Alphabet Soup

Simon Elroy x Afab! Reader

Warnings: Smut, Oral (receiving) Overstimulation, Dacrophilia.

(Fuck I did it again. It was just supposed to be headcanons I swear 🥲 whelp to late now. Enjoy the mini one-shot)

I'm the wise words of @whoopsyeahokay he's a ✨giver✨ (thx for the input by the way. I was struggling to find out how to write this)

I feel like he's the type to be nervous at first. Not wanting to make the wrong move in fear of scaring you off. He's also like this in non-sexual aspects of your relationship but that's for another time.

You have to take things slow with him, let him know that you're not going anywhere. Poor boy has slight abandonment issues.

Sweet little makeout sessions behind the bleachers or in the locker rooms while skipping gym that leave him going to his next class with an obvious tint in his pants that he knows his friends are gonna tease him about.

Cherry hot kisses in your car when you were just supposed to be giving him a ride home from school that somehow moved from your lips to your neck, red marks forming that will soon turn purple.

Innocent young romance that keeps teetering on the edge of what you both so desperately want but don't know how to start. Until you do.

It was late, you were dropping Simon off after a football game Clair had dragged you to when he asked if you wanted to come in and re-watch terrifier with him. Nothing out of the ordinary just you, your boyfriend, and a small late night movie date.

So how the hell did you get here? Simon between your thighs, tears rolling down your cheeks after cumming for the upteenth time. Blame Simon for having wandering hands.

It wasn't entirely his fault, you walked out in that incredibly low cut shirt that he couldn't take his eyes off the entire game. Sometimes he wondered if you did shit like that on purpose.

It drove him insane watching you flant around like nothing was wrong. Jumping up and down, cheering when The Split River Bandits scored, tits bouncing with every move. He needed you, he needed you more than anything. More so he needed to make you feel the same kind of mind melting grip you had on him.

And oh boy did he do that. With something as simple as his tongue. Delicate slow movements around your sensitive overstimulated clit, lapping over and over and over again. Not giving you a single second to think about anything other than him and the way he's making your eyes roll back.

Nothing but pure bliss. The sound of your broken half whimper half sobs drowning out the tv playing in the background. In that moment it was just the two of you in the world, your brain turning to mush, forgetting everything you've ever known outside of Simons living room.

You danced in the line of insanity, not knowing if you could handle another orgasm but the thought of pushing him away made you want to scream. It was all too much. You felt your mind blanking, that perfect place of ecstasy so close, taunting you.

You were broken. This sweet precious boy that was always so gentle, broke you and it was the most amazing thing you've ever felt.

Hips grinding up into his face, hands gripping the soft cushion around you, mind absolutely destroyed and in one foul movement you felt absolute heaven crash over you. A deadly mix of pleasure and pain that left you breathless.

You laid there, shaking, tears streaming down your face as you tried to regain your composer. After a few beats of silence you felt Simon pull away, body creeping up to lay next to yours as he propped himself up on his elbow.

You took a few deep breaths before looking at him, seeing the lower half of his face drenched and the biggest ear to ear smile. "How'd I do?"

(I fear I ate and so did Simon apparently... Im so not funny 😭)

It's not the best but it's something

INTERVIEW 020. WALLY CLARK murdrtober oct 5th. ghost sex

You've never really believed the ghost stories about Split River, but this encounter definitely gave you a new outlook 800+ words MDNI 18+

You’ve been downplaying it the entire day. There were rumors that Split River was haunted, usually nothing but ghost stories told between kids during lock-ins, followed by dares to venture down dark hallways alone. 

You were instructed to make sure none of that happened at tonight’s lockin. It was supposed to be nothing but fun, with as few freshmen sent home crying as possible. You didn’t know how much authority you would have as just a TA, but you wanted to keep as much credibility as possible. Spewing out accusations of phantom touches to your back wouldn’t have helped your credibility at all. So you kept it to yourself. 

You tried your best to keep your composure, ignoring the feeling of a body behind you, keeping your heels glued to the ground even when you wanted to jump at the feeling of a hand pressed into your lower back. By the end of the night, you felt like you were losing your mind. 

Maybe one of the seniors slipped something in your drink during dinner. Maybe your lack of sufficient sleep was finally catching up to you. Maybe you’ve been secretly predisposed to some sort of mental illness and these are the warning symptoms. 

Or maybe it’s real. 

The possibility is there. Maybe Split River is haunted. Maybe you should’ve chosen another school in another district to be a teacher’s assistant. 

You’re busy trying to hold the remains of your mind together when the feeling intensifies. Your eyes stare straight in the bathroom mirror, the remnants of cold water from a damp paper towel sliding down your face, dripping into the porcelain sink that you’re leaning over. You take deep breaths, trying to clear the thoughts speeding around in your head. And just when you think you’ve gotten it all under control, you feel it. 

The feel of a human hand touches right between your legs, brushing against the skin revealed by your shorts. You swear under your breath, staring down with an expectation to see a hand in that very spot. There’s nothing there, just empty space between your legs. 

“What the fuck?” You’re about to turn around and get out of there, join the others with the belief that there’s safety in numbers. But a strong grip keeps you still by your hips, pushing you right against the counter. 

Your heart thumps in your chest with such ferocity that it hurts. You’re scared you might go into cardiac arrest at this rate, left to become another spirit to wander these halls. You close your eyes, waiting for the moment to come, but the only thing that happens is a hand pressed against your mound from behind. The feeling of fingers reaching into your shorts and pulling your lips apart through the cotton fabric of your panties. Those same fingers press right into your clit, experimentally tweaking the bud a few times. You try to remain shocked, refusing to give voice to a moan bubbling within your belly. But then your panties are pulled to the side and there’s a finger slowly penetrating you, in and out in and out. An arm wrapped around your waist, a chest against your back, one finger that soon becomes two opening you up. 

You feel ashamed as you wantonly gasp into the stale bathroom air. You should be recoiling away from the apparition, running out of this place and leaving completely. Maybe skipping town if you’re really scared enough. You shouldn’t be pushing yourself back into the touch and searching for more. 

It’s a purely human instinct, that’s what you tell yourself. It’s natural to search for the touch that makes you feel good, to want to amplify it, receive more and more until you reach a climax. And after you’ve orgasmed, gasping into the sink as you’re slumped over, trying to catch your breath—it’s natural to want it again. 

You don’t know how long you’re in that bathroom, but you’re there for a while. On your knees with your mouth open, letting the cavern be used by someone you cannot see. You would help if it weren’t anything other than air on your end, but you like it like this. All of the control is out of your hands, leaving you pliant as you sit on your knees, your mouth hung open, your eyes closed as you enjoy the feeling. 

By the time you’re done—or, by the time whoever is done with you—you’re spent, limbs and joints aching in ways they never have before. You want more, but the phantom doesn’t touch you after he’s done, leaving you to stand to your feet and splash water on your face, trying to get rid of the flush that’s taken over your features. 

When you come up for air, you swear you see someone standing behind you, their frame present in the mirror. Taller than you by a longshot, dark hair, a mole under the lips spread into a small smirk. You make eye contact and he grins, but then you blink and he’s gone like he was never there. 

Maybe he wasn’t. But you choose to believe he was. 

Split River was a peculiar school, after all. 

Have y'all seen the new school spirits trailer? New wally content!!!! I feel like we're gonna get some flashbacks of his death and actually see what happened. Maybe this will be right before he moves on like how Dawn had to think back to how she died before she moved on. I can't wait!!!

i know like valentines day was like last week BUT i think a valentines rhonda bot would eat ? 🙈 like let’s say the school holds a valentines day ‘party’ and on that day everyone has to make a valentines card for someone ☺️ and rhonda gives us a card but she’s lowkey trying to act nonchalant (and miserably fails) + i LOVE your bots 😝😝😝

i am so late. happy late valentine's...?

★🔗rhonda rosen — dead hearts club

"So, who’s the lucky ghost?" Rhonda rolls her eyes but doesn’t answer immediately. Instead, she rocks back on her heels, glancing around the room like she’s suddenly very interested in the peeling cafeteria walls. Then— without looking at you— she pulls the valentine from her pocket and shoves it into your hands. "Whatever. It’s yours."

October Moon

summary: everybody had had secrets. some more than others. and it'd been time for those secrets to be unearthed. too bad for Xavier he hadn't been privy to any of them.

pairing: Wally Clark x fem!reader

warnings: smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

bon reading, frens

___________________________💀

OCTOBER MOON pt.10

Aurora didn't know what she was doing. Read: She knew what she was doing, but hated herself a little for it and kept repeating in her head that she was going crazy. Nothing was wrong. It was a reaction to discovering Dave wasn't who she'd thought he was and now her brain had a hard time deciphering who was friend and who was foe.

Totally rational.

Despite how often she told herself this was confirmation bias or a side-effect of her paranoia, she couldn't shake the feeling that Austin Baxter was hiding something. How the hell had he known the missing ingredient in her tea?

She'd foregone drinking it after she'd remembered how nonchalantly he'd reminded her of the passionflower. Poured it down the drain and tossed the bag of ingredients in the trash. Aurora hadn't forgotten how you'd asked her not to drink it. How weird you'd been about the tea and Dave and, huh, Aurora wondered if you knew something she didn't. Say, about what was actually wrong with the tea or about Austin and his new gift of knowing things he reasonably shouldn't...

As she followed Austin's cruiser around the corner from a safe distance, she made a mental note to interrogate you about it later. For now, she passed the cruiser as it turned into an abandoned factory parking lot, pulling up down the street to stay out of sight. This was the stupidest thing she'd ever done. Seriously. Apart from marrying Dave, that was. She'd never been a Nancy Drew fan, wasn't about mysteries and sleuthing and stalking people for clues that probably didn't exist because there was nothing wrong.

"Whaaat~ the hell am I doing?"

Except her gut insisted there was something wrong.

Her intuition had crashed back in like a tidal wave after getting twenty-four hours out from under the tea's tranquilizing influence. She had brain fog for days, but was alert enough to crouch and dash across the barren stretch of unkempt tar after Austin, wearing Andrew's Black Sabbath sweater and a pair of black leggings. Seriously, what was she doing? She questioned herself again as she ducked and peeked around the corner of the building.

The building was dark inside and out, illuminated only by haphazardly installed emergency lighting, yet Austin didn't seem deterred. He disappeared through a side door that Aurora opened a crack and slipped through after counting to ten. Hoped that was enough time for Austin to put distance between himself and the door so Aurora would remain undetected.

As soon as she was inside, she felt it. Felt them. The cold air that displaced and resettled as bodies she couldn't see moved about. That icy chill and sense of desolation that clung to earthbound ghosts no matter their temperament. Only the emotion that lingered was more potent. Denser, somehow. The way she remembered it being whenever she felt Janet Hamilton or Rhonda Rosen back in high school. Established.

And, fuck, there were so much of it.

She heard footsteps echo further down the corridor and, as silently as she could, she followed the sound into a large, open space filled with machines that had been used to produce ammunition during the Second World War. There'd been another factory where Split River High now stood, thank you 8th Grade History, but it'd been reduced to brick and ash in 1952 after an explosion.

The factory she currently stood in had been shut down around the same time despite America's fascination with guns. It'd been cheaper to move production away from Split River, leaving the town's economy to steadily deteriorate over time. The one functioning factory that remained was owned by Molson Coors Beverage Company and even then, there'd been talk about relocating to another town closer to Milwaukee.

None of that explained why she felt about to two dozen ghosts haunting the space. Had they died homeless, escaping the winter? Frozen to death one night or one at a time? Perhaps that's why Austin was there, to do a walk-through and ensure there weren't any unwanted squatters. Or perhaps there'd been a sighting of Dave in the area.

No, her gut told her, that wasn't right. It astonished her how vibrant her empathy was after it'd been diluted for years. Weakened by that fucking tea she couldn't remember the reason behind. She hadn't been that stressed in New York. Certainly not to the level she'd needed sedatives to function. So, why the hell had she depended on it like oxygen for years!?

She peered around a machine and watched Austin trail down an aisle between conveyors, his head swiveling from side to side as if he was looking for something. Or at something, Aurora's mind quipped since, in the silence of the large space, his whispers were loud enough for her to hear. He was counting.

"...Thirteen. Fourteen. Fifteen..."

What the hell?

She wanted to slink further down the same aisle, however, in that moment, she heard Austin's footsteps double back.

Aurora made herself scarce, raced back to her car as quickly and quietly as she could. Slid behind the wheel and dropped her seat back until the cruiser had driven by. Readjusting her seat, Aurora decided, fuck it, she was already playing P.I., why not keeping going.

"What could possibly go wrong?" She murmured incredulously to herself, giving the factory one last glance before she started her car and drove after Austin.

‗‗‗‗•‗‗‗‗

After long seconds staring at the photograph of the class of '60, you breathed deeply and said, "There's a ledger. Only Ginny has access to it, but if I can find it, I can compare the names from the yearbook to the names under our Circle."

"What for?" Ajay asked as he folded his arms and leaned his shoulder against the wall, peered at you through an expression that conveyed how nervous he was to let you out of his sight now that things were coming to light.

You pulled your gaze from the photograph to look at him, "Anyone with connectedness is registered with a Circle. Even if you actively try to avoid it, your name will show up in the relevant ledger, complete with the bloodline and I swear to God, if you call it magic, Ajay—" You warned when his face did that thing that suggested he was about to call you out on it again.

He pressed his lips together and locked them with an invisible key.

Wally tightened his embrace around you, stating, "So, you think it was Anabelle and Amelia."

"Wouldn't more students have had to die if they did the ritual?" Charley asked, "There was only Janet and Mr. Martin. Plus the two students they stole the bodies from. That's four. And they didn't even use Janet and Mr. Martin." He glanced between everyone, trying to gauge whether anyone else was as lost as he was.

"Wouldn't have mattered if they'd had other ghosts." You murmured, deep in thought, before you took a grounding breath. "We also know that the symbols siphon in the energy from elsewhere. The farmhouse, for sure, but there must be other places."

God, you needed Ginny to wake up. Of everyone, Ginny would know if there'd been a cluster of ghosts in any particular place around town, including the school. While you weren't familiar with her and Nanna's upbringing, you could assume that they'd had to follow the same rules you did. That included vigilance and awareness of what ghosts residually haunted where.

In a low, wary voice, "Does anybody else feel like this town should be a lot less populated than it is?" Charley uttered, taking a step back to rest against the desk that held the microfilm reader.

Rather than answer his question with a resounding yes, "When we get you guys unstuck, we should all move. Just. Leave and never look back," you suggested, closing the yearbook and placing it back on top of the stack. "Everyone's leaving the state for college anyway."

"Ooo, we should go to the beach first." Charley smiled at Wally.

Wally shook his head, "Nah, first thing I'm doing is taking this beautiful thing—" Hand under your chin, he tilted your head back a fraction to kiss you quick and hard, "—somewhere with a massive bed. And room service."

You giggled and blushed at the same time Ajay snorted, "You're dead, bro, you can't get room service."

"Yeah, but she can," Wally grinned as he swept your hair back and stamped kisses across your brow. "You guys could use the spa or use another suite or something. Then we'll take a trip to the beach."

"I want somewhere walkable." Ajay outlined, clearly fantasizing about it. "I want to walk for hours in one direction without being knocked back to Autoshop. Then Mina and I can find our own accommodations." He smirked at Wally. "But, honestly, I just want to touch a fucking tree. Be somewhere that doesn't smell like mildew and bleach."

"Yesss." Wally and Charley agreed in unison.

As fun as it was to imagine, "Alright, boys, focus," you said, though you were smiling, "We need to find Amelia first and get her to remove the barrier before we start planning roadtrips."

"You saying there isn't something you've imagined yourself doing with your very own hottie ghost once you spring him from school property?" Ajay smirked.

You scoffed, "Oh, absolutely. I'm with Wally. I want a bed and room service and we're only leaving when he's made sure I can't walk straight."

Both Charley and Ajay cringed, unhappy at how easily you'd painted that picture for them. Wally, on the other hand, radiated joy as he turned you by your hips and lifted you under the thighs. Kissed the tip of your nose as he held you, his dark eyes sparkling.

"That's my girl," He beamed, but before he could add anything else, Ajay intervened, complaining in run-on sentences:

"Alright, yep, we get it, you guys love each other, it's gross and we hate it. Can we please investigate the fallout shelter before Charley and I throw up?"

"Or gouge our eyes out," Charley muttered as he grabbed his jacket and followed Ajay into the hall to wait for you and Wally. "Or our eardrums. Or both."

"Gory," You snickered.

Ajay deadpanned, "Necessary."

You rolled your eyes playfully, but acquiesced, taking Wally's hand in yours as had become the habit. You glanced between the boys and wondered aloud, "Should we get Rhonda? She's part of Team Parabnormal. She might wanna help."

It was Charley who answered with glum disposition, "She wasn't interested when I asked her earlier," his shoulders raised and eyes on the ground. He didn't say anything more, but you could tell he wanted to.

"She's been kissing Mr. Martin's ass lately," Wally explained what Charley must've been thinking, because Charley's head shot up and he nodded at you enthusiastically.

It seemed everyone was in agreement, Ajay in particular.

"I've been watching them. It's like a cult leader and his first student." He shuddered, "I'm getting real Marshall Applewhite vibes. Minus the potential for a suicide pact."

"Unless Mr. M is planning to obliterate us like Amelia wants to. In which case, total potential for a suicide pact." Wally's hand tightened around yours, his jaw set and eyes hard. "Maybe he's working with her. Amelia's inside man."

"Shit, bro," Ajay's eyebrows shot up, "Say you don't trust him without saying you don't trust him."

Wally didn't skip a beat, "I don't fucking trust him. Not anymore. Not after how he grilled Maddie about talking to the living." He looked at you, his eyes softening, "He looked right at you when you were doing that Mock Trial thing. I didn't like it," He returned his gaze to Ajay, "Something about it sets my teeth on edge, man."

"Someone's coming," Charley announced, and before you could react, Wally pulled you into his arms and hid you and himself behind end of a row of lockers, winking at Ajay and Charley as they continued down the hall to steer the person in another direction.

As you waited for the all-clear, you peeked up at Wally, felt it was time to admit, "So... I actually found the fallout shelter the night Dave was sneaking around."

Wally gaped, "Why didn't you tell me?"

"Honestly? I forgot. I was a lot more freaked out about telling you that Zav kissed me." And then, at the expression on Wally's face, "Don't look at me like that, Maddie was there, too. And Simon."

"Does Zav know?" Wally asked, lip curled in displeasure.

You pulled back slightly, brows knitted, "No. Why?"

"No reason."

But Wally appeared marginally less upset than he'd been seconds ago. Because of course he did. It was no secret how he felt about Xavier. That Wally despised someone you considered your platonic soulmate. A sentiment made worse after Xavier's rash decision to kiss you.

Wally flinched whenever Xavier's name was so much as hinted at, never mind mentioned and it fucking s u c k e d. These were two people you loved to your marrow; you wanted them to get along, had hoped that they'd eventually see eye-to-eye, but it didn't look like that was ever going to happen.

Xavier wasn't terrible; at least tried—with gritted teeth—to remain neutral where Wally was concerned. Wally, on the other hand, stubbornly refused to give Xavier the same respect.

Annoyed, "It's not a competition, you know," you muttered. You didn't pull away, couldn't, not from Wally, but this weird dick measuring contest had to stop.

"I know," Wally said as he gave you a funny look, as if his grip on you hadn't secured like Xavier had appeared to snatch you away.

"You sure about that? Because it feels like you're lying to me."

"Or," Wally countered, "Maybe I just forgot to mention it. Like you forgot to mention the fallout shelter."

And that time, you did pull away, wrenched right out of his arms. As you opened your mouth with a comeback, Ajay returned, cautious. He'd obviously heard what Wally had insinuated since he clarified that he, too, had known about the fallout shelter and hadn't disclosed it to anyone. For years.

"Buddy, calm down." He put a hand on Wally's shoulder, "It wasn't some big secret. If I'd known it was important, I would've brought it up sooner. How was anyone supposed to know?"

"Does it matter?" Wally soured. "You said that's where Mr. Martin hides out. Therefore it became important the second we suspected something was off with the guy." He took a breath, two, turned his head for a moment to get himself together before sighing and catching your gaze with his own again. Taking a step forward, he held out his hand, a somewhat pleading expression on his face, "Let's just go see what's there. We can talk about everything else after."

You wanted to protest. To ignore his hand, give him the cold shoulder and stomp by him just to make him regret pissing you off.

You couldn't bring yourself to do it. After a moment of letting him believe you'd refuse, you took his proffered hand. Allowed him to reel you in and tuck you into his side. He kissed your head, whispered an apology that sounded like a band-aid, and guided you down the hall to the stairwell with a hand on your hip.

"Trouble in paradise?" You heard Charley whisper to Ajay who responded with an equally as quiet, "The tea is hot..."

"What does that even mean?" Wally grumbled and squished you closer to him.

You couldn't contain it, you snorted, "I'm still mad at you, but...you're cute when you're clueless."

Wally scoffed, kissed his teeth, panned around so you wouldn't see the glimpse of affection in his eyes, but you caught it anyway. After a beat, he repeated:

"No, seriously, what does that mean? Are you talking about Aurora's tea or what?"

And you laughed along with Charley and Ajay, the latter of who patted Wally's shoulder and said, "You were getting so good at Gen Z slang, what happened?"

"A magical murder mystery!" Wally defended himself as he pouted adorably. "Why won't anyone tell me what it means?" And then, "Is it dirty?"

Traipsing ahead, "Nobody tell him," Charley commanded with a cheeky smirk, opened and held the door for you, Wally, and Ajay. "I want to see what he comes up with."

"You guys are the worst." Wally grumbled bitterly, "I'm totally not saving your asses when Amelia vanquishes your souls for her stupid ritual." Except he once again sealed you to his side, stamped a kiss to your temple and stage-whispered, "Not you, baby. I have a different punishment in mind for you."

He pinched your ass cheek so hard you squealed.

Together, "TMI!" and "Face!" Charley and Ajay scolded.

‗‗‗‗•‗‗‗‗

Xavier hadn't intended to enter 4916 Quebec Street. It was meant to be a simple, relatively safe stakeout, just as he'd promised you. But Nicole and Claire's bickering had driven Xavier to the edge. From the moment they'd crammed into his truck, it'd been nonstop. Catty jabs that hadn't quit until Xavier lost his shit, made an impassioned speech that he was, yeah, a little proud of, and abandoned the girls for the peaceful refuge of a so very creepy house.

He was going to regret his decision, he just knew it.

Claire remained in the truck while Nicole boldly trailed behind him into the darkened house, muttering under her breath about fair-weather friends who shouldn't help if all they wanted was a redemption arc.

"So what if she does?" Xavier asked, turning on his flashlight as Nicole did hers.

"She can't make up for everything she didn't do for years." Nicole insisted, paused halfway through the front door. "Claire abandoned Maddie. And now she thinks she can swoop in and save the day? I don't trust her."

Xavier see-sawed his head, "But...you trust me?"

He couldn't quite make out Nicole's face in the dark, yet Xavier could tell she was embarrassed. Maybe because he'd pointed out the hypocrisy, or maybe because she felt just as outside of the whole SimonandMaddie dynamic as Xavier always had and was desperate for someone to relate.

Either way, she surprised him by admitting, "Yeah. I do."

That. Felt really good to hear, actually. Xavier's chest swelled as he looked bashfully away. "Thanks."

They stepped further into the house, the wind whistling eerily through the cracks in the windows. This house was even creepier than the old farmhouse or the house on Lasher and 10th. There was an impression in the air that chilled Xavier to the bone. That same supernatural prickle he felt around the ghosts at school, only more persistent. He couldn't be sure, but it meant something.

Before he could announce that he had a really, really bad feeling about this, Nicole spoke.

"I just wanna state for the record, this is basically my worst nightmare come true."

Xavier briefly wondered if Nicole felt the same close, icy aura he did, but immediately brushed it aside to comfort her. Placed a hand on her shoulder and looked her in the eye.

"But I'm here," He said, "I got your back. Just look around and see if you can find anything." He continued at her lost expression, "Clothes, food. Stuff someone might have left if they were squatting here."

His leadership seemed to rouse her determination. They split up, Nicole doing a tour of the main floor while Xavier found the door to the basement. The chill thickened as he descended the stairs. God, he wished you were with him, but you'd told him in no uncertain terms that you intended to do research with Wally at the school.

Ugh. That guy.

Look, Xavier didn't hate Wally the way Wally seemed to hate him. He was honestly—really, truly—happy that you'd found your perfect person. Dead, sure, but Xavier could tell that you two had some kind of cosmic bond. A golden thread that tied you and Wally together. In fact, he could literally see it, not that he'd told you.

It was so new, in and out like bad reception; something he'd only noticed over the last couple of days. Different colors for different connections. He didn't know what they meant, or why, all of a sudden, he'd gone from simply seeing ghosts to being able to track who meant something to whom, but, hey, guess he was officially part of the family now, huh?

Yeah, he needed to talk to you about it. For sure.

And he would.

Just...not while a fucking semi-transparent hippie was standing in the middle of the empty basement, smiling at him like a long-lost friend. What freaked Xavier way the hell out wasn't so much the mysterious ghost staring at him. It was the thin, loose green thread that stretched from Xavier's heart to the ghost's, evaporating and coming together again and again like a tendril of smoke.

It clicked like common sense as soon as the ghost shifted forward.

"Holy shit, you're Dead Grandpa John." He wheezed, eyes the size of dinner plates.

"And you're my granddaughter's best friend." Dead Grandpa John—no, Xavier was not doing that—Grandpa John said. "The troublemaker. Always into mischief." He smiled wider, laughed as if he'd been there for every caper you and Xavier had pulled as kids. Jesus, he probably had been there, Xavier realized with a gulp.

"I didn't flood the bathroom, I swear, it was all her!" And he didn't know why he felt compelled to confess, but he did anyway, a child caught with his hand in the cookie jar.

Grandpa John raised a bushy brow.

Xavier instantly caved, "Okay, so it was my idea, but she helped..." and he stared shamefully at the floor.

And Maddie and Simon had really thought he was a good liar? Wow.

"I'm not here to judge you," Grandpa John assured and shifted closer. Unlike the ghosts at school, Grandpa John glided like water over rocks in a stream, despite how his feet did, in fact, move. One and then the other. Heel-toe, heel-toe. A person walking normally. Just...not quite touching the ground.

While Wally and Ajay appeared solid, as real as you or Claire or Nicole, Grandpa John was exactly the kind of image Xavier would've pictured if someone had told him to close his eyes and imagine a ghost. Silvery. See-through. Other. Unconsciously, Xavier took a step back, although part of him—a big part—already trusted Grandpa John as if he'd been aware of Grandpa John's existence the whole duration of his friendship with you.

"She was looking for you the other day," Xavier found himself saying, dropping the glare of his flashlight to the ground. "Have you been here the whole time?"

Grandpa John shook his head, "No." Then a strange look came over his face, "I'm here to apologize to you for what has to be done."

Xavier blinked in confusion, "What's that mean?"

"It means, this is going to hurt."

The next thing Xavier was conscious of, he was flat on his back. The ground was cold and everything hurt, his head especially throbbed. He heard the screech of tires against pavement, Nicole and Claire shouting, the noise distant as the world slowly faded to black.

💀___________________________

PART NINE - PART ELEVEN

note: not exactly where i'd planned to end this chapter, but it felt right 🤷‍♀️ who am i to argue with the characters? anyway, because of this, the next part is basically halfway written 🙌 hopefully i'll be able to deliver it a lot sooner, but no promises beautiful frens 😭

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ABOUT THE TAGLIST: we're not about that life around here (•¯ ∀ ¯•) things got too outta hand and i'm still cleaning up the mess left behind by the demons i accidentally summoned trying to get the damn thing to work 🕳️👹......there's a dustpan over there if you feel like helping 🧹💨 or, if you just wanna stay up to date, please FOLLOW ME and TURN ON NOTIFICATIONS

Alphabet Soup

NSFW alphabet challenge (request) pairing: grey!Wally Clark x fem!reader premise: the journey of a clandestine love affair at several stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it. (Janet and Wally are dating to increase their social value. Meanwhile, Wally wants to get closer to her step-sister. You.) warnings: smut. AU - modern setting. romanticized toxic behavior. cheating (not on you). egregious use of the word 'baby'. all oneshots for this collection will be linked as they come out.

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A is for the addiction Wally develops once he sets his sights on you. He's feral with it. Can't get enough of your skin under his fingertips; your shapes fitted against his; the sounds you make when he takes you apart with his teeth and his tongue and his dirty fucken mouth. So different from the public persona he sheds the second you're behind closed doors.

B is for bad ideas. Like the one that crept in behind his eyelids the instant he noticed you, cute and soft and sweet as a kitten. God, he wanted to do something about it right there. In front of the roomful of people between you, no fucks given. Wally's impulsive on a good day and reckless on a bad day, and you inspire too many fantasies that he can't not want to live out.

C is for competency, control; the single-minded intensity Wally has for every task. How he moves with a perfect combination of aggression and grace on the field, catching the ball from the QB. Touchdown. How he folds over the hood of your car and fiddles with cables and tightens bolts and fixes the rattle in the engine. How he holds his own desire at bay to bring you to the edge, over and over and over again until you sob. How he makes you come as soon as he slides home, grinds in, measured and slow, making it last as long as he wants before taking pity on you and fucking you into the mattress.

D is for Wally's dirty mouth. The things he rasps at you as he takes you apart with his fingers, his mouth, his cock. "You feel so good, baby,"—"fuck, I love the way you taste,"—"I want you to come on my tongue,"—"that's it, fuck, yeah, don't stop, baby, just like that, so good for me, such a good girl..." His fingers dig into your hips as he guides you in his lap, up-down-grind-repeat; his lips on your throat, teeth in your skin, marking you up so everyone knows you belong to someone. Belong to him.

E is for the effort Wally finds himself making to see you smile. It's stupid, he thinks, because it's not like he loves you. He's horny and putting out isn't part of the deal he and Janet made at the end of Junior year. But then he sees some jackass try to touch you, making jokes Wally doesn't find funny, drawling that he'll treat you special and make you see God as you shove and kick at him. Then you start crying and Wally sees red. Steps in. Pummels the guy's nose into his skull so hard, Wally's knuckles are scraped and bloody when he caresses your face and kisses your forehead. Promises to drive you home from the party. "Fuck that guy, baby girl, he won't touch you again."

F is for the way Wally shamelessly flirts with you. The back-and-forth you and he have when surrounded by people. Dark and husky, leaning in close with his back to Janet who's too busy with her drones to care what Wally's up to. You're fierce and funny and you flirt right back once you're comfortable enough, but Wally's had a lot of practice and knows how you get you hot with the right inflections. Eyes dark and heavy, lips brushing your ear, breath ghosting your skin while his fingers trail over your hip, "I bet you'd look better on your knees for me, baby."

G is for the God-given talent Wally has. You know the one. That one he weaponizes when he wants you to stop being stubborn, be a good girl, behave. He spreads your legs, kisses down your body, then delivers his bribe; tongue-deep inside you, making out with your pussy it's like a gourmet dessert de la crème. He could spend hours there if you let him, moaning when you grind your pretty pink kitty against him, so close, Wally, oh God—it's all he needs to sustain himself.

H is for how Wally holds you down against the mattress; up against the wall; in his lap as he sits back on his haunches, one arm banded around your waist, the other braced behind him as he rolls his hips up, sharp thrusts and deep grinds into you, "That's it, baby, keep bouncing on daddy's cock...just like that...fuck." His big hand clasps your thigh when he flips you onto your back, pushing it up as far as your flexibility will allow, spreading you open for him, wanting to get as deep as he can, wanting to make you scream his name and forget your own.

I is for the intensity of Wally's stare as he watches you from across the room, his eyes tracking you as you laugh with your friends. He strips you in his mind, licks his lips as you expose your thigh when you cross your legs. A flash of pink lace, the panties Wally asked you to wear, that make his jeans tight and his lids heavy. He cups himself through the denim, casual, sprawled on the opposite couch, gaze smoothing up your legs to your hips to your collar, fucking you with his eyes until you notice and give your friends an excuse to follow Wally to the bathroom.

J is for the jealousy Wally has to keep tightly contained in his bones whenever he sees another guy approach you. Like Jacob from Pre Cal, who flirts with you as if he doesn't know you belong to someone else. Wally is too obvious, he's aware, glaring daggers at the retinue of possible others who dare step into your space. Careful, collected, Wally has to smile like he doesn't notice them as he struts over and positions himself at your back, hands on your hips to drag you against him, ass fitted into the cradle of his pelvis. He watches in satisfaction as the dipshits take their leave with their tails between their legs.

K is for how Wally kisses you. The variety of ways. Pushy and ruthless when he's agitated; too much energy and no outlet. Or soft and slow when he just wakes up, liquid smile and heavy eyes, hand cupping your jaw like you're something precious. He nips and tugs your lips with his teeth when a teammate makes a comment just this side of not fucking funny, Gary and Wally isn't allowed to do anything about it. Sometimes, his kisses are sharp, honed, exactly what you want to feel so he can get what he wants. Always, his kisses are stolen. Behind locked doors, in dark corners, wherever he can snatch them from you without getting caught.

L is for the feeling Wally is terrified to label. The one that blooms in his chest whenever you touch him, smile at him, say his name, move, breathe, exist. Shit. It's warm and tingly and drives him to distraction because this is just a fun way to pass the time, to make things more interesting; he can't want you like that... But he does.

M is for the mess Wally makes of you when he fucks you in an alley or an empty classroom or behind the stadium. Thick cock slamming into you until you come at least twice, your panties around your ankles, his jeans at his thighs, pounding into you as he grips your hips so hard you bruise. He pulls out just enough to paint your pussy with his come, smearing it through your wetness with the tip of his cock, letting his spend and your juices trickle down your leg. And when you're forced to wipe yourself off with your ruined panties, he pockets them before you can throw them away, smug and satisfied.

N is for the fact that there's nothing Wally won't try with you, do for you, take from you. He wants everything you have to give. Is determined to taste every inch of you, from top to bottom, back to front, he doesn't care, he wants it all. He's never been this consumed by someone, thinks it'll fade the more he fucks it out of his system. It doesn't work. There's always a next time, and a next, and a next. And every time he leaves wanting more.

O is for Wally's inability to be subtle when you're around. Overt, obvious, open stares of lust when you walk into a room regardless of who else is in it. His heartbeat quickens, his breathing shallows, and he feels like a mutt in rut. All dark eyes and desirous smirks, hands grazing your body when you get close enough. He thinks he's slick, secretive, getting away with murder. But the truth is, he couldn't hide how he feels about you if someone put a gun to his head.

P is for the pleasure Wally takes in pampering you. He's a gentleman like that. What makes you happy makes him happy and, fuck, he loves to dote on you. From opening car doors to surprising you with your favorite Starbucks order. Showering you in presents he thinks you'll fill out perfectly for him. His pretty little passenger princess; a precious paper doll that he dresses up like a gift just to unwrap immediately with greedy fingers.

Q is for the question Wally wants to ask but can't. The one that makes things official. That ties him to commitment and expectation. Ignoring that you're the only place he's getting his dick wet, he's not ready for that. Until he catches himself smiling—soft and fond and affectionate—when you send a text that has nothing to do with where you want him to fuck you next. And, ah hell, maybe he does want to ask. Too bad he doesn't have the nerve.

R is for how riveted, rapturous, fucking obsessed Wally is when you ride him. No matter what he claims—"your turn to do all the work, baby"—he can't hold back, always fucks up into you, flushed, panting, hands clenching your hips and stroking your thighs and squeezing your ass. He watches your body, sweet liquid movements as you ride his cock like a goddess, and comes faster than he otherwise would. But that's fine because Wally has the refractory period of a fucking nympho.

S is for those soft, sweet, silly moments that you share. The ones he coaxes out of you during the domestic lulls between fucks. He invited you over for the weekend, Janet at some friend's lake house and Wally's parents visiting his aunt one state over. Perfect timing. And it is all hard thrusts and pinned wrists and love bites on your thighs, but then it's jokes over pancakes. Forehead kisses as he holds you in the shower. Hand-holding while you walk to the gas station for snacks, his thumb sweeping the back of your hand like he loves you. Sentimental.

T is for the toys Wally loves to tease you with. He's not afraid to introduce other means of stimulation into the mix. He'll do anything if it makes you shake apart for him; if it'll make you whimper and beg for more before you plead for him to stop, too much, Wally, it's too much, I can't as he presses the vibrator against your clit. He never listens, too enraptured by the expression of pleasure on your face, the way your body responds for him, fuck, yes, "that's it, baby, come for me again, show daddy how good you feel."

U is for how uncharacteristic, unpredictable, underutilized Wally's control has become since he started this with you. He was the image of dark and dominant behind closed doors, but, three months in, he can't keep himself in check. If he has you—against a wall, in the backseat of his car, in bed, in the shower, in. on. against—his control snaps as soon as you make a single sound of wanting pleasure. He goes feral for those noises. They're his complete undoing. And he'd surrender everything you asked for just to hear them one more time.

V is for the voice notes you and Wally swap when you and he aren't together. When he hasn't had a chance to sneak away from Janet or football practice or homework in too long and he's desperate for release. He strokes himself to the tempo of your whimpers and sighs, fucks his fist when he gets to the edge before slowing down and switching voice to video. He loves to show you what you do to him, how heavy and flushed and thirsty he is for you. "Your pussy sounds so nice and wet...now show me how you want me to fuck you, baby."

W is for every whim and want Wally indulges. Of yours. Of his. Mostly of his. Gluttonous and gourmand. You want to taste caramel on his cock? Go for it, baby. He wants to get messy with whipped cream? Okay, daddy. He wants to tease you with vibrating panties while you're trying to eat at that new place on Lasher? Okay, daddy. He wants to tie you up and spank you because you came before he said you could? Fuck, yes, daddy! ... Good girl.

X marks the spot Wally hammers into at exactly the right angle when he's feeling generous. And he always feels generous with you. He's addicted to the way you look when you come. Because he did that. He made that happen. It's empowering and euphoric and he can't get enough even though he should've by now.

Y is a word followed by 'not'. A question you ask when Wally hoists you into his arms and pins you to the wall with his hips after one of the leads in the school play asks you out. He grinds against you, cock throbbing, head angry, and reminds you who you belong to; why you can't say yes to Alex Greenberg even though it's all pot kettle black. Still, as he tears your panties at the seam and fucks you with abandon, desperate and aggressive, he makes a convincing argument.

Z is for how it ends. With her, not with you, because Wally's too far into the addiction and wouldn't last a day without getting his fix. He needs you. Wants you. Fucking shit, he loves you. So it's goodbye Queen Bee Janet and hello to her silly, sexy bombshell of a step-sister. Wally has no regrets, his hand on your ass as he walks you into Homecoming, fist-bumping his friends and saluting the principal. He loses his crown and doesn't care at all, too wrapped up in you to notice. Hands on your hips, brow against his, fitted perfectly against him like a puzzle piece.

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above and below are the links to the complete collection of Alphabet Soup. you can also find all related content HERE as well as reformatted chapters on AO3.

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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

I feel like I need to put out an apology or sum, I did a dumb thing last night. I got drunk and used ChatGpt to write me a fic. It was just for fun but in my dumbass drunk mind I decided to post it. I DONT support using AI nor do I use AI to write my fics. I just got really bored and wasn't thinking. AI steals bits and pieces from people's work and gives no credit.

Thank you to the person who called me out because I wouldn't have noticed I posted it.

October Sun

summary: Wally had lost his grip on reality. Even for a ghost, what had transpired in the theater had been messed up. What the fuck had happened? Where had you gone? Where had everyone gone? How had he ended up in a dirty, cramped cellar that had looked like something out of a horror movie? And who had been the people he'd been stuck with?

pairing: Wally Clark x fem!reader

warnings: manslaughter. depictions of lethal violence against a child. eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

⏰we continue...🐾 we clocked in at 6818 words. for anyone triggered by violence or murder, especially involving children, the plot will still make sense if you choose to SKIP that scene. it begins in Act 3 when we return to Wally's POV. i have indicated that act with "‗‗‗‗🚩‗‗‗‗" to avoid confusion. if you wish to back-arrow out but would like a summary of events, please DM me and i'll happily catch you up in a gentler way 🧡

stay safe & bon reading, frens

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OCTOBER SUN pt.26

Question Three.

Why did the Monster seek revenge?

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The supernatural wind hit Wally like a solid force, a blunt and brutal strike that propelled him backward, flung through the air, and spat through the farmhouse door. His back slammed against something hard and immovable, head cracking against the uneven surface. Grunting in pain, he fell forward, breath kicked out of him, barely catching himself before his face met the ground. He lay there for a few beats to allow a wave of nausea to settle before, on a shaky arm, he pushed himself up.

"Jesus Christ," He coughed, sitting back on his haunches, and closed his eyes to center himself. It took too many deep breaths before the throb at the back of his head receded and he felt stable again. In the absence of pain, Wally's other senses returned and he realized something was different. Wrong. The light too bright and the air too damp. He pressed the meat of his hands into his sockets, blinked rapidly, and then opened his eyes fully to take in his surroundings.

Dazed, he uttered, "Uh, okay..." and hoisted himself to his feet to look around.

He wasn't in the theater.

Exposed stone walls, low ceiling, packed dirt floor. Wally did a circuit of the space, as sparse as it was, and tried to find some clue as to where he'd ended up. A weathered work table sat against the wall to his right, its contents the typical accouterments one might find in a hobbyist's garage—drill, crowbar, hammer, welding torch. Totally normal. Except for the chemistry set assembled across the back of it.

"Weird," Wally muttered, fingers ghosting over the looping glass tubes and empty beakers. He picked up a beaker and sniffed, his face instantly twisting into an expression of disgust, "Gah!" He shoved the beaker back on the table, panting through his nose to expel the pungent odor. "Nasty."

Moving around, he saw a metal-framed shelf boasting three-deep rows of jars containing a variety of dried plants, all labeled—datura, rose, groundcherry, tobacco, mandragora, and more—and tightly sealed. That explained the reek from the beaker, Wally thought, cringing as it lingered in his nostrils. It was so bad he could almost taste it at the back of his throat. Heady and floral. Like licking soap.

Eventually, he came to a stop where he'd appeared, nothing else of interest in the space apart from a bare, stained mattress lying in the middle of the floor and a pile of wood under the staircase. Rising on his toes, he peered out one of the high windows, hoping to catch a glimpse of something familiar; a landmark or sign or anything. But there was nothing. Just trees and unpaved road and more trees.

As he sank back to the flats of his feet, the world around him flickered like film in an old VHS. Fast as a blink. Gone then there. Wally's eyes widened and he staggered a short distance, stunned that things had gone from milky daylight to dark and stormy in no time at all. As if the day had been sucked away as night forced its way in. And more shockingly, Wally wasn't alone anymore.

"Fuck. FUCK." Someone shouted. A deep, male voice that belonged to a man in uniform who was pacing a groove into the floor, gesturing wildly; hands gripping his head, beating the wall, tugging his military jacket. Agitated. Feral. Eyes blazing as he climbed the stairs, banged on the closed door at the top, kicked and punched it, "LET ME OUT!!" and then descended again.

Wally cleared his throat, cautious as he approached the man, "Erm...hi?" He started, hands raised like he was about to engage an angry lion. "Dude, are you okay?"

The man didn't acknowledge him. Didn't even seem to hear Wally. Which, sure, Wally was used to after decades of being ignored by the living, except that this man wasn't the living. Wally felt it in his bones the same way he always did. That lack of physical pressure that arced from living bodies. Yet, even when Wally stepped directly into the man's space to force his attention, the man didn't bat an eye. Continued cursing and lashing out at everything within reach. Everything but Wally.

"What the hell?" Wally murmured, peering at the man and then around the cellar. He tried again, waving his arms, getting right in the man's face, "Hellooo~?"

Nothing.

The man continued his rampage, grabbed the hammer off the worktable, and began to smash the jars on the shelf, yelling with every strike. They reset in seconds and he'd do it all over again. And again. And again.

"Cool." Wally swallowed, "That's cool," a tad more anxious than he had been moments before. Being dead and trapped and ignored by the majority of people he was surrounded by, he could handle. Being dead and trapped and completely invisible to everyone, including other ghosts? He didn't like that at all. He had to get out of here. Now.

Wally charged up the stairs two at a time, his breathing ragged as he began to panic. He grabbed the door handle and twisted to wrench the door open, only it seemed he needn't have bothered as someone on the other side was already on their way in. Wally reared back as the door was kicked open, stumbling a few steps down before he pressed himself against the wall to make room for that arc of physical presence that pushed outward from a living body.

When Wally glanced at the person, his mouth went dry; his eyes bulged; his heart stopped mid-tick. He hadn't felt this lost or confused since the first few minutes of his death.

"H-holy fucking Christ." Wally stammered, watching the man—who Wally was pretty fucking sure was still downstairs breaking shit—shove through the door, his steps laden under the weight of what he carried. Wait. Not what. Who. "Holy. Fucking. Christ." Wally repeated, syllables breathless and strained.

One body slung over the man's shoulder, the other, much smaller, tucked under his arm like a sack of potatoes. Both limp, unconscious, limbs loose and heads swaying with every encumbered movement. The man ranted, words punched out of him as he stomped down the stairs one heavy step at a time, briefly stopping to adjust the body on his shoulder before continuing.

"—and had I known, you useless little bitch, I would've taken care of it while he was still in the womb." The man spat at someone who'd remained upstairs, just out of sight. Almost regretfully, the man added under his breath, "Save us both from the pain of doing it like this."

Wally's attention snapped to the bottom of the steps when an identical voice shouted, "What the hell are you doing!?" And then, "Jesus," distressed, "they're just kids!!"

Twins? Wally questioned of the two men who were identical down to their military-issued boots. He followed Living Man down the stairs, watching as Living Man teetered slightly at the last step before correcting his stance. While the two men might've been mirror images of each other, Wally noted that Living Man moved differently than Dead Man. Dead Man was straight lines and authoritative strides. Living Man, on the other hand, was strangely graceful despite his bulk. Sort of...feminine.

Living Man scowled at Dead Man, biting out, "You have no idea what is really going on, you ignorant fool," as he moved further into the cellar, dropping the body tucked under his arm unceremoniously onto the mattress before trudging to the back wall. With more consideration, he lay the second body down, pillowing the head and placing the arms and legs in a comfortable position. He caressed a cheek, gaze softening as he muttered, "We'll get this all fixed, child." A shuddery breath, "I still need you, after all."

Wally frowned as he noted another difference. The way Living Man spoke felt unnatural in that voice. The care in each intonation, the antique vernacular. Dead Man didn't speak like that. He was rough, gritty; belly-deep pitch, and sawed off suffixes. A sensation of wrongness crept up Wally's spine as he thought about it. There were many weirdnesses setting off alarm bells in Wally's brain—the fact that Living Man, like you, could commune with the dead and that Living Man had apparently abducted two people and delivered them to a creepy cellar. But also...something Wally couldn't yet identify.

He shifted closer to Living Man and the body, the person, on the ground, leaning over to look at who Living Man had spoken to so apologetically. And, oh God, no, no way. How!? He sprung forward, dropped to his knees, immediately taking Living Man's place when he stood and walked away.

"Baby!"

Although you looked younger by a few years, he knew without a doubt that it was you. His stomach flipped, heart beating at triple speed in his chest, hands near your face as he tried in vain to rouse you. But his palms wouldn't touch. A thick halo of energy repelling his efforts. You looked pale, sick, a frail little thing drenched to the bone and Wally whimpered in dismay when he couldn't hold you. All he wanted in that moment was to scoop you up and run, to get you far away from whatever sinister plot was unfolding around him.

"Fuck." He choked, "Fuck, what did he do to you?!"

Then he smelled it on your rattled breath. Heady. Floral. Like licking soap.

At the bottom of the stairs, Living Man called up, "Hurry up! I didn't bring you here to sit idly in the kitchen, I brought you here to learn!" But Wally was too busy trying to figure out how to wake you up, how to help, he needed to help. Distantly, he heard faint footsteps descending, mild and even.

"What are you going to do to them?" Dead Man asked in a tone that edged on fear.

Living Man didn't respond, simply moved toward the mattress. Rather, a new voice answered Dead Man's question, a voice that made Wally's blood run cold. All-American, sweet as sugar, an amused hum before a statement that, on the surface was friendly, but beneath was cold and unaffected. "Isn't it obvious?" A pause. "She's going to kill them."

Time stopped. The world narrowed as Wally turned slowly to confirm the impossible. Standing primly at the end of the mattress with a darling dear smile on her face was someone Wally had seen every day since his death. Every day, that was, until last Friday.

"Janet..."

‗‗‗‗•‗‗‗‗

You froze when the man held out his hand, staring right at you with a soft, private smile that made your skin crawl. It didn't look right. A sharp, twisty curl to its corners. You didn't know what to do. Running seemed pointless. Never mind that you couldn't—fuck, please—make your feet move. Couldn't make your tongue work or your lungs expand or your heartbeat slow. The man's smile widened, uncanny and odd, and he shifted closer.

"Amelia," He said with a fond lilt.

Finally, you budged your foot a scant half-step back, muscles stiff with fear. In your periphery, you saw something reach toward the man's waiting hand and then a voice like birdsong replied, "Alastair," with equal fondness. Your attention snapped to the right, the fear abating somewhat, and took in a vision of a woman. About your mother's age, auburn hair pleated and pinned; eyes that sparkled with an attractive combination of mischief and mirth; and a pink petal smile that grew as she placed her delicate hand in Alastair's.

Beside her was a much older woman whose severe features shared a resemblance to Amelia's. Beneath her wrinkles, the roundness of her face was the same, and her eyes held that same youthful sparkle. However, unlike Amelia, and the other female guests, who were draped in tasseled frocks and strings of pearls, the woman wore a beautifully beaded floor-length gown, her hair fluffed and wrapped in matching Gibson Girl style.

"Anabelle," Alastair bowed in deference, plucking her gloved hand in his and bussing a kiss to her knuckles. "I'm so pleased you were able to join us."

Anabelle's only response was to nod her head and take back her hand. She swept her gaze to Amelia's and the two appeared to have an entire conversation with their eyes in the time it took you to process that, no, Alastair hadn't been looking at you, he'd been looking through you.

A blessing as much as a curse, you thought grimly, still uncertain as to where the hell you were and what the hell was going on. You watched in fascination as the crowd parted for Alastair and Amelia, their hands joined and raised as if they were stepping onto a ballroom floor, about to engage in a waltz. Anabelle glided along behind them at a close distance, hands clasped, eyes trained ahead, unflinching. Instinctively, you followed, observing how the crowd closed the space behind you and positioned themselves in an arc that faced a raised platform you hadn't noticed before. They moved in perfect synchronicity. A sci-fi hive mind that made a cold chill trickle through your veins.

When you turned again to creep along behind Alastair, Amelia, and Anabelle, your gaze snagged on what was at the center of the formation. Almost choked on your own saliva. Your brain seemed to malfunction as your eyes absorbed the image of three low stone altars set into the shape of a triquetra. On each altar—holy hell—lay a person. Two young women and a young man. Unbound, eyes closed, skin like porcelain. Serene in repose. If you had to guess, they couldn't have been much older than you, possibly even the same age, and all were strikingly beautiful.

Sacrifices. The reality hit you like a punch. Casting about, you began to understand exactly what was going on, Ajay's voice echoing in your head: "The Something-Something of Dagda."

The unconscious teenagers were dressed in ceremonial robes, green velvet with gold clasps at the waist, but were otherwise nude beneath. Their chests were exposed, ash smeared like ink down their sternums in the same triskele pattern you'd seen on the broaches in the portraits. There were other symbols across their collars, over their hearts, wrists, ankles, and foreheads. Similar to the bastardized symbols you'd been investigating with Ajay, except more elegantly drawn and with flourish.

You approached the young woman closest to you, blonde with a dusting of freckles across her nose, and crouched beside the altar to inspect her. When you leaned in, a bold, flowery smell tickled your nostrils. Heady. Familiar. Like Aurora's horrible tea but worse.

"Dearest friends," Amelia began, projecting her voice to be heard in the large space. She stood behind a podium on the platform, Alastair and Anabelle flanking her. Amelia's smile was gentle and kind as she regarded her congregation. "Tonight, you will bear witness to what we have all been working so hard toward." The crowd applauded, some of the men declaring hear hear! while the women tittered daintily. "Though not all of us could be here tonight, I am pleased with our number." She paused, expression softening, "After all, it takes the power of many to change the world, does it not?"

Again, applause which Amelia silenced with a faint gesture of her hands. "Before we get started—" Anabelle and Alastair turned on their heels in synch, striding to a ceremonial table at the back of the platform, each lifting a carafe of what appeared to be red wine before stepping down from the platform and starting to replenish the crowd's empty coupes. "—We drink to the Father who will deliver us into a new and glorious future."

Everyone waited patiently for Alastair and Anabelle to finish and resume their places on either side of Amelia with their own coupes in hand. Amelia raised one that had been set for her on the podium, stepping out in front of it to admire the crowd who mimicked her action in one hybrid motion.

"To youth and revival!" Amelia saluted and the group returned the claim in a boastful chorus.

You glanced around as everyone chugged their drinks in unison, the sound of indulgent slurping spooky in the large, echoey space. Alastair, Amelia, and Anabelle, however, didn't take more than a refined sip, watching on with secretive smiles as the crowd downed the wine and then placed their empty coupes on the floor at their feet. Dainty clinks against the marble and the shuffling of cloth all made as if by one person. Vaguely, you pondered if they'd learned the choreography like churchgoers learned at what intervals to stand and sit.

Amelia began to speak again, but you weren't listening. It was the usual culty drivel anyway: We're here to celebrate the Father's approval; we're going to live forever with His blessing, blah blah blah. Rather, you stepped onto the platform and moved toward the table at the back, wanting to get a better look at the items laid across it. The whole thing—steeped in pomp and circumstance—felt contrived. As if put on to give the crowd's devotion value. Shallow. False. Orchestrated. A script and a stage to give a convincing show.

You weren't sure where that thought came from, but the longer it lingered the more certain you were that you were right. The pieces on the table were neatly placed; the carafes equal distances from the centerpiece—a green silk cushion with a wooden box upon it—a couple of blunt daggers that, so far, you didn't see a use for; and an arrangement of tarot cards—the Juggler, the Lovers, the Wheel of Fortune, and the House of God. Major Arcana. Set out to look important but meaningless within the context of the ritual unfolding behind you.

Thump.

Your head shot up and you spun around, marching to the front of the platform to stand between Amelia and Anabelle.

Thump. Thump. Thump thump thump—

One by one, Amelia's flock collapsed, some clutching their throats, red eyes bulging, cheeks flushed, lips purple. Others simply fell like puppets whose strings were cut. Meanwhile, Alastair, Amelia, and Anabelle remained poised, monitoring the proceedings with mild expressions until each member of the crowd was a mass on the floor, their bodies forming a perfect arc. Although no one could see or hear or sense you, you took several steps back, away from the danger that had manifested; away from those you knew had to be responsible.

At her sides, Amelia turned her palms face-up, closing her fingers around Alastair and Anabelle's hands when they took hers. "Let's begin," She said in a tranquil tone, lifting her chin as she led Alastair and Anabelle in a chant. The words were soft around the syllables, drawn and pretty and entirely foreign. A language lost to time that was only resurrected for this purpose. You gasped as the bodies on the floor jerked and quivered, chests arching up to release amorphous balls of bright white-gold light that floated above the bodies they belonged to.

Not lights, you corrected, souls.

"Shit." You croaked, watching in horror and fascination as the souls swelled and bled into each other, forming a dome around the altars at their center. A breeze fluttered through the space, quickly turning into a wind and then a roaring gale like the one that had flung you out of the theater and into this nightmare. Amelia continued to chant, louder and louder as the gale found its strength, her knuckles white as she gripped Alastair and Anabelle's hands, the vein in her neck throbbing, eyes rolling back, shouting the spell into existence.

You raised your arms against the gale, shuffled further away, and crouched in front of the table, trying to glimpse what was happening through the building supernova ahead. The light grew more intense, bigger and brighter, and Amelia kept chanting, ferocious now, practically foaming at the mouth as she screamed above the powerful noise of the gale.

And then, as the roar increased, her voice diminished and together, Alastair, Amelia, and Anabelle took a step forward. And then another. Slow. Deliberate. Down the few platform steps, shedding their skins like old coats. Their bodies dropped in heaps on the platform behind them as they continued forward, unphased. Two more thoughtful steps, then the light embraced them.

Unlike how it had started, it ended abruptly. The light expanded to the edge of the arc of bodies as if trying to escape before popping like a balloon. Shattered into fine dust that glittered in the air, but turned to motes of dry ash when they reached the ground. The sudden silence was heavy, weighing down on your shoulders as you pushed yourself to your feet, short of breath in the aftermath.

Just as you climbed down from the platform, you heard a sharp inhale, followed by a second, followed by a third. Simultaneously, three pairs of eyes flew open. The colors in them waned, changed from one to another. Amber to blue. Hazel to blue. Brown to seafoam green. Features subtly shifted, freckles faded or appeared, lips pinked or paled, hairs leached new hues.

On the altars, the three teenagers sat up; stiff and labored.

Alive.

But no longer themselves.

‗‗‗‗•‗‗‗‗

Question Four.

What happens as a result of Frankenstein's ambitions?

‗‗‗‗🚩‗‗‗‗

Wally stared, stunned, as Janet strode to the top of the mattress and knelt as if about to pray, setting her hands modestly in her lap. She was exactly as Wally remembered her. Brown hair perfectly groomed, outfit tidy, blue eyes sharp against a sedate expression. She studied Living Man as he hovered above the small body he'd deposited on the mattress. It was a little boy, Wally realized, dread sinking into his bones. Adorable and pudgy, no older than six or seven. Tiny beneath Living Man's bulk.

"No!" Dead Man cried out, flinging himself at Living Man but tripping and dropping to the ground on his side before he could make contact.

Janet laughed, nails on a chalkboard, "Idiot. You're a ghost. You can't touch the living." A smarmy smile and then, "Even if it is your body."

Wally gawped. Because that wasn't possible. It couldn't be possible. People couldn't steal bodies like that...could they? And it couldn't be a ghost thing, definitely not. Wally couldn't get close enough to walk through a living person, never mind shove their soul out so he could wear their body like a meat suit. The only conclusion he could draw was it had to be magic, something you might know about—you you, the you he knew, safe and healthy back in the theater where Wally hoped to God you still were.

He glanced over his shoulder at you, on guard between you and the rest of the room as if it would do any good when Living Man decided to do whatever he planned to do with you. It didn't matter, Wally had to try. You looked one strong breeze away from crumbling to dust and he couldn't live with himself if he sat back and watched, a silent audience to a movie he never wanted to see.

"I'll get you out of here." He promised you, jaw tense, determined against all odds, "I don't know how, but, I swear, I'll figure it out."

Dead Man hollered in frustration, hit the ground with his fist before hauling himself upright to attack Living Man again. Failed. Tried three more times before he fell back on his ass, elbows on his knees, head hung in defeat. Throughout the commotion, Living Man hadn't so much as flinched, totally transfixed on the little boy beneath him, thumb stroking his cheek, eyes brimming with sorrow as he muttered, "You shouldn't have come back...you self-righteous bastard," the last word spat in a hush that Wally's ears almost hadn't picked up.

"He's just a kid." Dead Man implored, broken. "He hasn't even lived yet."

Living Man snorted, "That's where you're wrong, Christopher." Living Man turned his head to pin Dead Man—Christopher—with a dark stare. "You should know better given your family's connectedness."

Christopher growled, "I told you before, I don't know anything about that! We aren't magic! We're normal people!"

"Wrong again," Living Man rolled his eyes derisively, "Your family has been a thorn in my side since the earliest days of the Order. How else could I have taken your body so easily?"

Shaking his head, pressing his palms into his eyes, openly annoyed, "What fucking order? What do you even mean!?" Christopher dropped his hands, casting about, arms gesturing wide, "My grandfather was a beef farmer. My grandmother was a seamstress. My dad worked at the gravel pits. He was a loser and a drunk who beat my mom until she never woke up, what the fuck makes us so special!?"

"Your bloodline." Living Man stated, the hardness in him abating when he returned his gaze to the little boy. "It's funny, you know..." Living Man began conversationally, "I thought I'd taken care of all the loose ends last time. Turned out I was wrong and now I've spent the best parts of this life snuffing out every. single. one of them. all over again." He chuckled, dry and without humor, "You should be glad that I need your daughter or she'd be next." At the last part, Living Man shot Christopher a grin that would look at home on the Devil's face.

"You piece of shit," Christopher hissed, "You'll never lay a hand on her!"

"You won't be around to stop us." Janet chimed in blithely, leaning forward to put her hands on the little boy's shoulders as Living Man instructed her to. She seemed surprised that she could touch him, giving Living Man a brief look of amazement.

"They're the same," Living Man explained. "It's part of their connectedness. Death ushered them into the world and left a piece of himself within them." Living Man continued, fitting his big hand around the little boy's small neck, not tight, but with intention.

"You can't hurt him," Christopher pleaded, "He's six, he doesn't know anything. He can't do anything!"

Janet piped in, voice thick with undisguised condescension, "The thing about souls, Chris-to-pher," A lovely smile, "Is that they're infinite." She deferred to Living Man, "Right?"

Living Man appeared reluctant to agree, like Janet was a fly he couldn't swat, bothersome, eager for approval. "Yes. And, regrettably for dear Aiden, his knows too much, whether or not he remembers." Living Man sighed, burdened, "You are already too powerful, child. I cannot risk letting this go on any longer..." His hand began to tighten around Aiden's throat. "May God forgive me..."

Wally spurred into action, pivoting to lean over you, "Hey, hey, come on sweetheart, you've gotta get up. Please....fuck, please, get up!" He remembered what Living Man had said, that you were still part of some bigger plan, but Wally didn't trust it, gritted his teeth and squeezed his eyes shut when he heard Aiden start to protest, clearly coming to when his lungs couldn't take in enough oxygen.

"Stop!" Wally shouted, tears rolling down his cheeks (when had he started crying?), his hands over his ears to muffle the sound of Aiden's gasps, choking, begging for his big sister—"S-sissy May..." Please no, please no, "I'm so sorry, kid, I'm so sorry." Make it stop. Make it stop. Make it stop, stop, stop. Wally hacked a feeble whine, a kicked dog of a sound, hating himself, hating the world, because he couldn't do a damn thing to make it "STOP!"

When Wally cried out, a pulse of energy burst through the room, emanating from Aiden's tiny body. Below Wally, your eyes shot open and you inhaled as if sucking in that first breath after being held under water. You heaved and coughed, rolling over to leverage yourself upright on your arm. You were disoriented and muzzy, movements drunk.

"Ai-Aiden?" Your head hurt and your limbs were wet-paper weak, mouth tasting like soap. You had no idea where you were. The last thing you remembered was the back seat of Christopher's car; accepting a juice box after handing one to Aiden and helping Aiden puncture his with the straw. "Aiden, what's...?" You squinted your eyes to hone your vision and then screamed when you grasped what was happening, "AIDEN!"

Janet shrieked, "She's awake!" just as you launched yourself at Living Man, tackling him like a linebacker.

Commanding Janet, Living Man released Aiden, "Hold him down! Don't let him go!" to fend you off. It didn't take much, you weren't strong enough against his mass and still weak from whatever you'd been dosed with. A mouse against a bear. Aiden sobbed, Janet kept her hands firmly on him so he couldn't crawl away, and Living Man managed to push you off with little to no effort. One punch and you muddled backwards several steps to crumple onto the cold, packed dirt.

"You can't stop her!" Janet sneered at you, "You're just a twig!"

On the other side of the mattress, Christopher rose, snarling under his breath, "But I can."

Seconds. That's how fast everything happened. Wally barely had time to jump out of the way (not that it would've mattered) as Christopher rushed you, propelled himself forward, fueled by adrenaline and anger, and hurled himself at you. No. Into you. Your ghost lurched out of your body, stammering into the wall behind you where you sank to the ground, eyes as wide and frightened as Wally's.

Living Man yelled at Janet, "You stupid girl! You didn't make it strong enough! You didn't listen!"

"I did exactly what you told me!" Janet insisted, struggling to keep Aiden in place as he writhed and jerked, wailing to be released, pleading for his Sissy May, for his mommy, for home, he wanted to go home, snotty and tear-stained and so, so small.

Without hesitation, Living Man seized his tiny neck again and squeezed with renewed vengeance. "You have to die, you bastard. You made me do this! It's your own fault!" And Janet held down his arms when he tried to claw Living Man's wrists, gagging, gasping, apologizing for something he thought he'd done to cause this, wanting desperately for it to end.

In your body, Christopher swayed on your feet, the sensation of going from massive, military-built to preteen featherweight dizzying. But he still had his strength, he knew that, to his very core he knew that and Wally could tell Christopher knew that without having it said aloud because his eyes—your eyes—bled to hazel, the same color as Christopher's, as Living Man's. Wally knee-walked closer to you, to your ghost. You were wobbly, fragile as a fawn, calling Aiden's name over and over as you wept.

Christopher turned your head to look at you and then—Wally's breath caught—he looked directly at Wally. In the eye. No questions, no uncertainty, no confusion. Just a firm order. "Don't let her see." And he sprinted forward. Wally didn't second guess it. He shifted his body to shield you from whatever the fuck was about to happen, his chest tight, a lump in his throat that strangled his words as he said them.

"Don't look, sweetheart," He choked, vision starting to blur as he was forced to watch you in agony, helpless to save Aiden. Remarkably, when you caved to your knees, reaching toward the nightmare unraveling behind Wally, you and he made contact. "God, f-fuck," Wally stuttered, catching you, grabbing your head, and pressing your face into his chest. "Don't look, I've got you, I'm here." Every word felt like cinder in his mouth. Meaningless. Empty. Because a little boy who meant so much to you was dying and all Wally could do was hold you as it happened. "I'm sorry," He whimpered, "I'm so sorry."

And then Wally heard Janet shout, "Amelia!" in warning, followed by a bloodcurdling squelch.

Wally chanced a look over his shoulder. Christopher in your body had a crowbar in his hands, raised to deliver another strike, stance set, face twisted in rage, and something else...something like grief. It's his body, Wally thought despondently. May God have mercy. Christopher kicked Living Man onto his back on the other side of the mattress, Living Man groaning and disoriented. Janet was hysterical, scurrying into a corner to hide.

"You piece of shit," Christopher bit out as he positioned himself above Living Man, one foot on either side of Living Man's ribs. "You will never. use me. again." And he swung the crowbar with the strength of a grown man, the forked tip stabbing Living Man's temple. Again. Again. Again. Over and over until Living Man's face—Christopher's face—was caved in, a pulpy mess of sinew, blood, and bone.

In Wally's arms, you cried. You cried like the world had ended. Like love didn't exist. Like all you'd ever feel again is hollow and hurt. His arms tightened around you as he rocked you, wet sniffles and a broken heart, shushing you softly. "It'll be okay, you'll be okay." He didn't think it would be. Didn't know how you'd survived this, how you had a life after this with laughter and friendship and trust.

If murdering a ghost was possible, Wally would've killed Janet. He wasn't sure if his ability to touch you extended to her—she certainly hadn't indicated that she'd seen him—but if he could, he'd beat her into oblivion. Because she'd been here, she'd participated. Wally had always had a sense about her; that she was twisted and ugly beneath the America's Sweetheart mask she'd worn around Split River High's dead.

In a voice that grated Wally's nerves, "Wh-what have you done!?" Janet panicked and scrambled toward the mangled corpse on her hands and knees. "You've ruined everything!"

Christopher tossed the crowbar aside, giving Janet a mean look as he voiced Wally's thoughts, "If I could kill you too, I would." And then, he turned on your heel and marched with purpose toward the worktable. In one swipe, he sent the chemistry set to the ground where it shattered. Next, he toppled the shelf and stomped on the jars that didn't break on impact. Finally, he stumbled back to you and Wally. He—you—was covered in blood, hair stringy and matted with it, skin stained red, speckles and smears across your face and hands and soaked into your clothes. Wally would never be able to unsee that image.

The cellar was eerily silent apart from Janet's sniveling and your weak sobs.

"I'm sorry, kid." Christopher lamented, placing a hand on your shoulder. He looked at Wally and said quietly, "You have to let her go now."

Wally swallowed, "You can see me?" as if that mattered right now.

Christopher snorted as if it was somehow funny, "It's him," he nodded to indicate behind him. "You're here but not here. I'm here but not here. A loop he dragged you into. A cry for help."

"I don't understand," Wally said, further securing his arms around you, unwilling to let you go.

"You will," Christopher assured, and then it was like he switched, got back into character, an actor on a film set redoing his lines when the director called action. "You have to let me in, kid." He told you, gentle, parental, taking your spectral face in your own physical palms. "You have to let me in so I can get out."

You didn't even protest. Simply closed your eyes and evened your breathing; embraced your physical body like a friend and melted back into it while Christopher slumped out.

Wally attempted to take your hand and give you some comfort, but, as it'd been before, he couldn't get a grip, unable to touch you, repelled by that thick halo of living energy.

Christopher crouched in front of you, blocking your view of the mattress, of Janet who was scooping flesh and brain back into the gored face of Christopher's body as if she could piece it back together, a sick cat with her dramatic wails. "I need you to do something for me, kid," Christopher said, pausing for a moment, expression apologetic, "There's something in my pocket. I...I need it to find it's way to my daughter."

You nodded, but it was clear you were only half there. Your eyes were glassy, gaze distant. Christopher didn't seem to mind as he continued, "Please, tell my daughter I'm sorry." His voice sounded pained. "Tell her...Tell Maddie I love her," and you nodded as if you understood. As if the request was as normal as pass the salt.

Before Wally could react to what he'd heard, his wrists and ankles were suddenly restrained, pitch black shadow clutching him and yanking him back through the farmhouse door before it slammed closed and vanished.

‗‗‗‗•‗‗‗‗

"It worked!" The boy declared, excited, admiring his new hands with a lopsided grin.

You couldn't know for certain who was who, but it didn't take a genius to deduce that the boy was likely Alastair. The girls, however, were impossible to distinguish, both moving with the grace of a grown woman of high social status. Neither seemed as taken by their new skins as Alastair; another day, another body to wear.

"We need to finish the ritual," One of the girls said primly, brown curls getting lighter with every moment that passed. The girl glided to the platform, up the steps, and to the table at the back. She stood at the box on the cushion. Opened the lid and retrieved whatever was inside, concealing the object in the folds of her robe.

Meanwhile, the other girl padded to the podium and fetched three glass vials from the cupboard in its reservoir. Corked. Filled with clear liquid.

Alastair cocked his head as he watched the girl at the podium come to him. "What else is there to do?" He asked, brow furrowing when she handed him a vial.

"We have to bind our souls to our new vessels," She smiled prettily. "Drink up."

Trusting the instruction, Alastair uncorked his vial and poured the contents into his mouth. You glanced between the girls, but neither one followed suit, merely observing Alastair as if he were a monkey performing tricks in a big top. They shared a look similar to the one you'd seen Amelia and Anabelle share earlier; a whole conversation passing between them. Alastair didn't notice, swishing the liquid in his mouth before swallowing, frowning at the vial.

"I thought their souls were what bound us to the bodies." He said after a few beats.

The girl who'd gone to the box shook her head. "Oh, no," She said, speaking as one would to a child, "That was merely to cast the lambs from their flesh."

It sounded like a lie, you thought, peering between the girls.

The first girl lifted her hand to cradle Alastair's soft jaw, "There you go, good boy," She praised when he started to look dazed.

"What's happening?" He breathed, strained.

The girl regarded him sympathetically, "You truly were marvelous, Ali." She sighed, "But mama thinks it best that you don't come with us." Amelia. It had to be.

Alastair swayed on his feet, "I don't understand," and if he could muster concern or shock or anything more than groggy confusion, you were sure he'd make a run for it.

The other girl—Anabelle—spoke, stepping into Alastair's space and presenting him with the object she'd removed from the box. A shiny silver revolver. She pressed it into his hand, curled his fingers where they needed to go, her smile somehow simultaneously wicked and gentle. "We couldn't have succeeded without your connections, Lord Belgrave, and, for that, I thank you." Anabelle took Amelia's hand to lead her away, "However, my daughter is correct. You are a loose thread that needs snipping."

Alastair began to shake, scraping together a sentiment to Amelia, "But...I loved you."

Pitying, Amelia answered, "I know."

Anabelle lifted her chin, authoritative and commanding, voice smooth as she directed Alastair to, "Put the gun to your head." Which he obeyed, the metal rattling as he put the barrel to his temple, the action obviously made against his will.

"Please," He urged, "I could help you. I know more like them."

Amelia exhaled sharply and reminded him, "But they don't know you."

"Enough," Anabelle said, forcing Alastair's attention back to her.

Again, Alastair begged for his life, "Please, I don't want to die like this."

"You don't have a choice," Anabelle said, and then, "Now be a good boy and pull the trigger."

One thin, shallow breath.

Two.

Three.

BANG.

And you were snatched back through the farmhouse door.

💀___________________________

PART TWENTY-FIVE - PART TWENTY-SEVEN

note: unedited. written at midnight. you know the drill: i will most likely come back to tinker at the bits i think need fixing 😅

this chapter was written to Daylight (Cinematic) by David Kushner (Act 3). parts of Act 3 had also been inspired by Devil Devil by Milck, specifically the violence that unfolds when Christopher Nears attacks Living Man. the last act was written to Outta My Head by The Eagle Rock Gospel Singers. if anyone is interested in an October Sun playlist, it will be released upon completion of the story (i.e.: after PART 27)🥲🥀

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ABOUT THE TAGLIST: y'all know, it ain't a thing around here anymore due to the overuse of ritual magic, some demon-summoning, and an unfortunate sacrifice that resulted in more technical issues than tumblr could handle 🔮🗡️ if you'd like to be kept up-to-date, please FOLLOW ME and TURN ON NOTIFICATIONS. we have fun here (•¯ ∀ ¯•)