Beautiful Nature Scenes/backgrounds From The Anne Shirley Anime, Episode 1

Actually cannot stop watching this

Good morning! ☀️

"No! Scoob! Get back here!"

some recent OC art that i like so much i'm being brave and actually posting it for once!

There's a bit of a role reversal with Faramir and Eowyn, in terms of how their narratives include tropes and plot points that are often traditionally applied to characters of the other sex.

Eowyn goes to war because she refuses to be left behind to be burned inside the house when the battle is done, as is often the fate of women.

Faramir actually is nearly burned alive at the hands of the patriarch of his family when said patriarch believes the battle is over and hope is lost. While Eowyn is out on the battlefield, fighting, Faramir is stuck inside the home, burning.

Between the two, Eowyn is the one we see go on more of an inner journey. She changes more over the narrative, and has to deal more with her own flaws and personal demons, as well as the injustices inflicted upon her. The climax of her story comes with a great moment of heroism and courage in battle. She is rescued by a hobbit, but as an ally in battle, not as a damsel in distress.

Faramir in the books doesn't feel tempted by the ring, and is almost a paragon of virtue. About as much as a Man in Middle Earth can be. He's closer to Arwen and Galadriel than Eowyn is, in his near perfection, in how he inspires and guides others. He is also rescued by a hobbit, but in that moment he is helpless, a damsel in distress. He is rescued because others love him for his virtue and goodness.

So often it's the other way round. Not only is the woman usually the one trapped inside, in need of rescue, while the man is out there fighting, the woman's heroism traditionally comes from the list of virtues she possesses, while the man's heroism comes from his deeds and the things he accomplishes. The man fights, the woman inspires.

But during the Battle of Pelennor fields, it is Eowyn who fights, and while she does inspire Merry, she inspires him not as a paragorn, but as an example of courage that Merry finds himself compelled to live up to. He is inspired to fight by her side, instead of fighting for her.

Faramir is sick and unconscious. His agency is denied him by his father, who decides on his behalf there's nothing left for him to live for. And it is a rush for the heroes; Pippin and Beregond, to save Faramir, and it is explicitly stated that Beregond only broke the law because he was inspired to do so out of his great love for Faramir, which is shared by all. In that moment, Faramir's role is closer to the traditional fairy tale princess, whose goodness inspires the heroes into fighting for her during her peril.

And afterwards, it is Eowyn who has to fight to find meaning in life again, to choose joy and hope over despair, which Faramir, with his loving kindness, wisdom, and gentleness, inspires her to do.

I love that, and love thinking on how that affected their relationship going forward.

Eowyn must have liked that with Faramir, she's not being married to someone who will require her to take on every aspect of the so called "woman's role" (necessary, but limiting) which has been inflicted on her at her own expense by the men in her life, so they can be free to partake in the "man's role". Perhaps in turn, Eowyn's predisposition for more martial pursuits; even if she has embraced healing and gardening and no longer lives for battle, would also mean she can take on some of the certain necessary duties that Faramir finds taxing.

Between the two, there must have been a more equal division of labour and responsibilities, and therefore more freedom on both sides. Neither one of them fully suits the roles that society has assigned to them due to their gender, and in marrying each other, they no longer have to.

The last thing she saw on Earth was him.

Subsun or sun candle

As gen-AI becomes more normalized (Chappell Roan encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use gen-AI because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by tech companies. I draw not because I want a drawing but because I love the process of drawing. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

I do love that in Rohan culture, it seems that it's the custom for men to go out and fight and die heroically, and for women to honour their sacrifice by crying over their bodies or at their funerals. The men are to be brave, the woman to be loving. The men are to do great things. The women are to remember.

But in the film, whereas Eowyn's most iconic moment is her slaying of the Witch King, a great, heroic deed that cements her place in history, Eomer's most iconic moment is (arguably) his guttural scream when he sees Eowyn dead on the ground, dropping to his knees and cradling her to his chest.

Not only is Eowyn's most iconic moment a scene in which she takes on, by her culture's definition, the man's role, the most important role of a man, to die heroically, Eomer's most iconic moment is when he takes on the "woman's" role, to grieve.

I do love his "Death!" charge in the books so much, but because of this parallel between the siblings, I also love the film version where there is no battle for him to fight, no justice for him to wreak, there's nothing for him to do but cradle Eowyn to his chest and rock her back and forth.

DROP HIM, DOOKU, DROP HIM AND RUN