The Potions Prince

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You know what I haven't seen yet? A scene where someone has to tell something to Snape, something he won't like, and Snape listens stonefaced while sharpening two knives against each other.

He is not even looking at the other person while the unlucky messenger is talking, sweating bullets, watching the glint of the knives.

And then, whatever that person was there to say is finally said and Snape freezes, knives still in his hands. He slowly turns and lifts an eyebrows, daring the poor idiot to repeat themselves.

So they flee, or faint or start babling something.

It's just... I've encountered a post of Snape using cooking skills in potions while half-asleep (which gave me this idea), but I've never read this.

How is Snape described in the books: a relatively complete compilation

Okay, so this is my attempt at gathering what we have regarding Severus Snape's appearance based on the HP books. It's long, since rowling loved obsessively writing about Snape's looks. It's likely I've missed something, but I hope not much. I didn't dive into what he's wearing or into his self-presentation, just his physical characteristics that are present in canon – people get stupid about that topic sometimes.

Disclaimer: body positivity/neutrality to everyone, I don't support JKR's lookism just as much as all of her other bigotry. Beauty is a deeply subjective concept, no features are objectively beautiful or ugly and none of them identify us as people. The way my imagination and your imagination recreate a picture from the identical textual description might be different.

Snape's nose is constantly described as "hooked":

○"Snape approached their table, stared down his hooked nose at the roots."

○"Snape stared down his hooked nose at Colin."

○"...as Snape swept by he looked down his hooked nose at it without comment" etc.

Altogether I found Snape's nose being called hooked 10 times in the series. There are places where we're shown it's rather big, but they aren't very definitive:

1) “Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people’s business.” – Marauders map, so basically bullies behaving like bullies;

2) "...hatred which had, if possible, intensified last year, when Harry had helped Sirius escape right under Snape’s overlarge nose" – Harry is very mad at Snape and the phrase is clearly used figuratively, not as a direct appearance description;

3)"In the very center of the group Harry saw the dark, greasy-haired head and prominent nose of his least favorite teacher at Hogwarts, Professor Snape" – "prominent" is a broader conception while referring to size, I'd say;

4) "[Tonks'] nose swelled to a beaklike protuberance like Snape’s" – again, the size is mentioned, but not through the words "big" or "large" or "long", and the form is given more empathis.

Undoubtedly it's supposed to be on the bigger side, but it does not, in fact, seem to be "abnormally" large. Making it straight should be a crime though – how can you make anything about that man straight?..

Snape's black eyes are often described glittering or sparkling, but also empty and cold:

○"They were cold and empty and made you think of dark tunnels"

○"Harry forced himself to keep looking straight into those cold eyes"

○“But why not join the feast afterward?” said Snape, his black eyes glittering in the candlelight"

○"He glanced at Snape, whose black eyes glinted, and looked quickly away."

○"He didn’t care that Snape’s face had gone rigid, the black eyes flashing dangerously."

○"Harry blinked. Snape’s eyes gleamed."

○“Don’t lie to me,” Snape hissed, his fathomless black eyes boring into Harry’s"

Snape's eyebrows aren't described in detail, we don't known if they're bushy or thin, but he does that raising one up thing:

○“Yes,” said Harry. “Who’s going to be teaching me?” Snape raised an eyebrow."

And he raises two as well:

○"Snape looked back at her, his eyebrows slightly raised"

○"Snape raised his eyebrows and his tone was sardonic as he asked, “Are you intending to let him kill you?”

Snape's skin is constantly described as sallow – about 11 times through the books. Whatever that word means. Is it like... muted and dull coloured with yellow undertones? Cool!

It's also described as pale, or white due to strong emotions:

○"An ugly flush suffused Snape’s pallid face."

○"Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs"

○"Snape’s pale face, illuminated by the flaming cabin, was suffused with hatred just as it had been before he had cursed Dumbledore."

○"As Gryffindors came spilling onto the field, he saw Snape land nearby, white-faced and tight-lipped"

○"[Snape's face] was marble white and so still that when he spoke, it was a shock to see that anyone lived behind the blank eyes."

○"Snape’s sallow skin had gone the color of sour milk." (very poetic Harry, you should try writing poetry too)

Also idk what's an ugly flush (also: Harry saw the edge of Snape’s sallow face turn a nasty brick color, the vein in his temple pulsing more rapidly; a dull flush of color mounted the sallow cheeks as he looked at Lily), have never seen one in my life, but Snape's face canonically goes full red very quickly and this is the most important part of that meta don't forget about it folks.

His skin is described as greasy twice in the saga, but both times with not much credibility:

1) "Harry could see a vein flickering horribly on Snape’s greasy temple" – temple is the area of the face in close proximity to hair and we'll get there, although aren't Snape's "hair curtains" hiding the sides of his face, including temples? Is he wearing his it freaking braided or what? Overall, I'd say this is just another jab at his hair.

2)"Iwas watching him, his nose was touching the parchment,” said Sirius viciously. “There’ll be great grease marks all over it, they won’t be able to read a word" – Sirius can go fuck himself.

Harry does not comment that at any age there is acne or post-acne on Snape's face so I'd assume his skin isn't greasy. He has visible veins on his temples though (also no eyebags mentioned?? a crime).

Snape's lips are described as thin:

○“Now, now, Malfoy,” said Snape, though he couldn’t suppress a thin-lipped smile"

○"A muscle twitched unpleasantly at the corner of Snape’s thin mouth every time he looked at Harry"

○"The dungeon rang with the Slytherins’ laughter, and an unpleasant smile curled Snape’s thin mouth."

Characteristics of Snape's teeth got two mentions.

○"Snape’s uneven, yellowish teeth were bared." PoA

○“Ten o’clock,” whispered Snape, with a smile that showed his yellow teeth. “Poor Gryffindor ... fourth place this year, I fear ...” HPB

(Also I've literally always hc'ed that Snape is a stress smoker, and since Voldemort came back Snape just started to destroy his enamel with fervour so it coloured up more, everyone should share my headcanons i prove them so well!!!)

Snape bares his teeth some other times ("I wouldn’t bet on that,” Harry murmured, watching Snape baring his teeth"; "It was scary: Snape’s lips were shaking, his face was white, his teeth were bared) or smiles (not pleasantly let me assure you) and most times Harry doesn't comment on it. Actually, it's hilarious how the very first time Harry saw Karkaroff he thought "his teeth were rather yellow", man, do you wanna steal Hermione parents' job? Also yellow teeth are mentioned twice for Sirius in PoA (and no one dares to not notice Gilderoy's perfect teeth, of course, he asked me to mention it). So I'd say Snape has moderately imperfect teeth like a working class kid he is, otherwise Harry would've probably commented on that as much as on Snape's hair, hence almost every time we encounter him.

(but I'm totally headcanoning high canine teeth for him, Snape deserves the privilege of having some more vampirish vibe for free)

Severus' body type and face are described as "thin":

○"He was a thin man with sallow skin, a hooked nose, and greasy, shoulder-length black hair"

○Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs"

○"even Harry, who hated Snape, was startled at the expression twisting his thin, sallow face"

○"He had forgotten the details of Snape’s appearance in the magnitude of his crimes, forgotten how his greasy black hair hung in curtains around his thin face, how his black eyes had a dead, cold look (I fucking love that quote, have you forgotten his lesser crimes which are not looking the way you enjoy, Harry, after he committed bigger ones like murder? good god)

He isn't probably looking very thin, since that description mostly applies to his face. Rather logical, I mean he wears all those big flowy robes that make him look bigger.

Also Snape is average height like about 177 cm/5'10, he's shorter than Yaxley and Sirius, taller than "tall and slim" Narcissa, so somewhere in this range.

The fact that Severus has hunched posture is mentioned twice for a kid/teen!Snape:

○"He was on platform nine and three-quarters, and Snape stood beside him, slightly hunched, next to a thin, sallow-faced, sour-looking woman who greatly resembled him"

○"Round-shouldered yet angular, he walked in a twitchy manner that recalled a spider, his oily hair swinging about his face."

I didn't find any mentions in the books that adult!Snape had hunched posture. It is possible that, like many behaviors and habits, such as the way he speaks, moves, and perhaps writes, it had been deliberately changed by Snape himself.

His fingers are thin and long:

○Snape eyed Harry, tracing his mouth with one long, thin finger as he did so.

○Snape pointed a long yellow finger at Malfoy and said, “Explain.” – yellow can be a way to call sallow skin; a result of working with potions (Snape having potions stained fingers is not book canon, which is a shame) or smoking. Them being thin is noted once, but that goes cohesively with his thinness overall.

The star of the show – Snape's hair, ofc. It gets more attention than James Potter's charachter development. The fact that it's greasy appears in the books minimum 17 times + it's called oily 2 times and dirty once when he's a 9yo kid. People who comment on that, except Harry in his head, are Sirius, Peter through the Map, Fred and George in DH ("Maybe he is, maybe he isn’t, but the fact remains he can move faster than Severus Snape confronted with shampoo when he wants to"), kinda Ron with grinning on Sirius' comment. Actually it's not described as greasy in "Spinners End" and "The Dark Lord Ascending" (so it might as well be your ordinary oily hair with a tad of drama from people who dislike Snape).

It's black – obviously, shoulder-length or "long", which I assume is just a variation for shoulder-length. It's often forming "curtains":

○"Snape went quiet, though his eyes still glinted malevolently through his curtain of greasy black hair."

○"Snape looked around at him, his face framed between curtains of greasy black hair."

○"A sliver of a man could be seen looking out at them, a man with long black hair parted in curtains around a sallow face and black eyes."

At the hilltop scene they're described as straggling:

○"Snape was wringing his hands: He looked a little mad, with his straggling black hair flying around him."

as opposed to being lank before:

○"His hair was lank and greasy and was flopping onto the table".

He had it poorly cut when he was a kid:

○“Definitely,” said Snape, and even with his poorly cut hair and his odd clothes, he struck an oddly impressive figure..."

So as an adult he supposedly cared enough to regularly cut his hair up to Harry's (fashionable) standard. It also doesn't look "dirty", like Harry calls internally his hair when Severus is 9.

Well, as someone with naturally oily hair, depression and neurodivent sensory issues, I can say that if your hair loosely hangs in "curtains" covering/framing your face, you're probably not doing that bad with it! There are a lot of headcanons about why Snape has greasy hair, but honestly, I don't understand why would he need an exuse? Having oily hair doesn't make you unhygienic, that's ridiculous, and there are no signs that Snape (noticeably) neglects his hygiene. Hair types exist, and some of them just need extra-spesial care to look "socially acceptable" or whatever, but people have the right to not bother about it. Whether his occupation and/or upbringing and/or mental health problems affected it – maybe to an extent, but excluding just genetics or physical well-being from it is kinda weird. Let different hair types live and be pretty.

Snape's mom was thin, sallow faced and sour looking, and Harry thinks Severus resembles her greatly; while Severus' hooked nose was inherited from Tobias – "a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner". Harry also does think Eileen isn't pretty since she's described as a "skinny girl; ...she looked simultaneously cross and sullen, with heavy brows and a long, pallid face" (so evidently that's not Harry's type aside from his prejudice to Snape. Harry's admiration towards Krum hadn't made Harry think he's attractive either. Just to remind you: "Viktor Krum was thin, dark, and sallow-skinned, with a large curved nose and thick black eyebrows. He looked like an overgrown bird of prey". Literally Snape's lost cousin).

Honestly, after going through those descriptions specifically, if I remove the evaluative vocabulary and the labels of ugly/nasty/unpleasant/etc., I don't really understand what exactly I should've found ugly? Snape is just not Harry's type of preferred visual, and on top of that they quickly developed a mutual dislike. Nevertheless, no one is obliged to transfer subjective ideas of the (author) protagonist to their own perception. Writing "ugly" after a characteristic doesn't make it "ugly".

That had been a long conclusion.

My short conclusion is that Severus Snape is a babygirl and Harry has poor taste (sorry, no hard feelings).

I had a similar idea, but also very different. Also I want to keep this :)

Plot bunnies - [Severus Snape / Voldemort]

Concept: post-war Snape and post-war Voldemort going back in time, forms a soul bond, trying not to kill each other, and fall in love.

No, but see. Snape knows Voldemort is bad news, but, he also knows about horcruxes, and a lot of the weird changes in the Dark Lord now makes sense to him. He hates Voldemort, fears him, idolizes him, wanting him dead yesterday but can’t help but imagine a strong and sane Voldemort doing good things to the wizarding world. Second chances and all that. Voldemort just hates Snapes gut for betraying him. Snape, who he once trusted the most, once favoured, whom he once saw himself in. All he wanted was to kill Snape in the most gruesome way.

Snape plans to save Voldemort, while preparing for plan B and plan Cs in case he failed, he wouldn’t allow a mad Dark Lord in his world if he can do anything about it. And he is doing something about it. According to his original plan, he is going to kidnap Voldemort somehow, collect whatever horcruxes that was already made, and somehow find a way to piece them together, show his lord about the consequences of his madness, then convince him that no, your old plan isn’t gonna work.

Voldemort plans vengeance, while looking into how not to fail this time, looking for reasons that he failed the last time. Now that he’s not processing on 1/7 of brain power, he sees that his methods perhaps needs some improvements, and maybe, just maybe, 7 horcruxes is a bit much even for him. So while tracking Snape down, he slowly changed strategies, because he truly does want good for the magical world. It’s just, his perceptions were a bit skewed, but death has a way to fix that.

The thing is, neither of them know the other one is also back in time, so, there’s some hilarious miscommunications. Like the assholes they are, Voldemort doesn’t care the Snape in the past doesn’t deserve his wrath, and Snape doesn’t care what Voldemort wants at all.

So Snape forced a soul bond on the two of them, taking advantage of the instability of a fractured soul, trying to use his own soul as an anchor to stabilize Voldemort’s soul. Because he is an suicidal asshole. Now Voldemort can’t torture Snape without feeling a portion of the sensory feedback and can’t kill Snape without dying himself.

Snape is pissed off because he was still angry this version of Voldemort is the one that killed Lily. Yes he is still bitter about it. Voldemort is pissed off because a soul bond is definitely not in his plan of torturing Snape to death, and now that he realizes that this IS the Snape that betrayed him, he wants him dead even more.

But they have to make do, right? They now have a common goal in mind, which is to piece the soul shards together, so that Voldemort can be hopefully completely sane again? And hopefully their bonds will break when the second party of the bond never consented and now a stable and unfractured soul can deny the bond so perhaps it will break?

Because of the bond, they are in each other’s mind. Snape knows he would definitely die a terrible death but at least Voldemort can’t do anything to him now, so he has zero restraint in telling Voldemort that his is a fucking idiot whenever he’s making some bad decisions in anger, like, raiding a muggle village and all that nonsense. Voldemort hates every minute of it, but he is a little grateful for it too.

Anyway, they also research together. The bond is like a google docs in their brain so they’re sharing their researches and adding to each other’s part and for the two geniuses like them, that is probably one of the best research experience they ever had. They understand each other so easily.

Hostility dies down a bit, Snape got injured somehow and Voldemort forces him to stay at his place. Nothing, if you die I will die too and that’s just awefully inconvenient and all that. Imagine the awkward domesticity.

Then, they figure out a way. They prepare for the ritual, both knowing that after that things are going back to trying to kill each other and not die game, and truthfully, they are not too fond of that.

And Snape is Snape, the angst king of all angst. He thinks that Voldemort will absolutely kill him as soon as the ritual is done. But he doesn’t want to kill Voldemort anymore, and he hates himself for being so selfish, and hates himself more for wanting to kill Voldemort.

Voldemort is still suspicious that Snape is going to betray him somehow. But he wants to trust him again. He hates Snape for making him feel that way, and hates himself for being soft.

So. The ritual thing happens. Voldemort is whole again, but the bond did not break. They are both disappointed but a little glad about it.

For the first time in a long time, Voldemort feels his mind is clear and void of the voices telling him to kill and to hurt. For the first time in a long time, Snape no longer has a goal that his life depends on and at risk of dying for. They both feel, a little, empty.

They goes back to the routines. Domesticity is no longer awkward this time and they feel so natural around each other. After spending so long not hiding anything, they feel they can trust each other more than anyone else in the world.

And somewhere in the way, they fall in love, enjoying it while denying it. Both trying to out-flirt the other while pretending that no, there’s absolutely no feelings between them. They have a purely professional relationship sharing the same political insights and the same academic interests. They are NOT a couple. No. What are you talking about Lucius.

And it just became so natural. They wake each other up from nightmares, laugh at the silly and untrue stories on the newspapers, discussing their childhood and their dreams, sharing Thanksgiving dinners and wake up on the Christmas Day smiling and muttering sleepy g'mornings.

One day, Snape says, “I have never apologized for betraying you, have I?”

“Are you apologizing now?”

“No, you were wrong, and you were an asshole, and I am not sorry for going to Dumbedore.”

“Well, I’m sorry for killing you though, and your death had been completely unnecessary, sorry about that too.”

“I am not sorry for the action of betraying you, but I do regret that my choice had hurt your feelings.”

“Thats not apologizing.”

“I told you I’m not apologizing.”

“You are terrible. I should have killed you.”

“Why didn’t you though? We both know that the bond didn’t break because you are holding on to it. For some reasons.”

“It’s just such a pity I guess.”

“For what?”

“I love too much for that, I guess?”

“You guess?”

“I know.”

“Um, you know what? Me too.”

That’s it. The end.

This is the maybe 20k story that’s never going to get written because I don’t have enough brain power to plan out how these two lovely genius assholes scheming to kill each other. I’m no Slytherin.

Someone please write this. I want an LVSS fic so badly.

Red Riding Hood

I'm quite sure most people on tumblr have already read of a story with Red Riding Hood falling for the wolf and what not, but has anyone ever found one about the wolf finding this child alone in the woods and thinking: Why are you ALONE in a forest full of wild animals and monsters?!?! Where are your parents?!?!?

Then the wolf realises that the girl is being neglected to a practically critical point and decides to adopt her or perhaps the little girl starts following the nice man that took her to visit her granny safely and knows where to find the best and juiciest berries.

Anyways, eventually there is a missing report filled not by the girl's parents but by Hood's grandma. And of course, noone would even think abount getting into the deep part of the forest. Cue to bounty hunter, a.k.a The Woodman, who takes the job mainly on principle (granny is not exactly a wealthy woman) an goes looking for the girl.

He finds her and tries to make her go with him when he is suddenly attacked by this huge creature who then turns into a man an treathens to maim him if he even DARES looking at his little Hood the wrong way.

Woodman tries to explain himself and tells him that the girl's grandma is worried beyond words.

Wolf hesitates before looking at his little girl who smiles gleefuly only thinking about visiting her grandma.

And Wolf doesn't want to part from Hood, but he wants her to be her happiest, so he mentally prepares himself for the moment he has to let her go and allows Woodman to lead the way to granny's.

Woodman is kinda shocked, kinda confused when the Wolf scoops the little girl and carries her most of the way, chatting and laughing with her until she asks to walk so she can look for bugs on the way.

He sees the sadness in his eyes the moment the girl is distracted and a pang of sympathy stirres in his chest at those pretty green eyes filled with sorrow and loneliness.

But then they make it to granny's. That woman opens the door, looks at the Woodman, the Wolf and Hood, the later with her little hand in the shifter's big one, all smiles and sunshine as if she hadn't disappeared for MONTHS, and drags the three of them into her house, practicaly shoving snacks and hot chocolated in front of them because her little grandaughter had never before been so happy and relaxed with anyone else above her own age (if even). In short, if this wolf/man of a shifter was her family of choice, then she'll bake extra brownie.

And maybe some cake... that should be enough to feed the blushing woodman sitting next to the happy wolf.

Do you know what would also be interesting?

A serie of one-shots like this. A group of what-ifs. And some characters reacting to them.

So, like you said, what if Lily survived along with Harry, and not understanding his true roll in the war, sent him to Azkaban?

What if Lily helped Severus on the day of his worst memory?

What if he changed schools?

What if he left the Wizarding World?

What if he'd been sorted into Gryffindor? Or Ravenclaw? Hufflepuff?

And some others that, at the begginig, seem to focus on someone else, but they end up focusing on Snape somehow.

What if Riddle hadn't hidden his true upbringing, but still managed to form the Death Eathers?

What if James got over Lily?

What if Dumbledore found out about the horrocruxes earlier?

What if Grindelwald escaped and formed a third party on the war?

And... Well, you get it.

I just think it would be hilarious to have most people realize that, yes, Severus is important. All the while Dumbledore and Voldemort are squeezing their brains, trying to think of a way to ensure tge man's loyalty.

And Severus only thought is an absolutly miserable "Why me?"

(Fic Idea)Lily and Harry Survive But...

Lily and Harry survive, Lily throws Severus into Azkaban. She watches with gleeful pleasure as the dementors suck all the happy memories away from him. She hears him beg "Please don't take her away from me" and wonders who he could be talking about. A few days later she goes to him to gloat but he doesn't recognize her. The story could focus more on Lily finding out all the things Severus did in the first war since he switched sides. One could create a few dramatic and painful choices he would have had to make then as well.

Ending with the grim prospect of the dark lord rising soon on the horizon and no spy to keep the pace of the war in check. ----

Maybe make a few known and beloved characters attempt to spy only to fail miserably/go insane/ switch sides.

Those who fail of course get tortured and killed for information, making the war even harder.

-------

The entire focus of the fic would be to highlight how monumental Severus Snape's contribution to both wars was.

I've been reading a lot of Bill Redeption fics, and I've noticed how Mabel is usually the first to warm up to the triangle.

Now, I've seen a post sugesting a scenario where she is the last instead, because of all the shit he put her trough during Weirdmagedon with the Dream Bubble. And it's true, it would be good to read.

But is there any fic where the first to warm up to Bill is Dipper?

I'd like to see Dipper reluctuanly getting closer to the Dorito because he is curious like his grunkle Ford was, but also because with all of Bill's weirdness and crazyness, Dipper can't help but be reminded of Mabel. I want Dipper to take a look at this strange and now very lost creature trying to make sense of his insane, new reality in his own way and see Mabel. See her in the weird things Bill could sugest to eat, on the strange ways he'd like to have fun, on the risks Bill would sometimes take without realising, on his wish to always have fun, on his constant talking, on his need to be seen and heard and not to be alone.

I want him to take a look at this no longer so evil Dorito and find his sister on him.

And how could anyone so alike to his sister be completely bad?

And then, on the other side would be Bill, seeing Dipper and being unable to not see Ford the way he first found him, naive, cautious with others but so eager to know more. Not a substitute, never that, but a memory of old, good times.

Just... think, try to imagine this.

When writing emotionally reserved characters:

Show your character's struggles with holding in emotions. Just because your character won't let themself go in public, doesn't mean they don't struggle holding everything in.

Find a motive. Pride and/or consideration for those around them can make emotionally reserved people hold back more than would be considered good for them. There are other reasons too, perhaps the initial cause and the reason now are different, but try to give them a reason.

Show side-effects. Everything you bottled up shows itself in another way, whether it's physical or mental. This can be long- and short-term, depending on the severity of the emotions.

Give them coping mechanisms. Everyone who wishes not to show certain emotions has a trick or two to keep themselves in check. Taking a sip of water, not looking people in the eyes, clenching their fists, breathing just a bit too deeply.

Write subconscious signs that they give off, which close friends or family might pick on. Just because these characters want to keep their emotions to themselves, doesn't mean they don't give off signs. Some manage to keep said signs well hidden from those closest to them, but it's more common for environment to pick up on something at the very least.

Ok...

I need someone in the WW with a gun. Preferably Severus Snape. And I'm not saying he should go and shoot the Marauders or Voldemort. I'm saying that people in the WW are so fucking condescending that I want them to see and understand why exactly there is a statute of secrecy.

I clarify that this is mostly something I see in ff and I'm not sure if it's so much like this in canon. Feel free to tell me.

But back to the point, the amount of wizards compared to muggles is laughable and with the appropiate weaponry wizards are toast.

Also, poverty. I headcanon that the concept of poverty in the WW and in the MW are not the same. People goes on and on about how poor the Weasleys are and, ok, they aren't rich, but with only one working parent they manage in a family of nine? Wtf?

Ok, Ron took his own food instead of buying from the cart on the train, and yes, they used hand-me downs. That doesn't seem like enough reason to view them the way everyone there seems to.

Arthur literally works in the goverment.

Now, lets think about the people we see briefly on Knockturn Alley. They look very poor.

What does poverty entail in the WW?

Lets go step by step.

Assuming you can pay for housing, even if not a very good place, and you are able to afford enough food.

There is no electricity in that world, so that's one thing you don't have to consider. There is gas, maybe, if there are normal ovens. Then water.

And then you have bills to pay for your property.

Then, normally a person would have to pay for the furnishing and clothes they use, correct?

Everything, and I mean everything you own would be used indefinitely.

With no magic things break and clothes wear off. They can also be too big or small. Or maybe you simply don't like them, idk.

With magic everything can be repaired as many times as you need and what you fixed would be as good as new (for exampke, Harry's glasses in the first movie where an 11 years old Hermione fixed them). Clothes, maybe can't be repaired (though I doubt it), but if you are careful, with shrinking and enlarging charms, they could be used for a long time, maybe even by different people. I idk if there is enough transfiguration around for you to change clothes into something you like better. Going by Ron's reaction at the suit he used for what I think was the Yule Ball, I'm guessing you can't (which I find weird, but ok, lets go with that).

Conclussion, clothes and belongings would not be as much of a problem in the WW than in the MW.

Lets go with light, water and gas, yeah?

There is no electricity. You can literally make water appear. The amount of effort required is not specified, but if you had need of clean, drinking water, you can get it. And if you can't afford gas (assuming it's actually necessary in that world), there are spells to start fire, to heat water and who knows if there are actually spells to warm up a person.

Now, lets make thing even more unfortunate and assume you have nowhere to live.

Are you going to tell me that a person wouldn't pull up a Newt Scamander and live in a bag? Hermione charmed her bag in DH, so it can be done. Maybe get a cereal box and charm it to live there, who knows?!

And food. Ok, this may be a real problem, but perhaps there are also ways aroud this. Going and growing your own food it's not easy, but if you can create different micro-climates (again, Newt Scamander), and with spells and potions you can't convince me don't exist, it is possible.

But would it really be necessary? Would a person with magic reach that point when they can go to the MW and use their magic for easy coin? They could go around fixing things with no effort and receive regular payment. They could scam people or rob a house and go to Gringotts. Sure, justifying the money could be a problem, assuming the goblings care. Or they could simply buy everything in the MW and discard Gringotts.

My point, people in the WW would not imagine how things could be if they found themselce with no way out.

Perhaps I'm being unrealistic (even if we are considering magic) and am not seing something or cknsidering other things that would make all of this things too hard to be pulled of. Once more, feel free to tell me.

But lets go back to the gun thing, ok?

Because with all I've read in fanfiction I feel like wizards are portrayed in a way that makes them seem incredibly condescending of muggles while at the same time they manage to remain ridiculously ignorant. And even if I'm going by a lot of what I see in fanfiction, I feel that canon is not very far from it.

So, lets give someone a gun, lets get someone shot, not fatally, so they can tell the tale. Someone should be hit or nearly hit by a car. Damn, make someone get electrocuted. Make them see the effects of drugs.

Take them to a fucking hospital so they may see what its like to break a bone and have to endure a surgery and weeks or even months without being able to use a limb because there's no quick, easy fix.

I have this headcanon that some people in the WW need a reality check.