“my Friends Think I’m Invincible"

Reblog if you’d be okay if your friend came out as transgender

let’s see how many transphobics we can weed out

GUYS GUYS GUYS! PVP CIV IS BACK! I know I only watched like a month ago, but pvp civ chapter 2!!!!!!!! AND PVP SEAWATT!!!!!!!! I surface from hours of rhythm gaming and my day is ten times better!!!

Reblog with something small you appreciate today:

Mine is clothes that have tags designed to be ripped out or don't have tags at all the information is just printed inside the shirt

fake idgafer, I saw you use maladaptive daydreaming to feel a sense of control and comfort

AUGH. Thinking endlessly of how i'd love to adapt the entirety of the magnus archives into animatic for my own practice and aesthetics

Its majorly monochrome- in s1 the scenes outside of the statements would be grey, but so so slowly shifting to green episode by episode, and by the time s5 hits its nearly logo green. The statements start in the same colors as the 'real' world, and shift to more vibrant/dramatic colors as they hit their peak horror.

Maybe even thinking the fears have their own secret color wheel, and the statements slide into colors associated with the dread power(s) they seem aligned with, but that seems a bit much

Theres two playlists: 'The Magnus Archives animatics' and 'dont worry about it'. The first playlist only goes up to when notsasha is revealed to the cast. The second playlist animatics have a different design for sasha but everything is exactly the same. After the reveal all future playlist links go to the second playlist

The ritual events are more animated the closer to succeeding (or rather, 'succeeding') they get, and maybe more detailed colors or shading. For the watchers crown, john wakes up to partial animation (at least more frames than the rest has been) and full color for the rest of the apocalypse. The area in and around upton house goes back to monochrome but keeps the animation quality

Itd be fun to have a running bit that at the height of each story, theres a frame of the statement givers eye reflecting whatever horrors theyre peeping, but i can imagine that getting old. Maybe it could just be for live statements

I so so so badly wanted john to take the place of the statement givers on occasion while in the apocalypse, just for a choice few sentences once or twice per statement. He more or less keeps a neutral expression, or at least not one of fear, and keeps the outfit of whoever he's seeing out of. Theres so many good points that would look so cool with this. Imagine john telling off younger 'elias' in the memory of his office during rosie's statement. If nothing else i wanna do this bit at Some point

Had the thought that the end of 200 could rip apart into some kind of traditional animation style but that feels too. I dunno. Obvious? Overdone?

Certain i had more but thats all i remember at the moment. Hey would it be fucked up in a cool way if john, while taking the place of one of the kids in the dark domain statement, showed as whatever his kid self from his mr spider statement looked like

So I’m listening to TMA again as one does and I’m on episode 19 and 20 (bundling them because it’s a two parter) and like first of all the voice that the priest guy heard was obviously mother of puppets right? And so then the skin thing happens, which is gross but like- that’s the flesh. And we know that to do a ritual you need the catalyst to be marked by all the fears, and for the watchers crown that’s Jon but for the apotheosis of the web (which the whole reason I’m doing this re-listen is because that was a thing in the fanfic Right By Them by Esperosis on ao3 ((so good I recommend so many)) which may wayyyy to much sense, to the point where I was like— I tuned out half of Annabel Cane’s whole thing at the end of season 5 mostly cause I didn’t get it, so this very well could be an actual thing that I’ve just completely missed? So I’m going on an adventure to find out

1921: four trans activists had their conversation interrupted by photographer Willie Römer. He took this shot outside Magnus Hirschfeld's Institute for Sexual Science 12 years before Nazis stormed the facility and burned its books. The picture is among the most captivating I've colorized/restored from the pre-war era. You can see each subject's expression so clearly. Gwendolyn Ann Smith, the founder of Trans Day of Remembrance, wrote about the photo a few years ago: https://www.ebar.com/story.php?ch=news&sc=news&id=263408

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