Saw This Post And Now I Can't Stop Thinking About How Will Never Talks Casually Around Hannibal Despite

saw this post and now i can't stop thinking about how will never talks casually around hannibal despite us knowing he is fully capable of doing so.

that scene with molly on the phone demonstrates this so well- will is fully capable of chatting and joking around and not talking through indirect gestures nearing the realm of poetry, but he never does that with hannibal.

Saw This Post And Now I Can't Stop Thinking About How Will Never Talks Casually Around Hannibal Despite

with hannibal he speaks like a poet. not to say he's rambunctious around everyone else, of course he's a quiet and blunt person. but as their connection continues on, will seems to pick up hannibal's artsy, aesthetic, scholarly way of speaking. mirroring the one person who makes him feel safe.

Saw This Post And Now I Can't Stop Thinking About How Will Never Talks Casually Around Hannibal Despite
Saw This Post And Now I Can't Stop Thinking About How Will Never Talks Casually Around Hannibal Despite

it seems like anything other than poetry doesn't feel adequate for them, the way they make each other feel isn't done justice by anything casual. it'd be like calling the sistine chapel "cool". when they speak to each other, all the words that leave their mouths are always completely intentional. they treat conversation like a flirty game of chess.

i love hannibal because its a love story told through the lens of violence and murder and pain and torture, but its all about something as soft and sweet as two people not knowing how to speak to each other.

i think that's a large part of why their love feels so warm despite everything. it's earnest, it's juvenile, and it's beauty is most often manifested through carefully thought out words, and the occasional indirect confession of how much they matter to the other. they don't need touch, they just want to make poetry out of one another ˊᵕˋ

More Posts from Pascalslilpunk and Others

6 months ago
(source For Poem: Two-bees-poetry)

(source for poem: two-bees-poetry)

5 months ago
"when Are You Ever Gonna Shut Up About Hannibal Trending On Tumblr?"

"when are you ever gonna shut up about hannibal trending on tumblr?"

me: "never. i'll celebrate this every single time"

5 months ago

ultraviolence is so real

who’s gonna match my freak and do coke while we listen to ultraviolence by lana del rey?

6 months ago

"Are you sure you can't stay?"

"I don't think I would be good company."

"I disagree."

We are not appreciating enough the simplicity and genuineness of this dialogue. Who has made Will feel like he is not good company? His reason for not staying is not "I'm busy" or "I'm not into this kind of things", he says he is not good company. His response is very empathetic if you think about it because he is thinking about how he is perceived by Hannibal and the others.

We couldn't see the whole conversation unfortunately but Hannibal's question implies that he is asking Will to stay for a second time. He had probably asked him earlier, Will had refused without giving a reason but later he brings the bottle of wine to make up for not staying and Hannibal insists that he should stay. And for someone who doesn't have friends and is not invited to stuff, I think it meant the world to Will that Hannibal really meant it. Hannibal really wanted him there. And Hannibal disagrees with him but not out of politeness, he is super genuine. To him, Will is good company. Anyway I will go cry now.

5 months ago

THIS is what shouldve happened.

Fic Snippet

Fic Snippet

Title: The Other Half of Me

Pairing: Will Graham/Hannibal Lecter

Summary: He finds Hannibal, as he expected, sitting in front of the Primavera. He lays eyes on him for the first time since Hannibal gutted him and it feels like the world sharpens into focus, though he had been unaware of the blurry edges before this moment. Will stares at the expanse of Hannibal’s back and he aches.

~

Prompt - "So much about this feels like a dream."

A Dolce divergent inspired by two of Lisa's beautiful paintings [x]

~~~~

As Will walks through the sprawling halls of the Uffizi he still does not know what he is going to do once he finally finds Hannibal. Two desires still war in his breast, yearning and retribution at odds within him - conflicting feelings that have plagued him since his imprisonment, they followed him from his cell back into Hannibal’s office and they refused to leave him even when his blood spilled in rivers across Hannibal’s kitchen floor as he desperately clutched Abigail’s neck in his hand. Even having the thought of his own child taken away and his surrogate child stolen from him a second time haven’t extinguished his desire, nor did betraying Hannibal sate his wrath. He remains stuck in limbo, chasing the shadows of Hannibal and Abigail in his mind. 

He finds Hannibal, as he expected, sitting in front of the Primavera. He lays eyes on him for the first time since Hannibal gutted him and it feels like the world sharpens into focus, though he had been unaware of the blurry edges before this moment. Will stares at the expanse of Hannibal’s back and he aches. He walks forward slowly, limping a little, and watches the slightest tilt of Hannibal’s head - an acknowledgement of Will’s presence as he no doubt catches his scent. Will steps up to the bench and cannot control the urge to touch, to make sure Hannibal is real in front of him, and he lays a gentle hand on his shoulder. The warmth of Hannibal’s body is searing against his palm, even through the layers of clothing. Hannibal looks up at him and smiles, something soft and genuine, an expression Will has very rarely seen before and his heart twists in his chest. He sits beside Hannibal and can feel his eyes on him, he gazes back and simply absorbs Hannibal - both of them battered and bruised as they sit before the glorious painting. There you are.

“If I saw you every day, forever, Will, I would remember this time.” 

Will can’t help the way he smiles at the almost ridiculously sweet sentiment, yet he can feel the honesty of those words and read it in the softness of Hannibal’s expression and his tender amber eyes. He has no doubt that Hannibal truly means those words. He can feel the thorn of wrath and retribution ease, his anger and hurt melting as he, not for the first time, feels the urge to kiss the other man.

He sighs, “Strange seeing you here in front of me. Been staring at afterimages of you in places you haven't been in years. I wanted to understand you before I laid eyes on you again. I needed it to be clear... what I was seeing.” He needed to find some clarity, to learn as much as he could about what made Hannibal the man he is and chase those pieces Hannibal kept so deeply buried. He needs to be sure that what he sees when he looks at Hannibal, that the emotions he perceives from him are rooted in reality and not a thread of his own deep yearning. 

“Where does the difference between the past and the future come from?” Hannibal asks, his voice low and the cadence reminds Will of the dark, quiet hours in Hannibal’s office and dining room. 

“Mine?” Will says softly as he looks at Hannibal, he has barely taken his eyes off him since he sat down, choosing to stare at him rather than the exquisite painting on the wall, “Before you and after you. Yours? It's all starting to blur. Mischa. Abigail. Chiyoh.”

“How is Chiyoh?” 

“She pushed me off a train.”

“Atta girl.” Hannibal remarks with mirth.

Will casts a glance to the sketch pad on Hannibal’s lap, a rendition of Zephyrus and Chloris etched onto the page, his own and Bedelia’s face stare back at him. He looks up at the painting and words slip from his lips, “You and I have begun to blur.”

“Isn't that how you found me?” Hannibal asks. 

“Every crime of yours feels like one I am guilty of. Not just Abigail's murder, every murder... stretching backward and forward in time.” It’s a strange and disquieting sensation, to feel so connected to Hannibal that they almost exist as one being, one soul separated into two bodies but forever tied. 

“Freeing yourself from me and... me freeing myself from you, they are the same.” In this moment Will knows Hannibal feels the same, it is just as difficult for Hannibal to sever their connection and Will wonders if he feels the same sense of being torn in half in his indecision. 

“We're conjoined.” Will says with a faint smile, “I'm curious whether either of us can survive separation.” As he says the words it finally clicks and his inner conflict falls quiet. Oh. I’ve been looking for you my whole life and I didn't even realise it. In the end it’s ridiculously simple. The core of it all just muddied by their actions, clouded by a cycle of reciprocated violence. He feels like laughing. 

“Now is the hardest test: not letting rage and frustration nor forgiveness keep you from thinking.” 

Will knows that Hannibal is half expecting him to attack, to react with wrath, and part of him wants to - a desperate and wild impulse to lash out to hurt and mark and scar. But despite that, despite everything, Will finally makes a choice. 

He reaches out, broadcasting his movements and his empty hands as he moves closer to Hannibal, the other watches him sharply and Will wants to smirk because he knows Hannibal does not know what he’s doing. He admits he enjoys the fact Hannibal can’t predict him and, in times like this, it works in his favour. Will cups Hannibal’s face in his hands, his thumbs lightly stroke over the sharp cheekbones he has admired since they first met. He delights in the way Hannibal’s eyes widen just slightly and the hitch of his breath. Unable to wait any longer, to deny himself any longer, Will moves.

He presses his lips to Hannibal’s unmoving mouth and sighs softly. Kissing Hannibal is nothing and everything like he fantasised. Hannibal is warm and his lips are soft, Will swipes his tongue across Hannibal’s bottom lip and hums quietly at his first taste. For a split second Hannibal freezes, the clatter of his pencil hitting the floor is loud in the loaded silence, then he is a flurry of movement. Large hands roughly grasp Will’s lapels to haul him closer and the previously still lips roar to life, Hannibal’s mouth turns hungry and demanding - teeth nip Will’s lips and a hot tongue slides into his mouth when he moans. The kiss quickly devolves into something passionate and filthy and uncoordinated in the desperation to be closer. 

Will pulls away a little to catch his breath, feeling giddy when Hannibal growls and curls his fingers tighter in his jacket, absolutely refusing to let Will retreat. His head feels light and the room takes on a soft glow, everything feels slow and heavy and illuminated with sharp colours, the universe shrinking down to their embrace. 

“So much about this feels like a dream.” Will whispers against Hannibal’s lips, the man presses small hurried kisses to his mouth and jawline. So many times Will has dreamt of this moment, of Hannibal and himself coming together not in violence but in passion, demanding hands seeking pleasure rather than pain, kiss swollen lips in place of blood stained teeth. He presses his forehead against Hannibal’s and stares into the older man’s eyes which have turned molten with desire, appearing almost red. Part of Will fears this is a dream, a hallucination conjured by his mind in his deep longing for affection from Hannibal. But the pinch of pain from his scrapes and bruises, the wet sensation of Hannibal’s spit on his lips, is undeniably vivid and gloriously real.

Hannibal pulls at Will’s bottom lip with his teeth, "Will, you have to know, now you have kissed me I am never letting you go." his voice has turned husky and Will shivers. 

He captures Hannibal’s lips and kisses him deeply, licking into his mouth to taste him and greedily drinks the moan that crawls up Hannibal’s throat and spills across his tongue. Will pulls back barely an inch and looks at Hannibal meaningfully and whispers, "Maybe that’s just fine."

4 months ago
Me Getting Ready For School In The Morning

me getting ready for school in the morning

6 months ago

RFDGEGEGEGEGEGGGHHHHHHHUGHHHHH

PEDRO PASCAL And JOSEPH QUINN In A New Behind The Scenes Of GLADIATOR II
PEDRO PASCAL And JOSEPH QUINN In A New Behind The Scenes Of GLADIATOR II

PEDRO PASCAL and JOSEPH QUINN in a new behind the scenes of GLADIATOR II

5 months ago

when you're laughing but then you remember abigail hobbs was only ever defined by the men in her life both in the way the audience sees her and in her own life so she never got to be her own person in any kind of way both in and out of the story so nothings funny actually

2 months ago

Tiktok phrases I think the AIB crew would use- 🃏

Tiktok Phrases I Think The AIB Crew Would Use- 🃏
4 weeks ago
Secretary (2002)
Secretary (2002)

Secretary (2002)

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