U20 Match:

God the range of conflicts in Blue Lock is so funny. They get increasingly more personal and intense and comparing some of them to others is hilarious.

Isagi and majority of the cast's main conflict is just wanting to become the best in the world. Normal soccer dreams. This doesn't really change for most of them. Their arcs are not really about soccer but about finding the happy medium between shooting for the spotlight but also remembering soccer is a sport played by 11 people. In a metaphorical sense, asserting yourself and living your life how you want without going too far and being a selfish/self-serving asshole.

Then Bachira has an actual internal crisis over being complacent depending on Isagi, but then solves his problems pretty quickly. Like a legit personal issue he has to navigate through, and successfully does so. He's so happy just being able to play soccer all the time. He's also in love with Isagi. This isn't a problem for him though.

Then there's Reo and Nagi going through the messiest divorce ever (well, Ness and Kaiser might take the cake on that one atp) because Nagi realized that having feelings is cool actually and didn't realize that he basically dumped Reo. They have a complicated ex arc and a backslide arc that is doomed to implode. They're both crazy about each other but also unwell. They are a mess and everyone in canon atp just looks away from this trainwreck. Nagi's arc is decently heavy with emotional conflict due to the fact that Nagi himself experiences very little emotional conflict (as far as he's aware of). Lmao.

Then there's Rin who has like actual problems that were inflicted on him. He really has every reason to be miserable and devastated and angry. He is miserable and devastated and angry. He is not handling this well. He is having actual psychological turmoil he can't escape, he is misplacing his anger on other people (one person), he is spiraling further literally every chapter every week. He has ten times as much emotional conflict in his arc as everybody else. His arc is not about soccer, it's about relationships and his role in them and how he needs to find his own ego and motivation. It's about letting people in and lifting him up even when he's hurting, especially because he's hurting. He is not handling this teamwork thing very well. He is the saddest meow meow in blue lock. He needs help, he has issues. Isagi help him.

(There is Kunigami and whatever the fuck is going on with him, but we know not too much so I will not rope him in yet).

Majority of the cast is trying to find their ego and play soccer and be the best. Then there's Nagi and Rin who are so lost on what to do with their lives and they are clearly massive trainwrecks amidst what I personally would consider a mostly normal group of people fighting for normal personal goals. I love when everyone is normal and then a very small amount of people among this normal group of people are absolutely not fucking normal and everyone in the story actually sees it.

the actual reason I consume mediocre media is because I have bad taste. the deeper secret pretentious reason is because I think there’s something very revealing about bad media that you don’t get with good media. when you watch a poorly executed plot point unfold, you see the machinery behind it. you see the gap between what’s actually on screen and the true goal the author is striving for. if it’s particularly awful, you can even measure just how poorly mismatched the author’s skills are with the story they’re trying to tell you. watching a poorly executed narrative play out feels like you’re discovering something, because you see all the wiring and guts underneath that better authors hide from you, in the same way that movies hide boom mics and books make you forget you’re turning the pages. if a story is good and executed well you just see the story. but I want to see the guts and wires!

I don’t crush on fictional characters I crush on the characters together. Dating that one character myself? Ew no. Putting those two characters together like barbie dolls and making them kiss? Yes please

With deep sorrow, we mourn the passing of Pope Francis—a man of peace, compassion, and unwavering humanity. His voice stood boldly for justice, and his heart was open to the suffering of people around the world, especially in Gaza. He prayed for my child, Qais, after he was injured in the war. Today, I humbly ask our Christian brothers and sisters: in honor of Pope Francis, please Donate to help save Qais. Let your gift be a gesture of love and mercy in his memory.

Pope Francis was a true beacon of solidarity:

1. He repeatedly spoke out against the violence in Gaza, calling for an end to the bloodshed and suffering of innocent civilians.

2. He showed deep empathy for Palestinian women, acknowledging their strength and pain as they endured unbearable conditions.

3. He reminded the world that every child, including those in Gaza, deserves safety, dignity, and care, regardless of borders or politics.

As we say goodbye to a spiritual father who stood with the oppressed, let us carry forward his legacy. I am just a mother trying to save her son. Your donation for Qais is not just charity—it is a tribute to Pope Francis's love for peace and justice. Even a small gift can help Qais get the treatment he needs. May your kindness be a blessing for his soul and a lifeline for my child.

Donate Now Here

Please stop ✋🚨 Pope Francis died today—you're the only hope to save a child’s life 😔😭

Vetted by @gazavetters , my number verified on the list is ( #64 )🍉🇵🇸

[EN Sum-up] Hoshino Katsura’s livestream about chapter 253.5 (part 2/3)

Hello everyone, As promised here is a sum-up (more of a transcription?) of the one hour livestream Hoshino Katsura did last Sunday, February 2nd, 2025. The livestream was about chapter 253.5, which came out on January 29th in the SQ. RISE WINTER 2025 issue. This sum-up is very long and will be divided into three parts:

Part 1 about the context around chapter 253.5 (How she came to draw it, etc.)

Part 2 about the art style of chapter 253.5

Part 3 about the story itself and some details which will allow us to theorize about what’s coming next

Obviously, this sum-up is full of spoilers, please be careful if you haven’t read chapter 253.5! This sum-up is not an exact transcription of what has been said: I skipped all the parts where she answered comments (except if it was relevant!) and I mixed some parts, because she has a tendency to repeat herself.

About chapter 253.5 art style (part 2/3)

Hoshino Katsura: “The drawing hell started after I moved to Kobe.

I wanted to give more paternity leaves to my assistant, but, at the same time, I needed him to work. Sadly, I could only give him one month of paternity leaves. We were both tired as hell, him because of his baby, me because of my house move, we were totally down, we worked super silently, just saying “Good morning” “The deadline is…”, when the new year came, we were too tired to wish each other a happy new year. When I asked him about his baby, he was like “the baby is crying all night long” I could only say how sorry I was for him. That’s how we started to draw the chapter.

(Someone asks if she drew about Lavi because he is a top seller character): Well, not exactly. I was totally free to draw whatever I wanted, and I found Lavi the easiest to draw. Actually, my editor was very happy when he heard I was going to draw Lavi. (Someone asks: do you draw the characters first? Or the backgrounds?) For me, inking the characters is my top priority, so first, the characters, and when I finish, I go to see what my assistants have done for the background, and I select what I want. I have also to check what my assistants are drawing.

1. Drawing nature

Do you know which background was the worst to draw this time? It’s not the city background, or those houses with weirds windows, no, not at all. It’s nature. It’s plants. It’s so hard to draw nature, it’s difficult to suggest something through nature, and besides, depending on the plants, they have different positions. We took a lot of time to decide what kind of image we wanted to suggest to the reader through the background. Also, nature is a complex thing: it has its own order without having a physical order. It’s hard to make it natural. It’s important, when you draw nature, to give a realistic touch. For instance, how much do you fill the spots? How large do you make them? This time, we drew weeds, so the question was: how high do you make them? (…)

In D. Gray-man, you often see the wheat field of the Campbell residence, right? It has been years since I have been drawing it, so I’m used now. Of course, at first I struggled, but now, it’s really easy. But the field in the extra-chapter, it’s my first time drawing it, so I had to start everything from zero. It was really hard. Besides, even if I say to my assistants “please draw like this” when it comes to plants and nature, it’s really hard for them to understand what I mean. Because every one of us has a different impression when it comes to nature.

So, in order to avoid creating a weird background, one of my assistants started to do some research on the internet about plants which grow in the area where Lavi is. Basically, I want to make the background as plausible as possible: in this country, there are those kinds of plants, in this season, this plant is growing, etc. I want him to draw something which matches with the universe of the story. While he was doing his research, I started to draw because I didn’t have much time (laughs) (…) I wanted the weeds to be at knee level, in order to make it impossible to distinguish someone from afar. And then, we were wondering if we should add trees, what season it was, what the weather was, etc.

2. Drawing the helix of life

(Someone comments on the fact that drawing the helix of life looks difficult): About this! Actually, I am the one drawing the helix, I am not letting my assistants drawing it. I feel bad saying this, sorry to destroy all your dreams but…it’s really easy. Like really REALLY easy. (…) I’m saying it’s easy to draw but, the thing is, I asked my assistant to make me a special digital brush to draw the helix of life. I was like “this is how I imagine the helix; do you think there would be any good brush?” and he made me one. That’s why now, I am able to draw the helix as I imagine. Anyways, I am the one in charge of making the drawings progressing, and my assistants are my helpers. (Someone says they remembered Bookman’s glass pen design when they saw the helix of life): Thank you for remembering. Yes, it’s exactly this. I forgot what I said back then, but yes (laughs)

3. Screen tones and oblique lines

By the way, when you read the extra chapter, did you feel there were more details than usual?

It’s because I had to draw more lines. Why? Well, I told you my assistant just became a father, right? I could not give him a proper paternity leave and honestly, having a newborn looks like hell, so, in order to avoid losing time on laying screen tones, I drew a lot of details with lines. For instance, take a look at the first page [which is actually the second, the cover doesn’t count] or the second page [same, it’s the third], you see Lavi stretching out his hand, right? Well, in normal conditions, I would have used screen tones to make shadows. But here, I created the shadow with oblique lines: this way, we would not have to use screen tones, and if at the end, we realized we would not have time to use screen tones, we could let it that way. So, I drew a lot of oblique lines. Until now, I used to draw shadows with screen tones, but here, everything is made with oblique lines. You can compare it with other chapters, you’ll realize that usually, everything is made with screen tones. (…) Please think that those oblique lines are a guarantee for me in case I don’t have time to use screen tones. But, since my assistant is far from being over with his newborn, I guess we’ll keep using this technique for the next chapters.

(Someone says “Is this the reason why you do not use screen tones anymore for Lavi’s hair?): Ah no, I stopped using screen tones for a long time when it comes to Lavi’s hair. I realized I would never finish in time, so I decided to stop using screen tones.

On the first and second pages [Second and third pages, actually], you can see the shadow I drew with oblique lines on Bookman’s face and, look at Past Lavi: I drew his silhouette with oblique lines as well. You might think it is faster to use screen tones but actually, it takes a lot of time during the final check to adjust them. Do you see the page where Past Lavi says “That’s right, keep breathing”? It’s the fourth page [It’s the fifth]. It’s the last page we drew, actually. Also, please look! Lavi is bleeding, right? The blood is drawn with oblique lines as well. I spent a whole month only drawing oblique lines: everything, his mouth, his hand, his stomach, I was always drawing oblique lines. Actually, we wanted to draw more panels with a background, but it was impossible for my assistant who didn’t have any sleep with the baby crying all night, so we had to suppress a whole page of backgrounds. But I think it doesn’t affect the reading experience.

4. Drawing smoke

Besides nature, you also have the smoke coming from an explosion. We discussed a lot about it with my assistants, we had difficulties exchanging our views on it. You know, dusty smoke coming out of a simple explosion, for instance a building, is very different from a smoke caused by gunpowder. In the chapter, the explosion is caused by gunpowder. At first, we drew white smoke, but greyish smoke gives more an impression of an explosion caused by gun powder. (Comment: The smoke appearing on the cover is whiter than the smoke in the chapter): Exactly, on the cover, it’s just almost like dust, it’s a different sort of smoke. In the chapter, it’s gunpowder smoke, it’s not the same texture. It looks like it’s bad for the body, right?

That’s it for part 2 on the art style, to be continued in the third and last part!

Don't skip my story read till the end 😥👇

Cases of Skin Rash are increasing everyday because of bacterial , fungal or viral infections , on the other sides alot of insects such as mosquitoes, ticks, fleas and flies, which act as vectors. What we are witnessing in shelter centers and displacement camps from the accumulation of stagnant water and inadequate management of waste and sanitation provides a fertile ground for disease vectors. Every day we see in our Medical point about 50 cases of multi-cause rash. 😥💔

Save our children from this war. Link for donation 👇🔗🍉

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We still very far from the goal. I hope everyone will donate even a little. I am confident that you will stand with me and support me until I reach my goal and remove my family from the danger of war. Share my story. Pin my story to your page. Everything helps.

For those of you who may not be too familiar with the manga, during ch39: Portrait of a Father, Akutagawa shows up, as Dazai's informant, to give Atsushi documents about who the orphanage headmaster was and what happened to him.

At that moment, Akutagawa shows an uncharacteristic clemency towards Atsushi, saying that "Atsushi's master died today", and compares this to his own relationship with Dazai.

This was a long time ago now, and a lot has happened since. The Cannibalism arc is right after this, where they are very antagonistic towards each other, and includes this scene:

Akutagawa, despite his bitterness towards Atsushi for who he is to Dazai, has seen how similar they are in this sense. Atsushi hasn't, because his gratefulness towards Dazai prevents him from seeing that Akutagawa's experience was completely different with this same person. (he's also not given any time by the narrative to wonder about it)

but then just came along chapter 122!!!

Atsushi gets to see, 1:1, the relationship between Akutagawa and Dazai. For the first time, Akutagawa is relatable to him.

And of course, at the end, Atsushi calls out the illusion as being the headmaster wearing Dazai's face because we are closing this loop! We are forcing Atsushi to see Akutagawa the same way Akutagawa has been seeing him!

Resource Post: Blue Lock Light Novel Translations

Volume 1: Isagi, Nagi and Bachira

Isagi part 1 Isagi part 2 (translated by Hoshi801_)

Nagi part 1 Nagi part 2 (translated by Hoshi801_)

Bachira part 1 Bachira part 2 (translated by Hoshi801_)

Illustrations (sourced from Hoshi801_ and around the web)

Volume 2: Rin, Chigiri and Reo

Chigiri part 1 Chigiri part 2 (translated by Hoshi801_)

Reo (full) (translated by 705point8)

Rin part 1 Rin part 2 (translated by Hoshi801_)

Illustrations (sourced from Hoshi801_ and around the web)

Volume 3: Hiori, Kunigami and Niko

Hiori part 1 Hiori part 2 (translated by Hoshi801_)

Kunigami part 1 Kunigami part 2 (translated by Hoshi801_)

Niko (chapters 1 and 2) (translated by carbunnyra)

Illustrations (sourced from Hoshi801_ and around the web)

Disclaimer: I do not own Blue Lock or any of its characters. Blue Lock was created by Kaneshiro Muneyuki and Nomura Yusuke. The light novels were written by Moegi Momo. All rights belong to the publisher, Kodansha. These are fan translations of the original Japanese and distributed for entertainment only.

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