Description: A deeper dive into sneaky link Roy and Y/N
Warnings: Suggestive content, allusions to sex, cursing, sneaky links
Word Count: 0.8k
"Roy, what did I say about calling me?" Y/N asked while she rubbed an expensive cleanser onto her face. He just happened to facetime her the one night all of her siblings were in town for some mission. Her phone was placed on her vanity counter as she did her nighttime skincare routine. Her knotless braids sat in a bun on top of her head while she wore a robe with her name embellished on it.
"I know, I know, but I need you," Roy's eyes couldn't help but travel down the silk robe. His mouth went dry at the sight of her cleavage.
"We're not exclusive, you could call someone else," Y/N offered. As much as she hated the thought of him with someone else, it would be the safer alternative if Jason or Dick caught them together.
"I want you, though," Roy whined and Y/N had to reconsider her choices. For him to be just her sneaky link, she didn't like the power he had over her emotions. She didn't appreciate how sweet he was to her but she loved how he begged for her attention.
"Okay, you always know what to say. I'll be over in thirty," Y/N said hanging up the phone.
Y/N had an important in the city that she rarely stayed in. It made the perfect place for her and Roy to meet up. Donning a pair of sweats and a zip-up hoodie, Y/N stuck her head out of her bedroom door. The key now was to avoid Alfred. If she timed it right, she could make it through the front door without anyone knowing she was gone for at least two hours.
"It's late, where are you going?" Damian asked as his sister attempted to sneak out of the manor. Y/N almost cursed once she remembered that Damian was off patrol because of his broken arm.
"Out," Y/N suspiciously drew out the one-syllable word.
"Out or out-out," Damian questioned trying to gauge if he wanted to come with her or not.
"I'll buy you a month's worth of vegan Ben & Jerry's if you walk away and don't tell anyone," Y/N offered with a quirked eyebrow. Damian contemplated his choices and realized that ice cream is always the answer.
"Deal," He backed away slowly into the hallway and Y/N dashed the excite.
- Roy doesn't remember how he ended up shirtless and cuffed to Y/N's bedframe. All he remembered was walking into her apartment and being attacked with kisses. She had him stripped to his boxers and she wore the thinnest lingerie he had ever seen. She straddled his lap and placed a ball gag in his mouth.
"Don't start whining, yet. We've barely started," Y/N said as she kissed his cheek. She stopped when she heard a phone buzzing on the floor.
"It's Jade," Y/N said as she held up his phone. Roy's eyes widened as he realized how this was about to go. Jade managed to call Roy almost every time he was with Y/N. It was never about Lian, either and that just pissed Y/N off even more.
"Hello," Y/N spoke into the cell phone while running her hand up and down Roy's thigh.
"Who is this?" Jade asked.
"Let's not pretend you don't know who I am,"
"Where's Roy, Y/N?" Jade asked with venom on her tongue. Y/N enjoyed teasing the assassin. It was like taking the bully's favorite toy.
"He's a little busy at the moment," Y/N said as she searched her bedside drawer for more fun playthings. Roy was sweating bullets. He knew that Jade was mildly crazy but Y/N was wildly petty.
"Give him the phone," Jade demanded.
"I would, but there's a gag in his mouth. He looks so pretty tied to the bed," Y/N winked at Roy and his cheeks turned an even brighter red than his hair. He was in for the night of his life.
"I will fuck your shit up," Jade threatened into the phone's speaker. Y/N simply removed the phone from her ear and waited for Jade to finish her string of curses.
"Bitch, you're the one who calls every time we're together," Y/N noted without missing a beat.
"And you'd think that the spoiled princess would learn to take a hint," Jade spoke and Y/N chuckled to herself a little before responding.
"You know what, I'm not arguing with a woman whose baby daddy just ate my ass," Y/N said without a hint of remorse. She had a smirk on her face the entire time. The line went quiet before Jade began to scream into her phone.
"You bi-," Jade started before being rudely interrupted.
"Have a blessed night. Okay, where were we?" Y/N turned to face Roy with bright eyes.
Part 2 of Arrest Me, But Make it Sexy (đˇ @newobsessionweekly)
Pairing: Tim Bradford x fem!cop!reader
Summary: While you're undercover, Metro raids the drug manufacturing facility you're in. Tim tries to arrest you again, but you have a job to finish.
Warnings: discussion/depiction of drug trafficking, typical show warnings, fluff and banter
Word Count: 1.6k+ words
Masterlist Directory | Tim Bradford Masterlist | Request Info
Put me in the back of your car and we'll start a verbal flirtation. I'm doing tax fraud and arson, now take me down to your station.
âDefying orders is the best thing Iâve ever done,â you muse as your captain reviews your current case.
âYouâre just lucky Bradford didnât actually report that,â she points out. âThe body cam footage and arrest got to do all the talking.â
âAnd you saw it and just knew you had to have me, right?â
She nods sarcastically, then pushes an envelope toward you. âThis is your cover. Nysse Bret.â
âAnd I fit some kind of description?â
âThereâs word going around about a new dealer, better product, better prices⌠easy on the eyes. Itâs got the target dealers and producers shaken up, just how we like them.â
You nod as you look through the envelope. Itâs your first time going undercover alone, but you know you can do it.
âSo, you want me to shake them up a little more, overstep on their turf, down sell their product, get them out in the open?â you clarify.
âPreferably. And given your track record of disobeying orders to do the right thing, going in solo seems like the logical next step for you.â
âThe product youâre giving me?â you ask.
âItâs real,â she answers. âDiluted and nearly unusable, but legitimate. If itâs tested, itâll come back as weak but real.â
âGot it. Donât use it. And if I need backup?â
âNever more than five minutes out. Weâll try to grab buyers as we go, but thatâs not the priority.â
âYes, maâam. Thank you for the opportunity.â
âOh, and keep up this sassy, unbreakable thing. Thatâs what these guys will expect from Nysse Bret. That and not taking any crap.â
âYouâre saying I can flash my gun if they think sassiness is an invitation.â
âWas that a question?â
You smile and slide your sunglasses onto your nose as you answer, âNope.â
âSergeant Bradford has new intel on Savva Pavlov, one of Los Angelesâs biggest drug manufacturers. Heroine, coke, if someone can do it, Pavlov can make it. We take him out, we take the majority of the drugs out of LA,â Captain Pine reports.
âUntil the next guy moves in,â someone points out.
âThen we find him too,â Tim answers. âPavlov is big, so we gain time, at least, if we take him out.â
âTake it, Bradford,â Pine encourages.
âYes, maâam. We have good intel, so weâre moving in on this location.â He pauses and points to a location on the screen. âThere will be people inside, drugs inside. We go in protected, get everyone we can, and make sure that Pavlov doesnât slip through the cracks. Weâll have teams of three stationed on every side of the building and weâll enter from the north and south sides.â
âHow can you know if Pavlov is there?â an officer asks.
âWe donât. If we get lucky, we arrest him. If not, we break one of his guys to find out where he is. This drug war needs to end, so we canât wait around for Pavlov to get back from a smoke break.â
âAny questions?â Pine asks. âPreferably ones that arenât stupid?â
âNo, maâam,â the team answers together.
âThen get ready, we roll in twenty.â
âSo, youâre Nysse,â a man drawls, looking you up and down but never glancing above your neck.
âDepends,â you answer. âWould you make the woman taking your bossesâ customers wait?â
âTheyâre not his customers, theyâre ours!â
âSorry, sorry,â you apologize through chuckles. âI wasnât aware this was a Starscream undermining Megatron situation.â
âWhat?â
You level your gaze, drop your smile, and remove your sunglasses to look down at the shorter man. âI said, youâre trying to act bigger and bolder than you are.â
âIâll show you bigger and bolder,â he growls.
You lift the left side of your shirt to show the Colt 45 against your hip. âIâd like to see you try.â
The man licks his lips as he steps back. âMr. Pavlov will be here soon. Heâs finishing a meeting.â
âPerfect,â you exclaim cheerfully, dropping your shirt and sliding your sunglasses onto your head. âHey, whatâs it like working for him? Get good vacation time?â
âPerhaps youâd like to see his process while you wait,â he suggests, leading you through a swinging door.
âOh, Iâd love to.â
âThis is where the magic happens,â he says, opening his arms toward the warehouse of men and women working in gas masks and hazmat suits.
âWhatâs back there?â you ask, pointing to a blocked-off area at the back.
âPavlovâs office. Heâll take you back there when he arrives.â He smiles and adds, âWomen like you always leave happy.â
You roll your eyes at his comment. Before you can reply sarcastically, a flashbang is thrown through one of the few ventilation windows. You see it in time to drop your head and cover your ears, but youâre still disoriented for a moment.
âLAPD Metro!â someone yells. âDrop to your knees, hands on your head! Now!â
âYouâve got to be kidding me!â you exclaim.
âFollow me,â the man beside you urges, blinking wildly to regain his vision. âThereâs a-â
âCop behind you,â you point out, tilting your head to the side. âHeâs pretty cute, actually.â
âLAPD, on the ground. Now,â Tim says slowly. âThat means you, sir.â
The man is still facing you, his back to Tim. You can tell he plans to run, so you lean against the rail beside you and cross your arms.
âWhatâs in it for me?â you ask.
âWhat?â Tim asks, holding his gun against his shoulder.
âIf I get on the ground and ruin my outfit, whatâs in it for me?â
Tim begins to say your name, but you shake your head once.
âNysse Bart,â you introduce. âMaybe youâve heard of me. But your little war on drugs is a war against me. So, make it worth my time and maybe I tell you what I know.â
âWhat about me?â the man before you asks.
âSure, fine. Help us out, and we help you out, handsome,â you tell Tim. âOr we could just leave, find a more romantic spot.â
âYouâre under arrest,â Tim says, dropping his gun to handcuff your tour guide.
âCuffed while Pavlov enjoys the beauties of the port,â he mumbles.
So thatâs where he is, you think. Picking up a shipment â or ladies â at the port.
âBradford is it?â you ask as Tim moves toward you. âI really like how this shirt fits, so could you cuff me with my hands in front? As a sign of good faith, Iâll apologize for hitting on you.â
Tim shakes his head and pulls your hands behind your back. He places the cuffs in your hands rather than around your wrists. You huff and pout at him, then notice your phone, Nysseâs phone, is buzzing.
Another Metro officer takes Pavlovâs right-hand man, leaving you with Tim. You have to get to Pavlov, and after Metro raided the facility while you were inside, you have to go forward on your own.
âSorry,â you say as you close one of the cuffs around Timâs wrist.
He pulls his arm back when he feels your hand on him, but you snap the other side closed around the safety rail behind him.
âTake it off,â Tim demands.
âSorry, sir,â you taunt as you walk backward, placing your sunglasses back on your nose. âThat wasnât quite sexy enough.â
âGet back here!â
âOh, he looks like he wants to chase me,â you say, fanning yourself dramatically. âNavy blue booty, go ahead and lock me up.â
You wiggle your fingers to wave before you turn and walk through a side exit to catch Pavlov before he leaves the port with imported drugs. When you call your captain for backup, you tell her that Metro raided the facility, not knowing you were there. She grumbles something under her breath and promises to look into it and keep it from happening again. You remember the shock on Timâs face when you cuffed him and realize it wasnât so bad.
âAnd here I was, thinking that youâd be in the back of someoneâs car admitting to tax fraud and arson,â you tease as you enter the roll call room.
âYou caught Savva Pavlov,â Tim says. âNice work.â
âIf you want me to apologize for handcuffing you in a drug warehouse, I know this really nice place where we could have dinner, and I could kiss you to prove I mean it.â
Tim huffs a laugh, his smile appearing for several seconds. Your smile grows at the knowledge that Tim enjoys your back and forth as much as you do.
âIâm sorry,â Tim says. âWe should have done our due diligence before we went in. I risked your safety during the raid, and thereâs no excuse for that.â
You shrug and assure, âIt worked out. Plus, you looked so good that it was a great break from the greasy little guy Iâd been stuck with.â
âYeah, he seemed to think I interrupted something.â
âA UC operation.â
Tim nods and asks, âAre you staying with the UCs?â
âI like it. Maybe not full time, but, yes, itâs something I can see myself doing again.â
âYouâre a great cop, just⌠be careful.â
You lay your hand on Timâs arm and promise, âI will. Knowing youâre in Metro and will come when I call helps.â
âYou donât need anyone telling you how to do your job, I know that, but I just want to make sure youâre safe. Especially after what happened today.â
âThank you,â you whisper, gently squeezing Timâs arm. As you step back, you ask, âWhy didnât you actually cuff me?â
âNysse Bart? You said the name and I realized we messed up. Not to mention that, for once, you didnât do anything wrong.â
âDidnât you just say I could do no wrong?â
âNo, I said-â
âSo, should we go to dinner, or do you want me to go buy some illegal contraband so you can arrest me again?â you tease.
Your smile drops when Tim says, âDinner. Meet me outside in ten.â
He turns and is almost to the door when you ask, âWait, seriously?â
This is intended to be Part 2 of The Kay Princesses
Requested Here!
Pairing: David 'Deacon' Kay x fem!reader
Summary: Deacon wants to marry you, but he has to ensure that his kids understand and agree before he proposes. Then, you have a special question for Lila.
Warnings: fluff, brief angst, Annie's fate is up to you
Word Count: 2.4k+ words
A/N: While this is a part 2, it is written from a different POV. I think it could also be read as a standalone, but there are references to the events of part 1. I hope you enjoy!! :)
Masterlist Directory | Deacon Masterlist | Request Rules & Info
Deaconâs kids donât get to visit him at HQ much anymore, so when they have a day off school and 20 Squad is on standby, he decides to take them by. His team loves seeing them and playing with them â none more than Luca. While theyâre there, however, Deacon decides that today is also the day to ask them the most important question he may ever ask. He wants to marry you, heâs known that for much longer than he has had the ring, but he has to get their approval first. Since the beginning, you and he have both understood that if any of the kids said no, you would step back. Deacon prays that you donât have to step back after walking so far together.
After he calls Matthew, Lila, and Samuel back to his side, he prepares to leave for the day.
âHey, good luck, Deac!â Luca calls.
Deacon nods his head in thanks, then leads his kids back to the car. He gets to spend the afternoon with them for once, so heâll ask them as soon as he finds the right words. They eat lunch together, then the kids go to their separate rooms to entertain themselves while Deacon cleans the kitchen.
When heâs done, Deacon takes a deep breath and walks to Lilaâs room. Sheâll probably say yes, but Deacon prepares himself for the worst. Her door is open, and sheâs lying on her bed coloring.
âLila, can we talk for a minute?â Deacon asks from the doorway of her room.
âYeah, Daddy,â she answers.
Deacon nods, and Lila frowns at the look on his face. Heâs nervous, and she can tell that something isnât quite right. After he closes her door, he sits on the side of her bed and takes a deep breath.
âWhatâs wrong?â Lila asks.
âNothingâs wrong, sweetheart, I just need to ask you something. But, if you want to say no, you can. Okay?â
âOkay.â
Deacon says your name, then stops. He hasnât told the kids how serious things have gotten with you yet. His team knows, of course, but this is the moment where a single word from any of his children could end what he has with you.
âI want to marry her,â Deacon adds softly. He smiles kindly at Lila before he asks, âWould you be alright with that?â
Lila slides her coloring book aside and climbs into Deaconâs lap. He holds her upright, so she doesnât fall, and when she wraps her arms firmly around him, he tightens his grip on her.
âWill she live here?â Lila asks.
âYes, or maybe we could get another house.â He doesnât want to explain that if they donât want you in the same house where they knew Annie, heâd move without question.
âAnd sheâll look like a princess in her white dress, right?â
Deacon smiles as he answers, âAbsolutely. And you can wear a dress to be a princess, too.â
âI like her,â Lila says. âI want you to get married.â
Deacon sighs, and hugs Lila to his chest. He whispers that he loves her, and Lila laughs before she murmurs, âI know.â
When Deacon exits her room, he sees the sign hanging across the hall that says, âBoys Only (except Lila).â Samuel will be easily convinced; he thinks youâre the greatest person ever because you know all the shortcuts in Candy Land. Matthew, however, despite having come a long way in his treatment of you, may not be so eager to welcome the idea of having you around all the time. Deacon knocks on the door, and it pushes open.
âDad! Look!â Matthew calls. He holds up two toys that he has hooked together. âIt worked.â
âThatâs awesome, bud. Good job,â Deacon responds. âCan you take a break from playing for a minute? I need to ask you something.â
âYouâre getting married?â Matthew guesses as he sets his modified toy aside.
âI- why do you think that?â Deacon asks.
âUncle Luca told you good luck,â Samuel interjects. âWhy do you need it?â
âAlright, boys, letâs go back. I want to get married, yes, but if you donât want me to, I wonât. So, are you comfortable with her being here more?â
âYes!â Samuel cheers. Deacon smiles, though he suspected as much.
âSheâs not replacing Mom, right?â Matthew asks quietly.
âNot at all.â
Matthew nods. âYou should do it, Dad. I like her, and she makes you happy.â
Deacon pulls Matthew into a hug without much thought. Matthew groans but returns the affection. Soon, there will be another Kay Princess in the house who may get an exception to the boys-only rule.
Kids are notoriously bad at keeping secrets, and the bigger the secret, the faster it will be shared. So, the moment Deacon learns that his kids like you and support his decision to marry you, he calls you. Thereâs not much planning or time to make the moment special, but Deacon canât go another moment without asking you. As Hondo said, the ring is burning him after holding onto it for so long.
When you knock on Deaconâs door, you expect him to open it. Instead, Lila welcomes you in wearing her favorite dress.
âYou look beautiful, Lila,â you tell her.
She hugs you, then leads you through the house and to the back door. Outside, the lights Deacon put up to decorate his backyard are aglow in the darkening dusk sky. Deacon stands beneath the tree in the center of the yard, and Matthew and Samuel wait on the deck.
âWhatâs going on?â you ask them.
Samuel presses his lips together tightly and shakes his head while Matthew answers, âA surprise. Dad wants to tell you.â
âOh,â you reply softly.
Lila waves for you to go, and you walk off of the deck and into the grass. When you reach Deacon, his smile changes. He takes both of your hands and pulls you closer.
âThanks for coming,â he begins.
âOf course. Whatâs going on?â you inquire. âThis is beautiful, butâŚâ
âYouâre beautiful,â Deacon replies. âAnd youâre smart, caring, you love my kids⌠I love you, and every princess quality that you have. I canât imagine my life without you on my team.â
Deacon releases your right hand as he kneels. Your eyes widen as he pulls a black box from his pocket.
âWill you do me the honor of marrying me, and being on my team, at my side, for the rest of our lives?â
You nod quickly, unable to speak past the tears pressing against your eyes. After a shaky breath, you mumble, âYes, Deacon. Yes!â
He slides the ring onto your finger, and you donât even look at it before you hug him. Deaconâs arm wraps tightly around your waist, and he holds you against him as he stands. Behind you, his kids cheer together. You pull back enough to kiss him, then look over your shoulder at Lila, Matthew, and Samuel.
âTheyâre okay with this?â you whisper.
âMore than okay. Theyâre gaining another Kay princess in their lives, too,â Deacon assures you.
You watch Lila twirl in her dress and realize that theyâre as much a part of this as you are.
âDeacon, can I ask Lila to be my maid of honor?â
Deacon smiles and kisses you again. Being a Kay princess is far more rewarding than you anticipated.
âGood morning,â Deacon greets when he answers the door. âYou look gorgeous.â
âThank you. You look very handsome, as always,â you reply.
Deacon welcomes you in, and you kiss his cheek as you pass him.
âIs she ready?â
âAlmost.â Deacon laughs before he drops his voice to explain, âShe keeps changing. She wants to look perfect.â
âThen would you please take her this?â
You pass Deacon a pink gift bag, and he canât deny your smile, so he delivers it to Lilaâs room. Her squeal reaches your ears in the living room, and your smile widens as Deacon returns.
âWhat is it?â Deacon asks.
âA matching princess dress. Today had to be special.â
âEvery day is special with you.â
âWe match!â Lila exclaims.
You look away from Deacon to see her standing before you. She smiles at you before she rushes to hug you. At Deaconâs silent prompting, she thanks you for the dress.
âWell, weâre off to enjoy a princess day,â you tell Deacon.
âEnjoy. Call if you need anything.â
You promise to do just that, then take Lilaâs hand and lead her outside. Itâs a big day for both of you. Lila gets to live like a princess and spend the day with another girl, and you get to ask her to be your maid of honor. You donât doubt that sheâll say yes, but just in case, you have a backup plan to involve her in the wedding party another way.
By lunch, Lila is getting tired. She doesnât want to stop, however, until you tell her about a fairytale-themed restaurant youâd like to try. Easily convinced, you hold her hand as you enter the whimsical building and are led to your seats.
âLila, have you ever been to a wedding?â you ask her.
âMmhmm. One of Dadâs work friends,â she answers.
âDo you know what a maid of honor is?â Lila shakes her head, so you ask, âWhat about a bridesmaid?â
âThe girls who stand with the bride?â
âYep, those are bridesmaids. But the one that stands closest to the bride is called a maid of honor, and itâs usually the brideâs best friend or a girl who is really, really important to her.â
Lila nods along with your explanation, and when you see your waitress returning with your glittery pink princess drinks, you decide to ask sooner rather than later. You set an envelope on the table, with her name written elegantly across the front.
âWould you like to be my maid of honor, Lila?â you ask.
The waitress stops when she hears your question. She smiles and nods to assure you itâs fine to finish before she delivers your beverages.
âLike your best friend?â Lila whispers.
âYeah. Because youâre super special.â
âAnd weâre both Dadâs princesses?â
You smile and answer, âThat too.â
âReally?â
âOpen the letter.â
Lila pulls the card out of the envelope. Itâs a picture of a castle with two princesses curtseying, and underneath it reads, âJoin me on our special day?â
âYes!â Lila answers. âI want to!â
She slides out of her seat and rounds the table. Lila hugs you tightly, and you pull the chair beside you out so that she can stay on the same side of the table as you.
âCongratulations, your highnesses,â your waitress says. âIâm sure youâll be the best maid of honor ever.â
âThank you!â Lila replies.
âThank you,â you add.
âSo, what do I do?â Lila asks you.
âLots of things. But I think we should get some lunch before we go shopping for your maid of honor dress.â
Lila quickly agrees and leans against your arm to look at the menu with you.
The morning of your wedding is spent getting ready with your closest friends and family. Luca and Street invite themselves into the bridal suite as well when they hear from Lila that you have snacks.
âAre you nervous?â Luca asks. âDeaconâs reviewed his vows like fifteen times.â
âShould I be?â you reply. âBecause Iâve honestly never been this happy and excited in my life.â
âMe neither!â Lila agrees, swishing the skirt of her dress around her legs.
âDeac just wants it to be perfect, special for all of you,â Street adds.
âI wouldâve married him at the courthouse the morning after he proposed,â you point out. âItâs already more perfect than I ever expected.â
âWeâll tell him that as soon as weâre done,â Street says, reaching for another cookie.
âArenât groomsmen supposed to stay with the groom?â you ask Luca.
âHe told me to bring Lila back,â Luca argues. âNever said I had to return by a certain time.â
âHave you seen Deacon cry?â Street asks.
âNo,â you say. âWhy?â
âBecause he is absolutely going to cry when you walk down the aisle, and during your vows, and again after itâs official.â
Luca nods in agreement, and you turn to make sure your mascara is waterproof.
When you step out onto the aisle, your eyes meet Deaconâs and everything else fades away. All that matters in this moment is Deacon Kay and the life youâre entering with him. Which includes his kids. Lila is waiting beside your spot with a smile, Matthew stands between Luca and Deacon on the other side, and Samuel is waving from the front row after delivering the rings to the officiant.
As you begin walking toward Deacon, you notice that he is crying. You blink quickly to clear your own vision, but the tears donât dampen your smile or Deaconâs. When you reach the altar, you lower gently toward Lila. Matthew and Samuel come to your side as well, just as you practiced.
âThank you for letting me be part of your life,â you tell them. âI love you, Lila, Samuel, and Matthew.â
They hug you tightly, and Deacon wipes his eyes as you all return to your places. He takes your hands as the officiant welcomes everyone in attendance. You read your vows first, and Deacon cries again. When he begins his vows, however, you are very glad you double-checked that your makeup wouldnât be ruined.
â⌠and youâre the most incredible princess Iâve ever had the joy of meeting,â Deacon says. The people around you chuckle, and you smile as you squeeze his hand. âBeing loved by you is more special than any title I could have or other life I could live. I promise to treat you like the princess you are and love you more with each breath.â
You chuckle wetly, and Lila taps your side. She passes you a tissue, which makes everyone laugh, and you thank her before you use it to dry your cheeks.
âWith those vows â and tears â you will now exchange rings.â
You slide Deaconâs simple band onto his finger, then offer your hand for your matching ring. The moment you are finished, the officiant pronounces you and Deacon man and wife, then steps aside for your first kiss. Just as when you walked down the aisle, everything fades away as you kiss Deacon, your husband, for the first time.
When you step back, your friends and family are cheering, and you pull Lila into a tight hug.
âThanks for being a princess with me,â you say.
âWeâre always princesses!â she replies with a giggle.
âKay princesses,â Deacon agrees, wrapping his arms around both of you.
â° f!reader x gojo â° actor!gojo, dryhumping, (semi)public sex (??) ++ based off this post i made.. raise ur hand if ur also freaky about gojo đââď¸đââď¸ wc: 1.8k â°
âgod, i want you so bad.â
satoru reads out his line to you, his voice loud but only slightly muffled against the juncture between your neck and your shoulder. you roll your head back in response, letting it thump against the pillow underneath you as you looked up at the ceiling.
although, the sight youâre met with when you doâ the sight of a large microphone hanging just a few feet above your bodies âonly serves to remind you that this is all for show. a scene in a movie. you opt to close your eyes and tighten your grip on the back of his head instead.
with your mouth hanging open, itâs easy to huff out a few pants and soft moans, doing as was directed for the character youâre meant to be playing after all. you know very well satoruâs doing the same for his own characterâ but thereâs an additional component to the scene, one that only you know of.
the additional component is hiding below the bedsheets draped over your partially nude bodiesâ unbeknownst to the entire crew on set âpressing against your clothed crotch and growing inside his own pants the longer he nips at your neck.
you moaned his name, arching your back into his touch. letting him know you felt him.
thereâs a brief momentâ a blissful moment âwhere you forget youâre both supposed to be filming a sex scene. not until he hoists himself up, hovering himself over your body and staring down at you with stormy eyes; whatâs normally a clear blue sky in his irises was now clouded by lust.
itâs not until you spot the bright studio lights shining above him that youâre reminded where you both are.
âare you ready?â he asks you, as per the script. when he speaks he bends down to nip at your jawline and his hands move underneath the sheets, trailing sensually across your torso. he lifts his head back up and bites his lip, waits for your nod, and then he slowly sinks his full body weight onto yours once again. reaching his hand down in between your bodies, he mimics the act of himself gripping his own cock and lining it up with your entrance before slowly sinking into you. the cameras zero in on this momentous part of the whole scene.
what he does next is⌠not part of the script.
with the hand currently hovering between his body and yours, he presses it forward, cupping your mound through the fabric of your clothing (thin nude-colored tights, meant to blend in with your skin toneâ even coupled with your underwear underneath it makes just the smallest barrier between his fingers and where you think his fingers should actually be).
his touch is featherlight at first, tracing the outline of your underwear and gradually applying more pressure as he reaches your slit. he massages his index and middle finger up and down over your cunt, making a V-shape to trail them both along your folds before bending his wrist further and applying pressure to your clit with his thumb, eliciting a genuine gasp out of you.
he bites his lip again, but this time itâs to bite back the smirk threatening to take over his expression. he starts to lift his hips up just a little before bringing them back down, simulating the act of him thrusting inside of youâ meanwhile his fingers donât let up on your clit below the sheets.
completely hidden from the cameras.
your eyelids flutter, and a moan slips past your lips before you can rationally consider it. the timing actually worked out perfectly for the scene, though; in the corner of your eye, youâre sure you just saw the director nodding his head at you.
satoru continues rubbing you through your tights, picking up his pace right as your own breathing starts to pick up as well. if he were to press his thumb any harder against your cunt heâd be able to feel the wetness already pooling up; it would probably soak through the fabric a little bit and coat the pad of his thumb with your scent.
your jaw goes slack and satoru moans at the sightâ but whether or not heâs still in character is unknown to you by this point.
âfuckâ you feel sâgood,â he moans out, letting up on his ministrations to plant his hands flat on each side of your shoulders. you whined softly in protest at the absence of his touch before he pressed himself even closer to you. shaky hands move up to grip onto his biceps for purchase just as his head falls into the crook of your neck, his mouth open against your skin with every hot pant he exhales. his hard bulge lands directly on top of your crotch and pulls tandem moans from you two.
itâs at this point that his character would probably be expected to pick up his pace, but youâve completely given up on keeping track of the scene by now. satoru starts to move his hips at a steadier rhythm, only now heâs actually grinding himself into your heat. the bed frame starts to rock against the set wall with his movements, and you can both feel and hear how heavily he breathesâ heâs certain to ensure the microphones pick up on it, too.
âsatoru, godââ you moaned out, digging your nails into his arms and squeezing your eyes shut. he grinds his clothed cock against your cunt, whimpering every time he feels the friction of his movements against you on his already-leaky tip.
thereâs a temporary moment where his hips stutter, the grinding sensation feeling too good for his brain to keep up, and you feel him press his head deeper into your neck. his teeth sink into your skin to ground himself, sucking hard at the pulse point on your neck and leaving red indents with how hard he bites you, making you cry out his name once more.
(you count your lucky stars that the character heâs playing has the same name as him, because youâre not sure youâd be able to moan the correct name for filming had they been different.)
âfuuuck, fuckââ he whines, his voice loud enough for the mic to hear. he lifts his head up to take a look at your expressionâ how you furrow your brows, your mouth hanging open indefinitely for the symphony of noises heâs pulling from you, the flutter in your eyelids when you open them to meet his gaze.
he smirks again and slows down his pace to a sensual grind, rolling his hips in circles and huffing out a chuckle when your head lolls back once more.
some members of the production crew share a look with each other when they see him slow down; as far as theyâre concerned, he just extended the original length of the scene with a little bit of improv.
thereâs nothing wrong with an actor sprinkling in some adjustments during filming, after all.
satoru dips his head down again, tilting his head to hide his face as well as he can before nipping at your earlobe.
âopen your eyes,â he rasps with a tone so quiet the microphones didnât catch it. âi want you to look at them when you cum, let them see how nasty you are for getting off in front of all these people, in front of all your colleagues.â
your eyes open before the words even register in your head, and the moment they do youâre catching sight of all the crew members watching you twoâ all your coworkers. you press your forehead against satoruâs shoulder before your eyes could roll to the back of your head and you let out a shamelessly loud moan.
âheh,â he huffs, his voice now back to its regular volume. âyou liked that, huh?â he coos, picking up the pace of his grinding once more. the simple whine you respond with makes his dick twitch pathetically in his pants.
it doesnât take much longer before your own hips start bucking up to meet his, your breathing now much faster and louderâ a sign of your impending orgasm. feeling you grind yourself back into him makes him moan again, and he bites his lip hard to quell the sudden tightening he felt low in his gut; heâll be damned if he cums before you.
from the corner of his eye, the director is silently saluting your performance, nodding his head in approval when he sees you start to fuck up against satoru. to himâ and everyone else on set âthis is, arguably, one of the better sex performances theyâve ever seen.
(itâs maybe even a little too convincing.)
satoruâs moans begin to fade into breathy whines, his face falling against your shoulder again when his movements become more erratic. heâs chasing this high with you and finding it increasingly harder to let you reach the finish line firstâ but he underestimated just how close you were to crossing it.
âahâ shit,â you gasped out, your eyes rolling back again. ââm gonnaâ fuck, iâmââ
you cut yourself off with a muted cry, a squeak leaving your lips before a deep moan rumbles slowly in your chest. your orgasm crashes over you gradually but with an intensity youâd never felt beforeâ and satoru is quick to follow behind. he throws his head back and furrow his brows when he cums, his hips stuttering before stilling entirely, pressing them flush against your own. the way his jaw falls and the deep groan that leaves his mouth afterwards makes you throb further, your grip on his arms unfaltering.
he is so attractive itâs almost unfair.
when satoru collapses on you, panting hard against your shoulder, a few moments pass before the director is yelling out his cue for the scene to end. you blink your eyes open, swallowing thickly and pressing the palm of your hand against satoruâs shoulder to gently push him up.
âphew, what a workout!â he jokes with the crew, his attempt at brushing off his post-orgasm haze. âi hope you guys donât mind if i lay here for a few more minutes, yeah?â he says this with a charming grin, carefully watching for their own amused smiles before he collapses against you once again.
to keep appearances you playfully roll your eyes, nudging at him again. âsounds like your stamina isnât all that good,â you snorted, giving up entirely on pushing him off of you. (not that you really wanted to get up either, anyway.)
satoru merely laughs into your shoulder at your words, but the light pinch he does to your waist underneath the sheets delivers a different message. a reminder of whatâs to come later on, once youâre both done filming for the day.
âi donât suppose youâre hoping to find out how good my stamina actually is, hm?â he hums against your neck, his voice back down to a whisper only you can hear. âbecause i would love to show you.â
also big big thank u to my beloved @teddybeartoji for proofreading this đŤđŤ dont know what i would do without u my mickey
A/N: This is the finale. I hope it meets some expectations, if not all. Sorry itâs taken so long to write.
18 and up, yâall.
There were no servants to be seen in the winding corridors that led toward Waltâs bedroom, and not one of his steps faltered, his arms like pliable steel around you. The long hem of your dress fell almost to the tops of his shined dress shoes, white lace drifting to and fro with the sway of his movement.
You glanced up at Waltâs face, your heart hammering a fast staccato in your chest. He caught your look and winked, a slow unfurling grin revealing the blunt points of freshly returned ready canines.
Keep reading
Part One // Part two // Part Four
Pairing: Spike x Giles!reader
Part three of four đ
Warning: reader drinks/smokes, difficult relationship with Giles and not friends with Buffy.
He had been searching for you when you hadnât returned, his face steeped in worry as he stormed through the night to find you. Maybe you had got lost or eaten in that annoying human way. He cared for you deeply. He couldnât help it and as he walked through Sunnydale until the light started to singe his body, he knew that he couldnât fight his feelings anymore.
It had been five days. He had caught your scent around the UC Sunnydale campus but he kept losing it in certain places. He needed to see you, needed to make sure that you were okay.
He had been sleeping in your bed clinging to your clothes, bathing in your scent. Wishing he could have you back by his side again, where he was more sure each day that you truly belonged. He wished to have you pressed against him again, cradle you in his arms, grip your body in his bed.
He had found you five days later by chance, stalking into the Bronze looking for something to pass the time. His mind on you but he had little hope that you would appear before him. He was even beginning to worry he had dreamt you up.
Until, well, there you were. Stood at the side of the Bronze looking miserable as you swirled your drink around. You were talking to a redhead who looked a little exhausted by your company.
He stepped back, watching you intently as if you were a mirage. He wanted to reach out and touch you so badly but he was afraid you may be a cruel illusion. He had looked for you for days, he had worried sick about you.
From the dark he overheard your conversation, you had left because of the kiss. It had overwhelmed you as much as you had wanted to stay in the moment forever.
âI just donât know⌠should I go? Should I stay?â You asked, not for the first time since you had started talking to her.
âI, uh, Iâm still not sure Spike is exactly boyfriend materialâ
âIâm not trying to make a blanket out of him, Willâ You said smiling softly at the idea of Spike wrapping his arms around you.
Your indecision was bugging even yourself as you spoke about it for the millionth time. Willow was at a loss as to what to say other than that Spike was very dangerous and ultimately evil. You were already way past that and had seen the good in him as well as the bad. You liked both but you knew that this would sever any chance at reconciling with your Dad.
âEmbarrassed, is that it?â Spike asked, his eyes not meeting yours as he stepped from the shadows. His eyes were haunted by a situation much like this, some decades earlier. He felt it, the rejection, the pain. It was so acute and written on his face so clearly that you could almost feel it yourself.
âSpike, itâs not like that, I-â
âYou used me for a cheap thrill and then went toddling back to your boring little life livinâ under Daddyâs thumbâ
He stormed out, lighting up a cigarette as he walked, his duster whipping around him as he walked into the street. You ran after him, ignoring his muttering about not even getting to the thrilling part.
You grabbed his shoulder and he let you turn him to face you. He was agonisingly close, you even found his frown cute. His anger desirable. You wanted to kiss his pain away, remove the furrow from his brow. Offer up any thrill that he could possibly want.
âIf you donât want me then bloody well let me freeâ He moved as if to push past you but you took his hand. With your touch he softened, even slightly.
âI was scared, Spikeâ
âNow you find the time to bloody fear meâ
âItâs just, I was trained from a child to be a Watcher and as much as I never cared for it, things like that are kinda difficult to unlearn. Suddenly I was ten years old again being screamed at by some stuffy Watchers when I started to empathise with one of the vampires in our case studies.â
You had been wrestling with your own morality. It was a battle you could never win when kissing Spike felt so right but everything you had been taught until now had told you it was so wrong.
He nodded, understanding that where you come from can impact your life, and even your un-life. He was still reeling from the rejection, it had hurt in a way that he hadnât felt since he was human. He offered you a smoke, you took it, leaning into him as he flicked his lighter on for you. Your eyes met, deepening your gaze as you inhaled the thick smoke.
Nothing was said in this time, though it lasted for an age, something unspoken was communicated. Shared.
He lowered himself, his duster sliding from his shoulder slightly as he knelt on the floor his cigarette bobbing from his lips as he spoke, âIâm on my knees here, pet, I canât lose you. Love like this comes once an eternity.â
âLove?â
You reached for him, lowering yourself to kneel with him, your hands clasping his after flicking your cigarette away. You couldnât help the way your doubts creeped into your head, how your upbringing made you question every move that you made in terms of good and evil.
âWhere do we go from here?â
âCome home?â
You had barely nodded before he slammed his lips against yours, your knees resting uncomfortably on the tarmac, but all you could think about was the way he felt against you. The urgency in which he kissed, the way he cradled your face in his hands, caressed your skin. He felt divine beneath your hands, his lips felt heavenly on yours.
How could anything about this be wrong?
You leaned against him, your forehead pressed against his as you panted trying to regain your composure. You stayed like that for a while in the dark alley before you took his hand again and walked towards your shared crypt.
From there, you took things slow. Much slower than either of you would like. You often fell asleep against him in the evenings and shared such deep confessions. Of your pasts, of your feelings for the other.
After a week of settling back into your home, you had an unwelcome houseguest. And she didnât even bring a home-warming gift.
Buffy slammed the door to your crypt so hard that it almost came clean off its hinges. She came to tell you that your father had been turned into some demon by Ethan Rayne and she wanted to make sure that you knew that he was okay. That he was shaken but unharmed and would perhaps appreciate a visit from his family.
You mumbled something about going to visit sometime but realised this was the wrong decision. Buffy saw this as an opportunity to give you some (again, unwelcome) advice.
âLook, y/n, as a friend-â
âWe were never really friends, Buffyâ
The young girl looked surprisingly hurt, perhaps she had truly seen you as a friend and you had misjudged her. She had, of course, never been anything other than pleasant to you. You had just allowed your jealousies to fester beyond control. Plus she was self-righteous in a kind of annoying way.
âWell, friend or not I care about you because I care about Giles. Grow up, y/n, the rebel act was kinda last season. He misses youâ
âHe made it very clear that Iâm not welcome, why would him letting Ethan make him all Fyarl-y make a difference?â
âYou canât be happy here, with himâ she visibly shuddered as he walked up to join you from the lower level of the crypt. You appreciated that you got a glimpse of his athletic torso beneath his unbuttoned red shirt.
He slung an arm around you, squeezing your shoulder and whispering in your ear. You were too comfortable together and Buffy looked as if it made her physically sick. She threatened Spike vaguely, gave you another warning and then with a hair flip she stormed back out of the crypt and slammed the door shut behind her.
The thing that irritated you the most was that she genuinely thought she was âsaving you from yourselfâ. That you had taken the wrong path. That the love, this amazing and beautiful feeling that you had never quite felt anything like before, was somehow wrong. Or gross. Or evil.
Which had fed into your thoughts the first time you had been close to Spike. You wouldnât let it happen again. You hated the distance. The way his absence had physically pained you.
Spike guided you back down to the his bedroom, pressing soft kisses against your jaw, nipping at your neck and caressing his lips down your chest. He wanted you all to himself, he wouldnât let you go again. Not now he knew how good life could be with you in it. By his side, in his bed.
By late afternoon you were lying on your side in his bed, watching him writing in a notebook. Papers littered the floor of the crypt. He hadnât had such inspiration since he was human. You had brought him back to life. Revived him.
âDid you mean it, when you said you loved me?â You asked softly, your fingers trailing softly against his muscled arm.
âNever meant anything more,â
He had, of course, noted that you hadnât said it to him. It stung a little but he would rather have you by his side even if you didnât love him than not at all. He knew you cared for him, of course. Knew that you felt safe with him. Knew that he would kill any man, demon or slayer that came anywhere near you.
He put his writing down, shifting himself and burying his face into the crook of your neck. He would give anything to hear you say it.
âSay youâre mine, love, and Iâll be here until the end of time,â He pleaded between landing slow kisses against your exposed skin.
âI love you, Spike, I think⌠I think Iâve always been yours,â You whispered as if you were afraid he might overhear.
He smirked darkly, his fangs bared and his face morphed from beyond your line of vision. Your eyes were closed, enjoying his touch. He suddenly wrenched your head to the side, exposing your neck further. Â
He could feel your pulse thrumming faster now.
He swallowed thickly,  before propelling himself towards your neck, ignoring the firing from his chip as he held you in placeâŚ
Part 2 of All The Reasons We Can't
Pairing: Tim Bradford x fem!reader (Lucy's roommate)
Summary: After you move in with Lucy Chen, you show Tim Bradford that some things are worth fighting for, especially when there are plenty of reasons it will work.
Warnings: unspecified age gap (r is younger than Lucy), angst, fluff, banter, spoilers for s6
Word Count: 1.2k+ words
Masterlist | Tim Bradford Masterlist | Request Info/Fandom List
Tim looks miserable. He seems to think for far too long before he speaks, and you hate that he isnât enjoying himself. It took weeks to actually go on your first date. Now that youâre here, you canât decide if heâs regretting agreeing to go out with you, his ex-girlfriendâs best friend and roommate, or if heâs simply worrying about all the reasons he thinks your relationship wonât work.
âWill you be ordering dessert tonight?â the waiter asks.
âCould you give us one moment?â you reply with a smile.
Alone, you look at Tim.
âDo you want dessert?â he murmurs.
âThis isnât working, Tim,â you decide. âLetâs just go.â
Tim nods but doesnât speak. Internally, heâs convincing himself that you have realized what he originally said â that a relationship between you will never work because too many things are working against you. The age difference, Lucy, and so much that he hasnât even voiced are all direct threats to what youâre trying to make.
You lead Tim to your car and gesture for him to get in. The drive to your favorite ice cream parlor is silent but not completely awkward, somehow. After you arrive, you order and sit at a quiet booth in the back of the hole-in-the-wall, family-owned restaurant to wait for your desserts.
âYou are incredible, Tim,â you begin. âYou care about people, and you do whatâs best for them even if it hurts you. Youâre a great hugger, but thatâs not where Iâm going with this.â
âWhere are you going with this?â he interrupts. âI thought you said this wasnât working.â
You smile and take Timâs hand across the table. âThe date wasnât working, Tim. Look, if youâre scared that this wonât happen â that we wonât happen â then it wonât, because your fear and your feelings are going to keep getting in the way. If youâve decided that you just donât want to try, we donât have to.â
âI want to try,â he assures you. âI just⌠I donât want to ruin this like I ruined everything else.â
âThen work with me, Tim. Not for me, or against everything else. Work with me.â
Tim nods, and you add, âBesides, you didnât ruin everything. Youâre still gorgeous and have a really cute dog.â
Tim smiles and asks, âAnd Iâm a good hugger, right?â
âThe best,â you answer with a wink. âSo, if you want to take Lucyâs roommate, Iâm inviting you to. I meant what I said before: anything you need, Iâm here.â
âYou asked how I was when we met,â Tim reminds you. âAt that moment, I decided that I was missing something, and it was you. ButâŚâ
âYou still have feelings for Lucy?â you guess softly.
âNo. I will always care about her, but itâs not like it was before. I want you. The risk of losing you too terrifies me.â
You nod and tap your fingers against the table. âYour original concerns were that youâre older than me, that you broke my roommateâs heart, that you kept secrets, almost lost your job, and then some, right?â
Tim nods, and his hand in yours seems to tighten.
âI donât care that youâre older than me. If anyone else does, theyâre jealous of me for landing you.â
âI donât think-â
âShh,â you demand playfully. âSo, donât care about the age. You dated my roommate, then dumped her. Sheâs over it and gave me to go ahead because even she could see that weâre good for each other. Besides, she can get anyone she wants, no offense. And then the whole keeping secrets thing seems completely irrelevant because theyâre not secrets anymore, and Iâve only known you for a few weeks. If youâre hiding a family of seven, however, thatâs a deal-breaking secret.â
âWhat about a family of five?â he counters.
âDepends. Are the kids as cute as you?â
Tim smiles and says, âMy heart is still telling me yes.â
âAnd youâre still paying, and Iâm still here. I care about you, but that has to be enough. Iâm not going to start this relationship if itâs just going to be me comforting you until those reasons get to you and you leave me.â
Tim nods. He understands that kind of bond is not a relationship; itâs a dependency, and it will lead to a lot of unnecessary pain and dispute.
âHow many scoops of ice cream do you think they serve each day?â you ask.
âThousands,â Tim answers. âWhy?â
âYou listed three specific reasons we canât be together. There are thousands, if not more, that I can think of proving we can work. But thatâs only if weâre willing to try.â
âDid you just compare our future relationship to ice cream scoops?â
âYes, I did. So, are you ready to get your scoop a little dirty, or are we going to just be friends who share hugs sometimes?â
Someone brings your dessert to your table, and Tim thanks them before he holds your hand again.
âLucy said she wanted you to be with someone else because you deserve someone you can be yourself with,â you say. âIâd love to be that person, but I think Iâd benefit from it a lot more if I got to kiss you.â
âAre you always like this?â
âIf by this you mean wonderful, attractive, smart, and practically perfect, then yes,â you joke. âTim, we work. Tell me you canât see that and Iâll drop it until youâre ready to see it.â
âI see it,â Tim promises. âShould I start listing the reasons I can see?â
âLetâs just raise a spoon to all of the reasons we can.â
You raise your pink plastic spoon and tap it lightly against Timâs green one. He smiles at you before taking a bite of his dessert, and your date suddenly becomes perfect.
âYou know what I need?â you ask as you exit the ice cream shop hand-in-hand with Tim.
âI couldnât begin to guess,â he replies honestly.
âAnother hug.â
Tim smiles as he spins you back toward him. He hugs you as he had in your kitchen the day you met, his arms wrapped tightly around your waist as his head drops toward your shoulder. With your lips beside his ear, you whisper, âThank you.â
âWhere have you been all my life?â
âWasting time until we met mostly,â you answer. âWhich you can thank Lucy for, by the way.â
âNo chance,â he argues as he pulls back, wrapping his arm over your shoulders. âSheâd never let me forget it.â
âYouâre different than I expected,â you admit.
âIâm sure you heard about some of my worst moments, so Iâd hope so.â
âNo, I mean, I heard about the good, too. But⌠youâre special, Tim Bradford.â
Tim tilts his chin to the side and raises his brows.
âAnd you know what Iâve just decided?â
Tim shakes his head, and you raise your hands to cup his cheeks. Pulling yourself against his chest, you angle your moth towards his and whisper, âIâm going to show you just how special you are,â before your lips meet.
Bonus:
Timâs arms tighten around your waist, and he moves you back gently against the side of the car. Sirens whoop behind him, and you hide your face in his jacket as Lucy rolls the window of the police car down.
âYou are so welcome,â she calls. âAnd I better get all of the details.â
âThis is weird,â Tim says, âyou know that, right?â
âA lot of perfect things, things that work, are,â you reply, looking through your lashes at him.
The Rookie x SWAT documentary-style (reader insert) crossover
Summary: Mid-Wilshire opens a case that requires seven police departments, numerous SWAT teams, and an unusual witness. As the public watches a documentary all about the case and the people involved, they see more than crime.
Warnings: narration is in italics, injuries and blood, character death, discussion of child abuse, depiction of cults/brainwashing, fake tweets, I probably went overboard, fluff and comfort at the end I promise
Word Count: 4.2k+ words
A/N: This idea struck me last night and I had to do something with it. I hope someone enjoys it, but I'm never using a tweet generator again because it took an embarrassing amount of time.đ¤
What if a once-in-a-lifetime moment depended on a single decision, rather than a plethora of them?
âI didnât call the police because itâs none of my business. Iâve seen how she treats her kids, why would I interject my family into that when I donât have to?â
What if the one moment that could change everything was slipping away before you arrived?
âIâve got a pulse! As soon as weâre code 4, I need an R/A standing by!â
What if the world stopped for your once in a lifetime?
âThe 405 has been shut down between Signal Hill and Alameda Street. This sudden, unexplained closure, in conjunction with the heavy law enforcement presence throughout Los Angeles, has citizens alert and concerned.â
What if the only person who can save you is the result of dozens of perfectly aligned once-in-a-lifetime moments?
â7-Lincoln-100, Iâve located another-â
This is Once in a Lifetime.
Sergeant Tim Bradford, Officers Chen, Nolan, Juarez, and Smitty enter different areas of the Mid-Wilshire police station. Detective Lopez and her husband, attorney Wesley Evers, take a seat in their home, while Detective Nyla Harper and Sergeant Wade Grey sit at their respective desks. Each officer has been interviewed for a documentary before, but the mood is distinctly somber as compared to the other episodes.
âHi, Iâm Alex, host of âItâs All Bloody (and) True,ââ the man behind the camera introduces. âTodayâs episode is about the case involving eight different police departments, four specialized units, a major highway closure, and - correct me if Iâm wrong - a series of once-in-a-lifetime decisions and opportunities that seem mathematically impossible.â
âMathematically impossible?â Wesley repeats. âTry completely impossible. On paper, there is no way this case should have lined up the way it did.â
âNot to say it was easy,â Angela adds. âIâve been on the job for a long time, and this was unlike anything Iâve ever seen.â
âAs the veteran officer on this case,â Wade continues from his office, âI agree with Detective Lopez. Everything g about this was unprecedented.â
âIâd like to start with day one of the investigation,â Alex requests. âTake us through the first moment, the call, and how this came into your station and became your duty.â
Lucy answers, â911 dispatchers received a call from a distressed man claiming that his neighbor had gone missing.â
âA call that raised concern for more reasons than his distress, correct?â
âYes,â Sergeant Bradford says. âThe caller mentioned the name of his neighborâs employer.â
ACTUAL TRANSCRIPT OF 911 CALL: CALLER She- she went to work like she always does, but this was days ago. It wouldâve been⌠Monday, no Tuesday because my wife was making donuts for her board meeting. Eileen called her in at some crazy time. DISPATCH You said Eileen? Is that your neighborâs boss? CALLER Yes, yes. Eileen Indigo, I believe. Sheâs made her do crazy things before, but she needs the job, you know? Iâm just really scared because sheâs never done anything like this before and Eileen has some serious issues. DISPATCH Officers have been alerted and will be performing a welfare check, sir.
âYou responded to the welfare check?â Alex inquires.
âWe did,â John Nolan replies. âThere was no answer at the door, so we surveyed what we could see and there was no sign of anyone inside, of forced entry, or any foul play.â
âWithout that, thereâs no probable cause for us to enter,â his rookie, Celina, adds. âAlthough there was a feeling of urgency surrounding her residence.â
âIs that- is that something you look for as police?â
âOf course not,â Tim snaps. âBut weâre human, we have emotions. We notice things about how people and places feel.â
âUnfortunately, Officer Juarezâs empathy and intuition wasnât enough for us to move forward,â Lucy continues. âAnd without any sign that something nefarious had happened, all we could do was post a missing personâs report.â
âBut the case stood out?â Alex guesses.
âRight,â Tim agrees. âBecause of Eileen Indigo.â
PREVIOUS INTERVIEW FOOTAGE: âMs. Indigo,â Detective Harper greets. âWe have a few questions about your relationship with Devon Taylor.â âThere isnât one,â the young woman replies, picking at her shirt rather than looking at the cop across from her. âHe left six months ago. During our kidsâ birthday party, can you believe that?â âMaâam, we located Mr. Taylor. Heâs deceased, and his body was dumped in a viaduct.â The woman sits back in the chair, straightens her shirt, and asks, âDid he have cash on him? I gave him $50 for a new flat iron before he ran out.â
âSo, why did the mention of her name spark interest?" Alex asks. "Taylorâs case had been closed, his best friend - who turns out to be Ms. Indigoâs, uhâŚâ
âSidepiece?â Angela suggests.
âMister?â Wesley adds. âThereâs not a direct mirror of âmistress,â is there?â
âYeah, the friend got jealous that Indigo hadn't left her husband and offed him. What made us remember Indigo was the complete lack of care,â Grey explains.
âThat and the concerns about her treatment of their children,â Nyla comments.
âSurely if she was mistreating her children, it would have been uncovered during the duration of your investigation?â Alex hypothesizes.
âNot our investigation.â
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âRight, there were eight police stations involved in this case,â Alex remembers.
âThere are only 21 stations in Los Angeles, for reference,â Wesley says. âSeven of the stations working this case were in LA. So, one-third of the officers were directly tied to this case in some capacity.â
âAnd the introduction of Eileen Indigo introduced this collaboration?â
âNot exactly,â Tim begins. âWhen we began looking into Indigo, it was only in regards to how she was treating our missing person. And, as we began looking into that, we discovered past complaints and CPS reports of her children being mistreated.â
âAnd?â
âCPS found nothing,â Nolan replies.
âTheir investigations - plural - all determined that the children were in good health, being cared for, and not in any immediate danger,â Celina states.
âSo, you went back to square one,â Alex says, flipping a page of his notes.
âNot at all,â Wade interrupts. âWe were still trying to piece together the callerâs claim that Indigo mistreated her kids and her employees when we received a call from another station.â
âAnd he dropped a bombshell,â Nyla deadpans.
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
âWould you mind introducing yourself?â Alex asks.
âSure. Iâm Commander Robert Hicks, LAPD SWAT,â the man seated in a different station greets.
âUpon learning that Mid-Wilshire was looking into Eileen Indigo, you called their watch commander. Why?â
âAfter the initial report of child abuse, my 20-David SWAT team was dispatched to Indigoâs residence. Responding officers reported that she had barricaded herself and her children inside. My people got there, got in, and found that Indigo and her children were asleep, completely safe and unharmed.â
âAnd that didnât bring more questions?â
âOf course it did,â Hicks argues. âThereâs just procedure to follow, and even though my team wanted to get to the bottom of what happened and find out more about Indigo, we canât just dive into peopleâs background because we feel like it.â
âWhen you called Grey, were you planning to offer your team to be on standby?â
âNo, and I didnât right away.â
âWhen was it decided that SWAT would be beneficial to working the case?â
âAfter the next call,â overlapping voices reply.
BODY CAM FOOTAGE - Roll Call Room: âThis is Sergeant Harrelson, Sergeant Kay, Officer Luca, Officer Tan, and Officer Street,â Wade introduces. âThey will be on standby during the visit to Ms. Indigoâs home. If a warrant is issued, they will serve it.â âWe have experience with Indigo and have been on the home before, so weâre happy to offer any assistance we can,â Harrelson adds. âWhat if she lets us search the house and we donât find anything?â Officer Juarez asks. âItâs a missing personsâ report, thereâs not much we can do,â Nolan answers. âOne thing at a time,â Wade reminds them.
âNot only did you secure a warrant because of a subsequent complaint, but you felt it necessary to bring in five additional departments from different stations,â Alex muses. âWhat did you find that led you to take such extreme measures?â
âLetâs just say, I drew up the affidavit, and while youâre only required to provide the judge with probable cause to believe evidence is present in the location being searched, my document was nearly 50 pages in length,â Wesley shares.
âAnd the judge only read the first page,â Angela adds.
Nyla then says, âThe judge signed not only the warrant for her office but gave us a warrant for every piece of real estate she had under her name. We found five additional residences and several acres of land outside of Palm Springs.â
âMaking Palm Springs PD the third station to join what was turning into a hunt for the missing woman,â Lucy connects. âIt was also at this point that Sergeant Grey knew we needed to serve all six warrants simultaneously, so we needed more hands.â
âIn addition to recruiting Metro, patrol, and SWAT officers from our sister stations,â Wade adds, âwe also put out a nationwide BOLO. It was Thursday afternoon at this point, so we were two days past when the 911 caller had last seen his neighbor alive.â
âWith a plan to raid Indigoâs office and homes at the same time, you went out in teams,â Alex says. âBut most people whoâve had A&E any time after 2004 know that the first 48 hours of missing persons investigations are vital, and after that, the chances of finding them alive go down.â
The camera shows Nyla, usually the effortlessly funny detective, sigh deeply before she says, âThatâs what made the next part so hard.â
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
Alex finds a paper with names on it, then says, âThis is the team that raided Eileen Indigoâs office in California Heights. Going around the table quickly, we have Commander Bob Hicks, 20-David SWAT members Sergeants Harrelson and Kay, Officers Luca, Tan, and Street, as well as Detective Harper, and Officer Chen. Additionally, Metro Sergeant Tim Bradford.â
âAnd I was the one who chose to close the 405,â Wade offers.
âAs someone who worked for LBPD, I continue to support that decision,â Street says. âThe office building - which was a converted house - backed up to Orange Avenue, which crosses the 405 and has its own on-ramp. Had she been able to get on there and disappear into car-pocalypse, weâd be telling a different story right now.â
âThat was surprisingly logical,â Harrelson - who invited everyone to call him Hondo before the cameras started rolling - muses.
âSo, the 405 is closed for a good reason, but why leave the public hanging?â Alex wonders.
âTo protect ourselves and others,â Lucy says. âIf she knew we were coming, whoâs to know what she might have done.â
âShe wouldâve run,â Tim adds from his commanderâs office. âOr, worse, she would have harmed the people close to her to throw us off her scent.â
âYou said âthe people closest to her.â Raiding Indigoâs office made this case about more than a missing woman,â Alex editorializes.
BODY CAM FOOTAGE - Eileen Indigo's Office Building: âLAPD,â Hondo calls quietly as a woman sitting at the front desk raises her hands in shock. âGet down on the ground. How many people are inside?â âJust Ms. Indigo, her assistants, and the trigon team,â she whispers.
PREVIOUS 911 CALL: CALLER I donât know what exactly sheâs doing! Her children are outside in the cold reciting something about tricycles, maybe? She has a paper in her hand and when they say the wrong word, she threatens them! DISPATCH Officers and EMS are en route.
âTell me more about Trigon,â Alex requests.
âI wish we could,â Angela replies.
âIndigoâs trigon team continues to be a mystery,â Wesley explains further. âThereâs real estate holdings with each team member listed as a beneficiary, theyâve got a joint bank account, but we canât find any real evidence of them actually doing anything together.â
âAs far as we could tell,â Tim begins, looking away from the camera quickly, âthe so-called trigon team was some sort of attempt at starting a cult. The uh, âmembersâ were evaluated by a psychiatrist, who believed there had been a degree of brainwashing involved.â
âWhen we connected the 911 call about her â how do I put this? â initiation of her children, we knew there was more to Indigoâs business than we anticipated,â Lucy says. âBut, at the moment during the raid, we were in no way interested in getting these answers, just finding the missing woman and getting cuffs on Eileen.â
âWithout an arrest warrant,â Wade reminds Alex and his viewers. âWe had to find probable cause to legally arrest her, and though the judge understood our evidentiary concerns and issued the search warrants, he didnât have enough to give us an arrest warrant.â
âSo, you went in looking for something you could arrest her for?â Alex asks, suddenly sounding accusatory.
âNo,â Tim snaps. âWe went in looking for a missing person because there was more than enough evidence that Indigo had engaged in threats of violence in and out of the workplace.â
âBut isnât workplace mistreatment a civil matter?â
âMost cases are,â Wesley agrees. âBut when it grows more severe; when threats progress to actual physical assault, it becomes a criminal offense under California law.â
âThere was no evidence of that included in the affidavit.â
âThatâs because Palm Springs PD hadnât found her trophies,â Nyla responds.
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
BODY CAM FOOTAGE â Eileen Indigoâs Palm Springs Property: âClear!â an officer calls. âWeâre code 4.â âI got something!â another voice alerts. A sergeant passes through the barricade and kneels by the recently disturbed dirt. A large metal box protrudes from the shallow hole, and he radios for a forensics team. When they arrive, the box is photographed before it is removed and opened. Inside, there are dozens of disturbing photographs (which have been blurred for viewers of the documentary). âGet Sergeant Grey on the phone!â someone yells.
âWhen I received the call, the teams serving warrants on her LA properties had already left the station,â Wade explains. âI alerted the senior officer at each location and allowed them to distribute that knowledge as they saw fit.â
âIt ended up being completely irrelevant,â Sergeant âDeaconâ Kay interjects. âWhen we reached the conference room of Indigoâs office, we had enough to arrest her.â
âThe trigon team wasâŚâ Angela pauses, attempting to find the right word.
âCataloging,â Nyla finishes for her. âThey were sorting new, additional pictures that put Indigo not only at several crime scenes but explained how she had evaded CPS and past officer visits in the past.â
âShe was mistreating her children?â Alex translates.
âNot physically,â Celina answers.
âThough there were early signs of that progression during the childrenâs examinations,â Nolan adds. âNo, she preferred psychologically abusing her children. Brainwashing, manipulation, a sick sort of training, whatever you want to call it, she forced it upon her children.â
âAnd her employees, as it proved with the trigon team.â
âSo, you find the trigon team, arrest them with relative ease, and then what happens?â Alex asks.
âIt sounded like the world was ending,â Lucy answers.
BODY CAM FOOTAGE â Eileen Indigoâs Office Building: âStreet, Bradford,â Hondo calls, âwith me.â Street and Tim fall into line behind Hondo and continue moving through the narrow hallway. As they pass Indigoâs open door and empty office, a sudden, deafening noise fills their ears and the microphones on their body cameras. Every officer ducks forward instinctually and attempts to drown out the noise. âItâs coming from the garage!â Tim yells. â7-Adam-19, we need backup in the kitchen! Taking fire!â Lucy radios. âGo!â Street tells Hondo, âWeâll handle the garage.â Hondo nods and moves through the noisy house to assist the officers being fired at. âEyes on Indigo!â Nyla alerts. âMoving from the kitchen toward the master bedroom!â Tim taps Streetâs shoulder before they enter the garage. As the door opens, the noise grows louder. âWhat the-â Street mumbles. âGo!â Tim yells. âShut it off!â Street nods, then pulls the strap on his gun across his chest. With his hands free, he grabs the jackhammer being held upright by 5-gallon buckets filled with sand and water. As he tries to find the right button to turn it off, Tim circles the car slowly before he drops to his knees and slides his head and shoulders beneath it. âEileen Indigo is in custody,â Nyla radios after the jackhammer silences. âBack bedroom is barricaded,â Luca adds. âHold for entry.â âBradford, what are you doing?â Street inquires. Tim pushes himself out, and Street immediately sees the blood â your blood - coating his hands. Tim says, âI found her,â then returns to his original position beneath the car. âOfficers taking fire!â Tan alerts. âDeac!â Street calls into his radio. âWe need a medic.â âWe need a little more than a medic!â Tim barks. âWhere are you?â Deacon asks, raising his voice over the commotion in the house. âGarage,â Street answers. âI canât get over there, Street. Iâm on the 3-side and thereâs a firefight between us,â Deacon replies. âVictim has been located,â Tim radios, shockingly calm for someone with blood up his forearms. âWe need an R/A. Iâve got a pulse, but not for long.â âCan we move her?â Street asks, moving to his knees to look under the car. âSheâs not responsive,â Tim replies. âItâs not smart, but weâre running out of options.â âItâs probably a stupid idea,â Street decides. Tim turns his head, keeping his hands against your sides. âWhatâs a stupid idea?â âThis car probably runs, has a big trunk⌠We need to get her help, right?â Tim hesitates, then says, âGet in the car.â âWhat part of move her did you not hear?â âWe canât move her much, sheâll bleed out. Pull the car forward.â âHondo, we need someone blocking the garage, we're moving the vic,â Street radios as he climbs into the car. âItâs a button-start, if the key isnât close enough, we canât start it.â âStreet, try!â Tim yells as gunfire grows louder.
âYou find Eileen Indigo, take her into custody, and find the missing woman,â Alex reiterates. âAnd decide to drive over her, knowing she was injured. That seems like an absolute last resort.â
âConsidering we were in a gunfight with Eileenâs version of private security and an ambulance canât come in until weâre completely clear, we needed a last resort,â Nyla snaps. âItâs not something weâd do every day, but it was what we needed in this instance. It was try to get her in the car and out of the house, or risk letting the woman bleed out.â
The shot changes to Tim Bradford, who looks at a piece of paper lying in his lap but doesnât speak.
âSergeant Bradford?â Alex says softly.
âYeah,â he replies, shaking his head as he looks up. He flips the paper, briefly showing the camera that itâs an image of you â smiling, happy, and alive. âWhile Officer Street started the car, I kept pressure on the victimâs wounds and ensured neither of us was in the way of the tires.â
âOfficer Streetâs recollection suggests you covered the victimâs body with your own. Is that what made this case emotional?â
âAmongst other things.â
BODY CAM FOOTAGE â Eileen Indigoâs Office Garage: âOkay, letâs do this,â Street says, rounding the SUV as the trunk opens. Tim shifts, moving to your left side as his hands press against your side, just below your ribs. âThe kids,â you mumble. âWeâve got them,â Tim assures you. âDo you know where you are?â You open your eyes and meet Timâs gaze, murmur, âThank you,â and lose consciousness. âSheâs fading, we have to go now,â Tim states. âTell me what to do, Sergeant,â Street requests. Tim looks around and gestures to a stack of beach towels with his chin. âPut those in the trunk, then come put pressure here.â Street does as Tim instructed and holds your side as Tim lifts you in a bridal carry. You groan, and Tim is glad to hear you reacting but terrified by how much blood youâre losing and your lack of consciousness. âDrive,â Tim demands as he climbs into the trunk with you. â26-David and Sergeant Bradford, transporting victim in suspectâs Chevrolet Tahoe, partial plate Foxtrot-9-3-4,â Street alerts dispatch. The hospital becomes visible just as Wade radios, âWeâre 10-4 all around, code 4. Indigo and the shooters are in custody.â
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
âWith the teamwork of seven stations, nearly 200 officers, and a 60-hour-long hunt, the missing woman was located,â Alex narrates. âAnd is transported to the hospital.â
âLess than an hour later, we received a call that she died on the operating table,â Nyla says. âThere really wasnât anything we could do at that point, just hope that the evidence would talk, and Eileenâs reformed followers and children could testify.â
âYou found the victim. How did that news affect you?â Alex asks Street and Bradford, now separated from the other officers.
âWhat kind of question is that?â Street asks. âRegardless of who found her, the news of her death was still devastating.â
âCalls like that are always hard,â Tim answers flatly. âBut we didnât have a ton of time to dwell on it before Officer Thorsen found something else.â
ACTUAL RADIO COMMUNICATION: â7-Lincoln-100,â Aaron Thorsen radios. âIâve located another employee of Eileen Indigoâs. Albert Camden, in custody for 211 with a water gun.â âYeah, Albert Camden was still relatively sane,â Wade deadpans. âHe gave us everything we needed to prosecute Eileen to the full extent of the law.â âWhy turn on his employer so easily?â Alex inquires. âShe threatened to kill his family if he didnât rob the corner store where he was arrested,â Angela answers. âAfter he learned she was in custody, he gave us detailed accounts of his time with Indigo and why he didnât quit.â âAnd it was during this time that the final 911 call came in,â Alex says.
ACTUAL TRANSCRIPT OF 911 CALL: DISPATCH 911, whatâs the location of your emergency? CALLER I need to speak to Bradford. DISPATCH Iâm sorry? CALLER Heâs a cop, and I have information for him about Eileen Indigo, but I donât know which station he works at.
Tim looks up from the camera and the corners of his lips quirk up.
âWelcome,â Alex greets, shaking hands with someone behind the camera. âThanks for coming to tell your side.â
Tim shifts his seat to the right and invites the 911 caller to sit beside him.
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
âMind introducing yourself?â Alex asks.
You send him a small smile and shift in your seat before offering your name. âI worked for Eileen Indigo for about 6 weeks before she decided she wanted me to be a 24-hour employee.â
âMeaning?â
âShe invited me to stay in the office 24/7 and do essentially anything she asked me. I very briefly considered it, only to ensure her children were safe, but ultimately turned it down. It was at that time she abducted me.â
âWhy did you decide to fake your death?â
âI didnât,â you reply with a smile. âSergeant Kay did, and after the role he played in saving my life, with Officer Street and Sergeant Bradford, I wasnât going to argue.â
âSo,â Alex begins with Deacon and Street, âWhy?â
âWe learned that the father of her children wasnât out of the picture, not like we thought,â Street answers.
âMr. Devon Taylor was not murdered,â Deacon adds. âHe met with detectives at the Mid-Wilshire station and worked with them to try to recover his children from their birth mother.â
âTaylor had an associate who was planning to take over Indigoâs business and real estate endeavors,â Nyla explains.
âI figured if her enterprise was directly connected to a murder, heâd hesitate,â Deacon continues.
âAnd he did,â Alex replies. âJust long enough to be caught using Indigoâs bank account. So, he was taken into custody, yet your people were not alerted to the actual survival of the victim.â
âRight,â Tim answers through a clenched jaw. âA minor oversight.â
âOne of the doctors caught it and allowed me to call Sergeant Bradford,â you say. âI had to thank him for saving me, but he did hang up on me.â
Lucy laughs, leaning forward, before she exclaims, âHis face! He hung up and immediately drove to the hospital with his lights and sirens on.â
SOCIAL MEDIA POSTS DURING LIVE BROADCAST:
âAfter a series of no less than a dozen once-in-a-lifetime opportunities aligning perfectly, Eileen Indigo was arrested and is going to trial in the coming weeks,â Alex concludes. âAnything that stands out to you as the case comes to a close?â
Each officer offers a lesson or two that can be learned from their time working the case, except for Tim, Deacon, and you. During Alexâs ending narration, a cameraman steps around a corner and zooms in on you. Viewers watch in delight as you smile with Tim and Deacon. When your hand rises to Timâs arm after Deacon excuses himself, people begin to wonder if Tim got more than a good arrest.
SOCIAL MEDIA POSTS AFTER LIVE BROADCAST: (featuring your response to the massive amount of feedback)
Lucy Chen - 2 new messages
Itâs not just us, everyone can see the chemistryđ¤ Have fun on your date!!
He might not say it, but youâre Timâs once-in-a-lifetime. Thanks for being there for him.
Part 2 of The Bradfords
Pairing: Tim Bradford x fem!cop!wife!reader
Summary: After a long night, you're grateful for Lucy and all she does for you. You continue protecting her from Tim's attitude, even though you're lying to them.
Warnings: mostly fluff, brief angst, threats and robbery. typical rookie stuff.
Word Count: 1.4k+ words
A/N: I love this dynamic!! Two Bradfords caring about Lucy in their own ways is so fun to write (and being married to Tim is a dream by itself). I will continue abusing Chenford gifs for this storyline lol.
âGood morning, Mom,â Lucy calls as she enters the bullpen.Â
She passes you a cup of your favorite drink, and you look at Tim quickly. He tilts his chin to the side, and you nod once. Youâve been talking without speaking for years, and youâre more grateful than ever for your silent language.
âThank you so much, Lucy,â you say.
You pull her into a hug that lasts longer than usual. She couldnât know that you had a long night and needed this today: the drink and the hug. Hence, your shared âdid you tell her?â âno, she just caresâ look shared with Tim.
âWhereâs mine?â Tim inquires with his brows raised.
âI, uh, I didnât know your order,â Lucy says carefully. âSorry.â
Angela calls for you, and you thank Lucy again as you walk away. Tim watches you go; he knows you arenât feeling great and appreciates Lucyâs care on your behalf.
âThanks, Chen,â he says.
âFor what? I didnât get you anything.â
âYou should know that caring about her is the same as caring about me. At least as far as Iâm concerned,â he answers. âNow get ready.â
Your long night catches up to you quickly. By your mid-morning break, youâre feeling tired and stressed. The worst part of what youâre feeling is that you havenât told anyone why youâre feeling it. Tim stayed up with you most of the night and held you to comfort you, and while you appreciate it, it only upsets you more because he did it without asking why you needed it.
â7-Adam-19 requesting backup,â Chen calls over the radio. â11351; suspect in possession of heroin and oxycodone.â
âDispatch, attach me to 7-Adam-19âs backup call,â you request.
You drive to the address dispatch provided and hope your day improves after seeing Tim again. When you arrive, the suspect is cuffed and in the back of Timâs shop as they search his car for other drugs.
âHey,â you call as you exit your car. âWhat do you need?â
Tim looks at you as Lucy says, âSuspect escort and search assistance.â
âI can do either. Let me know what you want me to do,â you offer.
âSuspect escort, please,â Tim answers. He tips his head to the side, and you walk to the sidewalk with him.
âAre you okay?â he whispers.
âYeah. So, you just want me to get him to booking?â you reply, brushing off Tim's concern.
âPlease. Will you tell me if you stop being okay?â
âYes, Tim. Iâll, uh, Iâll see you at lunch.â
You turn away from Tim and move the driver in custody into your shop to take him back to the station. Tim and Lucy abandon their search to watch you leave.
âIs she alright?â Lucy asks.
You turn a corner, disappearing from Timâs view, and his jaw tightens. He couldnât get an answer from you, and now Lucy thinks he knows everything in your head. Tim refuses to show worry, so he lets his concern come out as anger and annoyance.
âThat is not your business or an appropriate topic to discuss while we are on duty, Chen. Focus,â he replies.
Lucy nods and returns to the search of the car, but sheâs beginning to feel just as stressed as you and Tim. You all care about each other and moving around in circles like this wonât help.
âGoodnight, Luce,â you call as you walk beside Tim to go home.
âHey, do you want to go to dinner with me on Friday?â she asks. âJust to catch up, hang out?â
âYeah, that sounds fun,â you answer with a smile. âIâm looking forward to it.â
Tim grumbles beside you, and youâre convinced itâs because he didnât get an invite.
âWeâll have breakfast Saturday,â you promise him.
Lucy laughs behind you, and you wave over your shoulder as Tim spreads his hand across your back and leads you toward his truck. You know heâll hold you close again all night, even if you donât ask, because he comforts you without pushing you. When or if you want to talk about it, heâs ready to listen, but he knows what it is like to need room, and heâd never take that from you or force you to tell him anything before youâre ready. Heâs amazing, and you wish you could share what is bothering you, but you canât put any more people in danger.
When dispatch alerts you to a call in your area, you accept it, hoping to get your mind off everything. The officer reads Lucyâs apartment building address, and your stomach drops. You tell dispatch to attach Bradford and Chen to the call before hitting your lights and sirens to get there as fast as possible.
The apartment building, for the most part, has been ransacked. Doors are broken, windows broken and locks picked, and residentsâ belongings are strewn through the halls, but nothing appears to be missing. Tim and Lucy arrive a few minutes after you do and meet you on Lucyâs floor. Her apartment is trashed, but she canât see where anything has been stolen.
You lead Tim through the other side of her apartment before stopping suddenly.
âTim,â you whisper. âSomeone called me a few nights ago⌠They threatened to do something to Lucy, and I think this was it.â
âWhy didnât you tell me?â he asks.
He looks over your shoulder to ensure no one is listening before giving you his complete attention.
âWade knew, but he said that you and Lucy shouldnât know because the threat was vague, and it would just put you on edge.â
âThat should have been my decision!â
âTim, Iâm sorry.â
Timâs eyes soften before he nods. âIs that what youâve been so upset about? You were worried about Chen?â
âYes,â you admit softly. âBut this looks planned, intentional. They only went into certain apartments, and the stuff thrown everywhere was an afterthought.â
âSomeone was looking for something,â Tim agrees.
âBut what?â
Tim looks around before yelling, âChen! Get in here!â
âYes, sir?â she asks as she enters.
âWhat do you have in here that someone would be so desperate to get?â he asks.
âIÂ donât-â
âDonât tell me that you donât know. Think about it, Lucy. What would someone risk their freedom, their life for, and do this kind of damage to hide?â
Lucy taps her fingers against her thigh as she thinks. Your surprise phone call didn't provide information about what they wanted, so you stay quiet.
âWell?â Tim pushes.
âGive her a second to think,â you scold. âShe didnât ask for this, sheâs not the criminal. Be nice.â
Tim clenches his jaw. In his mind, she may as well be the criminal. She led someone to her apartment, to you, and youâve been worried because of her. His annoyance and need for answers is justified.
âWait, I got a necklace at a police auction!â she says suddenly.
âYou bought jewelry at a police auction?â Tim asks. âLast boyfriend really that cheap?â
You elbow Tim and shake your head. âLeave her alone.â
âWho buys a single necklace at a police auction?â he argues. âA car, a trailer, sure. But one necklace?â
âIt was expensive,â Lucy defends.
âWhich means whoever wants it is probably the one responsible for the police having it,â you deduce. âIâm going to go help them search the upper floors. Tim, be nice. Lucy, look for the necklace, please.â
You walk into the stairwell and find yourself face-to-face with a Humphrey Bogart wannabe in a ski mask. It takes less than thirty seconds to get the cuffs on him, and based on his surprise, he thought he had already outsmarted the cops with the widespread burglary distraction.
After you pass him off to another officer, you return to Lucyâs apartment and let them know heâs in custody.
âBradford, why does my suspect have a black eye?â Wade asks over the radio.
âHe threatened Lucy,â you answer quickly. âBut, who knows, maybe he already had that. He was wearing a ski mask, after all.â
âYou hit him for threatening your puppy, station kid, whatever you call her?â Tim asks with his brows raised.
âThanks, Mom,â Lucy calls from her bedroom.
âWeâre leaving,â Tim announces. âGood luck finding your criminal necklace.â
âItâs pretty!â Lucy yells as you walk out.
âI need a nap now,â you tell Tim.
He nods and says, âI always need one after working with Chen.â
Summary: Venom comes to readers rescue when sheâs harassed by John Walker
Word Count: 1, 710
CW: *does have a scene of sexual harassment so TW for that*
*Want to be tagged in any future Venom/Eddie fics? Click here*
The excess room in the transport van was much appreciated, as you, Eddie and Venom travelled to meet the famous Avengers. Eddie stayed with you for most of the journey, but Venom wanted to take over every now and then, complaining that he wanted to see you and that he was bored.
You knew the main reason for the van was to act as a somewhat transport cage for Venom, especially with the armed guards behind you and one in the passenger seat, but you understood.
Being with Eddie and Venom for the past two years and seeing what Venom could do, you completely understand peoples caution. Venom tried to act innocent and like he didnât understand the need for armed guards, but he knew why, and you think deep down he was a little proud.
âAre we almost there?â Venom continued to complain.
âI think weâre pulling in now, Vee,â you smile sweetly and patiently at the large alien.
âMr. Brock, it might be best for you to be the one to meet with the Avengers first,â the armed guard in front of you informed.
âWhat?! Thatâs not fair!â
The guards pulled their guns, and Venom smiled wide as he licked his fangs, obviously excited for a fight. You knew this was stressing Eddie out and that Venom could easily take these guys out, so to calm the situation you gently placed your hand on Venoms bicep.
âHey, V, think of it this way, they see Eddie first and think itâs fine, and then when the times right you can make a big appearance, wowing and scaring everyone.â
You always knew how to stroke Venoms ego to make him behave.
âVery well,â he simply spoke as he let Eddie come back.
Seeing Eddieâs face and body once again, you both sighed a sigh of relief. Holding onto Eddieâs hand tightly, you see the van is slowing down and a woman in a professional looking pants suit and tablet is ready waiting for you.
Giving Eddieâs hand a last squeeze of encouragement, you both step out of the vehicle.
âYou must be Eddie and Y/N, welcome to the Avengers headquarters. My name is Maria Hill, and Iâll be introducing you and ah- your friend to the team.â
Maria was sweet, although you could tell a little nervous. You and Eddie knew that the Avengers had seen lots of different and dangerous things, but it seems Venom is still a challenge for them.
Walking down the halls to the planned meeting area, Maria is pointing out different things about the building, where things are, what things do, who certain people are.
As youâre all about to step into the elevator together, you hear someone running over.
âHey, hold the elevator!â You hear someone yell.
Turning around to look at who the voice belongs to, you notice it is no other than John Walker, aka Fake Cap, as you, Eddie and Venom call him. You knew youâd most likely encounter him today, and you all had to prepare each other to meet him, and be on your best behaviours.
âAh, John good to see you,â Maria told him, obviously trying to hide a wince, âthis is Eddie and Y/N. Eddie is a new potential recruit and Y/N is his partner.â
At hearing you were dating Eddie, something seemed to pass Johnâs eyes, a look of both intrigue and mischief, but whatever it was, it put you on edge.
âNice to meet you, Y/N,â he spoke only to you as he stepped into the elevator with you, a little close for your liking.
Eddie put his arm around your waist and you could hear Venom growl. Eddie and Venoms protection of you seemed to amuse him, as he smiled creepily, and his eyes leered at you.
Facing the doors for the rest of the lift ride, you could still feel Johnâs eyes on you the whole time. Eddieâs grip on you got tighter and tighter as you could tell he was trying to hold back Venom.
You comforted them as they protected you.
Walking into the large lab-like room, the rest of the team stood around an area that was no doubt designed for Venom to show himself. Venom had a crowd and a podium, this is exactly what your little drama queen wanted.
After Maria had introduced you to the anxious group of heros, you let go of Eddie and encouraged him to step forward.
While you watched Venom appear through Eddie, you tried to ignore the way Johnâs eyes obviously bore into you, as if he was studying your actions. Venom stood to full height and waved at you like a kid at a talent show, your wave back seemed to interest John as his stare became even more intense.
Luckily for everyone, Venom was a little too busy showboating to notice how close John now stood to you.
âAlright, Vee, I think thatâs enough, sweetheart, time to bring Eddie back,â you called to him as you could see he was getting a little too excited.
Being with both Eddie and Venom could be challenging sometimes, especially when Venom acted like a toddler, but you knew there was more to him than that. You knew how to wrangle him in, and he knew how to make you laugh and look after you.
The team seemed almost amazed that you could bring him back so easily, but the amazement quickly turned to relief as Eddie appeared again. Everyone parted for Eddie to stand beside you, except for Maria, who had most likely practised keeping her cool, this kid Peter who was more excited then scared, and of course, John.
âAlright well, if itâs alright with you Y/N, weâd like to talk with Eddie in private now. Please feel free to wait in the common room I showed you and weâll come get you once weâre finished.â
You felt a little worried to leave your boys alone, but you made sure to give Eddie a comforting hug and whisper a stern âbehaveâ into Eddieâs ear, before you left.
********
The common room was nice, it was about midway up the tower with large glass windows to see all over the city. After such a long trip it was to your delight that the room was empty, so you could have any of the big comfy couches all to yourself.
Once you made yourself a drink from one of the fancy machines in the kitchen area, you got yourself comfortable and began to read with your warm drink.
It seemed the meeting with Eddie was taking longer than you thought it would, as you finish a chapter and your drink. Standing up you decide to go back to the kitchen to get a cool drink of water. Unfortunately as you turn toward the kitchen however, you almost run into John.
Seeing him alone, and now standing so close, you try your best to calm your breathing.
âArenât you supposed to be in the meeting?â You asked, trying your best to sound pleasant.
Instead of answering, he simply gave you a sly shrug and smile, as he pushed you against a table, trapping you between it and him.
âWhat the fuck, John?â
You try your best to shove him off, but itâs no use. Looking into his eyes with fear, his stare only appears predatory as one of his hands rests on your hip.
âWhat? Youâre not gonna call me âsweetheartâ like you did with the monster? Hmm? Pretty thing like you dating both a man and a monster. What Brock not man enough for you? Need a monster to fuck you too? You really are a kinky little bitch. I like that.â
You were petrified, frozen in fear, as you prepared for him to kiss or grab you, but it never came. Instead you feel his body weight leave yours, and you see him thrown around the room.
Venom lets out a loud growl as he pinned him against the wall by his neck.
âHow dare you speak to her like that! How dare you touch her!â
Still frozen from shock, you canât move to stop him, and it seems like none of the rest of the team want to do anything either. John thrashes about in Venoms grip, and the team look like theyâre trying to work out if and how to save him.
âThis guys growing on me, I say we let him join,â Bucky laughs to Sam, everyoneâs attention on Venom and not you.
Sam simply rolls his eyes at his friend and groans, realising heâs the one who has to stop all this.
âAlright, I think heâs had enough, big guy.â
You knew Sam wouldnât be enough to stop him, and you didnât want someone innocent being hurt by Venom.
âVenom!â You finally find your voice and call out.
You try to think of more to say, but as he and Eddie look at your trembling form, itâs enough for him to stop.
âMy sweet,â Venom strides over to you, with each step he turns back into Eddie.
âLetâs get you outta here, sweetheart,â Eddieâs hand comes up to gently stroke your cheek.
âUm huh hmm, Eddie and Y/N, if youâd like to follow me, I can show you to a room for you to stay for the night,â Maria awkwardly interrupted, attempting to soothe the situation.
As if in a numb state, you simply followed Eddie while he gently drags you along. You seem to zone out the whole trip there, until you hear a buzz of your door opening.
âCome on, baby. Get you into bed and Iâll hold you.â
Eddie gently pulls you into the room, and begins to make you comfortable. Sweetly laying you down on the double bed, he takes off your shoes and socks, pulls the covers over you and crawls into bed on the other side of you.
âCome here, sweetheart,â he gentle coaxes as he opens his arms.
The second you lay on his warm chest, a floodgate of tears fall down your face, and the fear and anxiety hits you all at once.
âIâm sorry, baby. We love you so much,â Eddie coos as he rocks you, safe in his arms.
Aftershock: Bradford's Barbie
Main Masterlist | The Rookie Masterlist
Part 1 | Part 2 | Part 3
Tim Bradford x younger!reader
Fandom: The Rookie
Summary: You and Tim are not dating. But also aren't not dating. Until he pulls back, you shut down and every feeling comes crashing down on you both.
Angst to fluff
Warnings: description of gunshots maybe? not proofread yet
Words: -
It didnât start with fireworks. Or candlelight. Or anything remotely poetic.
It started with a crash.
Not the earthquake kind, not this time. Just youâexhausted, makeup smudged, hair in a bun that had declared war hours agoâfalling asleep on his couch after a late-night takeout run and a shared bottle of whiskey neither of you meant to finish.
You woke up tangled in his arms. The next morning, you told yourself it was a one-time thing.
It wasnât.
Somehow, in between shifts and field assignments, takeout orders and inside jokes, it became a routine. Your body in his bed. His scent on your clothes. His lips on your skin, hot and heavy in the silence after dark. And, weirdly, you slept better at his place. He did too, not that he ever said it out loud.
You werenât dating.
You werenât not dating, either.
Tim called it âconvenient.â You called it âfriends with benefits.â Lucy called it âa catastrophe waiting to happen,â though she didnât know the half of it.
Because somewhere between him calling you a menace and you calling him a fossilâsomewhere between him brushing your hair off your face and you learning how he liked his coffeeâyou started catching feelings.
Like a dumbass.
And the worst part? You didnât even mean to. It just⌠happened. The way feelings do. Quiet at first, like a hairline crack. Then spreading, splitting, splitting, splitting.
Until something inside you started to break.
You told him once.
Sort of.
A few weeks ago, lying in his bed with your cheek pressed to his chest, youâd murmured something dumb and sleepy like, âI think you like me, Bradford.â
He hadnât laughed. He hadnât kissed you either.
Heâd just gone still.
âDonât make this complicated,â heâd said finally, voice low. âItâs already risky. Youâre⌠youâre too young. This thing is just for fun. Letâs not pretend itâs more than it is.â
And like a fool, you nodded.
You told yourself you could deal with it.
But here you are, two months later, being reckless all over again.
Because now, thanks to a shiny new contract between LAPD and your fatherâs construction firm, youâre officially partnered with none other than Timothy âEmotionally Constipatedâ Bradford.
You mightâve pulled a few strings. Okay, a lot of strings. But in your defense, it was the perfect setup: a project pairing cops with civil engineers to evaluate post-quake building damage. Everyone wins. Especially you.
Except you forgot one detail.
Youâre still in love with him.
And he still thinks youâre a goddamn risk.
Youâre halfway through assessing a condemned strip mall in East Hollywood when it all goes to hell.
The streetâs quiet, a little too quiet, the kind of quiet that prickles under your skin. Timâs beside you, hand on his vest, eyes scanning every window and alley like heâs waiting for something to jump.
Youâre marking a crumbling doorway with bright red chalk when it happens.
A pop.
Then another.
Gunfire.
You drop instantly, instincts kicking in, but not before Tim grabs your shoulder and yanks you behind the rusted frame of a dumpster. His body covers yours, warm and solid, one arm braced against the metal and the other curled around your waist.
âStay down,â he growls, eyes blazing.
Your heart is beating in your ears, faster than it should. Too fast. His breath is hot on your cheek. His chest rises and falls against your back, firm and steady, while yours feels like it might explode.
And all you can think is: this isnât casual. This isnât just âfun.â
This is him shielding you like heâd die for you.
When itâs overâwhen backup arrives, when the scene clears, when the world rights itself againâyouâre sitting on the tailgate of an LAPD shop with an ice pack pressed to your knee and a very pissed-off Tim looming over you.
âYou okay?â he asks. The words are tight. Controlled. But his hand wonât stop gripping your thigh.
âIâm good,â you reply lightly. âBut damn, Bradford. You almost made me think you caught feelings.â
His jaw ticks. âDonât.â
âWhat? Canât a girl joke around with herâwhat are we again? Bed buddies?â
He doesnât answer. Just steps back like your words physically burned him.
You wait for him to say somethingâanything. But all you get is silence. His walls are up again. Brick by goddamn brick.
You nod, lips tightening.
âGot it.â
You stop texting him after that.
No goodnight emojis. No sarcastic memes. No more midnight rides to each otherâs places. You pull out. Clean cut. No drama.
You tell yourself itâs the right thing. The smart thing.
You also start sleeping like crap again.
You expect him to call.
He doesnât.
You expect him to knock on your door like he always does when things go sideways. Show up with a six-pack and that dumb grumpy look he pretends isnât fond.
He doesnât.
Instead, silence.
You last three days before deleting his name from your favorites. Five days before you fold the hoodie he left behind and tuck it in a drawer. Nine before you hear through one of the engineers that he requested a reassignment. A new partner.
The hurt isnât new.
You just didnât expect it to land like this. Like a slow tear in your chest every time you turn a corner expecting to see him, but donât.
Tim is worse.
He doesnât talk about it. Not to Lucy. Not to Thorsen. Not to Lopez. He just⌠broods.
He snaps faster. His fuse is shorter. He works more shifts, runs more drills, volunteers for the worst hours.
Lucy notices.
Of course she notices.
âYouâve been insufferable lately,â she says one day while theyâre stuck in the locker room post-shift, both drenched in sweat and sun. âWorse than usual.â
Tim grunts, slamming his locker shut harder than necessary. âJust tired.â
âBullshit.â
He shoots her a look, but she doesnât back off.
âIs this about her?â Lucy asks casually. Too casually.
Tim stiffens. âWhat?â
âThe blonde. Barbie. Earthquake Barbie. Whatever nickname you gave her in your grumpy little brain.â
Tim says nothing. Just pulls his shirt over his head like the conversationâs over.
It isnât.
Lucy leans against the row of lockers, arms crossed. âLook, I didnât want to get involved, but youâre spiraling. And when Tim Bradford spirals, people start punching walls and doing push-ups until their triceps cry for help.â
Timâs voice is low. âSheâs fine.â
âSheâs not talking to you.â
âShe doesnât have to.â
Lucy raises an eyebrow. âSo you were hooking up.â
He doesnât deny it. Doesnât even flinch.
Lucy whistles. âDamn. Didnât think you had it in you.â
Tim exhales slowly, resting his forehead against the cool metal. âIt wasnât supposed to be anything.â
âBut?â
He hesitates.
Lucy watches him carefully. âBut?â
âI donât know,â he says finally. âShe got under my skin.â
Lucy nods. âYeah. That tends to happen when youâre in love.â
Tim turns to her, eyes flinty. âIt wasnât love.â
âSure.â
âSheâs almost twenty years younger than me.â
âAnd?â
âSheâs reckless. She pulled strings to partner with me.â
âShe also stood her ground during a live gunfire incident and patched your hand when you busted your knuckles punching a brick wall.â
Tim doesnât respond.
Lucy softens. âLook. I donât know what happened between you two. But Iâve known you long enough to know when someoneâs got you twisted in knots. Go to her. Fix it.â
It takes him until midnight.
Youâre not surprised when he knocks.
You hear the heavy sound of his boots on the hallway firstâthen the pause, then the knock. He doesnât knock like a neighbor. He knocks like someone who built you into his routine and doesnât know how to function without it.
But you donât answer.
You sit cross-legged on the couch, hoodie pulled over your knees, and sip from a lukewarm mug of tea you donât even like.
You hear the second knock. Then his sigh. Then silence.
âI know youâre there,â he says through the door, voice low and rough. âYouâre loud in heels. But I swearâyouâre louder barefoot.â
Your heart stutters.
You stay quiet.
He exhales, palm pressing to the door.
âI didnât mean to push you away.â
You roll your eyes. âYou didnât push me away, Bradford. You made it very clear where I stand. Or donât stand.â
He laughs, but itâs bitter. âYeah. Iâm a dumbass.â
You donât deny it.
Tim leans closer. âI just⌠I didnât want to ruin what we had. And I thought keeping it casual would keep it safe.â
You raise an eyebrow even though he canât see it. âCasual? You kissed my shoulder when you thought I was asleep. You stocked your fridge with my favorite iced coffee.â
Silence.
âCasual my ass,â you mutter.
You still donât open the door. You hear his exhale through the wood.
âI didnât mean that,â he says, quieter this time. âYou know I didnât.â
You hate that his voice still does that to you. That low rumble laced with something vulnerable. Something only you ever get from himâwhen no oneâs watching. Not Lucy. Not his team. Not his goddamn conscience.
âYou said I wasnât worth the risk,â you remind him, because he needs to hear it. Needs to sit with the way it burned through you like acid.
A pause.
âI didnât mean it like that.â
âThen how did you mean it?â
Silence.
You wait. The kind of silence where seconds stretch until they feel like bruises. He doesnât answer, and that tells you enough.
You move to the door, pressing your back against it, still not ready to open it. âGo home, Tim.â
âI am home,â he says softly, and fuck. Fuck him for saying that.
The ache spreads. Itâs not even anger anymore. Itâs that thing you hate admitting even to yourself. Longing.
You press your palms to your eyes. âYou donât get to say that.â
Another pause.
âOkay. Fine. You wonât talk to me?â
You donât answer. You donât have to.
He must hear the way your breath hitches through the door, because his next words come sharp.
âThen Iâll make you talk.â
The knock stops. The silence twists.
Then the click of the door handle turning, slowâbecause you forgot to lock it. You never lock it when you expect him.
The door opens, and there he is.
Post-shift, tired eyes, hand still on the doorknob like heâs giving you one last second to throw him out.
You donât.
He steps in and shuts the door behind him.
Youâre still in your hoodie, hair up in that messy knot he always said made you look like you âtried not to look hot,â and failed.
He doesnât say anything for a moment. Just drinks you in. Quiet, serious, unreadable. Then, in three strides, heâs in front of you, his hand tilting your chin up.
âI fucked up.â
You blink. âYou think?â
He doesnât smile. He just leans inâcloser than heâs let himself in weeks.
âSay something.â
You donât. You wonât.
So he does what Tim Bradford always does when heâs cornered by emotionâ
He acts.
His lips crash into yours before you can say another word. Itâs not soft. Itâs not gentle. Itâs desperate. Like heâs trying to apologize with every breath he pulls from you.
Your hands fist in his shirt before your brain catches up. Before your heart can argue. Because youâve missed this. Him. The heat. The feel of his body like a shield and a furnace all at once.
He pulls back just far enough to murmur, âYouâre mine.â
You open your mouthâmaybe to argue, maybe to fall apartâbut he kisses you again before the words come.
âSay it,â he breathes against your skin, kissing down your jaw. âSay youâre mine.â
âIâm yours,â you whisper, dazed, breathless, undone. âAnd youâre mine as well.â
His hands tighten around your waist, like heâs trying to ground himself to the words. Like youâve said something dangerous, holy.
âIâve been yours,â he says hoarsely, âsince the moment I met you, Barbie doll.â
Your knees nearly give out.
He lifts youâeffortlesslyâand carries you to the couch, laying you down like youâre something fragile and irreplaceable.
This isnât just sex anymore.
This is everything thatâs been building. All the friction, the denial, the tension that snapped the moment he let himself feel.
The hoodie is the first thing to go. His hands slow, reverent. Like heâs memorizing the shape of you.
He kisses your chest, your neck, your mouth again. âI donât care about the age gap,â he murmurs. âOr the job. Or the risk. I care about you.â
You close your eyes and arch into him. Heâs not just making love to you. Heâs choosing you. Out loud. Without hesitation.
And the best part isâyouâre finally choosing him back.
The next morning, sunlight filters through the blinds, casting a warm glow over the room. You stir, feeling the steady rhythm of Timâs heartbeat beneath your cheek.
âMorning,â he murmurs, his voice rough with sleep.
You look up at him, a smile tugging at your lips. âMorning.â
He brushes a strand of hair from your face. âSo, does this mean weâre official or something?â
You chuckle. âI think last night made that pretty clear.â
He grins, pulling you closer. âGood. Because I donât plan on letting you go.â
You nestle into his embrace, feeling a sense of contentment you hadnât known you were missing.
And in that moment, everything feels right.