Until You Smile (Venom X Fem Reader)

Words to Die By

The Rookie x Criminal Minds Crossover

Pairing: Tim Bradford x fem!BAU!reader

Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.

Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker

Word Count: 13k+ words

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As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.

“Can I help you?”

You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.

“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.

“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”

You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.

“Is this your first time in LA?” she asks.

“No, it isn’t.”

“Chen, Bradford wants to see you before roll call,” another officer calls.

“Is Bradford your training officer?” you ask.

“He is. Do you know him?”

You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”

“Eleventh,” she answers, surprised.

“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”

Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”

“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”

A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”

“I am. I assume you remember him?”

“You know an FBI agent, Officer Lopez?” Chen asks.

“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”

You nod to Lucy, then return your attention to an email from Penelope.

“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”

“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”

Spencer frowns and murmurs, “Sounds like a job for Morgan.”

“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”

“In Los Angeles?” you ask incredulously. “Hard pass.”

“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.

“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.

“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“

“Says the walking brain with at least fourteen tabs open,” Derek jokes.

“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”

“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.

“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.

You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.

“More evidence?” you whisper.

She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.

Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.

“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”

Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”

Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.

“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”

Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.

JJ leans toward you and asks, “Remember how intimidating that look used to be?”

“Still makes me stand up a little straighter,” you admit.

“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”

“But talking about the suspect’s feelings will?” one of the officers jokes.

Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”

JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.

“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”

Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”

“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”

Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.

“Do any of you have questions for me or my communications liaison?” Hotch asks.

Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.

“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.

“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”

“If you trust them, they’re welcome to stay.”

Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”

You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”

You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?

“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.

“How is a literary analyst helpful?” someone questions softly.

“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”

“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”

“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”

“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.

“I think that went well,” Derek says as Hotch gathers his things.

“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”

“Pretty boy and I are going to go find some coffee.”

As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.

“It’s good to see you,” Wade says, smiling as he pulls you into a hug.

“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”

“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”

“We like to think so,” Hotch agrees. “Although…”

“Bradford won’t be a problem,” you interrupt.

Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”

Hotch hesitates, then asks, “Do you trust him?”

“With my life.”

“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”

“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”

Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.

“Where’s Spencer?” you ask, looking over his shoulder.

“Telling Officer Chen about the health benefits of doing something boring. How are you?”

“I’m okay. Hotch doesn’t seem to think so.”

Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”

You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.

“I hope our hotel has a hot tub,” you lament.

“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.

Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.

“What happened?” Lucy tries.

“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”

“Yes, sir.”

A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.

“Old habits?” you ask as you approach the counter.

Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.

“Something like that,” he says. “So, uh, the FBI. That’s incredible.”

You shrug. “Not what I wanted, but I love it.”

Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.

“How long have you been with the BAU?” he inquires.

The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.

“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”

You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.

“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”

“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”

“I did everything by the book, if that’s what you’re asking.”

“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”

“I did.”

“There’s more to it.”

“There’s really not,” you insist. “If you don’t want to be on this task force-“

“I do. I wish you could see that you have the potential to lead it.”

“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.

The waitress returns with two full bags, and you stand as you take them from the counter.

“Goodnight, Tim. I’ll see you at the station tomorrow.”

As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.

“What if - and hear me out on this - you just told him the truth,” Derek suggests.

You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”

“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“

Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”

“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”

“And he can deal with some of the guilt,” Hotch grumbles.

“What guilt?” you inquire, pausing with a cheap metal fork in your hand.

“He clearly blames himself for letting you lose your position,” Hotch explains.

“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.

“He doesn’t,” you mutter. “He told me last night-“

“You saw him last night?” JJ exclaims.

“I ran into him at the diner.”

“He still goes to your diner?” Derek questions.

“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”

“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”

“That would be illegal,” Spencer mumbles.

“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”

Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”

“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.

Hotch frowns and mouths, You’ll never find them all.

“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”

“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”

Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”

“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.

“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”

“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”

“I’ll tell Hotch. Anything else?”

“Are you okay?” she asks.

“Fine. Why?”

She stops typing suddenly and then inhales sharply.

“Garcia?” You ask.

The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.

“Penelope?” you ask hurriedly.

“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”

“None of the prelim suspects would know how to do that,” you point out.

“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”

“What is it?”

“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”

“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.

“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”

“It’s about me?” you whisper.

“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”

“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”

“You got it. Tell Morgan and I said hi and I’m wearing-“

You hang up and take a deep breath as you return the receiver to the cradle.

“Agent Hotchner,” you call as you return. “I need a word.”

“Let me finish-“

“There’s been a development,” you interrupt. “An urgent one.”

Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.

“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”

“Manipulated the data how?” Hotch asks.

You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”

“Left it where?” Grey inquires.

“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”

“The date?” Hotch presses.

You inhale deeply before saying, “February 18, 2017.”

“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”

You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.

“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“

“We need you,” he interjects. “The literary aspect of this case is progressing.”

“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.

“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”

“Garcia’s tracing the data changes?” Hotch assumes.

“Yes, sir.”

“Then we work what we can until she gets back to us.”

“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”

“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”

You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”

Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.

“What are you expecting to find?” Hotch asks you.

“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”

“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”

You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”

Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”

“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.

“Talk to me,” Hotch encourages.

“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”

Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.

“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”

“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”

“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”

“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.

“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”

“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”

“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”

You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.

“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.

“Unless Penelope told you to do that, I’m going to be very mad,” you say.

“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.

“I found our guy, or his IP address at least,” Penelope says.

“And?” Hotch asks. “Where is he?”

“That’s the thing. He’s in an apartment a few miles from the station.”

You recite your previous address and Penelope murmurs, “That’s the one.”

Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”

“Uh, there were some numbers,” she answers.

“34381?” you guess. “And 6147?”

“Amongst others, yeah. Do they mean something to you?”

“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”

“I’ll run the rest of the numbers against the LAPD database and get back to you.”

“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.

“Not yet,” she replies, and then the line clicks.

“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”

“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”

“Yes,” you answer. “He could do it overnight if the circumstances called for it.”

“Assuming he’ll take a break between kills, however…”

“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”

“He’s a criminal,” JJ says. “They all get stupid and forgetful.”

“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”

“What if they could help?” JJ argues.

“No.”

“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”

“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”

You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”

“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”

“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”

Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”

“Which affects us how?” Hotch inquires.

“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”

“Still doubting your hypothesis?” Hotch deadpans.

“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.

“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”

“They’re getting concerned,” Derek whispers, waving toward the roll call room.

“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”

“Yes, sir,” you agree with the rest of your team.

As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.

“What about me?” Lucy asks as the other officers exit into the bullpen.

“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”

“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”

“Keep me updated,” Hotch tells you.

“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”

Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.

“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”

Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.

Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.

“Ready?” you ask Lucy.

“Yes, ma’am.”

You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.

“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”

“That looks like a building staple,” Lucy muses, leaning over the picture.

“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”

“What was the cause of death?”

“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”

“I don’t know,” Lucy confesses. “Sorry.”

“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”

“That’s the nicest thing anyone has ever told me.”

You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”

“Then what’s the point of leaving it there?”

“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”

“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”

“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”

“That’s a lot of options.”

“Which is why we keep looking. Victim number three had a personalized novella…”

“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.

“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”

Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.

“Do any of you have experience with crime scene investigation?” Spencer asks.

Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.

“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”

“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”

Spencer nods and shifts his attention to the tools and proposed appearance of the killer.

“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”

Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.

“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.

“Army,” Tim responds. “FBI always the goal for you?”

“Oh, nah, I started as a cop up in Chicago. Things just happened.”

“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.

“Why be a TO?”

Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.

“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”

“Got it. Thank you.”

Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.

He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”

You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’

“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”

Tim nods as he places the box down, and then looks at the case board.

“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”

“She retired,” Tim replies.

You drop your shoulders and nod. “Thanks.”

“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.

“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”

Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.

“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”

“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”

“The novellas?” he guesses.

“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”

“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”

“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”

“I’ll run it by him if I can get a word in.”

You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”

“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”

Derek smiles as he opens the door, and Tim and Lucy return soon after.

“She lives three miles from here and said she’d talk to you,” Lucy relays.

“Let me tell my team.”

Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”

“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”

Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”

Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.

“You don’t have to,” you begin as Tim asks, “Ready?”

You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”

“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”

“Thanks,” you say, though you think I’ll need it.

“Do you want to drive or should I?” Tim asks once you’re alone.

You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”

“We can hope.”

“Can I address the elephant in the room?” Sergeant Grey asks.

“Be my guest,” Hotch answers, not looking up from his improved profile.

“Bradford isn’t operating at his usual level.”

“She is.”

“Which is why I think there may be more to his side of the story.”

Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”

“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”

“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”

“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”

“That’s one connection.”

“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”

“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”

“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”

“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”

Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”

Tim looks at you before demanding, “Why didn’t you put that in the report?”

“I was scared.”

“And you think the people living here weren’t?”

“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”

She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”

“Who?” Tim asks.

“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”

“Was there residue?” you inquire. “From the superglue?”

“There were trace amounts, and the lab was able to identify it easily.”

“It was the only death to be covered up, why do you think that is?”

Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”

“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”

“It was,” she explains, “he must have taken her earlier to get a head start.”

“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”

Daniella frowns, and you lean forward to ask, “How many more were there?”

Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.

“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.

“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”

“Pretty easily. Self-preservation is a powerful motivator.”

“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”

“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”

Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.

“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”

“Yes, sir.”

After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.

“I’m going with you,” Tim states.

“No, you’re not. You heard him, you’re going back to the station.”

“You need me-“

“Actually, we don’t. We have jurisdiction now, Tim,” you snap.

“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”

You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.

“Alexander Riley,” you murmur.

“What?” Tim snaps.

“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”

“Convenient.”

You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.

“Are you still at the station?” you ask when he answers.

“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”

“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”

“Okay,” he agrees slowly. “Why?”

“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”

“You got it.”

You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.

“You had something for me?” Grey asks as you approach the townhouse.

“I do. Trust me for a few more minutes and I’ll tell you everything?”

Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.

“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”

“Why?” Spencer asks. “Wait, who?”

“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”

“Abuse of power,” Hotch deduces.

“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”

“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”

“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”

“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”

“What?” Hotch and Wade say, stepping toward you simultaneously.

“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”

“He’s going to target you?” Derek translates. “That’s not okay.”

“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”

“I’ll get a BOLO out,” Wade offers.

“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”

“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”

“Just send ‘em my way,” Derek jokes.

“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”

Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.

“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.

“Bradford,” Wade begins.

“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”

“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”

“No idea. Sir.”

“I’d appreciate if you would stay and help review the story to find an idea, then.”

You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.

“Be safe out there,” you conclude.

As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.

“That was fun,” you mumble to Derek.

“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.

“That is bright,” you respond. “Thanks, Reid.”

An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.

“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.

Tim falls back into his seat and crosses his arms to stare at you.

“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”

“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.

“Shut up,” Hotch says as he sits beside you, across the Table from Tim.

“Kenneth Adamson,” you say. “Do you have any idea of what he did?”

“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”

“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”

“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”

“Yes.”

“You could have told me.”

You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.

Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.

“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”

You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.

“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”

“I’m sorry.”

“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”

Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.

“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.

“Yes, sir. I’ll do everything I can to assist you.”

“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.

“Cursed wanderer?” Tim repeats.

“Remorseful, unabsolved character tormented by their fate and their actions.”

“He must not remember you well,” Hotch tells Tim.

“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.

“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”

You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.

“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.

“Yeah. You.”

“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”

“Are there characters like that in all of them?” Hotch asks.

The sound of papers flipping precedes several firm answers of “Yes.”

“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”

Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.

“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”

“Are you gonna explain it or is this like Jeopardy?” Derek questions.

“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”

Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”

“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”

“Not recently.”

Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”

“Be careful,” Wade implores. “And keep me updated.”

“Can you do me a favor?” you ask.

“Anything,” JJ and Derek answer together.

“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”

“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”

“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”

You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.

Tim's radio crackles as he makes the last turn to reach the crime scene.

“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”

Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.

“07-Adam-19,” he replies. “Go ahead, Lopez.”

“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”

“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”

Tim returns his radio to the dash and then sits back to wait.

“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.

“You really think he realized we were just as aggrieved as him?” Tim asks.

“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”

“You said your character died in the new one.”

“All I saw was my name. I made an assumption without enough evidence. It was stupid.”

“Welcome to the club.”

Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”

“You think it will?”

“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”

Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”

“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”

“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”

“I hope so.”

You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.

“Thanks,” you whisper as he straightens, mere inches from you.

Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”

Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”

“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”

“Did Derek ask Spencer about the bomb?”

“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”

“Could he be a cleithrophobe?” Tim wonders.

“What is that?” Derek asks, and you can imagine him looking around Wade’s office.

“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”

You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.

Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.

“You made it,” he says.

“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”

He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.

“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”

“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.

Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.

“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”

Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.

“Take your vest off,” he requests. “Please.”

You don’t move but look pointedly at his gun before raising your eyes to his face.

“I won’t hurt you.”

Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.

Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”

“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”

Riley fidgets, then nods.

You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”

“Alex is fine,” he replies, whispering your name under his breath like a prayer.

Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.

“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”

“You know who,” Alex mutters.

You smile and ask, “Was I in all of them?”

“Of course.”

“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”

“You were so far away,” he whispers.

“Alex, did you learn how to code just to talk to me?” you inquire softly.

He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.

“Kick it,” he demands.

“Why? It’s art, it’s part of your soul,” you argue.

“Kick it.”

Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.

“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”

“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”

“She was mine first,” Tim interjects suddenly.

Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.

“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”

“Adamson is the only one who hurt her,” Tim argues.

“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”

“Something changed,” you say from beside Riley.

He doesn’t move away from Tim but stops talking to listen.

“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”

“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”

“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”

“Fool! They’ve gotten to you, too.”

As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.

Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.

“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.

Tim sighs, taking your face in his hands as he wipes blood from your temple.

“Is his writing really that good?” Jackson asks as he stands.

“It’s a little preachy,” you reply with a smile.

Your phone rings, and you swipe the screen to answer, then immediately hang up.

“That was your boss,” Tim points out.

“He can yell at me when he gets here.”

“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”

You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.

Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”

When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”

You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.

“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”

You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”

“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”

“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”

You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.

“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”

Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.

Two Weeks Later

“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.

“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”

“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”

The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.

“I could have done that,” you complain.

“Sure you could, boot,” one of the men says, his voice muffled by the helmet.

You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.

Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”

As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.

“We’re wheels up to Los Angeles in forty-five,” Hotch says.

“Why?” you ask, stepping out from behind Tim.

“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”

You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”

Hotch narrows his eyes at Tim, then shrugs and agrees.

“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”

“Please do.”

You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.

A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”

Strong Enough

0.8k+ fluffy words of Karadec getting fed up and proving you wrong. (it's not a prank blurb but it is a from a trend so I'm tagging it the same!)

The Major Crimes unit is silent. It’s disturbing and unsettling, and you shift uncomfortably in your seat while waiting for someone to make a noise.

“Is Soto back?” Oz whispers.

Daphne shakes her head no, then taps her mouse to check if the computers are back up. “We’re still dark,” she replies softly. “So… what’s the worst date you’ve been on recently?”

You don’t have to see Karadec to know he’s rolling his eyes. Still, you smile at the distraction and move closer to Oz and Daphne’s back-to-back desks.

“I haven’t been on one in a while,” Oz says. “But a few months back, she asked me to get her an Uber to her backup date.”

“Oh, no,” Daphne exclaims with a laugh.

“That’s awful,” you agree. “She didn’t have to tell you where she was going.”

“No, she really felt like she needed to,” he explains. “What about you, Daph?”

“Went on a second date with a guy and he asked what kind of wine I wanted and then ordered something completely different.”

“Don’t tell me he pulled the I’m paying and I’m sure you’ll like it,” you ask, pinching your brows sympathetically.

“Better. He told me that my palette wasn’t refined and offered to help with that.”

“Gross,” you and Oz respond simultaneously.

“I went on a date last week, and he offered me his jacket,” you offer.

“That’s sweet,” Oz argues.

“It didn’t fit, so he asked if I was working to lose any weight so I could wear his clothes if things got serious.”

Daphne’s jaw drops as her brows rise, and Oz shakes his head.

“Granted, I don’t think I’ve ever dated a guy whose clothes I could wear. Let alone one who could lift me or anything. I’m not sure they exist in my circle.”

Karadec scoffs, and you turn in your seat to look at him.

“What?” you inquire.

“Nothing, just working,” he answers, opening a file.

“Sure. What’s the worst date you’ve been on?”

“Nothing as bad as this moment.”

“Someone’s grumpy,” you stage-whisper over your shoulder to Daphne.

“You work with cops, there’s fifteen gyms within a mile radius,” Karadec explains, “so you must be choosing the wrong men.”

“Okay, one, the cops I actually work with day-to-day are mostly desk jockeys. No offense, Oz.”

“None taken,” he interjects.

“And two, Karadec, I’m not going to go hang out beside a gym to get some testosterone-fueled meathead just because he can pick me up. I’m saying realistically, naturally, in everyday life, I don’t know anyone who could just romantically manhandle me for the sake of it.”

“Romantically manhandle?” Morgan repeats, incredulous, as she enters the bullpen. “What am I interrupting?”

“Detective over here thinks there are no men in Los Angeles who could lift her onto their shoulder,” Karadec explains flatly.

“Ooh, like the video?” Morgan inquires, pulling a chair to your side. “Ava has shown me a few, they’re cute. Not so much when the scrawny-armed boys don’t succeed, but still.”

“We’re not going to get any work done today, are we?” Karadec inquires.

“Not with Soto busy and the system down,” Daphne reminds him. “So, try to let loose for a few minutes, would you?”

“You really don’t know anyone who could do it?” Morgan asks.

“Nope,” you answer. “Not for lack of trying, contrary to what Karadec will tell you.”

“Tell her about the jacket guy,” Oz encourages.

Karadec stands and gestures for you to do the same.

“Fine, we’ll change the subject,” you sigh.

“Stand up,” he demands.

Morgan moves her seat back as you stand, and Karadec steps closer to you. He wraps an arm around your waist, bends slightly, and then your feet are off the floor. You clutch his wrist at your side as he effortlessly lifts you onto his shoulder. From the elevated position, you look down at him with wide eyes.

Carefully, Karadec lowers you back to the floor and removes his hand from your side. He raises his hands to his sides and asks, “Happy now?”

Before you can answer him, Lieutenant Soto returns.

“Are workplace crushes frowned upon?” you ask her.

“Shut up,” Karadec grumbles as he returns to his desk and retrieves hand sanitizer from his drawer.

“What did I miss?” Soto asks, looking between you and Karadec.

“Oh, we can’t explain what just happened,” Oz muses.

“Luckily, I filmed it,” Daphne announces, raising her phone.

“You did not,” Karadec snaps, spinning to face her.

“She did!” Morgan answers, smiling brightly, as she watches the screen over Daphne’s shoulder. “And right… there is the moment she falls in love.”

Karadec shakes his head, and you murmur, “I was kidding. I know it doesn’t mean anything.”

He tips his head to the left, then nods and reboots his computer. “Of course not,” he replies, though it’s the least convincing you’ve ever heard him sound.

A Picture of Happiness

Pairing: Adam Karadec x fem!cop!reader

Summary: When your robbery investigation and Karadec's missing persons case intersect, Morgan notices that there's more between you than professional collaboration.

Warnings: fluff, soft Karadec, Melon alert, case involving abduction and drug trafficking

Word Count: 2.2k+ words

A/N: The final scene is inspired by an idea posted by @venommie but I'm also planning a fic based more heavily on it!

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“Oh, no,” Daphne murmurs. She leans back, turning slightly to look into Lieutenant Soto’s office. “Our vic was robbed last weekend.”

Selena sighs, then raises her phone toward her ear. “I’ll bring in Melon.”

“Oz, what’s the latest on the car?” Karadec inquires as he returns to the bullpen with Morgan.

“Still waiting to hear back from the DMV,” Oz answers.

“Daph?”

“The victim was robbed just over a week ago,” Daphne explains. “Part of a string of B&E thefts slowly progressing from simple wallet snatching to larceny. Lieutenant is alerting Melon.”

“Fantastic,” Karadec grumbles. “Are we thinking that the B&E went south? Homeowner was there, they can’t graduate to murder yet, so they snatch him?”

“From that house?” Morgan clarifies, her brows raised. “Not a chance.”

“Even the most prepared people can get caught off guard,” Oz points out.

“He had a Glock in his nightstand, he wouldn’t have let someone get that far into his house, or that close to him, without fighting back. Was there any sign of that?”

“No, there wasn’t,” Daphne says. “CSU isn’t done cataloging the weapons, so we’re not sure if any are missing.”

“I don’t see this guy getting caught off guard,” Morgan muses. “Not by some stranger sneaking in through a loose window.”

“The neighbor who wouldn’t talk to us this morning is in interview 2,” Karadec adds. “Lawyered up, but I think he’s just covering his own-“

“I heard a cry for help,” Lieutenant Melon interrupts, smiling as he enters the bullpen.

“Yeah,” Oz deadpans. “That’s what this is.”

“Quite the robbery spree you’ve stumbled upon. Estimated $2 million in property losses, even higher insurance payouts if we don’t start recovering things soon.”

“What’s the MO?” Morgan asks, flipping through the missing persons' case file.

“Initially, broken window, a few little, moderate risk items stolen.”

Morgan looks up, surprised to hear a voice she doesn’t recognize. She looks at you, then at Melon, then Karadec, and back at you.

“Yesterday morning, reported robbery used a crowbar to pry open a sliding glass door and cleaned out the safe,” you continue. “No sign of forced entry into the safe, just the door.”

“Strange,” Daphne murmurs.

“So, what can the missus and I do for you?” Melon asks. “Solve your case?”

“Missus?” Morgan repeats. She notices how Karadec shifts, pushing his jaw out as he rubs his jaw. It’s evident that he wants to speak but stops himself.

“We’ve been undercover,” you explain. “Trying to get this guy to rob a new, naïve rich couple.”

“Translation: she’d never settle for Melon,” Selena interjects.

“Hey, I’m a catch,” Melon argues.

“More like someone would catch something from you,” Oz adds.

You smile, and when you lock eyes with Karadec, you both shake your heads.

“Yesterday’s robbery wasn’t the same thief,” Morgan interrupts. “The approach pattern was completely different.”

“Approach pattern,” Melon repeats softly.

You look over Karadec’s shoulder to their case board. Tapping the simple black band on your left ring finger, you mentally review the facts of the case. Adding a missing person to a robbery case means the criminal is progressing. If more than one criminal is working here, your job becomes harder.

“Bottom to top,” Morgan says. “Your average thief works from the bottom up. Makes it easier to rifle through drawers because you don’t have to close one to get to the next. That’s where we get the whole ripped apart scene cliché. Yesterday’s case – and our missing person – produced scenes that were relatively neat. Because… any guesses?”

“The perp worked top down,” you and Karadec answer together.

“Right!” Morgan snaps, turning toward the case board. “So, if we remove these two cases… That gives us one planner, someone unafraid to go straight from- what’d he take?”

“From which scene?” Melon inquires.

“Yesterday.”

“Uh…” Melon opens the case file and skims it quickly before he answers, “A pair of diamond earrings, a Degas copy, and a thumb drive. Total estimated value: $14,000.”

“The earrings are most of that,” you add. “Apparently the thumb drive was empty, because the report didn’t value it in any way.”

“No intellectual property,” Daphne agrees. “Then why steal it? Not like they’re expensive or hard to come by.”

“There is something on it,” you realize. “Something he didn’t want the police to know about.”

“Maybe something worth kidnapping someone for,” Karadec adds.

“Whoa,” Melon interjects, raising his hands. “That’s a bit of a jump. It’s a thumb drive owned by someone who is not your victim.”

“Interior,” you say.

Morgan nods excitedly while Melon turns toward you with a sigh.

“The Degas copy was ‘Interior,’ which depicts a meeting between a man and a woman. It’s tense, dangerous, also called ‘The Rape.’”

“Make the connection, dear wife,” Melon pleads.

Karadec tips his head to the side, holding Morgan’s attention with his reactions to how Melon speaks to you.

“Follow me,” you invite.

Karadec moves first, falling into line behind you. You walk into Melon’s office without asking permission, and he scoffs when Morgan and Karadec join you.

“Get over it, Walter,” you encourage, uncapping a marker to alter his board.

“Is this even in English?” Morgan inquires, squinting to read a sticky note.

“Ha, ha,” Melon mutters. “What are we doing here?”

“This,” you answer, circling an address on the board. “The robbery from yesterday. Compare this address to the one of your missing person.”

Karadec’s eyes bounce around the board as he thinks. “454,” he realizes. “They’re a number apart, and the street names are just a few letters off.”

“As if someone had part of an address and was looking for something specific,” Daphne adds.

“And covering their tracks by taking something worth missing,” Oz says.

“He was looking for the thumb drive,” you deduce.

“Why?” Morgan asks. “None of our suspects – none of yours, either – have a clear connection to the victim.”

“Where was the Degas purchased?” Selena asks.

“Art dealer in downtown LA,” Daphne answers.

“Maybe someone should go look for another,” she suggests.

“Like a well-to-do married couple?” you ask, smiling.

“Precisely what I was thinking.”

“Well done,” Karadec says.

“Thank you,” you reply. “Now, if you’ll all excuse me, I need to feign an interest in impressionist art with my husband.”

Morgan’s eyes widen as she watches Karadec. He doesn’t react as before; instead, he lets you take his hand and lead you out of the office. There’s no sense that he doesn’t want you to touch him, no second-guessing of your intentions, or startled expression. He’s used to that, she realizes.

“So, what’s the deal with Karadec?” Morgan asks, back in the Major Crimes bullpen.

“What do you mean?” Daphne replies.

“He was ready to knock Melon’s teeth out. Followed a certain officer out of here like a lovestruck puppy.”

“Notice that, did you?” Oz interjects.

“What am I missing here?”

“I thought you were supposed to be the smart one,” Daphne teases.

“Karadec just texted,” Selena calls. “They found something.”

“Need backup?” Oz asks.

Selena chuckles rather than answering, and Morgan slaps her legs.

“Seriously, what am I missing? Are they some kind of dream team or something?”

“What did you see?” Selena asks.

“Karadec longing for her, but- wait. Seriously?”

“Can neither confirm nor deny,” Oz answers. “But the first part wasn’t that hard to notice.”

“What do you see?” Karadec asks softly.

“Some of these frames are hollowed out,” you whisper. “There’s more than paintings in here, but before we start talking, we need to know what it is they’re moving.”

“Drugs or money.”

“Isn’t it always?”

“Cover me,” you request.

Karadec nods, straightens his shoulders, and buttons his blazer as he walks toward the man at the desk. You walk toward the back of the store, pretending to look at the paintings as you locate the cameras overhead. Directly beneath one of the lenses, you bend your knees to lower, then run your fingers along a delicately beaded frame. Slipping your fingers over the corner, you examine the narrow slotting in the wood. When you run into a small plastic pouch, you pull your hand back and look at your fingers. The white powder on them could be wood or printing materials, but it’s not likely.

“Sorry, sweetheart,” you apologize as you return to Karadec’s side. “There’s just so much to see… to do.”

“Your husband was telling me that you’re a fan of Degas,” the man whose nametag reads Antonio states with a smile. “We’ve got no shortage of quality prints.”

“I saw my favorite at the back,” you reply. “They’re beautiful, very well done. We were actually referred here. One of our friends who shares our appreciation for arts, and its many influences, mentioned that his friend Leonard loved your service and the purchases he’s made.”

“Leonard is one of our best customers,” Antonio responds. “Any friend of Leonard’s is a friend of ours. Perhaps I could walk you through a bit of the influences we’re passionate about here.”

“We’d love that,” Karadec agrees, smiling at you as he traces his finger down your finger beneath your wedding ring.

“Two cases closed in one afternoon,” you muse as you fall into your seat. “Drug running secrets stolen, people abducted to procure more product, the American dream. You’re welcome.”

“We helped solve your case too,” Daphne points out.

You crack one eye open before you argue, “I had to pretend to be Mrs. Walter Melon for no reason.”

“You deserve a medal,” Oz says, shuddering for emphasis.

“You also pretended to be married to Karadec, no?” Morgan asks.

You turn toward her, then look at Oz and Daphne. “She doesn’t know?”

“We’re not legally or morally permitted to tell anyone,” Daphne replies.

“Under threat of bodily harm,” Oz adds.

“Promise of bodily harm,” Karadec corrects. “And, no, Morgan, we weren’t pretending for that part.”

Morgan’s jaw drops, and she turns quickly to look between you and Karadec. She’s observant and brilliant, so you fully anticipated that she would have figured out your relationship status already.

“Breathe a word of it to anyone,” Karadec warns.

“Yeah, yeah, bodily harm, I caught that.” She leans toward you and whispers, “I have so many questions.”

“No.”

“Wasn’t talking to you Karadec.”

He hums, repeats, “No,” and tosses you his keys.

You wave over your shoulder, and Morgan’s excited chattering seems to follow you through the station.

Karadec watches you, spinning his ring on his finger. You feel his eyes on you but don’t say anything as you prepare dinner. When the food is in the oven, you wash and dry your hands, then walk toward Karadec. He looks up at you from his seat, and you smile.

“You’re brooding,” you point out.

“I don’t brood,” he argues.

You hum and move between his knees and the coffee table. Karadec leans back, spreading his knees apart so you can stand comfortably between his legs.

“Want to talk about it?” you ask.

“Oh, yeah, I’ve been waiting to all day.”

“Save the sarcasm, Adam.”

He lifts his brows, barely containing his smile as he lifts his hands to your thighs.

“Are you jealous?”

“Of course not.”

“Then what’s the problem?”

“I know he does it just to get under my skin.”

“Then don’t let him,” you encourage, rubbing your hands down your husband’s forearms.

“Not that easy,” he argues.

“Yes, it is. He’s Melon, and I come home with you. Whatever he says or does, just ignore him.”

Karadec nods, and you scratch your fingernails gently over his wrists.

“I love you,” you say.

“I love you.”

“I also threatened to punch Melon today.”

“Should’ve carried through,” Karadec muses. “Sorry for letting him in my head. It’s been a weird few days.”

“I get it. No hard feelings. As long as you’re not grumps.”

“Did you just say ‘grumps'?”

You smile, and Karadec shakes his head as he tugs your hips forward. Before you can catch yourself, he pulls your knee to his side so you drop into his lap.

“Ah,” you murmur. “You don’t like that Melon acts all soft and loving when we’re undercover and you think you have to do it in private.”

“I thought you were a good detective.”

You inhale, playing up your offense at his taunting. Before you can reply, Karadec slips his hand beneath your shirt and rests it against your waist. Lifting your hand, you cup his jaw and lean toward your husband.

“Have anything else you need to talk about?” you inquire softly. “A case? Personal stuff?”

“No,” Karadec answers. “Not right now.”

“Right. No talking.”

Karadec nods, pulling you closer. “That sounds like a good idea.”

You smile, then kiss your husband. He holds your waist in one hand and cups the back of your head in the other while you hold his face, brushing your thumb over his beard and up to his cheekbone. Moments like these are your favorite, and make you remember why you love Karadec so much.

Although your relationship may not be common knowledge, you’re happy, content, and secure. The quiet nights after the long, hectic days make it all worth it. No one notices or questions why you carry around hand sanitizer and keep an eye on Karadec during joint operations. You appreciate the privacy, but they’re missing out on a picture of happiness, love, and pure joy.

✰ f!reader x gojo ✰ actor!gojo, dryhumping, (semi)public sex (??) ++ based off this post i made.. raise ur hand if ur also freaky about gojo 🙇‍♀️🙋‍♀️ wc: 1.8k ✰

“god, i want you so bad.”

satoru reads out his line to you, his voice loud but only slightly muffled against the juncture between your neck and your shoulder. you roll your head back in response, letting it thump against the pillow underneath you as you looked up at the ceiling.

although, the sight you’re met with when you do— the sight of a large microphone hanging just a few feet above your bodies —only serves to remind you that this is all for show. a scene in a movie. you opt to close your eyes and tighten your grip on the back of his head instead.

with your mouth hanging open, it’s easy to huff out a few pants and soft moans, doing as was directed for the character you’re meant to be playing after all. you know very well satoru’s doing the same for his own character— but there’s an additional component to the scene, one that only you know of.

the additional component is hiding below the bedsheets draped over your partially nude bodies— unbeknownst to the entire crew on set —pressing against your clothed crotch and growing inside his own pants the longer he nips at your neck.

you moaned his name, arching your back into his touch. letting him know you felt him.

there’s a brief moment— a blissful moment —where you forget you’re both supposed to be filming a sex scene. not until he hoists himself up, hovering himself over your body and staring down at you with stormy eyes; what’s normally a clear blue sky in his irises was now clouded by lust.

it’s not until you spot the bright studio lights shining above him that you’re reminded where you both are.

“are you ready?” he asks you, as per the script. when he speaks he bends down to nip at your jawline and his hands move underneath the sheets, trailing sensually across your torso. he lifts his head back up and bites his lip, waits for your nod, and then he slowly sinks his full body weight onto yours once again. reaching his hand down in between your bodies, he mimics the act of himself gripping his own cock and lining it up with your entrance before slowly sinking into you. the cameras zero in on this momentous part of the whole scene.

what he does next is… not part of the script.

with the hand currently hovering between his body and yours, he presses it forward, cupping your mound through the fabric of your clothing (thin nude-colored tights, meant to blend in with your skin tone— even coupled with your underwear underneath it makes just the smallest barrier between his fingers and where you think his fingers should actually be).

his touch is featherlight at first, tracing the outline of your underwear and gradually applying more pressure as he reaches your slit. he massages his index and middle finger up and down over your cunt, making a V-shape to trail them both along your folds before bending his wrist further and applying pressure to your clit with his thumb, eliciting a genuine gasp out of you.

he bites his lip again, but this time it’s to bite back the smirk threatening to take over his expression. he starts to lift his hips up just a little before bringing them back down, simulating the act of him thrusting inside of you— meanwhile his fingers don’t let up on your clit below the sheets.

completely hidden from the cameras.

your eyelids flutter, and a moan slips past your lips before you can rationally consider it. the timing actually worked out perfectly for the scene, though; in the corner of your eye, you’re sure you just saw the director nodding his head at you.

satoru continues rubbing you through your tights, picking up his pace right as your own breathing starts to pick up as well. if he were to press his thumb any harder against your cunt he’d be able to feel the wetness already pooling up; it would probably soak through the fabric a little bit and coat the pad of his thumb with your scent.

your jaw goes slack and satoru moans at the sight— but whether or not he’s still in character is unknown to you by this point.

“fuck— you feel s’good,” he moans out, letting up on his ministrations to plant his hands flat on each side of your shoulders. you whined softly in protest at the absence of his touch before he pressed himself even closer to you. shaky hands move up to grip onto his biceps for purchase just as his head falls into the crook of your neck, his mouth open against your skin with every hot pant he exhales. his hard bulge lands directly on top of your crotch and pulls tandem moans from you two.

it’s at this point that his character would probably be expected to pick up his pace, but you’ve completely given up on keeping track of the scene by now. satoru starts to move his hips at a steadier rhythm, only now he’s actually grinding himself into your heat. the bed frame starts to rock against the set wall with his movements, and you can both feel and hear how heavily he breathes— he’s certain to ensure the microphones pick up on it, too.

“satoru, god—“ you moaned out, digging your nails into his arms and squeezing your eyes shut. he grinds his clothed cock against your cunt, whimpering every time he feels the friction of his movements against you on his already-leaky tip.

there’s a temporary moment where his hips stutter, the grinding sensation feeling too good for his brain to keep up, and you feel him press his head deeper into your neck. his teeth sink into your skin to ground himself, sucking hard at the pulse point on your neck and leaving red indents with how hard he bites you, making you cry out his name once more.

(you count your lucky stars that the character he’s playing has the same name as him, because you’re not sure you’d be able to moan the correct name for filming had they been different.)

“fuuuck, fuck—“ he whines, his voice loud enough for the mic to hear. he lifts his head up to take a look at your expression— how you furrow your brows, your mouth hanging open indefinitely for the symphony of noises he’s pulling from you, the flutter in your eyelids when you open them to meet his gaze.

he smirks again and slows down his pace to a sensual grind, rolling his hips in circles and huffing out a chuckle when your head lolls back once more.

some members of the production crew share a look with each other when they see him slow down; as far as they’re concerned, he just extended the original length of the scene with a little bit of improv.

there’s nothing wrong with an actor sprinkling in some adjustments during filming, after all.

satoru dips his head down again, tilting his head to hide his face as well as he can before nipping at your earlobe.

“open your eyes,” he rasps with a tone so quiet the microphones didn’t catch it. “i want you to look at them when you cum, let them see how nasty you are for getting off in front of all these people, in front of all your colleagues.”

your eyes open before the words even register in your head, and the moment they do you’re catching sight of all the crew members watching you two— all your coworkers. you press your forehead against satoru’s shoulder before your eyes could roll to the back of your head and you let out a shamelessly loud moan.

“heh,” he huffs, his voice now back to its regular volume. “you liked that, huh?” he coos, picking up the pace of his grinding once more. the simple whine you respond with makes his dick twitch pathetically in his pants.

it doesn’t take much longer before your own hips start bucking up to meet his, your breathing now much faster and louder— a sign of your impending orgasm. feeling you grind yourself back into him makes him moan again, and he bites his lip hard to quell the sudden tightening he felt low in his gut; he’ll be damned if he cums before you.

from the corner of his eye, the director is silently saluting your performance, nodding his head in approval when he sees you start to fuck up against satoru. to him— and everyone else on set —this is, arguably, one of the better sex performances they’ve ever seen.

(it’s maybe even a little too convincing.)

satoru’s moans begin to fade into breathy whines, his face falling against your shoulder again when his movements become more erratic. he’s chasing this high with you and finding it increasingly harder to let you reach the finish line first— but he underestimated just how close you were to crossing it.

“ah— shit,” you gasped out, your eyes rolling back again. “‘m gonna— fuck, i’m—“

you cut yourself off with a muted cry, a squeak leaving your lips before a deep moan rumbles slowly in your chest. your orgasm crashes over you gradually but with an intensity you’d never felt before— and satoru is quick to follow behind. he throws his head back and furrow his brows when he cums, his hips stuttering before stilling entirely, pressing them flush against your own. the way his jaw falls and the deep groan that leaves his mouth afterwards makes you throb further, your grip on his arms unfaltering.

he is so attractive it’s almost unfair.

when satoru collapses on you, panting hard against your shoulder, a few moments pass before the director is yelling out his cue for the scene to end. you blink your eyes open, swallowing thickly and pressing the palm of your hand against satoru’s shoulder to gently push him up.

“phew, what a workout!” he jokes with the crew, his attempt at brushing off his post-orgasm haze. “i hope you guys don’t mind if i lay here for a few more minutes, yeah?” he says this with a charming grin, carefully watching for their own amused smiles before he collapses against you once again.

to keep appearances you playfully roll your eyes, nudging at him again. “sounds like your stamina isn’t all that good,” you snorted, giving up entirely on pushing him off of you. (not that you really wanted to get up either, anyway.)

satoru merely laughs into your shoulder at your words, but the light pinch he does to your waist underneath the sheets delivers a different message. a reminder of what’s to come later on, once you’re both done filming for the day.

“i don’t suppose you’re hoping to find out how good my stamina actually is, hm?” he hums against your neck, his voice back down to a whisper only you can hear. “because i would love to show you.”

also big big thank u to my beloved @teddybeartoji for proofreading this 🫂🫂 dont know what i would do without u my mickey

Tim Through the Years - The Game

Series Masterlist

Summary: You go to a hockey game with Tim and your brothers. 0.6k+ words

To say that Sam was nervous was a HUGE understatement. Dinner with Dean and Tim did not end well, and his twin sister was hurt. He knew y/n wanted the dinner to go well in hopes that Dean would approve of Tim since family means everything to the Winchester siblings. So, with the help of his twin, he got hockey tickets for them up against the glass.

Dean loved hockey ever since he could remember, and it helped him through his teenage years. It was an outlet to get out all his anger at their father. He knew Tim liked hockey because his sister told him they had been to multiple games together. It obviously was not the best night to watch the game because it was the LA Knights vs. The Kansas City Wendigos… and both men were dressed head to toe in their respective teams' jerseys and merchandise. This night was going to end just like dinner. Tim was on your left and Dean on your right, neither of them speaking, and wearing big scowls on their faces.

“Anyone want anything to drink?” you asked nervously.

“Beer,” both Tim and Dean responded.

“Okay…” you replied as you and Sam got up and went to get the drinks.

While you and Sam were gone, Tim and Dean sat crossed-armed, and the tension could be cut with a knife. A man behind them recognized Tim as an officer from a previous encounter.

“Get out of here, pig,” the man slurred.

Tim calmly ignored the guy, but he kept throwing insults at Tim.

Dean stood up and sneered while towering over the man. “Alright, cool it. This man is a respected officer and should be treated with respect. If you don’t leave him alone, you’ll have to deal with me!”

The man mumbled out an apology and quickly turned away from the two of them. Soon silence filled the space once again.

Tim looked at Dean and offered, “Hey, man, I just want to apologize for what happened at dinner. I let my anger get the better of me. I just really like your sister. She’s very important to me and I want to protect her.”

Dean looked at Tim and said, “All good, man. I said some stuff I shouldn’t either. New leaf?”

By the time you and Sam got back, Tim and Dean were standing side-by-side, banging on the glass and cheering together. Maybe the night wouldn't be so bad after all. After the game, as you were heading to the car, Tim and Dean were the best of friends, so it seemed like the plan actually worked!

“Can you believe that fight that broke out right in front of us!? Absolutely ridiculous!” Tim said to Dean between fits of laughter.

“The guy lost his front tooth!” Dean added, laughing loudly.

“What about that save! That was so crazy! I cannot believe they saved that!” Tim explained loudly. “Are you keeping that puck or can I give it to your sister?”

Dean dug around his leather jacket and tossed the puck over to Tim, and Tim caught it in the air. “I’m gonna tell her you fought a small child for this,” Tim told Dean. Dean looked at Tim and laughed while nodding his head. 

“Hey.” Dean grabbed Tim’s shoulder once they reached the car. “You’re an okay guy, just don’t hurt my sister and we won’t have any problems. 'Kay?”

“I’d never hurt her, but you’d have to get in line if you do. All my friends chose her over me already,” Tim said while smiling.

“Good, then we can all hide the body,” Dean joked. “Want to go get beer and burgers sometime?”

THE GANG EXPANDS pt. 1

IASIP x Reader

Always Sunny Masterlist

“See, what I'm hearing is that you convinced some poor college kid into doing slave labour for us by bribing her with a coffee..."

Summary: When Dee meets a potential new hire for the bar, the gang decide to give you an interview. They decide the best way to determine if you’re a good fit at Paddy’s is to play Chardee Macdennis with you.

Warnings/Tags: 18+ References to sex, drugs, alcohol. Other topics commonly found in canon.

You had met Dee at an early morning Pilates class, and were quick to find you were the only two women under 50. You had innocently misread the timetable, whereas Dee had attempted to sneak in and copied your excuse after the instructor asked you both to leave. Not wanting to waste a free morning out or the opportunity to make a new friend in a new city, you invited Dee to get coffee with you.

When Dee mentioned that she worked at a bar her dad, brother, and brother's friends owned in South Philly, your ears pricked up with a mutually beneficial idea. See, you weren't a Pennsylvanian, you had only moved to the state to study short-term at Penn State. As part of the curriculum, you had planned for your thesis to be about local businesses and the psychology of fostering a strong team. Dee jumped at the idea. Almost too enthusiastically in hindsight but she really needed a little extra femininity in the bar.

"She's cool, and she's smart, and we don't have to pay her anything cos she has to do it for college." Dee explained to the gang, telling them about her ‘new friend’ proudly.

Dennis narrowed his eyes as he turned his head ever so slightly, all the while maintaining eye contact with his sister. His mind ruminated on several trains of thought at once, but his main focus was needing to know how old you were. Followed very closely by wondering how attractive you were.

Mac was the first to speak after Dee's several minute long monologue recap about her entire morning meeting you. "See, what I'm hearing is that you convinced some poor college kid into doing slave labour for us by bribing her with a coffee..."

"What? No! No, she's like, in her mid twenties at least. She's doing her masters degree..." Dee explained, putting extra emphasis on the latter detail. "I told her she could come here later tonight to meet everyone."

Dennis posed the question of whether or not the potential new recruit was attractive or not, to which Mac raised that an attractive woman working at the bar would be good for business. They were very clearly forgetting that Dee worked at the bar but none of them thought of Dee that way. She wasn't like a woman woman, let alone an attractive one. Clearing her throat loudly to grab their attention, they all turned towards her with looks of annoyance.

"Can't you see that the men are talking Dee?" Frank said before they turned back to talk amongst themselves. "You know me, I'm on the record for loving the idea of slavery. But we gotta' sus her out for ourselves."

Charlie made a whiny sort of hum as he thought to himself; which he aptly called his ‘thinking sound’ fairly often. "Should we do like, a background check to make sure she's not a psycho?"

"Ooh! Good idea, Charlie. We should stalk her Facebook page..." Mac clicked his fingers at the laptop as the pride he felt over his own idea. Was it not genius to search you online and see for themselves? To see if Dee was fucking with them over by hiring an ugly chick? He sure thought it was genius.

Reluctantly, Dee typed in your name slowly before Mac quickly pressed the enter button to bring up the results. “Is she the top one?” He asked excitedly, and after sighing slowly, Dee nodded.

"She's hired." Dennis said bluntly before leaning over the bar. "And if you'll excuse me, I have some background checks of my own to do." Then, without further explanation, took the laptop from the group and walked to the back office alone.

The Flower and The Serpent : a Walt De Ville x reader FF : six

A/N: I have taken artistic liberties with this fanfic. For example, I have given Walt some different mind abilities and have removed the canon vamp claws because I find them distasteful and overkill, pardon the pun.

18 and up, y’all.

You spent the next couple of days receiving scandalised glances from the maids and even Mr. Field due to the blossomed bruise on your neck, the identical holes in the centre now gone. Mrs. Swift eyed you with obvious concern whenever she saw you, and even cornered you on your way out of your room one morning. You met her gaze with caution, stretching your neck out slightly.

“Miss Alexander, you must be careful” she insisted in hushed tones. “He may act human, but he is not. If you push him too far, he might very well kill you, whether he means to or not.”

Keep reading

---

Upcoming The Rookie series.

A/N: I’m not a committed writer, nor do I promise consistent posts. I don’t expect anyone to read my fics either, I’m kinda just writing what I want because I’m quite literally addicted to The Rookie right now and need a outlet with all these scenarios in my head. But, in saying so, I don’t mind requests, so if you have one, don’t be afraid to submit some.

Last Updated: 2/23/25

❀ = Fluff ✸ = Angst ☆ = Suggestive ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶ ￶✮ = NSFW 〤 = Platonic ! = Ongoing

Like Father, Like Rookie !

Tim Bradford x Rookie!Reader [PLATONIC] 〤

Summary: Being the youngest rookie in Mid-Wilshire so far—let alone being Tim’s rookie, everyone either looked out for you, or was determined to prevent whatever disasters were bound to come with your youth. But to Tim, you were his mini him. And he honestly couldn’t tell if it was a curse or a blessing.

Episodes: Not in the Rook Book. ❀ Stay here. ❀ / ✸

He is Nothing Like You

Tim and Reader have been secretly married for three years, which has done them good, considering the risks of Tim's occupation. One day, while Tim was on shift, he never expected his secrets to start ripping at the seams and spill onto the floor.

MDNI 18+ since it involves sexual activities! I’m gonna do a second part

"I've been meaning to ask you, what's the ring around your neck?" Lucy asks, trying to break the silence in the shop.

"Not that it's any of your business, but it's just a ring to me, no specific meaning," Tim responds while silently praying Lucy would end the conversation there, "Also it's safer if it's around my neck than on my finger."

"Grey wears his wedding band, and you don't see him having any trouble with it," Lucy mentions as Tim chuckles and reminds her that Luna would kill him if he ever took his ring off.

"Just let it go and focus on other important things, like that carjacker right there," Tim said, causing Lucy to jerk her attention back in front of her as he stopped the shop and the both of them get to work.

Once the carjacker was booked and processed, Tim and Lucy were on their way to get back on the road when Grey stopped them with a, "Bradford, my office real quick."

Lucy asks, "What is that all about?" Tim responds, "I don't know, just wait by the shop. I'll be there when I'm finished."

Tim enters Grey's office to see his wife, Y/N, sitting in one of the chairs. "She doesn't look pleased about something," Tim thought to himself before Grey excused himself to let the couple talk privately.

-Y/N's POV-

"Is everything okay?" Tim asked me while I got up from the seat to stand in front of him before I ask him, "Do you remember telling me when we first started dating that your dad died?"

Tim gulps before clearing his throat and answered, "Yes, why are you bringing that up?"

"I was cleaning the house up when the phone rang. It was a hospice nurse calling for you because Tom Bradford was asking for you," I responded before continuing, “Thinking it was the wrong number, I called Genny to ask her what was happening. She told me I needed to have that conversation with you."

Before Tim could answer me, Grey popped his head in to remind Tim about an old case regarding a family friend, Monica Ochoa.

"Do you need to go? I'm not mad. I'm just so confused," I said before Tim turned his head towards Grey and told him he was still on it before turning his attention back to me.

"I'll explain it later, I promise," Tim responds before I nod. Understanding his tone's urgency, I told him I'd be waiting with Kojo at home.

Hours passed before I heard the doorknob jiggle; Kojo had heard it since he had jumped off the couch to run to the door and greet Tim.

"Hey bud," I hear Tim say as his footsteps start toward the living room, bringing him into view.

"Hi," I say as Tim takes a seat next to me before he takes my hands in his.

"I haven't been honest with you about everything, and I am truly sorry. It wasn't fair of me to let you get whiplash from finding out I lied about my dad being dead," Tim responds as I notice tears brimming in his eyes, making me take my hands back and put one of them on his cheek, running my thumb along the bone.

"Hey, hey, it's okay. I meant what I said. I'm not mad at you," I whisper, reassuring him before he sighs and responds, "I know, but it still wasn't right of me. So, I want to tell you everything."

"Okay," I say as Tim clears his throat to mention, "The reason I told you he was dead is because he's dead to me. He was abusive. To me and Genny, mostly me."

Before I can ask, he says, "When I was 7, he smashed my head into a wall. Another time, he left me at Griffith Park with only a compass to find my way home, said it's supposed to turn me into a man."

"Tim," I croak out before tears started to fall down my cheeks, "Now I feel bad that you had to reopen those wounds."

"No, no, don't you dare blame yourself," Tim said as he wiped the tears before continuing, "I should've been honest from the get-go, but instead, I wanted to keep that part of my past secret to spare you from the pain. And it was about time I told you since I have to see him."

"You don't need to see him if you don't want to. Don't let this hospice situation guilt you," I respond before Tim shook his head and told me it had to do with the Ochoa case.

"I think he had something to do with it; now I have to face him," Tim says, looking like the little boy who just wanted his dad's love, which prompts me to ask, "Want me to come with you?"

"No, you don't have to. I wouldn't force you," Tim started to say before I cut him off, "I want to. You're my husband, and my vows stated that I will be by your side for every obstacle in your path."

"Okay," Tim whispered as the both of us exited the house hand in hand, preparing to battle this demon together.

We arrived at the facility and entered the room to see my father-in-law lying in his hospital bed.

"Oh, man. Never thought I'd see your face again. Genny tell you to visit?" Tom says as I squeeze Tim's hand harder in comfort.

"Wow, liver really did a number on you, old man," Tim responds before Tom tells him he doesn't have it so bad.

"Nurses here all love me. It's just no one will bring me that shot of Patron I keep asking for," Tom says as he jesters toward the apple juice, saying it's a joke.

"A cruel joke if you ask me," I thought before glancing at Tim's face to see he thinks the same.

"You always seem to have someone looking after you, even when you don't deserve it," Tim responds, squeezing back my hand.

"Something on your mind, son?" Tom asked, clearly wanting this to be done and over with.

"Remember Frank Ochoa? Lived down the street. Shot to death 25 years ago. Well, I'm sure you remember his wife, Monica," Tim responds.

"Can't say I do," Tom deflects, obvious sign that he does remember.

"Come on. You were sleeping with her behind Mom's back," Tim says, making Tom laugh, and he asks where he got that from. Tim mentions that he saw the two of them together when he was 13.

"Oh, crap," Tom says before Tim continues, "For some reason that I still don't understand, I lied for you, lied to Mom."

"Poor little Tim-Tim," Tom degrades before spouting out, "What are you bitching about? You kept your mouth shut. You did good. Now get over it."

I feel my blood start to boil in anger at the audacity, the disrespect this son of a bitch in front of me had for the man I plan to spend forever with and have children with, but I keep quiet because he seems to not care about my presence.

"You know, I found the gun that you hid in the wall. I know you killed Frank. But why'd you do it? You wanted Monica all to yourself?" Tim asked before continuing, "Ruining one family wasn't just enough for you, was it?"

Tom takes his cannula out before getting off the bed and walking towards us. "And so what if I did?" What are you gonna do about it?"

"Get back in bed," Tim grits out as he moves me to stand more behind him for safety reasons, prompting Tom to challenge him with a "Make me."

"Yeah, that's what I thought. You're right. I killed Frank. But he had it coming. So screw him, and screw you," Tom says before telling Tim to put the cuffs on him and drag him away from his deathbed like a big man.

"This isn't over," Tim responds as he grabs my hand again, and we both leave Tom's room.

"I'm sorry. You shouldn't have heard all of that," Tim whispers before entering the truck, "I have to get to the station and type up that report. I'll drop you off at home before I do."

"No, take me with you, it would save gas," I said as I explained to Tim it wouldn't make sense to do that.

After arriving at the station, Tim heads to one of the computers while I follow him. I glance over to see his rookie, Lucy, walking over.

"My dad confessed to Frank Ochoa's murder. I'm typing up the report," Tim tells Lucy as she looks at me before gesturing there were ears listening, "She's my wife, she knows."

"Wait, wife?! As in ring on the finger?" Lucy asked in shock as I raised my left hand to show her my wedding band, "We'll get to that later, but Tim, while you were gone, I brought Monica Ochoa back in."

"Why?" Tim asks as Lucy explains, "Because I knew there was more to her story. You couldn't see past the version that you wanted to see."

"What'd she say?" Tim asks again, before Lucy tells him what was confessed.

The look on Tim's face tells me we're going straight back to that hospice facility. We walk back into the room and see Tom snoring in the chair, so Tim places the shot glass and pours Patron before placing the bottle on the table, waking Tom up.

"You brought me a present?" Tom asks before Tim tells him to think of it as a push.

"You didn't kill Frank," Tim says as Tom repeats that he did and tells Tim to cuff him, "Monica confessed."

"Leave her out of this," Tom responds.

"Frank was beating her. She fought back. She shot him. She was terrified, so she ran to you. You came up with the burglary story, helped her stage the house, then you hid the gun in case the cops got too close and you needed to frame someone else," Tim says.

"He was a brutal, abusive bastard. She deserves a medal for what she did," Tom responds, making me and Tim look at him in shock.

"He was an abusive bastard?" Tim asked, testing Tom for what came out of his mouth.

Feigning confusion that was fake, Tom asked if he was like him, which prompted him to say he was nothing like Frank.

"I taught you what you needed to know, son. You're a man now because of me," Tom says before I finally let my voice be heard.

"No, absolutely not. You are not getting credit for how Tim turned out," I gritted through my teeth as Tom looked at me with disdain before asking me who I was, "I happen to be the woman your son is going to spend the rest of his life with. I'll be damned if I stand by and let his piece of shit father try to take what's rightfully his credit. You deserve nothing of the sort, he's nothing like you and he will never be like you."

"Tim, you're going to let your wife speak to me this way?" Tom asked before Tim scoffed and responds, "She's right. I'm who I am in spite of you."

As Tom sits there stunned, Tim says, "Goodbye, Dad. I hope it hurts."

We left the facility without looking back, and after we arrived home, I suddenly felt my body being moved to where my back faced the door and I craned my neck up to look into Tim's eyes.

"Thank you," Tim whispers as I look at him in confusion, "Thank you for being by my side for that. I know it wasn't easy, but you were right. I needed you there with me."

"You don't have to thank me for that, I will always be there for you," I say before Tim smiles and leans down to kiss me.

After kissing for what felt like minutes, Tim moves his mouth to be near my ear and he whispers, "I'm also really turned on by you defending me."

I laugh before asking, "Oh are you? What are you going to do about it?"

I feel Tim's hands move down to my ass before I squeak out in surprise as he hoists me up, causing me to wrap my legs around his waist and feel the outline of his dick through his jean.

"I think I'm going to give my beautiful wife a thank-you gift," Tim whispers before moving towards our bedroom and putting me down on the bed.

"Tim, you don't have to," I started to protest before he cuts me off, "Just let me do it, you deserve it."

My attention gets grabbed while I watch his hands curl around the collar of his shirt before he pulls it up off his body, which, I feel myself start to drool over my husband's abs. His hands then moved to his belt to unbuckle it before he walk up to me and get down on his knees so he can be on the same level as me. Tim pulls me into another kiss, one more passionate than the last, as I feel his hands unbutton my jeans before he pulls the materials down to my ankles to take them off, leaving me in my black panties. He then positions my body to lean back against the pillows before he moves himself to be above me, Tim asks, "Is this okay?"

Not trusting my voice, I nodded my head before Tim's fingers curled around the sides of the panties as he started pulling them down. He groans out in pleasure as he changes his position, his shoulders in between my thighs, keeping my legs where he wants them to be, his hands near the area I yearn for him to pay attention to. I shivered when I felt his breath before he placed his mouth on me, causing me to let out a shuttered moan. When I felt myself getting close, Tim pulled away, causing me to groan out in frustration, making him laugh.

"The only way you're cumming is around my dick," Tim whispered in my ear as he gets himself out of his pants and boxers while he pushes my shirt up to above my chest, showing the matching black bra.

The both of us let out a groan as Tim enters me and starts to thrust, his dick hitting all the right places. After minutes passed, the both of us came and Tim's body moves to his side of the bed as I tell him that was a great gift, making him he let out a soft laugh.

"Glad to be of service," Tim says getting out of bed and putting on clean boxers and pajama pants before he goes to the bathroom to grab a washcloth to clean me up.

After Tim cleaned me up and helped me get dressed, he got back into the bed to pull me into him so we can cuddle.

"Tim?" I said after a moment of silence, causing him to say, "Yeah?"

"I have something for you," I respond before reaching over into my nightstand and pulling out a small box, "I was going to give you this later, but now feels right."

Tim opens the box and pulls out a onesie that says, "My daddy will arrest you if you mess with me."

"Babe, this is perfect for our future baby," Tim responds before he felt his voice stop short when he sees what else is in the box, reaching in to pull out the pregnancy test, "Are you really?"

"Yes, I found out two weeks ago, you're going to be a dad, Tim," I said as Tim pulled me into a tight embrace before kissing the top of my head, "And you're going to be the best dad, I just know it."

"I love you so much," Tim whispers before pulling me into the most loving kiss a girl could ask for.

Tim may have had the worst pick in the dad potluck, but no doubt in my mind he will never treat our children the way Tom treated him and Genny.

Aftershock - Office Barbie

Main masterlist | The Rookie masterlist

Part 1 - Part 2

Tim Bradford x younger!reader

Fandom: The Rookie

Summary: Weeks later, fate (and a lost bet) brings Tim to a community conference—where you just so happen to be the key speaker.

Fluff

Warnings: sexual tension? kissing? not proofread

You didn’t expect to see him again.

Not really. You figured Sergeant Bradford belonged to that weird category of men you clash with once and remember longer than you should. Like a slow burn from a too-hot pan. Irritating, and then it lingers.

Tim wanted to leave the second they walked in.

“You two are evil,” he mutters to Lucy and Angela as they weave through city-funded booths and low-effort posters with cheap pamphlets about green living.

“This is what you get for losing a bet, Bradford,” Lucy chirps.

“I thought the punishment was brunch,” he growls.

Angela grins. “Brunch and an event. That’s how you learn humility.”

Tim’s already working on a plan to fake a phone call when the lights dim and a new voice comes through the speaker system.

Sharp. Confident. Familiar.

He turns his head—and his body goes still.

“Holy shit,” Lucy whispers beside him. “It’s her.”

Angela lifts a brow. “Tell me that’s not your girl from the construction site.”

Tim clenches his jaw. “She’s not my—”

“She called you Grinch,” Lucy interrupts, grinning. “You called her Barbie. And now she’s out here talking about carbon-neutral foundations in heels that could kill a man.”

“I think I love her,” Angela whispers.

“She’s not—” Tim tries again, but his voice dies in his throat as you scroll through your presentation, completely composed. He watches the way you move—elegant, direct, sure of yourself. You don’t look nervous. You look like the stage was built for you. Like the mic came from your purse.

You look… expensive. Like someone who knows how to win a boardroom, a bet, and a man—if you feel like it. Like the version of you he wouldn’t know how to approach, if he hadn’t already seen you in a hard hat and work boots, barking orders at construction workers during an earthquake like it was just another Tuesday.

You don’t dress like this for conferences.

Usually it’s practical shoes, maybe a sleek ponytail, something just polished enough to prove you take yourself seriously, but not too much—so no one calls you “daddy’s little intern” behind your back.

But today?

Today you wear hot pink.

The blazer is tailored, the skirt is short, and the heels are unapologetically sharp. Office Barbie realness. And you own it. You glide across the conference stage with your presentation remote in one hand and a bulletproof smile in place, heart pounding but controlled.

You’ve got this.

You’re talking sustainability in construction—carbon reduction, green infrastructure, water retention—and you know your shit better than half the men in the room who’ve been in the industry twice as long as you’ve been alive.

But then you see him.

Scowling like someone dragged him here against his will, still looking too good in a plain black T-shirt and jeans. And still somehow managing to make his scowl sexy.

You inhale, steady your hands on the remote. You don’t let it show. Not the way your stomach tightens or how your heart does a messy skip at the sight of him. You keep your voice level and your smile unfazed.

Because this isn’t the time. Or the place.

But God, you missed that face.

Tim hears words. He knows you’re talking about sustainability, about long-term environmental impact, about scalable urban design. He even recognizes a few terms. But none of it sticks. All he can focus on is the curve of your mouth when you speak, the fierce spark in your eyes, the way you command the room like you own every inch of it.

He's absolutely screwed.

Lucy elbows him hard. “Close your mouth, Bradford.”

“I’m not—”

“You’re drooling,” Angela stage-whispers.

“I’m going to kill both of you,” he growls.

“You’re welcome,” Lucy sings.

The second you step off stage, the conference organizer pulls you aside. Praise, compliments, the usual. But your eyes keep darting to the back of the room, where the tall, broody one is whispering furiously to his two grinning companions.

“What are you doing?” Tim hisses.

Lucy clasps her hands like a rom-com fairy godmother. “Helping you get laid. Now shut up and be nice.”

Angela tugs her away. “Don’t be a caveman. Go say hi.”

Tim glares after them. But he moves.

God, he looked even better up close. A little scruffier than last time. Brooding. And his eyes—so blue they could knock the wind out of you.

Tim gave you a slow once-over, and that smirk hit.

He stands there, hands in his pockets, the corner of his mouth just barely tipped up. That same annoyingly sexy, broody look on his face. Blue shirt stretched across his shoulders like a sin.

“Office Barbie suits you.”

You roll your eyes—but you’re smiling. “Still calling me that?”

“Still acting like you don’t love it?”

You step closer, arms crossed. “What are you doing here, Grinch?”

“Lost a bet.”

You bite your lip to hold in the laugh. “That explains the permanent scowl.”

Tim glanced at the now-empty stage, then back at you. “You were good.”

“Only ‘good’?” you teased, stepping closer. “I worked on that presentation for weeks.”

He tilted his head, eyes lingering on your mouth. “To be honest, I didn’t hear most of it.”

“Oh?” You raised your brows, pretending offense. “Too many big words for you?”

His mouth twitched like he was trying not to smile. “Too many distractions.”

Your cheeks warmed. But you didn’t flinch. “That sounds like a you problem.”

“Maybe,” he said, eyes dropping briefly—pointedly—to your legs before dragging back up to your eyes. “But the view was decent.”

You let out a soft laugh and cocked a hip. “You flirting with me, Sergeant?”

He stepped closer. “Would it work?”

“Depends.” You toyed with the button of your blazer. “Are you here to arrest me for having too many words in my presentation?”

“Didn't bring cuffs."

You gave him a slow, deliberate once-over.

“That’s too bad. I did prefer the uniform.”

He smiled. Actually smiled. It was a little crooked. A little dangerous.

And it did things to your insides.

Before you could say something even more reckless, a voice called your name. One of your professors—old, sweet, the type who’d ask you for lecture slides in a USB drive.

“I should go."

But when you started to step away, he reaches for your wrist—not grabbing, just touching. His fingers brush against your skin and it jolts through you like a live wire.

“Wait—can I get your number?” he asks.

You pause. Smirk.

“Where’s the fun in that?”

He raises a brow. “You’d rather I stalk you?”

You lean in slightly, lips just shy of his ear.

“You’ll have to catch me first.”

Then you’re gone—heels clicking as you cross the room, leaving him standing there with a frustrated groan and a look that says challenge accepted.

The event wrapped up an hour later, long after the panels ended and the buzz of too many conversations filled the air.

And there he was.

Leaning against his truck like he belonged there. Arms crossed. Jaw tight. Watching you approach like he hadn’t been doing exactly that since the second you walked in.

You slowed, one brow raised. “Stalking me now?”

He shrugged. “Maybe I’m just being polite.”

You glanced at the truck. “Didn’t think Grinches offered rides to strangers.”

He stepped forward, opened the passenger door for you like a damn gentleman. “Get in, Princess Barbie.”

You rolled your eyes, but your smile gave you away.

The inside of Tim’s truck is warm. Smells faintly like pine and leather and whatever cologne clings to him naturally, subtle but unmistakably him and masculine in a way that makes your thighs press together instinctively. You settle into the passenger seat, crossing your legs, careful to tug your skirt down as far as it'll go.

He starts the engine. Glances at you. “Seatbelt, Barbie.”

You smirk. “Worried about my safety, Sargeant?”

His jaw flexes, his eyes on the road now. “Always.”

Silence falls for a beat, thick and brimming with the words neither of you are ready to say. Then he clears his throat.

“So… what are you studying exactly?”

You raise an eyebrow. “Civil engineering. Sustainability focus. You know, boring stuff.”

He scoffs. “Didn’t look boring from where I was sitting.”

You give him a side glance. “You mean from where you were staring?”

His mouth twitches—almost a smile. “You were hard to miss.”

You feign surprise. “Because of the heels or the facts?”

Tim shoots you a look. “Definitely the heels.”

You laugh, and he exhales like he can finally breathe again. The ease between you returns, like it never left—not after the earthquake, not after the adrenaline wore off.

Not even after weeks apart.

The car settles into a smooth cruise, city lights rolling past the windows. Tim rests his right elbow on the center console. His fingers dangle—casual, relaxed. Then they brush against the bare skin of your thighs.

Heat crackles up your spine. You don’t move. Neither does he. His pinky drags the lightest line over your skin—so subtle it could’ve been an accident. But it’s not. You both know it.

You shift, just barely. His finger follows.

Still, neither of you look at each other. You chew your lip.

“You were impressive today,” he says, voice lower now. “Seriously.”

You glance at him.

“Thanks,” you say, softer. “I wasn’t sure anyone actually listened.”

“I did,” he murmurs. “Mostly.”

Your brow lifts. “Mostly?”

“I was distracted.”

You smirk. “By the visuals?”

“By your mouth,” he says simply. “Hard to focus on what you’re saying when you look like that.”

A pulse flutters in your throat. You open your mouth to answer—but then the car slows. A red light.

And suddenly, he turns. His fingers shift, pressing slightly into the inside of your thigh. His other hand leaves the wheel. And then he leans in.

You meet him halfway.

The kiss starts soft—testing, brushing. But your lips part almost immediately, like your body was waiting for this, begging for it. His hand cups your cheek. Yours tangle in the collar of his shirt. His tongue slips past your lips, deep and claiming.

It’s slow for a second. Then it’s not. The kiss turns wild—hungry, open-mouthed, teeth and breath and want. Like all the flirting, the near-misses, the power plays between you were just foreplay for this.

Your back arches into the kiss. His hand slides up your thigh, firm and confident. You gasp softly against his mouth, and he swallows the sound like it feeds him.

Then someone honks, announcing the green light. You both freeze.

Tim pulls back slowly, his forehead resting against yours for a beat before he straightens and puts the truck in gear again, cursing under his breath as he drives. His fingers never leave your thigh.

He pulls up in front of your apartment building, cuts the engine, and hops out to open your door before you can even unbuckle.

Chivalry looks good on him.

You step out, heart pounding, the kiss still tingling on your lips. But the second you’re on the sidewalk, his eyes are on your mouth again.

You smile up at him, voice low and teasing. “You know… I live alone.”

He raises an eyebrow, lips twitching. “As an cop, I suggest you stop saying that to strangers.”

You grin. “Didn’t know you were a stranger back in the car, Sergeant.”

He steps closer and kisses you again. Harder this time. Wilder. His hands find your waist, dragging you against him as your fingers tangle in the front of his shirt. You kiss him like you’ve been waiting—because you have. For weeks. For months. For this exact moment.

You fumble with your keys, still kissing, still gasping between touches.

The door opens. Neither of you stop as you kick the door shut with your heel.

Tim presses you up against it, his mouth hot and hungry on your neck.

You pull his shirt over his head—god, he’s ripped—and he does the same to you, sliding your blazer off your shoulders, fingers grazing your skin, leaving heat in their wake. You gasp when his lips find your collarbone.

“Tell me to stop,” he murmurs.

You look him in the eye. “Don’t you dare.”