That’s His Girl

That’s His Girl

That’s his girl

More Posts from Mishkiq and Others

6 days ago

You know what… I never considered doing writing requests on here again—not because I don't want to but because I haven't done that kind of thing since I started on tumblr like 10 years ago (with legend of korra too lmfao).

But I love interacting with Bellamy Blake lovers more LMFAO so if there are any bellamy blake requests pls feel free to send a message to my inbox!! it would also be good for a writing break from NOSA keke :3


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1 week ago

Emotional Walls Your Character Has Built (And What Might Finally Break Them)

(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.

✶ Sarcasm as armor. (Break it with someone who laughs gently, not mockingly.) ✶ Hyper-independence. (Break it with someone who shows up even when they’re told not to.) ✶ Stoicism. (Break it with a safe space to fall apart.) ✶ Flirting to avoid intimacy. (Break it with real vulnerability they didn’t see coming.) ✶ Ghosting everyone. (Break it with someone who won’t take silence as an answer.) ✶ Lying for convenience. (Break it with someone who sees through them but stays anyway.) ✶ Avoiding touch. (Break it with accidental, gentle contact that feels like home.) ✶ Oversharing meaningless things to hide real depth. (Break it with someone who asks the second question.) ✶ Overworking. (Break it with forced stillness and the terrifying sound of their own thoughts.) ✶ Pretending not to care. (Break it with a loss they can’t fake their way through.) ✶ Avoiding mirrors. (Break it with a quiet compliment that hits too hard.) ✶ Turning every conversation into a joke. (Break it with someone who doesn’t laugh.) ✶ Being everyone’s helper. (Break it when someone asks what they need, and waits for an answer.) ✶ Constantly saying “I’m fine.” (Break it when they finally scream that they’re not.) ✶ Running. Always running. (Break it with someone who doesn’t chase, but doesn’t leave, either.) ✶ Intellectualizing every feeling. (Break it with raw, messy emotion they can’t logic away.) ✶ Trying to be the strong one. (Break it when someone sees the weight they’re carrying, and offers to help.) ✶ Hiding behind success. (Break it when they succeed and still feel empty.) ✶ Avoiding conflict at all costs. (Break it when silence causes more pain than the truth.) ✶ Focusing on everyone else’s healing but their own. (Break it when they hit emotional burnout.)


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1 week ago
One Year Of The 100  |  Day 2: Favorite Male Character → Bellamy Blake
One Year Of The 100  |  Day 2: Favorite Male Character → Bellamy Blake

One Year of The 100  |  Day 2: Favorite Male Character → Bellamy Blake

“You expect us to trust a Grounder? This is our home now. We built this from nothing with our bare hands! Our dead are buried behind that wall in this ground! Our ground! The Grounders think they can take that away. They think that because we came from the sky, we don’t belong here. But they’ve yet to realize one very important fact: We are on the ground now, and that means we are Grounders!” 


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1 week ago

"A society that takes care of its own does not produce children who dream of burning it down."

-Xiran Jay Zhao, Heavenly Tyrant, page 208

(Not saying who says that line to avoid spoilers)


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6 months ago

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.


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1 week ago
— Clementine Von Radics, From In A Dream You Saw A Way To Survive; "The Fear" (via Lunamonchtuna)

— Clementine Von Radics, from In A Dream You Saw A Way To Survive; "The Fear" (via lunamonchtuna)


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4 months ago

Essential Beat Sheet for Writers

ACT ONE: SETUP

1. Opening Image: A snapshot of your story’s world and tone. Who are we following? What’s at stake?

2. Theme Stated: A subtle hint about the story’s deeper meaning or lesson, often posed as a question or challenge.

3. Setup: Introduce your protagonist, their ordinary world, supporting characters, and the status quo. Show us what needs to change.

4. Catalyst: The inciting incident that flips the protagonist’s world upside down. This is the point of no return.

5. Debate: Your protagonist hesitates. Should they step forward into the unknown or retreat? This beat builds anticipation.

ACT TWO: CONFRONTATION

6. Break Into Two: The protagonist makes a decision and steps into a new world (literal or figurative). The adventure begins.

7. B Story: The subplot kicks in—often a relationship or secondary goal that supports the main story’s theme.

8. Fun and Games: The “heart” of the story. Deliver on the premise and explore the stakes through action, conflict, and character growth.

9. Midpoint: A major turning point where everything changes. Stakes are raised. Success feels closer—or failure looms larger.

10. Bad Guys Close In: External and internal pressures mount. Allies falter. Enemies strike. Doubts creep in.

11. All Is Lost: The darkest moment. The protagonist experiences a significant loss or setback.

12. Dark Night of the Soul: A pause for reflection. Your protagonist processes their failure and digs deep to find the courage to move forward.

ACT THREE: RESOLUTION

13. Break Into Three: Armed with new insight or strength, the protagonist takes decisive action to face the story’s central conflict.

14. Finale: The climax. Everything comes to a head in a final showdown or resolution. Your protagonist proves they’ve changed—or failed to.

15. Closing Image: A mirror of the opening image, showing how the world—and your protagonist—has transformed.


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mishkiq - mishkiq
mishkiq

call me mimi or ñaño. he/him. 25 y.o.creative crawling out of a slump.love romance, fantasy, horror, and stories that revolve around trans bipoc.

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