Seeing More And More Blogs Without A [username].tumblr.com Site Which Means You Can Only View Their Blogs

things I wish I’d known when I started writing fic on ao3

use & for friendships, colleagues, familial relationships and use / for romantic or sexual relationships (or encounters)

not everyone reads fic. Lots of people use screen readers, and screen readers can’t see what’s on images. use descriptive text to help them out.

lots of people download fic to read on other devices, not all downloads capture images too.

there’s a big difference between No Archive Warnings Apply (NAWA) and Author Chose Not to Use Archive Warnings (CNTW). NAWA means that there’s nothing in the fic that needs to be warned for using the official Archive Warning system. CNTW means there might be something that requires a warning and the author is either avoiding giving out spoilers or they are unsure how to interpret their plot point with respect to the official Warnings. (in both cases, additional tags are where it’s at - you can explain yourself there) 

the reason why the number of bookmarks in the fic is different from the number of bookmarks on your stats page is because your stats page number includes bookmarks that are hidden

there’s a preference setting where you can receive emails with your own comments/replies.

there’s a site skin that hides stats so you don’t have to see them

writing in rich text format makes my life easier

knowing html allows me to do fun things in the comments section like comment/reply with reaction gifs

knowing html also allows me to do interesting formatting in my fics that I can’t do with rich text alone

those little blue bubbles with the question marks in them will answer my questions a lot of the time - and also teach me something new

the FAQ is linked under the word About in the header

if you write your fic in the draft window, you might end up losing it so make sure you copy the text before you hit Post, just in case

they aren’t kidding when they say drafts are deleted after 30 days

Half-finished thing

you'd been sitting there for an hour

when i came by

an expression on your face

like milk turned sour

i sat down near the half-finished thing

you'd spent your afternoon on

before you started crying -

i spoke first: 'what's wrong?'

you stammered

something about bullcrap and 'don't give a fuck'

and your lower lip tremoured

so i reached out and picked it up

it was a little thing. delicate. beautiful.

with loose parts that jiggled with a gentle ring

watching warily, you looked on as i pulled it apart

too frustrated to care about undoing your start

wordlessly, i put it back together

you watched my fingers move. unsteady. clumsy.

i knew you could do it better

but at least it would be funny

you giggled. said it looked like a butt.

'i'm offended! not like you could do as much!'

you laughed. 'nah, i think yours still sucks.'

'why thank you, I knew you'd be awestruck'

i handed it back with a grin

and you started over again.

that half finished thing.

how do you consistently draw the same character without it looking weird or off every different time?? also how do i coordinate faces, i always make the eyes too far apart or too big or too small or make the mouth too close to the nose or chin edge. If you have any advice I'd really appreciate it since it looks like you have your art shit figured out 🙏

Oh man SO so much of it is just practice, and you're not alone! I honestly think everyone struggles with a sort of "generification" of their characters' features the more they draw them, even seasoned professionals. There's a tendency to just sort of average everything out into an unrecognizable mush over time, and it takes a lot of conscious effort to push back against that.

Here are a couple tips and tricks that I've found to be helpful over the years:

Make turnarounds and model sheets. There's a reason animation/game studios do this, and it is because we are all still bad at drawing a consistent face. Despite being gainfully employed. What are we, graphic novelists?? We wish. Anyway it's a great way to familiarize yourself with your character's face from multiple angles, and it gives you a single source of truth to return to anytime you need a refresher:

Gather real-life reference. Anytime I'm designing a character I'm pulling together a ton of reference of actual people who look, to some degree, like the character in my head. It's always a collection of analogues, never just a single person, but it can be a great cheat sheet for understanding how your character might move, emote, etc:

Make a 3D model. I know it seems daunting, but with the advent of programs like Blender and Nomad Sculpt it's becoming remarkably more accessible. Heck, even James Gurney was sculpting maquettes out of clay for Dinotopia back in the day! It doesn't have to be particularly detailed—just a sort of proportionate lump will do—but it's another great way to have dynamic reference that you can rotate and light accordingly:

Practice, practice, practice. Make expression sheets for your character! Either right there on the spot, just start drawin' expressions, or you can slowly collect drawings of your character that you like, as you draw them, and compile them all in one place for your own reference. Need to draw your character's head from a weird angle? Maybe you've already drawn it before and you can copy your own homework! Doesn't count as stealing when the call's coming from inside the house 😎

I'd love to pretend there's a magical point where you can just immediately rotate your character's head in your brain like some sort of photorealistic apple in a twitter meme, but a lot of the time it's reference, hard work, and whole lotta repetition. 😐👍🏼

ahhhhh returning to the recesses of tumblr, where i remain relatively unknown

hes trying his best.

““There is no need of any competition with anybody. You are yourself, and as you are, you are perfectly good. Accept yourself.””

— Osho

Make Batman wear this with his mask and a tight black dress