Local idiot SHOCKED that it’s more enjoyable to paint, rather than complain about not having the time to paint.
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I found this blog on imgur as a link when some one posted your comic about Bart and Chris being a couple. I loved it such an interesting idea and a good way to approach those issues. Also I totally ship Bart and Chris now lol
I’m sorry I’m responding to this so late, but thank you!
Queer Code -- hard copy $5!
So... this was originally gonna be a few pages explaining “queer coding” but the further I got in it, the more I had to say, so I chopped up the first few panels I made, rearranged them and added like 6 more pages.
When I heard they were making a tv version of “Preacher,” I decided to give the comics a read. I’d read some of Garth Ennis’ other stuff back in high school and I always heard him put up there with Neil Gaiman and Alan Moore.
By the end of the first arc in “Preacher,” I basically had to will-power my way through the rest of the comic because I wanted to know how it ended. Despite having read the whole damn thing only a few months ago, I can barely remember any of it, except for how utterly aggravated the whole thing made me. The most POSITIVE depiction of a queer character in the whole series is of a self-loathing gay cop who can only have sex with other men when they’re beating and humiliating him. THAT’S THE MOST POSITIVE DEPICTION OF A QUEER CHARACTER.
And then I recently read some contemporary manga
“Soil” -- One canon queer character. A gay man who is a serial child molester.
“One Punch-Man” -- One canon queer character. A gay man who is basically a walking prison rape joke.
“I Am a Hero” -- One canon queer character. A transgender man who is repeatedly misgendered and insulted and ultimately dies. But he’s not a rapist or a murderer, so yay representation?
I’ll admit, this comic is coming from a place of anger and disappointment. That the Big Names in Serious Graphic Novels (some of which I really enjoy and really influenced me) still have so much homophobic/transphobic content. That a lot of contemporary comics haven’t progressed much further. I don’t expect every queer character to be a hero, but when you have a mere handful of queer characters and the majority of them die or are villains, it’s a problem. I’d rather see a body horror metaphor for queerness than see another shitty canon queer trope.
Shout out to my fellow queer comic book makers. Even if you’re just xeroxing comics in the campus computer lab and giving them to friends, you are doing good work.
And if Garth Ennis wants to argue that “Preacher” isn’t homophobic, I am ready to throw down in the alley behind my apartment. And by “throw down,” I mean “debate.”
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I regret to inform you that I have begun scripting and thumbnailing another Simpson’s comic. Not directly/explicitly related to my previous comics. No idea on how long it will take to complete. So, y‘know, watch this space.
Returning to this painting for the first time in well over a year and just obliterating it with saturated colors.
Also finished this painting but need to find the cables for the scanner to actually get a good quality picture of it.
“Rich Forest of Breath & Burrow”
12x12, acrylic, thread, and bone
I just dropped off this piece at @pushpullseattle, for their art and poetry show “Stanza,” which opens Thursday the 18th!
There will also be a limited run of books with the pieces from the show, and the original poems that inspired them.
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Lestat, Louis, and Armand, all as variations of Pierrot. Done with Molotow and Posca paint pens, and color pencil.
Lestat's costume is mostly based on the painting of Pierrot by Jean-Antoine Watteu in 1718. Louis' Pierrot is based on the costume worn by Jean-Charles Deburau, as photographed by Nadar in the 1850s. Despite being the oldest vampire, Armand's costume is the most contemporary, as it's based on the 1975 film "The Adventures of Buratino." This is because Armand is a Theater Nerd (Lestat is a Theater Gay, there is a difference) and he thinks that outfit is the most inventive.
My latest strip for the Seattle Weekly!
People keep asking if I’m gonna move back to Texas after I get my master’s...
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charismaticoutcast said: These are really neat! Do you mind me asking how you put your artwork on shirts/other accessories like this? Is it silk screening? I tried doing this awhile back and failed miserablyXD
No problem!
I use a printing service -- society6. I size my images to their specifications and they print and ship the product for me. They use, at least for the cloth products, a "direct to fabric" printer. I've ordered shirts from them before, but only on white so I can't speak for the other shirt colors, and the images have always been well printed and pretty darn colorfast.
However, because they do the printing and shipping, I only get a portion of the payment. But, compared to other printing services, their prices are pretty good. At society6 a 21x28 inch print costs $35 and I earn $8.65. You can raise the prices on your prints so that you earn more, but I try not to price myself out. Compare that to the print services at DeviantArt where the standard cost of a 24x24 inch print is $45 and the artist earns $7.50.
I haven't done screenprinting before, but I have used linocuts and fabric ink. If I ever chose to sell those, other prints that I created myself, or original pieces, I would sell them somewhere like etsy or storenvy, where I would just pay for hosting on their website and would be able to set the product prices myself.
Hello, my name is Panic. Find my other links on my Carrd
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