I Know Some People Use Inkitt On Here, So A Heads Up And Why I No Longer Use Inkitt.

I know some people use Inkitt on here, so a heads up and why I no longer use Inkitt.

Each week (or so), we'll highlight the relevant (and sometimes rage-inducing) news adjacent to writing and freedom of expression. This week:

Inkitt’s AI-powered fiction factory

Inkitt started in the mid-2010s as a cozy platform where anyone could share their writing. Fast forward twenty twenty-fuckkkkk, and like most startups, it’s pivoted hard into AI-fueled content production with the soul of an algorithm.

Pictured: Inkitt preparing human-generated work for an AI-powered flume ride to The Unknown.

Here’s how it works: Inkitt monitors reader engagement with tracking software, then picks popular stories to publish on its premium app, Galatea. From there, stories can get spun into sequels, spinoffs, or adapted for GalateaTV… often with minimal author involvement. Authors get an undisclosed cut of revenue, but for most, it’s a fraction of what they’d earn with a traditional publisher (let alone self-publishing).

“'They prey on new writers who have no idea what they’re doing,' said the writer of one popular Galatea series."

Many, many authors have side-eyed or outright decried the platform as inherently predatory for years, due to nebulous payout promises. And much of the concern centers on contracts that don’t require authors’ consent for editorial changes or AI-generated “additions” to the original text.

Now, Inkitt has gone full DiSrUpTiOn, leaning heavily on generative AI to ghostwrite, edit, generate audiobook narration, and design covers, under the banner of “democratizing storytelling.” (AI? In my democratized storytelling platform? It’s more likely than you think.)

Pictured: Inkitt’s CEO looking at the most-read stories.

But Inkitt’s CEO doesn’t seem too concerned about what authors think: “His business model doesn’t need them.”

The company recently raised $37 million, with backers including former CEOs of Sony, Penguin, and HarperCollins, proving once again that publishing loves a disruptor… as long as it disrupts creatives, not capital. And more AI companies are mushrooming up to chase the same vision: “a vision of human-created art becoming the raw material for AI-powered, corporate-owned content-production machines—a scenario in which humans would play an ever-shrinking role.”

(Not to say we predicted this, but…)

Welcome to the creator-industrial complex.

Publishers to AI: Stop stealing our stuff (please?)

Major publishers—including The New York Times, The Washington Post, The Guardian, and Vox Media—have launched a "Support Responsible AI" campaign, urging the U.S. government to regulate AI's use of copyrighted content.

Like last month's campaigns by the Authors Guild and the UK's Society of Authors, there's a website where where you can (and should!) contact your representatives to say, “Hey, maybe stop letting billion-dollar tech giants strip-mine journalism.”

The campaign’s ads carry slogans like “Stop AI Theft” and “AI Steals From You Too” and call for legislation that would force AI companies to pay for the content they train on and clearly label AI-generated content with attribution. This follows lobbying by OpenAI and Google to make it legal to scrape and train on copyrighted material without consent.

The publishers assert they are not explicitly anti-AI, but advocate for a “fair” system that respects intellectual property and supports journalism.

But… awkward, The Washington Post—now owned by Jeff Bezos—has reportedly already struck a deal with OpenAI to license and summarize its content. So, mixed signals.

Still, as the campaign reminds us: “Stealing is un-American.”

(Unless it’s profitable.)

#WarForever

We at Ellipsus love a good meme-turned-megaproject. Back in January, the-app-formerly-known-as-Twitter user @lolt64 tweeted a cryptic line about "the frozen wastes of europa,” the earliest reference to the never-ending war on Jupiter’s icy moon.

A slew of bleak dispatches from weary, doomed soldiers entrenched on Europa’s ice fields snowballed (iceberged?) into a sprawling saga, yes-and-ing with fan art, vignettes, and memes under the hashtag #WarForever.

It’s not quite X’s answer to Goncharov: It turns out WarForever is some flavor of viral marketing for a tabletop RPG zine. But the internet ran with it anyway, with NASA playing the Scorcese of the stars.

In a digital hellworld increasingly dominated by AI slopification, data harvesting, and “content at scale,” projects like WarForever are a blessed reminder that creativity—actual, human creativity—perseveres.

Even on a frozen moon. Even here.

Let us know if you find something other writers should know about, (or join our Discord and share it there!)

- The Ellipsus Team xo

Master Post of Neon Ash

Chapter 1 - Jesse Survived.

Chapter 2 - Lira Cried.

Chapter 3 - Jesse Slept.

Chapter 4 - The Protest.

Chapter 5 - Mysteries.

Chapter 6 - Hope.

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1 month ago

Reblog to give the person you reblogged from the ability to finish their WIPs

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1 month ago

a sea bunny nudibranch and a black and white speckled bunny rabbit lean towards each other on opposite sides of a tide pool, as they get closer a little heart pops up between them

a fated pair of star-crossed bunnies 🩷🐇

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1 month ago

Infernal Serenade Snippet - Mother's Day Edition

You know what? For Mother's day, shout out to Quentin's mom Iris. She was such a loving, queer friendly, and all around wonderful person. She helped Quentin become the wonderfully kind and tolerant person he is at the start of Infernal Serenade. Here's a little snippet of her from the first book, a memory of her sticking up for Quentin after he got into a fight with an ableist and homophobic peer in high school:

I still remember how my mother looked back then, hair cut though she was letting it grow out, with a business top and slacks. At the time, I had grown used to the sight, not realizing she would quit that job in only a month’s time.... ...I would have laughed at the loud, whiny voice coming from the other line if it wasn’t directed at her. From the entryway, I could only hear a few choice words and they certainly weren’t pretty. Still, she nodded along, looking as intimidated by it as a dog was to a tiny grasshopper. That is to say, not in the slightest... “With all due respect, Mrs. Bria, if your child wasn’t calling mine…let’s see, what did he say again? Right, he called him a loony and a faggot, [Quentin] probably wouldn’t feel the need to retaliate...But, if I’m going to talk to my son about it, the least you can do is talk to your son about the language he is deciding to use with his classmates...No Mrs. Bria, I don’t think it has anything to do with them being boys. Could you please just talk to him?”

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my original characters writing snippet original writing tw homophobia tw f slur tw ableist language OC: I.RIS oc: quentin wip: infernal serenade

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1 month ago

Writing Update 5/15/2025

Hi hi! For the most part, I've finished the hero side of the worldbuilding. I mostly just have to think of more holidays. Anyways, here are the categories of heroes for anyone interested (keep in mind this is a draft that needs more polish):

Commons - Heroes that represent common hopes and dreams.

Pinnacles - Heroes that represent hopes that are achievable, but need a lot of work to become reality, and depend highly on the direction of the future. This can include heroes that represent concepts like world peace or futuristic technology.

Ambitions - Heroes that represent hopes and dreams that are more personal, such as hopes for one's family, personal goals, and so on.

Unattainables - Heroes that represent human desires or dreams which can not be attained. Some are obvious like those based on things like flying or shape shifting dreams, while others are more abstract and connect to humans attempting to disregard their humanity.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

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1 month ago

Writing with Sharks

Heyo! You want people to chat with about your WIPs? Or your OCs? Even your art? Come join me on discord. Let's make friends and get some writing done! I'll even be creating writing/art events or challenges through the year. Advice will be posted, references, I even do research for people in need of it. I have channels for daily prompts or challenges. Need feedback? There's a spot for that too!

Discord

Join the Writing with Sharks Discord Server!

It's a writing and art server. | 8 members

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1 month ago

Writing Update 5/15/2025

Commons - Heroes that represent common hopes and dreams.

Ambitions - Heroes that represent hopes and dreams that are more personal, such as hopes for one's family, personal goals, and so on.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

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1 month ago

Updated!

[ABOUT]

I’m Carter (she/him) and I’m a 20 year old Black lesbian. Writing has been my passion and favorite hobby for as long as I can remember, but when I’m not writing I’m out following my second passion in college (environmental science). My activity wanes in and out, but as of May 2025 I’m still here! My main blog is @phantomfemmes, which is where I like and follow from as well as post about whatever my heart desires.

I am going through an obsession with horror, so if you write that, feel free to tell me about your wips. I’m also a big lover of poetry, “flowery” prose, and anything featuring wlwoc as main characters.

[WIPS]

I have two main wips that I work on from time to time:

The Taste of Hallowed Earth (formerly All That Remains)

Twelve years ago, Sadie Copeland’s older sister, Leila, vanished from their hometown in Salvation, Mississippi and her family was never the same again. Sadie’s mother packed their things, driving until Salvation disappeared in the rearview mirror and the whole thing was nothing but a nightmare. But no matter how far they drove or how much time passed, Sadie had never been able to shake the feeling that there’s more to the story than what her mother let on.

Following the death of her mother, nineteen year old Sadie finds herself back in Salvation, the place where it all began. Upon arriving there, it is clear that something sinister is going on—something that no one wants to talk about and that everyone hides from when the sun goes down. And while Sadie has never believed in ghost stories (at least, not in the spectral sense), she can’t help but fear what may be lurking in the darkness that surrounds Salvation.

Themes: gothic horror, southern gothic, unreliable narrator, small towns, unreality, paranoia, death, grief, estranged familial relationships, mother/daughter relationships, paranormal, religion, trauma, ghosts, queerness, psychological horror, religious horror

In the Heart of the Ocean

In the Heart of the Ocean follows Carolina “Caro” Bell as she recounts the disappearance of her best friend Moira from their quiet coastal town as teenagers, and Moira’s subsequent reappearance three years later after emerging from the depths of the ocean with no memory of where she’d been—only to disappear forever the following year. When Caro’s niece, who she has temporary custody of, nearly drowns in that same sea twenty years later, Caro decides to finally explore the secrets contained in its dark and murky depths. But in order to do so, she must first confront the past and the truth surrounding Moira’s disappearance.

Themes: literary fiction, queerness, magical realism, female rage

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1 month ago

Me writing Every Hero Needs a Villain like "maybe this is too self indulgent" and encouraging myself to sprinkle in even more self indulgence everytime I think that.

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wip: every villain needs a hero

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1 month ago

Hey, I made a survey for the recent writing project I am working on. If you want, feel free to fill it out. The questions may feel a bit random at times, but I promise they are relevant. And may have something to do with kissable object head people.