing works written by bad people. I don't believe that's a constructive or healthy way to engage with literature. If nobody's left to discuss something as culturally relevant as HP (or LotR, or whatever) critically, then what is the point of literature in the first place? Is it pure entertainment and therefore easily discarded? Ftr I'm also firmly against banning (even socially 'banning') literature of ANY sort, for ANY reason. "You shouldn't read X because it's morally wrong" is to me ultimately a conservative belief.

Anyway: I find it pretty obvious that JKR said 'if you like my books you agree with me' PURPOSEFULLY to cause this kind of a reaction, because she knew it would cause her detractors to become hyperfocused on pointing fingers at each other and thought policing each other over a kids book rather than focusing on what's actually going on. I don't think we should be playing into it, and I don't think even JKR believes it herself-- I think it was deliberate. And tbh from what I can see it has had the exact effect she intended.

The other thing I'll say is that (and tbf I can't say for sure) but I suspect that the online HP fandom might be exaggerating its own importance a little bit. Tbh I think that even if the online (and more liberal) fandom disappeared overnight there would still be tens of thousands of kids (the target audience, after all) discovering and reading Harry Potter for themselves across the globe. Scores of parents and aunts and grandparents who know nothing about JKR buying those books for the kids in their family. And that's not counting the people who actually do agree with JKR. Yes fandom disappearing might have some small impact, but tbh I think it would be all but insignificant. It would be much more, like infinitely more, materially significant for people in fandom to donate time and/or money to trans organisations in their own countries. ((I also think what would be somewhat helpful is for fandom to take responsibility in encouraging people not to watch the HBO series. The success of the series is imo more contingent on online opinion than the books.))

There are also millions of people still using twitter, instagram, and amazon, despite the very real material damage caused by Musk, Zuckerberg, and Bezos, and that's a MUCH more direct cause-and-effect than simply talking about Harry Potter because using those platforms LITERALLY lines the pockets of those individuals. I will say that if you're on twitter telling people they should stop talking about Harry Potter I simply will not take you seriously loll 😂

I guess there is probably some amount of people who discovered HP through, idk, Marauders tiktok and decided to read the series, but how significant is this number? It's incredibly difficult to grow up in most countries around the world and not come across Harry Potter in some way. For good or ill I do think HP is en route to becoming a children's classic. If tumblr goes down and my blog and all the blogs I interact with on here disappear, I don't think this would change.

On the other hand, simply for posterity I do think there's some value in continuing to discuss it-- all of it, including the reality of who the author is, the cultural relevance of HP, the text itself and what this all means given its significance in our culture. And it's important to discuss it critically, honestly, and constructively. It's remarkably easy with HP to avoid giving money to the author, which is something I believe to be worthwhile, so tbh I can't bring myself to agree with 'it would be better if we stopped talking about it' in a general sense. Personally I don't think the only people left discussing it should be right wing maniacs lol-- again, for posterity if nothing else.

Also I think there's a slightly worrying tendency on the liberal 'left' (which is typically the majority in most fandom spaces) to shut down conversation and discussion in general, particularly if those conversations are uncomfortable. You see thought-terminating clichés frequently deployed in such spaces and I think it's just not helpful. Seeing posts from supposed leftists trying to convince people that it's morally wrong to even THINK about Harry Potter is pretty wild to me, tbh. I think that for a while now there's been much more of a focus among the left on idealism over materialism, to the point where material reality is totally ignored in favour of, essentially, trying to get everyone to think the correct thoughts. To me this just isn't a productive or intellectually responsible approach.

What is the material benefit of all of us simply shutting up about Harry Potter forever? How does this actually help anyone beyond yourself and your own conscience? To me it seems like ultimately a performative and virtue signalling action that is pretty meaningless when you're not doing anything else, and is particularly meaningless when you're not applying this to literally anything else in your life. Fandom isn't activism, but by extension NOT-fandom also isn't activism haha. Personally I dislike Marvel films and think they're barely-disguised propaganda for the American military-industrial complex, but I don't think it's evil for people to write their Bucky/Steve fanfiction or whatever lmao. And I certainly don't think it's wrong to discuss Marvel films, the opposite in fact, I think they should be critically discussed.

So, basically, I think it's perfectly understandable that people would want to leave the fandom. But ultimately I think that's an action you're taking for yourself, and I don't think there's much to be gained from refusing to discuss things deemed 'morally wrong.' I think to a certain extent it's natural and probably healthy to feel some guilt about it all, but also perhaps it's worth questioning why we feel such extreme guilt about this, which is really just people talking to each other about books, and not about the 486948736 other much more unambiguously destructive things we do with our time and money on a daily basis.

As long as we're willing to discuss this topic honestly and constructively, to be conscious and empathetic towards others, and to refrain from spending any money on HP-related products, I don't think it's wrong to remain in the fandom tbh. To deny HP's impact on today's literary landscape would be, imo, dishonest, so therefore somebody has to discuss it. And I'd much rather there be a variety of opinions within that discussion.

I cannot read any wolfstar fics for this exact reason. They just downplay or erase his actual personality, arrogance, toxicity, family issues, insecurities all for the sake of making him fit with Remus.

🔥 anything about sirius because i am being a little hater towards some characterisations too

i've already talked your ears off about this on discord but i'm happy to talk to about it again bc i fucking HATE new sirius black with a burning passion. i hate him as much as i love my sirius black that marauderstok can pry from my cold dead hands bc i'm not letting him go. i don't know when it happened and why but marauders fans are particularly persistent on taking away any interesting traits sirius had and leaving behind a whimpering pathetic twink that cries when someone looks at him the wrong way. sirius has been scrubbed clean of any morally grey traits he might've had (he's not allowed to care for his family (unless it's regulus) or long for them bc they are bad, he's not allowed to have any prejudices even though he was literally raised with pureblood mentality and taught he was superior to everyone else from the day he was born, he's not allowed to be an asshole bc he's not like his family guys!! and when he is an asshole it's always used to victimize the character he's being an asshole to and sirius is painted as the villain with mommy issues that can only be fixed by getting dicked down apparently)

i cannot stress this enough: LET THIS MAN BE A COMPLEX CHARACTER!! and no, giving him mental illnesses that miraculously disappear when he gets together with remus and making him attempt to kill himself post prank because he feels bad is NOT making him complex! you're just weird. you're just romanticizing mental illnesses and i can't believe you don't see anything wrong with it. giving him bipolar to justify his actions is?? not??? representation??? it's offensive to people who actually have to deal with these issues in their day to day lives and yet here you are using something that will impact their life forever as a plot device for your uwu sadboy mlm fanfic.

and that's what new sirius boils down to. he's a plot device, an accessory to everyone else's story that's never given much depth other than "oh his mom used the cruciatus on him and now he's traumatized". no hate to jegulus but hate to specific jegulus fics that turn sirius into an overdramatic caricature of his former self for the sake of drama and angst.

also, some of these wolfstar shippers... wtf are you guys on?? idk when and why (that's a lie i do but i'm not gonna say it) remus became sirius black in a werewolf costume but here we are. oh sirius was cool and effortlessly smart and handsome and girls wanted him? well guess what? snatches all of those character traits and throws them onto remus they're his character traits now. ignore how it doesn't make any sense for the werewolf child who was isolated from the rest of the world to be a smooth talking alpha casanova who plays basketball actually. while we're at it, ignore how unrealistic it is for a boy who was raised in a family that believed they were superior to everyone else based on blood status, who was raised to be the perfect heir and checked off all the traits needed to be one to be insecure?? and unsure of himself?? and stupid??? and a loser??? i don't understand what the point of flipping the wolfstar dynamic was when you're left with a shallow copy of the original but ok. you do you ig.

to summarize, my sirius is cool and effortlessly smart and egotistical and a complete asshole who thinks he's the best thing ever. is it an act to cover up how damaged he thinks he is because of his family? possibly. but i also fully believe sirius thought he was a god amongst men and everyone should be glad to be in his presence. he talked down to other people because he considered himself smarter, he rolled his eyes when students asked stupid questions and made fun of them when they got an answer wrong. he's a teenage boy let him be a dick with no excuses.

(also i find it funny when people write about sirius getting into a fight with james or remus and crying because they said something mean. as if sirius wouldn't throw hands the moment someone started criticizing him. he's toxic and that's what makes him interesting. that's his purpose! characters exist to make stories interesting, to start drama, not to be your moral guide on how to act. stories become so much more fun once you let go of the need to make every character a good person. also liking a character doesn't equal liking them as a person. i love sirius but i would hate his guts irl)

Now I have the urge to read Tonks/Snape for the first time in my life.

When Snape told Tonks her man was weak and she could do better, he ate.

Every time I see someone in the fandom joke about Harry being an “attention seeker” or “dramatic” I think about that one post that says that Harry goes through a lot of problems women face (people calling you a liar/dramatic/an attention seeker when you’re in pain and suffering). Because how the hell is both canon AND the fandom calling him dramatic after everything he experienced and went through.

(If anyone knows the post I’m talking about and has the link please please please send it to me, I would love to reread it but idk where it went.)

think all of my problems would be fixed if sirius and james kissed every once in a while

Why are Molly haters always so rude? 😮‍💨

I believe canon Sirius was straight, but if he was gay or bi, there is no way he would fall for Remus. Sirius would be pining hard and miserably after James Potter and he'd die pining after James's ghost.

Harry is so gorgeous 🧎‍♀️🙏

Finished Squid Game 2 and I'm obsessed. It got me so hooked I literally cried so hard at the most random moments because of how impactful and meaningful everything felt and the metaphors for capitalism and class and omggg. Season 1 was great but this one just meant more for me and I'm so excited for this thing to become my new source of dopamine for the unforeseen future.