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Steve Oster [producer of DS9] - about 4.06 - Rejoined
I recently got back from a trip to Japan, and it was easily the most amazing experience I have had in my life so far! I was also lucky enough to spend a day in Yokohama. I found a lot of BSD spots!
Weiterlesen
here is a handful of palestinian family fundraisers id like to boost. (these are all verified fundraisers & ones i have supported in the past.)
Mohammed Family - Farhat Family - Yasin Family Albaz Family - Ayyad Family - Hussein Family - Tashmali Family - Abumousa Family - Mekawi Family - Dawoud Family - Almoghrabi family - Yousef family
Al-Deeb Family - Balousha Family - Mahmoud Family - Alanqar Family
Ayyad Family - Aldeeb Family - Saftawi Family - Shahwan Family - Shaqqoura Family - Ahel Family - Alhajjar Family - Shehab family - Al-Sharif Family - Ahmed Family - Jamous Family - Al-Talouli Family - Maliha Family
akaashi who works very hard to get muscle references for udaiās manga!! ù_Ćŗāļø (why does he keep travelling to osaka to get them, tho??)
Hello everyone, As promised here is a sum-up (more of a transcription?) of the one hour livestream Hoshino Katsura did last Sunday, February 2nd, 2025. The livestream was about chapter 253.5, which came out on January 29th in the SQ. RISE WINTER 2025 issue. This sum-up is very long and will be divided into three parts:
Part 1 about the context around chapter 253.5 (How she came to draw it, etc.)
Part 2 about the art style of chapter 253.5
Part 3 about the story itself and some details which will allow us to theorize about whatās coming next
Obviously, this sum-up is full of spoilers, please be careful if you havenāt read chapter 253.5! This sum-up is not an exact transcription of what has been said: I skipped all the parts where she answered comments (except if it was relevant!) and I mixed some parts, because she has a tendency to repeat herself.
Hoshino Katsura: āThe drawing hell started after I moved to Kobe.
I wanted to give more paternity leaves to my assistant, but, at the same time, I needed him to work. Sadly, I could only give him one month of paternity leaves. We were both tired as hell, him because of his baby, me because of my house move, we were totally down, we worked super silently, just saying āGood morningā āThe deadline isā¦ā, when the new year came, we were too tired to wish each other a happy new year. When I asked him about his baby, he was like āthe baby is crying all night longā I could only say how sorry I was for him. Thatās how we started to draw the chapter.
(Someone asks if she drew about Lavi because he is a top seller character): Well, not exactly. I was totally free to draw whatever I wanted, and I found Lavi the easiest to draw. Actually, my editor was very happy when he heard I was going to draw Lavi. (Someone asks: do you draw the characters first? Or the backgrounds?) For me, inking the characters is my top priority, so first, the characters, and when I finish, I go to see what my assistants have done for the background, and I select what I want. I have also to check what my assistants are drawing.
Do you know which background was the worst to draw this time? Itās not the city background, or those houses with weirds windows, no, not at all. Itās nature. Itās plants. Itās so hard to draw nature, itās difficult to suggest something through nature, and besides, depending on the plants, they have different positions. We took a lot of time to decide what kind of image we wanted to suggest to the reader through the background. Also, nature is a complex thing: it has its own order without having a physical order. Itās hard to make it natural. Itās important, when you draw nature, to give a realistic touch. For instance, how much do you fill the spots? How large do you make them? This time, we drew weeds, so the question was: how high do you make them? (ā¦)
In D. Gray-man, you often see the wheat field of the Campbell residence, right? It has been years since I have been drawing it, so Iām used now. Of course, at first I struggled, but now, itās really easy. But the field in the extra-chapter, itās my first time drawing it, so I had to start everything from zero. It was really hard. Besides, even if I say to my assistants āplease draw like thisā when it comes to plants and nature, itās really hard for them to understand what I mean. Because every one of us has a different impression when it comes to nature.
So, in order to avoid creating a weird background, one of my assistants started to do some research on the internet about plants which grow in the area where Lavi is. Basically, I want to make the background as plausible as possible: in this country, there are those kinds of plants, in this season, this plant is growing, etc. I want him to draw something which matches with the universe of the story. While he was doing his research, I started to draw because I didnāt have much time (laughs) (ā¦) I wanted the weeds to be at knee level, in order to make it impossible to distinguish someone from afar. And then, we were wondering if we should add trees, what season it was, what the weather was, etc.
(Someone comments on the fact that drawing the helix of life looks difficult): About this! Actually, I am the one drawing the helix, I am not letting my assistants drawing it. I feel bad saying this, sorry to destroy all your dreams butā¦itās really easy. Like really REALLY easy. (ā¦) Iām saying itās easy to draw but, the thing is, I asked my assistant to make me a special digital brush to draw the helix of life. I was like āthis is how I imagine the helix; do you think there would be any good brush?ā and he made me one. Thatās why now, I am able to draw the helix as I imagine. Anyways, I am the one in charge of making the drawings progressing, and my assistants are my helpers. (Someone says they remembered Bookmanās glass pen design when they saw the helix of life): Thank you for remembering. Yes, itās exactly this. I forgot what I said back then, but yes (laughs)
By the way, when you read the extra chapter, did you feel there were more details than usual?
Itās because I had to draw more lines. Why? Well, I told you my assistant just became a father, right? I could not give him a proper paternity leave and honestly, having a newborn looks like hell, so, in order to avoid losing time on laying screen tones, I drew a lot of details with lines. For instance, take a look at the first page [which is actually the second, the cover doesnāt count] or the second page [same, itās the third], you see Lavi stretching out his hand, right? Well, in normal conditions, I would have used screen tones to make shadows. But here, I created the shadow with oblique lines: this way, we would not have to use screen tones, and if at the end, we realized we would not have time to use screen tones, we could let it that way. So, I drew a lot of oblique lines. Until now, I used to draw shadows with screen tones, but here, everything is made with oblique lines. You can compare it with other chapters, youāll realize that usually, everything is made with screen tones. (ā¦) Please think that those oblique lines are a guarantee for me in case I donāt have time to use screen tones. But, since my assistant is far from being over with his newborn, I guess weāll keep using this technique for the next chapters.
(Someone says āIs this the reason why you do not use screen tones anymore for Laviās hair?): Ah no, I stopped using screen tones for a long time when it comes to Laviās hair. I realized I would never finish in time, so I decided to stop using screen tones.
On the first and second pages [Second and third pages, actually], you can see the shadow I drew with oblique lines on Bookmanās face and, look at Past Lavi: I drew his silhouette with oblique lines as well. You might think it is faster to use screen tones but actually, it takes a lot of time during the final check to adjust them. Do you see the page where Past Lavi says āThatās right, keep breathingā? Itās the fourth page [Itās the fifth]. Itās the last page we drew, actually. Also, please look! Lavi is bleeding, right? The blood is drawn with oblique lines as well. I spent a whole month only drawing oblique lines: everything, his mouth, his hand, his stomach, I was always drawing oblique lines. Actually, we wanted to draw more panels with a background, but it was impossible for my assistant who didnāt have any sleep with the baby crying all night, so we had to suppress a whole page of backgrounds. But I think it doesnāt affect the reading experience.
Besides nature, you also have the smoke coming from an explosion. We discussed a lot about it with my assistants, we had difficulties exchanging our views on it. You know, dusty smoke coming out of a simple explosion, for instance a building, is very different from a smoke caused by gunpowder. In the chapter, the explosion is caused by gunpowder. At first, we drew white smoke, but greyish smoke gives more an impression of an explosion caused by gun powder. (Comment: The smoke appearing on the cover is whiter than the smoke in the chapter): Exactly, on the cover, itās just almost like dust, itās a different sort of smoke. In the chapter, itās gunpowder smoke, itās not the same texture. It looks like itās bad for the body, right?
Thatās it for part 2 on the art style, to be continued in the third and last part!
Other Haikyuu Fans: "Kagehina is better because X!" "No, Atsuhina is better because Y!" "Bullshit, neither of them is good, is better Kenhina!" "There are better ships in Haikyuu like IwaOi and Daisuga!" "I don't like IwaOi, I prefer BokuAka!" And more...
Me, who literally ships those ships, the most popular Haikyuu ships, and also a lot of rare pairs: Umm- okay :D
My Valentine's Day WIP with the DGM boys! ā¤ļøšš§”š Nea was supposed to be here too but I ran out of time oof