Urgent Update My Little Brother Is Dying 😭

This is so funny I had to make a meme of it

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when internet people are like “i love gothic literature but i hate anything that discusses incest, sexual violence, oppression, misogyny, abuse, torture, gore, murder, or death”

He’s So Cute 😍

i am going to have to respectfully disagree with people who think nagireo break up abt to happen like what do u mean reo just scored (and we KNOW nagi already thinks he's the coolest) i know nagi's gay panic is about to whip him into shape

comic from forever ago

Nezushi Dance Scene Analysis

I was talking with a friend about how the way two people dance show a lot about the status of their relationship with each other. Then I decided to give my own thoughts about Nezushi’s Iconic Dance Scene and what was the dance scene trying to show.

This may be an obvious thing to some, but I wanted to express my thoughts anyway :)

In a scene before this, Nezumi passed out due to the Song of the Wind (Elyurias’s song) and later wakes up to Shion next to him. Shion then worries incessantly, checks him to see if there was anything wrong or if he was in any pain.

Nezumi sees his earnest worry about him and gets agitated and uncomfortable, since he’s not used to another person worrying about him. He gets especially narked when Shion tells him straight up that hes a human being and that he should look out for himself.

Having someone worry over you means more shackles on you, in order to put in the extra effort of being careful. Basically it means someone loves you.

To Nezumi, this was not necessary.

But even after his yell, Shion still continues to care. He then spontaneously decided to teach Shion how to dance.

To me, this dance was basically a show of their life together from the night that they met to now.

They start off with Nezumi asking if Shion has any experience in dancing, he says no.

Here I think it’s a reflection of his naivety of the world outside of No.6, with Nezumi saying he’ll teach him some basic steps, like he’ll give him the introduction of The West Block.

“Don’t look down.”

I highly imagine this being a direct reference to Nezumi saying, “Don’t look away, look at the world in-front of you.” We know he has said this to Shion many times.

Shion then says to cut it out, how it’s useless, and gives a few excuses on why they should stop dancing, like the times Shion would be on the verge of breaking down, saying how it’s useless, and was willing to give up. But a few words from Nezumi, became his guideline, and helped him overcome it. He stumbles and is slow to keep up, due to this being a whole new experience for him. It’s hard to take in.

As time goes on, Shion’s understanding of Nezumi and how he views the world becomes clearer and clearer. The more they dance, the more he understands. He is watching, seeing the world in Nezumi’s POV, he is empathising with him.

“Dance…dance, Shion.”

Nezumi encourages Shion to live in this new world.

After they finished dancing, Shion is out of breath, and laments how hard dancing actually is, saying he learned something new. Shion is huffing and puffing, while Nezumi is, assumedly, all right. This basically proves the point Nezumi wanted to make, to not worry for him, since he’s basically been doing this all his life.

He does not need the care and the love.

But even after all that, Shion still does anyway.

It’s a direct retelling of their story, and I had never noticed the underlying meaning behind the dance. I had first watched it in the anime and thought the scene was done so beautifully. I had recognised the purpose of them dancing through the West Block, like a show of their life spent with each other. Then I read the manga and novel, which I read through quickly without much thought since its a scene i’ve seen many times.

I played it off as a wonderful iconic scene in the novel, a show of love and intimacy. But what I didn’t know was how much it was a representation of the journey they had up to this point in time. Not only did it show their dynamic and connection, it was like watching them both reflect on the impacts they had on each other.

It was an amazingly written scene and I’m glad it is in the story.

｡.:*☆

If you have read this far THANK YOU SO MUCH GENUINELY um I really hope this was easy to read and understand, i still dont rlly know the mechanics around here, so if u had a hard time reading it, or some feedback, or maybe ur personal input on the dance scene, FEEL FREE TO LEAVE A COMMENT !! <3

i have a test tmr im supposed to be studying for and here i am talking abt nezushi sigh they have taken over my brain TvT

Some Thoughts on the "I smell blood" Scene

Manga spoilers.

This is kind of a continuation of my post about Ciel simultaneously trusting and mistrusting Sebastian, but dealing with how Ciel seems to completely trust Sebstian not to (physically) hurt him.

Ciel learned within 24 hours of knowing Sebastian that the demon wasn't interested in his body, only his soul.

When he wakes from nightmares, he doesn't want Sebastian to touch him, but he trusts him not to touch him enough to fall asleep with him in the room.

While his guard is always up to parry any of Sebastian's teasing, he is completely physically at ease around him, even when naked or laying down.

Within days of being triggered into psychosomatic blindness by the demon, he's comfortable enough to be naked in a tub in front of him and let him wash his hair.

Within a fortnight he's laying facedown on a bed with no concern for the butler's presence.

It doesn't cross his mind that Sebastian might try to touch him inappropriately, because he's never shown any attraction toward his body and never taken advantage of the many opportunities in which Ciel has been vulnerable in front of him.

Despite the fanservicey framing of some scenes, the characters in it are not having any sexual or romantic thoughts or feelings. In the Weston library scene, Ciel is shocked and sweats because he doesnt know why Sebastian has grabbed him, not because he thinks he's about to be sexually assaulted.

Again in the "I smell blood" scene, despite it being framed like Sebastian is about to SA him, Ciel's alarm is because he doesn't know why Sebastian is acting like that. He's learned from experience that Sebastian only grabs him rudely when there's some danger that he doesn't have time to communicate. Ciel's fear is directed at that unknown danger, not Sebastian himself.

The translation "what's gotten into you" is misleading. Ciel knows what's gotten into him: fear for his safety; what he doesn't know is what threat Sebastian has detected.

When he saw Sebastian suddenly freeze, Ciel asked him what was wrong. When Sebastian starts ripping off his clothes instead of responding, Ciel says "Oy! What on earth is it!?"

Ciel implicitly trusts Sebastian with his body; that trust has been validated by the years they've spent together. It's his soul he doesn't trust him with.

Steve Oster [producer of DS9] - about 4.06 - Rejoined

Briefly bringing back the sskk actors au to say:

Atsushi: It's of uttermost importance that we add a scene where vampire Akutagawa bites me Director: … It isn't? It would solve absolutely no plot purpose whatsoever? There's no need to? Atsushi, now with increased emphasis: It's of uttermost importance that we add a scene where vampire Akutagawa bites me. It's necessary and vital that we insert a scene where vampire Akutagawa bites me. It's fundamental to the show that we feature a scene where vampire Akutagawa bites me. The whole world is going to fall down if we don't include a scene where vampire Akutagawa bites me. My neck has to be bitten by vampire Akutagawa. Vampire Akutagawa's fangs have to be on my neck.