A very important talk
For mobile users.
This is the masterlist of all of the tags that I use! I will be adding to it as needed.
Fall
Autumn
Halloween
Winter
Inside
Indoors
Outside
Outdoors
Girls
Guys
Couples
Outfits
Boots
Shoes
House
Road
Decorations
DIY
Food
Drinks
Pumpkins
Jack-o-lanterns
Candles
Scarecrows
Orange
Red
Yellow
Brown
Black
White
Green
Leaves
Fallen Leaves
Trees
Forest
Scenery
Animals
Black Cats
Fire
Books
Cozy
Spooky
Ghosts
An Essence of Autumn
Text
I think a surprising amount of writers don’t realize that tragedies are supposed to be cathartic. They’re intended to result in a purging of emotion, a luxurious cry; the sorrow caused by a great tragedy is akin to fear caused by a good horror movie – it’s a “safe” sorrow, one that is actually satisfying to the audience. It can still be beautiful! It’s isn’t supposed to just be salting the earth so nothing can grow.
But that’s how you get grimdark: writers who don’t realize that they’re supposed to be doing something with the audience instead of to the audience.
To The Substitute Art Teacher - Jordan Bolton
Then you realize that Molly may have lost a son but she also got one back
In Bantu Folklore, Gourds and Pumpkins have the potential to grow into giant devouring creatures, easily swallowing people and animals. In a Swahili story, it’s suggested that it may have been the reincarnation of an Ogre or a wicked magician. Here is the story- ‘According to legend, the Devouring Gourd was discovered by a group of little boys at play. “Look at how big that gourd is getting!” said one of the boys. To their surprise, the gourd responded. “If you pluck me, I’ll pluck you!” it said. The boys ran home and told their mother, who refused to believe them. But their sisters insisted on seeing the large gourd, and when they were taken to it, they said as their brothers had, “Look at how big that gourd is getting!” This time the gourd did not respond, and the girls went home to complain about their brothers being liars. As the gourd was not plucked, it continued to grow. Eventually it became the size of a house, uprooted itself, and went about swallowing everyone in the village. After consuming everyone within reach, it rolled into a lake. Only one woman had survived the gourd’s rampage, and she was pregnant. When her son was born, they lived together in the ruins of the village. When the son got around to asking where his father was, his mother told him “He was swallowed by a gourd, which is now in the lake”. The son decided to avenge his father, and went out to the lake where he could see the gourd’s ears sticking out of the water, and he proceeded to taunt the vegetable. “Gourd, come out!” he yelled. “Gourd, come out!” Annoyed and enraged, the gourd hauled itself out of the lake, but the boy was ready for it, and fired a volley of arrows into it. The tenth arrow killed it, and it died with a roar that could be heard all the way to Vuga. The boy cut it open with a knife, released the villagers unharmed, and went on to become a great leader of his people.’
There is much info about the devouring gourd other than these folklores, but I think it’s pretty interesting.
Beware and Wonder the Unknown~ (This summary was created from information gathered from the internet)
Source
I lost it at “2 bread”
Being both soft and strong is a combination very few have mastered.
Yasmin Mogahed (via winged-serpent)
Thought experiment: the crew of a hypothetical Star Trek style TV show that’s been deliberately contrived to cause as many arguments as possible between canon-conscious fanfic authors.
A chief engineer whose facial appearance is apparently shockingly unusual, but whose face is never actually seen. The engineering deck is often obscured by steam, and their responsibilities frequently require them to wear a full-face protective shield, while any time they’re encountered outside of engineering they’re shot exclusively from the back, or with some foreground object conveniently blocking their face. There’s a running gag where any time someone tries to describe them they just can’t seem to come up with the right word.
A tactical officer who may or may not actually have a name. Unlike the chief engineer, above, no conspicuous concealment ever occurs; the show’s plot and dialogue are simply structured so that their name just happens never to come up, in such a way that a given audience member might not notice until someone points it out to them. The character is, of course, one half of the show’s primary canon ship. The show’s supplementary material is likewise phrased in such a way that the character’s name is never stated, with the character’s actor being credited as “also featuring”.
A chief medical officer who manages to deploy a strangely topical anecdote from their implausibly extensive prior career in nearly every episode. These anecdotes are careful never to directly contradict each other, but in aggregate form a personal history which cannot conceivably be true. The possibility that they’re just spinning tall tales is ruled out by the fact that their anecdotes are frequently corroborated by comments from other crew members who’ve either heard about the incident in question or were present themselves for some (generally unspecified) reason.
A communications officer and a science officer who are played by the same actor. They’re never seen on screen together, even while off duty. (e.g., at any gathering where one of them appears, the other “couldn’t make it”.) The circumstances that prevent them from ever being in the same room are often set up to lead the audience to suspect that they’re looking at one character pretending to be two separate people for some unspecified reason, but only characters who aren’t members of the crew ever notice the fact that they’re identical apart from the colour of their uniforms; the other crew members simply don’t see the resemblance.
The captain, who appears in every single episode and often plays a central role in the plot, yet has no regular actor, being portrayed by an endless parade of guest stars. Their age, gender, and overall appearance is usually wildly different from episode to episode, though they always wear the same distinctive headgear in order to allow the audience to easily recognise them. This is apparently a diegetic phenomenon, as other characters will occasionally comment in passing on the captain’s current appearance, but the phenomenon is otherwise so unremarkable to them that its significance is never discussed.