Can we discuss the recent uptick in dismissal of the League’s sociological issues and goals? Because I am lately seeing a lot of talk about how the League aren’t “Social Justice Warriors”, and that their societal angles are getting dropped for good in favour of their individual traumas; which is weird when society is the root cause of their traumas and, in turn, their villainous activity.
It’s not even that these readers are wrong in their assessment of them or anything; it’s not like the League are trying to change minds here, and it would be very polite indeed to call their activity “direct action”. It’s just the complete dismissal of their ambitions and the genuine good that could come from them that has to be weighed against the damage they do. Especially when the claim gets added in that the League doesn’t even actually care about this stuff anyway; that’s how they expect it’ll get dropped so easily.
Toga wants to change the world into one where she doesn’t need to fear for her life because of the way she was born. This is purely selfishly motivated, and that others like her may benefit from this change is incidental to her. But because it’s selfishly motivated in her own survival; we know Toga cares about this very much and won’t just drop it. And those people like her will benefit regardless, and will be less likely to become villains like her if she gets her way; which is why it shouldn’t just be dropped.
And pretty much all of the League are like that. Like, I’ve seen it said all all the League are doing is “pointless destruction” but that’s simply not true. Whether it be hero accountability, oppressive use of force, quirk prejudiced, general corruption in the industry, or all of the above + the promotion of the bystander effect; the League all have something they’re fighting for that’s getting dismissed here. And while this is incidental to them, they’re also fighting for a reduction in future crime & villainy too.
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Eating Star Fruit because my stomach is a black hole. The taste is absolutely cosmic ⭐🌟✨
is there anyone out there with a nyt cooking subscription
will they send me the chamomile tea cake with strawberry icing recipe
So, you know how certain Christian missionaries are trained to act in a very obnoxious way, so that most people they preach to will reject them outright, so they feel like the world hates them for being Christian and they can only be friends with fellow Christians? You know that thing?
I think as activists, we sometimes need to stop and ask ourselves whether we're acting like those missionaries. I think this type of behavior is a little more ingrained into our society than some of us realize, and some of us have internalized it without realizing what it's actually meant to do.
The Blue Spirit putting out firebending with a bucket of water is the absolute funniest thing ever done in avatar combat. It just is.
I think people need to understand that when someone says the situation in Israel/Palestine is complicated they are not necessarily saying that the discussion of who the oppressor vs oppressed is complicated. The Israeli government has been oppressing the Palestinians for a very long time, that is clear, and it is not complicated to understand that at least since the 80s they have had dramatically more financial and military power to keep control of the territory in the way they like.
However, it is reductive and dismissive to insist that there is no complexity in the potential ways to move forward to bring peace to the region. Despite what people on tumblr.edu like to believe, "Israel should never have been created" is not a practical solution to an incredibly heated geopolitical situation in the present day. Israel was created and it does exist. 10 million people live there. 74% of the population is native born and the country has existed for 75 years. Hand waving these fact away with the opinion that "they should move back to where they came from" may make you feel good about being a Radical Leftist, but it does not give anyone a road map for how exactly millions of people without dual citizenship are supposed to just up and evaporate. Nor does it acknowledge the reality that 21% of Israelis are Arabs, the very people you are claiming to want to give the land back to.
Insisting that there's nothing complicated about expecting an entire country's population to willingly dissappear with no consequences is not a productive way to think about this conflict. It ignores the many massive superpowers that have an interest in proping up different states in the region, the power dynamics involved in any land back movements, and the inevitably negative consequences of totally dissolving an established state without a plan. It is also completely and almost comically unrealistic, so much so that it makes it hard to believe that anyone who's opinion starts and ends with this idea really gives a shit about anyone who lives in the area as much as they care about their online leftist clout.
There's nothing complicated in understanding that the Israeli government is and has been maintaining an oppressive apartheid state for decades. It is, however, very complicated to come up with a realistic way to resolve some of the most intricately entangled land disputes on the planet without plunging the region into total chaos. Not everyone has to be deeply educated on every geopolitical situation, but it is very hard to take people seriously when they know nothing about the politics or history of a region and yet insist that there is nothing complicated about it at all.
There's a lot of people on this website who are getting dangerously smug about their own ignorance, and are starting to go down Qanon type anti-intellectual paths in the name of being sufficiently radical. Not knowing the details of a very convoluted land dispute isn't something to brag about online as you call for intentionally reductive solutions. You can support the Palestinian cause and be aware of the oppression they have faced while also holding off on calling people trying to do real analysis and de-escalation work bootlickers. We need to get control of the urge to fit every global issue into a simplistic YA novel narrative structure that appeals to Western revolutionary fantasies.
Another worldbuilding application of the "two layer rule": To create a culture while avoiding The Planet Of Hats (the thing where a people only have one thing going for them, like "everyone wears a silly hat"): You only need two hats.
Try picking two random flat culture ideas and combine them, see how they interact. Let's say taking the Proud Warrior Race - people who are all about glory in battle and feats of strength, whose songs and ballads are about heroes in battle and whose education consists of combat and military tactics. Throw in another element: Living in diaspora. Suddenly you've got a whole more interesting dynamic going on - how did a people like this end up cast out of their old native land? How do they feel about it? How do they make a living now - as guards, mercenaries? How do their non-combatants live? Were they always warrior people, or did they become fighters out of necessity to fend for themselves in the lands of strangers? How do the peoples of these lands regard them?
Like I'm not shitting, it's literally that easy. You can avoid writing an one-dimensional culture just by adding another equally flat element, and the third dimension appears on its own just like that. And while one of the features can be location/climate, you can also combine two of those with each other.
Let's take a pretty standard Fantasy Race Biome: The forest people. Their job is the forest. They live there, hunt there, forage there, they have an obnoxious amount of sayings that somehow refer to trees, woods, or forests. Very high chance of being elves. And then a second common stock Fantasy Biome People: The Grim Cold North. Everything is bleak and grim up there. People are hardy and harsh, "frostbite because the climate hates you" and "being stabbed because your neighbour hates you" are the most common causes of death. People are either completely humourless or have a horrifyingly dark, morbid sense of humour. They might find it funny that you genuinely can't tell which one.
Now combine them: Grim Cold Bleak Forest People. The summer lasts about 15 minutes and these people know every single type of berry, mushroom and herb that's edible in any fathomable way. You're not sure if they're joking about occasionally resorting to eating tree bark to survive the long dark winter. Not a warrior people, but very skilled in disappearing into the forest and picking off would-be invaders one by one. Once they fuck off into the woods you won't find them unless they want to be found.
You know, Finland.
i think i like the four swords manga so much bc there is some just. very up my alley character and ship archetypes in there, but also the message itself and emotional beats hit surprisingly hard?
(long analysis below)
i like the idea of this character who is so ATTACHED to the idea of being an outsider and harming others, because he believes that he will never belong in the light with them. over the course of the manga, shadow link develops genuine fondness for vio, shows vulnerability through that fondness, and gets betrayed. no matter how real the feelings were between them, vio couldn't bear to hurt his friends or the world. it devastates shadow link; really gets to him. i wonder if he even knew he could have these feelings, falling for the very ruse he attempted to use on vio to get him on his side. while shadow is very ridiculous and theatrical in general, it doesn't seem fake when he expresses that he's glad vio has joined him. it also seems very real when he breaks down after the betrayal.
zelda choosing to be kind to shadow rather than mock him for being foolish is like the final straw that shatters his world view. she asks if he really thinks the light will hurt him, and challenges the notion that he isn't a hero deep down. she's not making excuses for him or telling him who to be; she's naming his deepest insecurities loud and clear and telling him it's okay to be scared. she's not rubbing salt in the wound of vio's rejection, but instead suggesting that shadow could find belonging with others if he took a leap of faith and tried to be their friend without an ulterior motive. shadow gets so giddy about the idea of doing havoc with vio, and it's like buddy, you're experiencing happiness because you like vio, not because you like being evil. i think deep down, we all just want to find Our People. and i can't stand to be cynical enough to suggest that we all don't have at least someone out there for us. it's just harder for some people to belong than others, as is the case with shadow.
shadow link is messed up and destructive to the people around him, unable to even imagine belonging in the light so he settles for chaos in darkness--but he submits, by the end of the comic, to the terrifying truth that he is deserving of love and capable of loving. i say terrifying because in an allegorical sense, it's kind of the equivalent of saying "i'm gay/mentally ill--i can't change that the world is harder for me, and it will be harder to find people who understand me, but i'm doing a disservice to myself and anyone i could hypothetically love by not trying to be my best self." it's a great and fairly uncommon message, especially for teenagers and young people in general.
i mean dude, talk about a bizarre but weirdly resonant reflection of the "gay teenager developing feelings for their best friend" experience. shadow link sets out to manipulate vio at first by appealing to his ego, no personal stakes in the game, but almost IMMEDIATELY falls DOWN BAD for this guy and becomes incredibly emotionally vulnerable around him. shadow link is genuinely LIVING for the time he gets to spend with vio, being as chaotic and theatrical and unrestrained as he pleases. he really believe that vio sees him, and likes him for who he is (which for the record i think is true, but vio also cares about his friends and the fate of the world, things that hold no meaning to shadow).
vio betrays shadow and it genuinely hurts, and that's kind of incredible for a short comic with a lot of goofy moments. and then shadow's resolution is vindicating too, he has agency in the choices he makes, and he does the right thing because he finally believes he doesn't need to remain in the darkness. he disguises himself to help the four because he knows they don't trust his face, really demonstrating the selfless desire to end all the magic shit that put him and the others in archetypical dark/light boxes. shadow link changes a lot in a short period, but the fact that to the end he believes that he still isn't like the others is negated by them saying he's part of "the body" and their friend. his "death" is very simply put in the text--"when a shadow turns to light, it disappears." it's not like a real death. it's a permanent and meaningful statement on how much shadow has changed, and found belonging and acceptance. if shadow's physical form came from feelings of spite and resentment, it makes sense that it no longer needed to exist.
and to TOP IT OFF, he does "end up" with vio and the others, if we're viewing The Full Link as an allegorical friend group or community. he's not quite as homogenous as they are, but rather serves as a shadow of the four. i love the panel where he's giving a thumbs-up from link's shadow so much. that's so simple and obvious, but honestly poetic. because like, in some ways you're never going to be just like everyone else. finding friends who are also gay or mentally ill doesn't make you any less of who you specifically are, and in at least some ways your friends and loved ones are always going to be different from you. i don't like it when the ultimate takeaway from a story is "once you live happily ever after, the darkness will be all gone," because hello??? some things never go away, and the darkness has, for better or for worse, made you who you are! qualities i see in shadow link are sardonic humor, unusual expressiveness, and a deep sense of caring towards His People/Person. those are fueled partially, but not entirely, by his not-great circumstances and deepest fears... but they're also where he shines.
you can be different from other people without resigning yourself to an lonely and unhappy life. coming out doesn't make you any less gay; seeking treatment doesn't magically cure mental illness; but acknowledging yourself for who you are is life-changing liberation, and necessary in the pursuit of happiness. these are huge and scary steps that especially young people are struggle to take, settling for resentment over the possibility of rejection. shadow link takes a chance and finds belonging, but still maintains the parts of himself that give him such a distinct personality. he is accepted for who he is, and at the end of the day who he is is not dark force whose sole purpose is to ruin lives, but just a strange gay-ass little dude who's a little bit extra but good at heart. and vio, as well as the others, appreciate that wholeheartedly. at the end of the day, the Whole Link just isn't the Whole Link without his shadow.
i don't know man, it's always special to me when an angsty character is written not as a joke, but as an opportunity to give people hope. even in the most obscure of places, even in ways that i can analyze endlessly but mean nothing to the average person. maybe none of this was the authors' intention. even if the manga was just, like, a shallow implementation of tropes and characteristics i'm a SUCKER for, i'd still love it to bits.
but i do see something a little deeper here, i can't help it. clearly the story has resonated with a small but dedicated group of fans, many of whom read the manga as kids or teens. i'm... honestly a little jealous of that. it's the kind of story i needed, and the kind of story i wish to tell. this series is truly a gift that keeps on giving.
Being an aromantic asexual is weird. We defy not one, not two, but three societal norms; heteronormativity, compulsory sexuality, and amatonormativity. It gets even weirder when you’re indifferent (even favourable!) when it comes to sex and romance because you think your experience is universal, that everyone feels the way you do. It’s not feeling wrong and broken and out of place. It’s feeling normal, and then realizing that you aren’t.
Thinking (read: assuming) that you’re straight for most of your life and then finding out you’re not is weird. Mostly because once you realize you’re not straight, it dawns on you that you feel the same way about boys that you do about girls and non-binary people. And then you wonder if you’re pansexual because they’re attracted to all genders, and you have to be attracted to someone, right? And then that thought is immediately dismissed because you don’t feel attraction, at all. But it doesn’t stop you from contemplating every other sexuality and romantic orientation, because you’ve been taught that everyone wants sex and romance.
And then you remember: you like sex and romance in fiction. You like seeing your friends in happy, healthy, consenting relationships, and you’d always assumed that one day, you’d be in one too. But you’ve never pursued one. You never had more than a fleeting interest in boys, and lingering but still platonic affection for your female and non-binary friends. Those “crushes” that you had in elementary school? Maybe not crushes after all, because God knows you haven’t had one in nearly eight years. The most powerful feelings you’ve had for another person have been squishes so intense that you had to look back and question if it was actually romantic attraction (spoiler: it wasn’t).
And then there’s that epiphanic moment when things start to fall into place. Why you were always so vehement that soulmates could be platonic too. Why the idea of loving someone more than your best friend is incomprehensible (because romantic love is always shown as being more. Hello amatonormativity). Why when you ship fictional pairings, there are people you want to get together romantically, people you want to be friends so bad, and the ships that you like the most are the ones that could go either way. Why you desire emotional closeness and intimacy with the people in your life, but that had always been conflated with sex and romance so you wondered if what you wanted was more than friendship. Why you want to take the expression “more than friends”and burn it to the ground because there is no vocabulary for friendship that exceeds “best friend” without crossing over into romantic and/or sexual territory.
You realize that your ideal relationship isn’t necessarily romantic. It’s best friends who cohabitate and snuggle and hold hands and go on adventures to the library together. Kissing and sex? Well, that’s more of an afterthought. A “yeah, that’ll probably happen somewhere in there.” An assumption, because you’ve been taught that primary, monogamous relationships are always romantic and sexual. You reflect and see that there are very few things that you see and inherently romantic, and that there is a lot of cross-over between things you consider platonic, sensual, and romantic. A grey area that you can’t define.
Being an aromantic asexual is weird, because while I’ve always said that you don’t need romance and sex to be happy, I now realize that it applies to me too.
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Note from mod fitz: This has to be one of the most moving descriptions of this I have ever read. This exactly describes how I felt coming to the realization that I was not straight, and I think had I read this when I first began questioning it would have made things go a lot smoother for me. Thanks so much for submitting!