Anxiety

Marshmallow Miles

summary: prompt fill. Wally needs to get the hell out of Split River. thankfully, he finds the perfect excuse and takes you along for the ride. (request)

pairing: Wally Clark x fem!reader

warnings: smut lite. fluff. AU - everybody is alive (zesty). lore established offscreen. same 'verse as Cuddle Bug.

bon reading, frens

___________________________🧁

Marshmallow Miles

Wally spent the last 40 years haunting the high school. Then spent the last few months within the town limits, adjusting to being a regular student while he got his second chance at life organized. Principal Hartman, Ms. Chung, and Mrs. Moretz—the guidance counselor—banded together to help the formerly-dead reacclimate, and part of that means they all need to graduate.

Except, obviously, Mr. Martin, who Sheriff Baxter's keeping a tight leash on. Or Janet, wherever the hell she is.

Point being, Wally and his friends are still tethered to the place they hate most in the world. Even if there is a light at the end of the tunnel this time, they don't get to enjoy it until they walk across the stage, diplomas in hand.

Which means Wally? Is feeling somewhat-very claustrophobic. Skin too tight, walls closing in, suffocated and nauseous at the thought of having to spend another goddamn second in the town that killed him.

It's as he's listening to you, hanging onto your every word like psalms, that the idea strikes. Light. Bulb. Wausau? Claire's stepdad's ski lodge? You don't say!

He knows your birthday's coming up (Simon made sure to stick post-it notes in every single one of Wally's text- and notebooks to remind him) and he's been fretting over what to do for weeks. But this? This is it! Not only will Wally be able to celebrate you the way you deserve, doing something you seem genuinely keen on, he'll be able to put Split River in the rearview for a whole week.

Is it a little selfish to use your birthday as an excuse to escape? Kind of, sort of, maybe. But he's desperate to find out if he can have a life beyond this. Beyond Split River High and Number 57 and tragedy and discombobulating rise-agains. And the only person he wants to find anything out with, well, is you.

It's two-birds-one-stone, honestly, and don't you always praise his efficiency? Hell yeah, you do. His biggest fan. Besides, he will dote on you, treat you right, make you feel like the center of the universe because you are. At least, you're the center of his, and that's why he has to do this. To prove there's a future with him that has more potential than cultivating small town syndrome.

You catch him grinning that dopey little grin he gets when he's thinking about surprising you, but Maddie distracts you before you can question it. Which gives Wally the rest of lunch to plot into his tater tots.

Thank you, Maddie. Best wingwoman ever.

‗•‗

The plan comes together seamlessly. Everyone pitches in to help bring Wally's vision to life. Claire gives him the keys to her stepdad's lodge. Maddie and Charley morally support Wally as he shops for warm clothes in your size that he can smuggle in his own luggage so you stay in the dark for as long as possible.

Nicole and Rhonda, the unlikeliest of best buds, drag him into The Body Shop and Victoria's Secret—"imagine a romantic bubble bath after skiing all day?" Nicole coos. "Imagine undressing her on a bearskin rug in front of a fire." Rhonda smirks around her new vape.

That's. Really. All the convincing Wally needs to make a dent in the allowance Rodney gives him.

Wally even swallows his pride, puts on his most charming smile, and asks Xavier for his truck. He knows the only reason Xavier agrees is because it's for you, but still, a win is a win. With a general, "hurt her and I'll rip your balls off," from your platonic soulmate, Wally joyfully departs. Tosses the keys in the air and catches them, his chest feeling lighter than it has in decades.

Everything is packed in the truck and ready to go the night before. He called you earlier to impart the vaguest of instructions as to what you should bring, proud of himself for not giving anything away too soon. Even when you asked in that silly-sweet voice, pouting on the screen like a princess, "Please? At least give me a hint!"

No. No hints.

Like a child on Christmas, Wally can barely sleep, he's so excited, but he manages a few hours. Dreams of the world beyond Split River as if he's setting off on some grand adventure and not just driving a 3.5 hour span of state highway.

Tomorrow, Wally will experience a first. Something that was so far out of reach there was no point entertaining it because all it led to was disappointment and regret. Instead there were years upon years of distractions. Mock Trials and obituaries and looking at his feet when he should've looked back.

Wally sometimes wonders if those missed opportunities weren't the yellow brick road that brought him to you. Everyone else walked through The Door with him, but there's no sign of Dawn who crossed over. If Mr. Martin didn't do what he did, Wally might've moved on, and you and he wouldn't exist...

His heart lurches in his chest.

No sense ruminating. You have him. He has you. That's all that matters now. And tomorrow, Wally will have his first real taste of freedom with the only person he wants to share that moment with.

It's going to be perfect.

‗•‗

Wally picks you up just after sunrise. You're grumpy and sleepwarm and, Jesus, Wally loves you. Pouting at him like he's both a menace and your savior. Arms up, lower lip jutted out, a sweet demand of carry me before you slump into his embrace and force him to take your weight. Which he does, easily, big grin on his face as he toddler-carries you to the passenger side of Xavier's truck.

He bundles you in, sets you up with the softest blanket Claire found at Target—Yuri and Ajay not doing their jobs as devil's advocate at all as the cart filled up with Claire's suggestions. Honestly, Wally doesn't care. Especially not after your eyes brighten as you run your fingers over it, wiggling happily in your seat.

"You cozy, babygirl?" He asks as soon as he's behind the wheel and the smile you give him makes him fucking melt.

"You got me a blanket." You state, tucking yourself in more securely; shoes off, feet up, elbow on the console so you can lean over it and kiss Wally's cheek. "Thank you."

Wally blushes, he can't help it, and shrugs as if it's nothing. "I got you a bunch of things, baby," he says as he starts the truck, "Just wait and see. You're gonna feel like a princess, I promise."

You slip your hand into his, fingers laced, and he rests them on your thigh as he drives. Down the street, turn left, continue to the intersection of Main and 4th. Right on 4th, all the way to the end and then left on Pine. Drive until the highway onramp. Now Leaving Split River, We'll Miss You!

Oh God... Wally's heart pounds, blood rushing in his ears. This feels bigger than his first step off school property. Bigger than feeling air in his lungs and a drum in his chest after being hollow for so long.

Somehow, and Wally doesn't know how, you manage to talk him through pulling over, crawling over the console to plant yourself in his lap. Hands cradling his jaw, you press your forehead against his and guide him away from the edge of a panic attack.

"—got you, Wally, I'm right here, you're okay, shh, you're okay..." The steady cadence of your voice sharpens as his breathing regulates. He's holding you like a lifeline, arms fastened around your waist, heaving great gulps of air as he trembles slightly.

"I'm sorry, baby," He gasps and squeezes his eyes shut.

"Nuh-uh, no apologies, Wally Clark," You say firmly. There's a lull before you chuckle, gentle and kind, "Hey, this was a lot better than the night you first stepped across the school boundary line, right?"

Fuck, that was a mess. However, Wally wasn't alone when that happened. Charley and Rhonda and Yuri, Mr. Martin and Ajay, Mina, they were all there too, equally as overwhelmed. Rhonda threw up on Quinn's shoes. Charley passed all the way out. Yuri and Ajay were fine, fuck them, but Mina just...screamed. And then laughed. Then cried. Then screamed some more, listening to the sound ricochet off the surrounding buildings in a way it wouldn't have days before The Door.

Wally snorts, "Yeah. Sure," and finally peeks up at you. Your thumbs stroke his cheeks that he realizes belatedly feel damp. Is he crying? Weak. But you aren't judging him, simply gazing at him like he hung the moon; you're perfect person, the man you love most, and Wally's chest swells. "We're out of Split River," Wally croaks.

You beam at him, "We're out of Split River."

Holy fuck. He's out of Split River.

‗•‗

After climbing out of the truck to holler into the ether. To chase each other around the Now Leaving sign. To grab you, spin you around and fall into the grass as you and he laugh and laugh and laugh, Wally finally gets the show back on the road.

Once again, he tucks you into your seat, takes your hand, checks his mirrors and then pulls back onto the highway, the town that raised him then witnessed his death becoming a speck in the background with every mile marker you and he pass.

He lifts your hand, grazes a kiss to your knuckles, his eyes on the road and his mind on you and everything he has planned for this trip. At the halfway point, he stops for gas, shadows you as you browse the aisles for exactly the right snacks. Fondly gazes after you the whole time as you make tough decisions: Nerds or Twizzlers? Cookies or chocolate? Wally, do I want a vanilla or butterscotch pudding with my Oreos? Because that's a normal combination, what?

He's absolutely no help at all, too busy mooning over you as you flutter between the fridge and the chest freezer, babbling about how integral to your mood it is to pick the right snack. To cover for the fact that he isn't paying attention, Wally grabs a bag of marshmallows off one of the shelves when you call him out for not listening.

"These." He says, holding the bag up and then glancing at the graham crackers and Hershey's displayed at eye-level. "Maybe these?"

"You wanna make s'mores in the truck?" You ask, dubious.

"No," Wally saves himself, "Just these," and he jiggles the bag of marshmallows. They're the jumbo kind; the kind he used to bet his cousin Dennis to eat five of in one bite or else he couldn't play Wally's Magnavox Odyssey.

You consider the marshmallows for a moment and then, with a decisive nod, "And hot chocolate."

"And hot chocolate," Wally agrees, following you around the shop to the coffee station.

Wally pays for everything, hip-butting you (carefully, no spills) out of the way when you try to pass the cashier your card. He takes the bag and the tray of hot chocolate and still holds the door open for you with his heel. No fucking way is his princess lifting a finger on her birthday-slash-Wally's-freedom trip.

For every mile, you dip a marshmallow in your hot chocolate—dipping Wally's as well and feeding him, giggling when he nips or sucks the gooey sugar from your fingertips. It's silly and sweet and Wally basks in every second of it. Every second of your off-key singing, your trivia answers, your arguments over which is better, Thunderbirds or Captain Scarlet and the Mysterons.

"You know, I have been catching up on TV shows, right?" Wally laughs, "You can use better examples."

"What's wrong with puppets, Wally? Are you a pupaphobist?"

Wally barks a laugh, "That's not a thing!"

"It definitely is a thing," And you wield your phone, flashing Google as Exhibit A. "So? Are you? Just say it, you hate Jim Henson and everything he stood for."

And it's amazing. It's anything and everything and so much more than Wally could've ever hoped for. Even the quiet intervals when the sugar wears off and the early wakeup call catches up to you; your body curled up in your seat awkwardly just so you can angle yourself right to rest your head on the console and place Wally's hand in your hair.

Adorable little diva.

As you doze, Wally watches the scenery drift by, his lungs expanding more and more with every mile he puts between himself and Split River.

Eventually, he turns off the highway and onto the backroads without you noticing a thing. His fingers card through your hair, trace the shape of your jaw and cheek as he absorbs the softness of the moment and tucks it away behind his ribs. Safe and sound, to be pulled out and cherished when he's alone.

When he parks, he's reluctant to wake you. So, he doesn't. Not immediately. Rather, he spends a few minutes just resting himself, sinking down a little in the driver's seat. Then slants sideways, curls over and around you to kiss your ear, cheek, jaw.

He couldn't dim his smile if he tried, enamored when you protest at first, but then sigh, realize where you are and who you're with before groggily chuckling at Wally's antics.

"Surprise, baby girl," He whispers, letting you sit up so you can take in your surroundings.

The look on your face tells Wally he did a good job. The way you tackle him into the inside of his door and kiss him tells him he's going to have to start planning next year's surprise tomorrow, because, fuck yeah, this is exactly the reaction he's looking for.

Getting out of the truck and staring at Claire's stepdad's lodge; at the trees and the snow and the vast expanse of sky, it hits him again like a ton of bricks.

Holy fuck. He's out of Split River!

‗•‗

He doesn't wait to celebrate. As soon as he closes the door behind him, he reels you in, kisses you deep and hungry while you're only halfway out of your jacket. That's okay, he helps you get it the rest of the way off, along with everything else.

"Let me make you feel good, baby," He whispers against your skin, hands everywhere, his hips rolling into yours as he pins you to the wall beside the door. "Let me show you how much I love you..."

Wally kisses you deep, hungry, groaning into your mouth as he keeps grinding his hard cock against you, fuck, you get him going like nothing else. All you have to do is breathe in his direction and his pants tent.

Heat courses through him, curls tight in his belly and flushes outward to his limbs, God, he needs you. Now. Right fucking now, baby, come on. He carries you to the enormous kitchen island, peels your leggings and panties off and has his lips on you and tongue in you faster than you can cry out his name.

"So sweet, baby," He moans into your pussy, panting, not bothering to breathe in his greed for your taste and pleasure. "Fuck, I can't wait to be inside you."

He spears his tongue in and out of you before teasing little circles around your clit, his fingers plunging into you in place of his tongue. Wally could do this all day and never get tired; the sounds you make, the way you writhe and beg for him, Jesus, he can't imagine ever wanting anything else.

Cruel, desperate, he doesn't care what you call it, he stops right as you're about to come, shoves his sweatpants just below his balls and drags your hips off the counter to punch his cock into you. His head falls back as soon as he feels you around him, so tight and hot, "Fuck, yes, baby, so good for me."

And he sets a frenzied pace, unable to keep himself in check now that he has you like this. His fingers dig into your lovehandles, your legs hooked over his elbows. He's grunting, you're mewling your pleasure, and Wally about loses it before you do. But he doesn't. He's better than that, fucks you like a beast until you scream and shake and squirt around his cock.

It's game over after that. No way can he hold on, his body tensing, hips grinding, as he spills deep inside you. Carefully, he sits you more firmly on the counter and leans in to kiss you, soft, sated, a little blissdrunk in the afterglow. Bodies pressed together, slowly recovering, Wally strokes the arches of your cheeks with his thumbs and gives you a muzzy smile.

"You're my whole world, you know that?" He tells you and then captures your lips in a kiss that quickly turns heated, "I'll do anything for you, baby." Fuck, he's already getting worked up again, needs more of you, always needs more. "I'll die all over again if you asked me to."

"Wally..." You gasp when he rocks his hips forward, driving his cock back into you.

It's just after sundown before you and he finally check out what's beyond the open kitchen/living room space, the table and couch and ottoman and, shit, bearskin rug fully christened in sweat and come.

You and he jump on the beds with childlike glee, music blaring on speakers that cost more than Rodney's mortgage. Claire explicitly forbade Wally from using the master suite so, taking that into consideration, that's the first bedroom he fucks you in—from behind, driving his hips forward while he pulls you back against him. What? He'll do the necessary laundry.

If he remembers...

‗•‗

After a supper of haphazardly thrown together and grossly microwaved nachos, Wally snuggles you between his legs on one of the Adirondack chairs outside, under a thick blanket and dressed accordingly in the thermals and sweater and fuzzy socks he secretly bought and brought for you.

The fire pit blazes, the stars above twinkle, and the land around is a peaceful kind of dark. Not the ominous, suffocating dark Wally grew accustomed to in the confines of the school. The comfortable silence between you and him is accentuated by the crackle and pop of the fire, the scene so peaceful, Wally has to wonder if he ever experienced any such feeling before.

His arms tighten around you and he presses a kiss to your cheek from behind, watching the flames dance as you lance another marshmallow on your stick.

Tomorrow is your birthday and he intends to take you skiing. Or, when he knows you'll diplomatically decide to trade skis for slippers, he'll bring you back here at noon and spoil you rotten with presents and a homecooked meal; that bubble bath Nicole suggested (thank you, Nicole), and a long night on that bearskin rug (thank you Rhonda).

It's going to be an incredible week, he assures himself. And on Saturday, the others will arrive while he takes you into the resort town to explore so they can set up your big surprise party. Yuri will grill in a t-shirt, and Charley will force everyone to play 90s boardgames he died too soon to play, and Rhonda will make everyone take shots whenever Wally gives you heart eyes just to watch the messiness unfurl.

Claire will probably reprimand him for fucking in her parents' bedroom, but Wally doesn't care. Because it means he celebrated you right. That you and he had fun. That there's evidence of the fact that, for the first time in 40 years, holy fuck, Wally made it out of Split River!

fin.

🧁___________________________

also on AO3!

Order Up! MASTERLIST

if you enjoyed this, you may also enjoy Tongue Twister.

a PWP drabble highlighting Wally Clark's addiction to eating your pussy like a man possessed.

October Sun

summary: it had been settled. everything had gone to shit and then everyone had had front row seats to watch how that'd happened. back in the theater, no one had known what to say, how to describe what they'd seen, how to reconcile that whoever had been behind the circumstances haunting Split River High could've been anyone.

pairing: Wally Clark x fem!reader

warnings: eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

bon reading, frens

___________________________💀

OCTOBER SUN pt.27

"Love this for me."

Charley scanned the area, confused, disoriented, nervous. We're not in Kansas anymore, Toto, he shuddered, wrapping his jacket tighter around himself as he began to trek in the direction he hoped would take him back to civilization.

This wasn't how he imagined finally being free from the school. Lost in the middle of nowhere, dense trees as far as the eye could see. There weren't many wooded areas around Split River. A couple of parcels here and there, wilderness parks, but not like this, and he had to wonder if the forest was actually native to the land.

Finally, he found a trodden path in the dirt and decided to follow it. What did he have to lose? There was no danger. He couldn't die twice. Food, sleep, shelter weren't required despite he and the others keeping up those habits in the afterlife at Mr. Martin's guidance. Still, what you'd mentioned on the rooftop the night before—about how your great aunt or your mother could blast his soul into oblivion—made Charley paranoid.

What if he'd landed here just for an evil witch to use his ghost for some nefarious plan to make her young and beautiful again? He'd seen Hocus Pocus. And it didn't matter that he was technically too old for that spell to work. He was stuck at 17 until he moved on and he wasn't keen on having a wicked witch absorb him for the sake of vanity.

Which, okay, Charley reasoned, sounded ridiculous, but one couldn't blame him. After a tornado had manifested in the theater and he'd been transported to some creepy, dark forest alone; he wasn't going to criticize himself for the insane theories his brain churned out.

He followed the path until it brought him to a winding, unpaved road. Turning left, he trailed down the edge of it for what felt like hours. It'd started raining halfway through his journey to wherever the hell, and night had fallen before the road widened into a bare plot of land stretched in front of a dilapidated farmhouse, its shadow a fanged monster raking toward Charley's ankles.

"Oh, that's not freaky at all." Charley muttered, quickly glancing over his shoulder and debating whether or not to go back the way he'd come. The darkness blurring the unpaved road seemed to push toward him as if discouraging him from turning around. He groaned in despair, "I hate everything about this," wanting the universe to take pity on him and return him to—God help him—the safe and familiar halls of Split River High.

It was Movie Night, he winged internally, and Wally had agreed (with conditions) to watch Ghost—shut up—and Katelynn and Bernadette were in charge of snacks which meant there'd be a smorgasbord of good options because Mr. Martin always filled the table with carrot sticks and his homemade tuna salad ("Just like my mother's! Doesn't it taste like home?"—"Why is it encased in jell-o?"—the 50s were a heinous decade, Charley thought, green around the gills at the memory).

Today was supposed to be a good day. A day of progress. A day of togetherness. He and Rhonda and Wally, and now Maddie, a united front against the mystery of Maddie's.....well, not "death", Charley supposed, because you'd debunked that. But against the mystery of Maddie's situation, nonetheless. Except he was here, wet and cold and lost; an Addams Family-esque farmhouse towering in front of him like a bad omen and no one to turn to for answers.

"It can't get worse," Charley sighed, about to ascend the first of the front steps.

As his foot set down on the wood, the screen door creaked and someone emerged, using their back to push the door open so they could exit. When they turned around, Charley nearly jumped for joy. He knew that face! That was your face! Your face... Charley reeled back. Your face was coated in blood. You were coated in blood. Hair, hands, jeans.

"What happened!?" He questioned, pitching toward you to scan you for injuries. You didn't seem to be in any pain, not favoring a leg or curling over a gut wound. Beneath the thin red film on your face, Charley couldn't spot a gash, a cut, a scrape, nothing. He panned to the front door, speculating in startled flashes what lay beyond it. The color drained from his face as he thought about it and he decided, no thanks, he didn't want—didn't need—to know.

The most unnerving part, however, wasn't the Evil Dead amount of blood on you. It was how your eyes stared ahead, completely blank; the same dissociative gaze Charley had witnessed on Emilio's face in the wake of Charley's death. Like Emilio's mind had evaporated while his brain repressed every bad thing that'd ever happened just to keep him upright.

Charley wanted to ask if you were okay but the words lodged in his throat when he finally noticed that you had something—someone—bundled in your arms. Small, child-sized (probably because it was a child, Charley, he chided himself), wearing Spiderman rainboots and a Looney Tunes sweater. A queasy sensation flushed through him as he watched you fumble down the stairs, gaze fixed ahead, arms fastened around the little body.

When Charley shifted to follow you, the screen door creaked again then slammed closed. Another person hurried out, clomping down the steps to chase after you. Small. Child-sized. Spiderman rainboots and a Looney Tunes sweater. Charley's expression twisted with sorrow. He bit the inside of his lip as he turned and walked beside the little boy who contemplated his boots as he squelched through the mud.

"Where are we going?" The little boy asked you, stomping into and out of a puddle.

You answered, "I'm taking you home," your voice light as a feather and far, far away.

"Will mommy be mad at me?" The little boy paused, big green eyes on your back, worried that he'd be in trouble for...for what? Charley couldn't discern. For dying?

"No." You said, dragged your feet with effort, your Converse not made for soft, sinking ground. "She'll know what to do. She'll make it all better, Aiden, I swear." On the last word, your voice cracked, but your face didn't change, your gaze still distant.

Charley kept pace with the little boy, Aiden, until you came to the end of the unpaved road. You were shaking, probably freezing, soaked to the bone and in shock. The unpaved road intersected a tarred section of old, narrow highway, a rusted mailbox keeping vigil in the tall grass that lined the shoulder. Part of the name was scraped away by time and weather. Still, Charley could make it out: Meheive. A name Charley had had hammered into his skull in Grade 7 History. The name of one of the four industry men who'd founded Split River in 1850.

"Oh," He commented mildly, "It gets freakier. Fantastic." Then, as he lifted his foot to continue after you, he simply couldn't. He tried again, again, again, walked in place as if on a treadmill while an invisible force kept him at bay. "Never mind," He gulped, "Now it's freakier." At least he wasn't being shot back to the cafeteria at speed, he mused glumly when he took the time to feel the identical vibrations he felt when he got too close to the one around the school.

Slanting his attention to the side, he saw Aiden standing alone, face pinched, lower lip trembling and eyes filled with tears. "Sissy May, wait... I can't follow you..." He stuttered several breaths, hands balled into fists at his sides. "Sissy May!"

You didn't turn around. "It'll be okay, Aiden. Mom will fix it. She'll know what to do." Charley heard you murmur, dreamlike, detached, as you began to walk along the shoulder of the highway, adjusting Aiden's weight in your arms. "She'll fix it..."

Charley came up beside Aiden, watching you blend into the dark the further away you got. Aiden sniffled, squeaked before he coughed out a sob. He craned his neck to look up at Charley in devastation. Briefly, Charley was surprised though that settled into sympathy the longer Aiden blinked those green eyes up at him.

"I don't want to be alone," Aiden whimpered and took Charley's hand, his grip limp, his fingers tiny.

There was nothing to say to that. Charley didn't want Aiden to be alone either, and if he had to stay with Aiden for eternity, he would. He knelt down and pulled Aiden into a hug, his voice wet as he said, "You aren't alone, buddy," the way he would've comforted his younger cousin, Luca.

Unfortunately, the moment the words slipped out of him, Charley was snatched away and dragged through the farmhouse door.

‗‗‗‗•‗‗‗‗

Where Charley couldn't follow, Ajay did. Down the shoulder of the unlit highway, stomach rolling as he observed how you swayed and stumbled as you pressed onward, Aiden's dead weight becoming more and more difficult to manage. A car had stopped, a woman had called out to you, and Ajay had heard her on the phone with the police, asking for help.

It was as if you hadn't heard her. Ajay doubted you had, the state you were in, mumbling gentle promises to your brother as you carried him home. "Mom will know what to do, Aiden..."

Twenty minutes came and went before an ambulance and two squad cars screeched to a halt meters in front of you, lights flashing, red blue, red blue, red blue. When the EMTs tried to take Aiden from you, you put up a fight; kicked, gnashed, snarled, screamed. Not words, just noise, like a provoked animal. Deputy Baxter managed to get you in a submissive hold so an EMT could sedate you before he helped settle you into a stretcher. Strapped you in, just in case, the corners of his mouth severely turned down and his eyes shuttered to conceal the heartbreak Ajay had caught a glimmer of.

"Take them to St. Vincent's." Deputy Baxter instructed the ambulance driver. "I'll call their mother." He moved on to order the second unit that'd arrived with him to follow the ambulance, that he would check the road, "For anything that'll tell us what the hell happened here."

"Noah, are you sure you want to do it alone? If someone's responsible, they could still be out there. They could be armed." Deputy Hayes voiced her concern through the passenger-side window. She was new, too new to understand a protocol had been established between Deputy Baxter and Sheriff Stallow when it came to your family. A grandfathered in whatever it takes that often involved doing things off-book.

Deputy Baxter shook his head and reassured, "I'm just going to see what I can find along the road. If anything comes up, I'll call it in." He straightened and peered down the highway in the direction you'd obviously come from, a deep-seated foreboding frosting beneath his skin.

He was at a crossroads, his gut told him. Something terrible waited for him in the dark and whatever choice he made to deal with it would change his life forever. Damned if he did, damned if he didn't. He just prayed to God that he'd still be able to be there for his own little boy in the after. That he'd have the chance to hug Xavier and tell him the world might not be safe, but his dad will always be there to protect him.

In the side mirror of his vehicle, Deputy Baxter stared at the retreating image of the ambulance and squad car as they blared down the highway toward the town. Once the sound of the sirens faded, he shifted the gear into drive, gravel crunching under the tires, and he drove to the only building in the area for miles.

Once Deputy Baxter was gone, Ajay vanished through the farmhouse door.

‗‗‗‗•‗‗‗‗

Question Five.

Does the Monster die?

‗‗‗‗•‗‗‗‗

Simon's eyes flew open and he jolted upright, waking abruptly in a cold sweat. The sky was dark outside his window, his room pitched black, and his mom was tugging at his shirt. He barely registered her words, you told the police you'd return the phone tonight, get up, as she fussed over him, fuming, lecturing him in Tagalog as she switched on the overhead light and pinned him with a strict expression.

He scrubbed his face to wake himself up. Dragged his hands through his hair, eyes drifting to his closet. He could've sworn... Hadn't there been...? The door was open and, apart from the two rails of clothes and the shoe rack, it was empty.

"Hurry up, iho! Before your father gets home." His mom commanded before she turned on her heel and left the room.

In English, Simon responded, "I'm going, I'm going..." and rose from his bed. He felt weak, exhausted despite having apparently slept through the day. Again, his gaze settled on his closet as if the person who'd been crying in there had just tucked themselves in the corner and would pop out any second now that the coast was clear.

But nothing happened.

Taking a deep breath, Simon stood and treaded to his closet. Just to make sure; just to see if it had really all been a dream. There was nothing inside to indicate anyone had been hiding there. No displaced clothes to suggest Simon had shoved them aside to get a better look at the little boy who'd quivered beside the shoe rack. No puddle from the rain that had dripped from the little boy's hair and Spiderman rainboots. No scuff marks in the carpet. No mud. No little boy.

"She's gonna hurt him," The little boy wailed into Simon's hip. "She's gonna take him and she's gonna hurt Sissy!"

Simon tripped backward, away from the closet, breath suddenly ragged as the memory flooded his mind. Because it had to be that. A memory. He'd had vivid dreams before, but never like that. He could still feel the little boy's tight grip around his waist, could still feel the wet and cold of the little boy's body through his Looney Tunes sweater when Simon had instinctually returned the embrace.

"She wants t'take them!" The little boy sniffed thickly, "You gotta help! You can't let her!" And then he added as if he'd been reprimanded enough times by his mommy, imploring "Pleeease!"

"Who are you talking about?" Simon asked. Leaned back and crouched so he was eye-level with the little boy, his hands holding the little boy's boney shoulders, "Who's going to get hurt?"

Simon grabbed his sweater and his car keys, calling out, "I'll be back soon," to his mother who'd installed herself in front of Wheel of Fortune. He had to get to the school. He had to see Maddie. To tell her what he'd dreamt or prophesized or hallucinated because, guess what, he'd apparently graduated from unwitting medium to Nostradamus.

As he trotted down the front walkway, he checked his phone. 7 missed calls from Nicole. 2 missed calls from Mathilda. 3 texts from Nicole asking the same question—are you okay?—and a novel from Mathilda that detailed the lessons he'd missed and what he'd have to make up over the weekend, but don't worry, I'll help you. And 1 text from you. Short and sweet, sent that morning just after Simon had returned home from the police station.

"We found something to get Mr. A. I'll meet you at the bus stop when you get here."

Simon hoped it wasn't too late. That you'd stayed behind to wait for him even though he hadn't answered you. Unlikely, but he tried to remain optimistic, even as he took a moment to collect himself once behind the wheel of his car. That dream...it lingered like a bruise.

The little boy's voice stuttered through rough breaths, "Sh-she said because M-Maddie's gone, she needs s-someone else now and that she still wants Sissy. But she can't do it w-without trapping more people."

Simon started the car and pulled into the road.

"What do you mean, 'gone'? You mean because Maddie died?" Simon pushed, but the little boy wasn't listening, sobbing about 'him' and 'Sissy' and how they were in danger. Simon grabbed the little boy's face between his palms, soft but firm, and god, his cheeks were so cold. He looked the boy straight in the eye, "What can't 'she' do without trapping more people?"

He rolled down the window to let the fresh air soothe his anxiety.

Eventually, the little boy quieted though tears continued to stream down his face, "She can't have a new body." He said in a little voice. "Now she needs more people because Maddie got away."

And what the gentlest fuck did that mean?

Simon still didn't know who the 'Sissy' and 'him' were that the little boy had referred to. The little boy had been too distressed to divulge their names, talking as if Simon should already know everything. Just 'Sissy' and 'him'. 'Sissy' and 'him' and Maddie and someone named Janet. Did Simon know a Janet? He wracked his brain, trying to summon the names of everyone in his class who could have a connection to Maddie's death. There was a Jessica and a Jennifer and a Jayden. No Janet.

Then there was the matter of 'she' wanting a new body. Because that was sane. And impossible. Right...? Fuck, what if Maddie's death had been some nutcase's idea of a ritual sacrifice. What if another teenage girl was about to be murdered because, lo and behold, magic isn't real and Maddie just died instead of ceding her body.

The devil on Simon's shoulder quipped, "But ghosts are real," which, fair. If ghosts were real, surely they weren't the only eldritch phenomenon to exist in the world. Maybe there were cursed mummies or body snatching aliens out there scheming to take over America via its youth. No child left behind. Jesus Christ. Simon was spiraling, brain spitting random images of every creature feature he'd ever seen at him. Had the little boy been trying to warn Simon about mummies? Aliens? Was. it. aliens!?

As he stopped at a pedestrian crosswalk, he stared—definitely too intensely—at the young woman who passed in front of his car. Like he could see straight to her bones and determine whether or not she was really human. The woman picked up her pace, shoulders up, head down, and folded her leather jacket tighter around her.

Don't be suspicious, Simon, he admonished himself, ashamed of his behavior, eyes darting to his lap until the woman was safely on the other side of the road. "What even is my life anymore?" He wallowed. Ghosts and Mystery Inc. side-quests and pinning crimes on teachers. He felt he'd lived a hundred lifetimes in the last week and was seriously considering becoming a hermit the minute Maddie moved on.

There wouldn't be much reason to stick around after that anyway...

‗‗‗‗•‗‗‗‗

Mina Volkov hadn't left the theater since 1987. She was a looper. She performed the same tasks every day, from morning to night to morning. She didn't sleep. She didn't eat—except for the paper bag lunch she'd brought with her the day she'd died. She didn't stray. Mina had to make sure that what had happened to her wouldn't happen to someone else.

There was safety in her loop. Not just for the living students she protected through her hard work, but for herself. Her loop allowed her mind to remain clear, focused entirely on the task at hand. She didn't have to think or reflect or question why her soul had lingered after being squashed by a stage light. Rhonda had called it denial when she'd visited Mina a week after Mina's death. Rhonda had been sizing Mina up, prodding and poking to see how Mina would react.

Mina had simply gone about her safety checks and Rhonda had eventually gotten bored. And had never come back.

Sometimes, her loop veered off-course. Sometimes Mr. Martin came to check on her. Just to say hi. Never to invite her to those stupid meetings he hosted in the gym. The ones Ajay attended and would tell Mina about later when they picnicked on the stage or between kisses in the green room.

She liked Ajay. He was kind and thoughtful, and he respected her loop. He didn't complain when she prioritized double-checking the lighting cables and tightening ropes and cordage for the dropdown scenery. He'd simply sit and talk to her. Recite poetry or passages from books she never intended to read. Ajay was smart. Ajay was handsome. Ajay was...

Ajay was comatose. Slumped on the floor along with the others, his face, like theirs, twisted in anguish. Whatever measures Mina used to wake him up didn't work and she had no idea how to help. But she knew she needed to. Not because New Girl had brought Mina flowers. Or because Hawaiian Shirt Man had caused her so many headaches since the start of the school year and they'd found something to make him stop banging around under the stage. But because Ajay needed Mina to be brave.

He needed help and she was going to help him. Which meant Mina had to leave the theater. She had to find Mr. Martin.

Though Ajay often thought Mina didn't listen when he spoke, he was wrong. She held onto every word like a treasure that she'd tuck away in her heart and savor in the moments she was alone. Mr. Martin took his privacy in the fallout shelter in the basement. Mina had been there before she'd died. Several times, in fact. It'd been an opening night ritual conducted an hour before curtain. The cast and crew piled downstairs and hid in the fallout shelter to pass around a spliff.

No, Mina hadn't partaken, much too responsible, but she'd wanted to participate in some way even if that was just being there. She'd wanted to feel like part of the group when she'd so often felt like an outsider the actors and other crew members made fun of, "for being so snooty and uptight, God, Mina, chill out."

Standing slowly, Mina regarded the theater door. Her heart slammed against her ribs, palms clammy as she tightened and loosened her fists. A comforting motion to calm her nerves as she stepped carefully to the door and placed her hand on the exit bar.

Mina hadn't left the theater since 1987. But today, she would.

For Ajay.

She spilled into the hall, the world spinning in her panic, and took off at speed to the other side of the school. Down two flights of stairs, through the door that led to the basement.

Most of the basement had been bricked off which had narrowed the hallway, making it feel like a catacomb. Poorly lit and spooky. The fallout shelter was at the far end, directly below the gym. Its vault door was open as Mr. Martin usually kept it. A practical solution given how regularly he had to come and go during office hours.

It hadn't been his idea originally. No. It'd been hers. The woman currently speaking through the janitor's mouth as she stared Mr. Martin down.

"I've had someone canvas the area and several others every night since that traitorous little bitch escaped." Mr. South stated, "There's no sign of her."

Helplessly, Mr. Martin explained for the second time, "I don't know what you want me to do, Amelia. I've done everything you asked me. I'm doing what I can to keep the kids present, like you said, and I need to concentrate on that. I've already noticed a shift in sentient ones since Maddie joined us."

Mr. South—Amelia—snarled, "I'm not asking you to participate in a search and seize, Everett. I simply want you to tell me where that conniving piece of shit would have gone! She confided in you, you told me that. So, tell. me. where she's most likely to go!"

Mr. Martin shook his head, a cowardly expression miring his face, "I've told you everything I know, Amelia, please. I've given you her notes, her journal. Every piece of information I had is already in your hands."

Quite unexpectedly, a frightened voice interrupted from the vault door, "Mr. Martin?"

Mr. Martin whipped his head to the side, his eyes going wide in panic when he saw Mina stood just over the threshold, inside the fallout shelter. She looked ashen. Scared. Shaking like a leaf in the wind. Her brown eyes slid away from Mr. Martin's face to rest on Mr. South for a second before returning to Mr. Martin.

Mr. Martin swallowed, opened his mouth to say something, anything to explain why he was mid-conversation with the live and well school janitor, when suddenly it didn't matter anymore. Mr. Martin choked as he watched Mina glance down her body. Her chest seared like paper in a candle flame. She looked back up, fear contorting into betrayal, before she quietly burned away into oblivion.

Unable to reconcile what he'd witnessed, Mr. Martin merely stared at the spot Mina had just been standing, expression slack in horror. His chest rose and fell heavily, "Why?" he rasped, and it took every ounce of self-preservation not to lash out.

Behind him, Amelia lowered Mr. South's hand, scoffing, "Oh, don't look so sad, Everett. She didn't feel a thing," but Mr. Martin didn't believe it. Still, he was too intimidated to argue. He knew what Amelia was capable of and he didn't want to be on the wrong end of her wrath.

Virtuously, Amelia commented, "You'll have to find me another to replace that one. So, two more, I suppose,. And we need someone to step in for Janet," breezy, as if she'd killed nothing more than a house fly. "And soon. We can't have any more delays." In Mr. South's lumbering body, she picked across the floor like a debutante, "Time is running out." She finished, already out the vault door and returning Mr. South's body to the storage room Mr. South used as his office.

Alone in the fallout shelter, Mr. Martin buckled to his knees.

‗‗‗‗•‗‗‗‗

Operating with half his mind still on aliens and mummies, Simon waited in the bus shelter. He was grateful you hadn't left, had responded to the text he'd sent when he'd arrived at the school: "See you in 5," you'd told him. At the metal crack of the side entrance opening, Simon stood up from the bench and faced the school. He frowned when he saw who emerged.

Steps uneven, Xavier exited the school. He stopped when he noticed Simon, stood still like a deer in headlights. Damn, Xavier looked like his whole world had been turned upside down. More so than it already had been, that was. Pale and bug eyed and jittery. They watched each other for a moment. Simon nodded his head in greeting. Xavier didn't return the gesture.

Instead, he lifted the hood of his sweater and turned toward the parking lot, skulking off with his head down. A minute or so later, the door opened again and this time it was you. And Maddie. Together. Followed by a tall guy in a varsity jacket, a girl in a newsboy cap, and a boy with frosted tips wearing a Canadian tuxedo. The trio of strangers stayed by the door to watch as you and Maddie—together—approached Simon.

When you and Maddie were within earshot, Simon said, "Okay. What the hell is this?"

You at least had the decency to look apologetic.

"So you can see ghosts." Simon stated, irritated.

"So can you." You shot back, but it didn't sound like your heart was in it. In fact, you looked just as rattled as Xavier had when he'd come out of the school.

Although he wanted to chew you out for having lied to him, Simon wanted to make sure, "Are you alright?" His demeanor softened as he took you in. Puffy eyes, flushed cheeks, red nose. You'd been crying. And Simon would never be angry enough to let that trump being there for a friend who needed him. He bundled you into a hug, one hand rubbing your back, and asked Maddie with his eyes what was wrong.

In his periphery, he saw Varsity straighten and move to take a step forward. His friends each grabbed an arm and appeared to shut whatever idea he'd had down because he shifted back before shaking them off.

Urgently, Maddie told Simon they'd discuss everything, "Later," and ushered him back into the bus shelter. He kept an arm slung around your shoulders, a shoulder to lean on, though had to release you when you decided to lean against the interior glass. Simon took what was becoming his usual seat on the concrete base and Maddie folded herself onto the bench.

When neither you nor Maddie spoke, Simon took the lead, "Mr. Anderson totally played us," he began, glancing between you and Maddie. "I mean, the cops are convinced I helped Maddie run away."

Maddie immediately defended, "Seriously? That's—"

"I know. They only let me come back here because I promised I'd get Anderson's phone and turn it in."

You cleared your throat, "Okay, well, before you do that..."

Maddie continued where you trailed off, "I think we might've found something that can help maybe keep the cops off your back." She fished something out of her back pocket and handed it to you which you, in turn, handed to Simon.

Stunned, Simon gawked at the piece of paper, eyes darting between it, you, and Maddie several times before finally resting on the paper. "We're just...not going to acknowledge how insane this is?" He sputtered, flapping the paper to indicate what he meant.

"Just go with it for now, Si." Maddie implored, "Let's take down Mr. Anderson first."

"Yeah," Simon agreed and examined the paper. It was a receipt for new band uniforms. He pulled out his phone when Maddie informed him he'd have to call the company the receipt was from and punched in the number. As the line connected, Simon cast to the three people at the school entrance. "Quick question, and not to alarm anyone, but who are they?" He asked as he waited for someone to answer the phone.

You and Maddie looked to the three people then at each other, Simon, the three people, each other, and ended with open-mouthed stares at Simon.

"They're dead, aren't they?" Simon deadpanned. You and Maddie nodded. Simon kissed his teeth. "Of course they are."

‗‗‗‗•‗‗‗‗

After all was said and done, you, Maddie, and Simon had watched Wally—the tallest of the three ghosts Simon had seen outside—drape his varsity jacket over your shoulders and stamp a kiss to your head. Simon had watched Wally hold you protectively in the wake of Simon's impassioned announcement to the table of Split River High staff.

He'd heard Wally whisper comforting words and stroke your cheek with his thumb and, wow, you hadn't been joking about saving yourself for the hot ghost on campus.

It was a mindfuck, to be sure, but Simon adjusted. Or he was in shock. Toe-may-toe, toe-mah-toe. Wally had mentioned to the group at large as they huddled in the hallway that he and Charley—Canadian tuxedo—had needed to go lest Mr. Martin—whoever that was—get suspicious of their absence at Movie Night. Which could've been dead dove, do not eat, or could've been ghost code for watching the living go to the bathroom.

"Dude, we don't do that." Wally had cringed, offended.

Charley had raised his brows in consideration, "Well, not all of us."

Simon was beginning to double-down on putting together a personal bestiary à la Teen Wolf just to aid him in navigating this shitshow.

Afterward, you, Simon, and Maddie had holed away in a classroom to watch Mr. Anderson be escorted into the back of a squad car. In a line at the window. Discussing in solemn tones what you and Maddie had seen in the theater. How it related to Mr. Anderson. How whoever was behind Maddie's death—no, not death, Simon emended, since you'd brought him up to speed. How whoever was behind Maddie's missing body could be literally anyone. That was if her Maddie's circumstances were related to the terrors you and she had experienced in the theater earlier.

"What do you think's gonna happen?" Maddie asked faintly as she watched the deputy closed the back door of the squad car.

"He'll be questioned." Simon said. "Probably arrested."

Angry, Maddie replied, "But not for abduction. Not for bodily injury." A weighted pause. "I swear to God, if he did this to me over some stupid band uniforms..."

His voice tinged with hope, "Maybe he'll confess."

"Or," Maddie offered the alternative, "You'll hand that phone over to the cops and we'll never know who he was working with. Or why he said he gave me money... I'll never know what really happened to me."

Maddie turned. As soon as she settled, you shuffled closer to her on the windowsill and put a supportive arm around her shoulders. Fuck if that didn't make Simon's heart ache. He wanted so badly to be the one to do that for her. To be there for her. To comfort her.

"We'll figure it out, Mads." You reassured, though your eyes still looked haunted.

"At least for now," Maddie said, gazing up at Simon, "some of the heat will be off you."

Her words struck Simon's soul. After everything she'd been through, she cared about what happened to him, and it made him yearn to show her how much that meant to him. Seeing you in Wally's varsity jacket gave him an idea. Slowly, he peeled off his sweater and hung it over the back of a chair. It wasn't enough, but at least he could do this.

"What are you doing?" Maddie asked.

Voice rough with emotion, Simon said, "I was thinking... I can't hug you, but my sweater can."

You hopped down from the windowsill and positioned yourself between Maddie and Simon, voice pitched just as low as Simon's as if not wanting to disturb the somber atmosphere that had befallen the classroom.

"I can do you one better." You said with a small smile and placed one hand on Maddie's shoulder. Your held out your other hand to Simon which he took, curious as to what you were going to do. It seemed Maddie knew because she came closer and then—god—she wrapped her arms around Simon and held him tight.

Without a second thought, Simon returned her embrace with his free arm, putting everything he had into it. All the grief, all the solace, all the love. He hiccupped a weak sound of overwhelm and pulled Maddie as close to himself as he could. She felt warm. Alive. Like she was right there in her body.

With wet eyes, Simon peeked up at you, "Thank you."

"You're my friend, Simon." You said easily, "I'd do anything for you in a heartbeat."

He dragged you into the hug; you and he and Maddie holding each other, leaning on each other, needing each other. And for that small segment of time, the weight of the world didn't feel so heavy.

‗‗‗‗•‗‗‗‗

Mr. Martin was surprised when Rhonda marched into the gym and pulled up a seat. It wasn't the first unusual thing Mr. Martin had noticed of his Support Group that night, though.

Something felt off. Ajay had been morose when he'd entered, but Bernadette and Katelynn had puppy piled him on the stack of gym mats and were comforting him with cuddles. Always upbeat and charismatic Wally had been reserved until halfway through the film. Perhaps he was truly taken by Demi Moore's performance, though Mr. Martin suspected there was more to it.

Charley hadn't made any sarcastic comebacks to Mr. Martin's purposefully cheesy jokes about the film before Mr. Martin had started it, either. Keeping an eye on Charley and Wally, Mr. Martin had entertained the idea that the two had had a falling out. Teenagers were fickle beings. Even those in their forties and fifties.

Of course, Mr. Martin could be seeing things that weren't there. Reading too much into every small shift in behavior because he'd been on edge since Amelia's impromptu visit. A shiver ran through him, cold as ice, as he recalled what he'd witnessed and what he'd been ordered to do.

Banishing the memory, he forced a smile to his face, "Rhonda. You usually boycott movie night."

Rhonda stiffened in her seat, gaze fixed determinedly on the screen even if it seemed to go against everything she believed in to do it.

"Is everything alright?" Mr. Martin probed when she didn't say anything. His first priority was always his students' wellbeing, no matter what Amelia felt about it.

Rhonda took her time to answer, but eventually, "I've been here for sixty years. Sixty graduations," She explained, jaw tense, as if her words were being forced out of her. Rhonda rarely shared and, when she did, she'd smother the sentiment beneath myriad barbed wire remarks and threatening stares so no one would examine what she'd revealed too closely.

As Rhonda disclosed what had motivated her to join Movie Night, Mr. Martin heard Amelia's voice in his head, "we need someone to step in for Janet."

"—I've made my peace with it because nothing changes...but now..." Mr. Martin listened, giving Rhonda his full, undivided attention. Rhonda didn't elaborate on how her views had shifted, rather redirecting to claim, "I know I'm not always a joiner but," her voice was raw, "I gotta get outta here."

She was outright doing her damnedest to hold back tears and it shook Mr. Martin to his core. The sight made Mina's image flash in his mind, the pain and fear in her eyes as she'd silently begged Mr. Martin to help her before being disintegrated into nothingness.

When Rhonda admitted, "I'm willing to try anything," Mr. Martin was brought back to the present, Mina fading from his mind. What Rhonda said next made his smile falter, a pang of regret in his heart. There was nothing else for it, his hand forced, because everything was easier when the participants were willing. But Rhonda needed to say it right. She needed to mean it without Mr. Martin's direct interference.

And, just like that, she did.

He ignored how his gut wrenched as he heard Rhonda speak into the air, "So, whatever you did to help Janet, I want in."

Mr. Martin felt Rhonda's words vibrate through the veil, the gears shifting as the pieces on Amelia's board were recast.

Mr. Martin forced another smile. However, turning back to the screen, his smile faded completely as Mina's final moments crowded his mind again. The fear. The helplessness. One of his students...gone. His conscience kicked and screamed and berated him. Challenged him. Brought his face right up to the hundreds of mistakes he'd made leading up to Mina's permanent erasure from this earth.

He'd had no choice, a milder, more detached part of him reminded, and it's too late to undo what'd already been done. There was no going back.

All Mr. Martin could do now was offer Rhonda his bowl of popcorn and tell her, "I'm glad to hear it."

💀___________fin.____________

PART TWENTY-SIX - OCTOBER MOON

note: i will definitely be tinkering away here tomorrow 💀

Act 1 was written to The Night We Met (Slowed & Thunder Storm) by Lord Huron. Act 5 was written to You're Somebody Else by Flora Cash. finally, Act 6 was written to Willow Tree March by The Paper Kites.

i can't believe it, guys. we made it. (ignoring that i now have less that 3 weeks to accomplish Series 2 before the second season airs...) thank you everyone who's still clinging for their lives on the sides of this chaos canoe. you're all legends and i love each and every one of you to the moon and beyond 😭

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ABOUT THE TAGLIST: y'all know, it ain't a thing around here anymore due to the overuse of ritual magic, some demon-summoning, and an unfortunate sacrifice that resulted in more technical issues than tumblr could handle 🔮🗡️ if you'd like to be kept up-to-date, please FOLLOW ME and TURN ON NOTIFICATIONS. we have fun here (•¯ ∀ ¯•)

please simon content i love you 🙏

Hey love bug, I was working on a Simon drabble called The After Party when you sent me this. Its a Sub!Simon Elroy x Gn!Reader. Hope you like it 💞

🧿 to keep you safe from people who want to do you harm.<3 🧿

Every single one of the 13,000+ children murdered by Israel was robbed of their futures

Not that anyone asked but writings gonna be a little slow. I was supposed to be getting a lot of writing done over spring break but that just ended and honestly I think I have writers block. Its not that I don't have any ideas, I'm working on 2 requests and pt.10 of Sex, Drugs, Ect. and I'm always thinking of things I can write but the thought of turning thoughts into words makes me want to rip my brain out. But yeah this is my little rant and announcement that I'm struggling a bit right now. Love y'all and I hope to get those requests done asap without hating myself.

Where are all the lesbian Rhonda fics 😫 I feel like I'm losing my mind. My baby needs some love, if this is how its gonna be then I'd like to give the universe back my bisexualityness. double it and give it to the next person or sum

INTERVIEW 020. WALLY CLARK murdrtober oct 5th. ghost sex

You've never really believed the ghost stories about Split River, but this encounter definitely gave you a new outlook 800+ words MDNI 18+

You’ve been downplaying it the entire day. There were rumors that Split River was haunted, usually nothing but ghost stories told between kids during lock-ins, followed by dares to venture down dark hallways alone. 

You were instructed to make sure none of that happened at tonight’s lockin. It was supposed to be nothing but fun, with as few freshmen sent home crying as possible. You didn’t know how much authority you would have as just a TA, but you wanted to keep as much credibility as possible. Spewing out accusations of phantom touches to your back wouldn’t have helped your credibility at all. So you kept it to yourself. 

You tried your best to keep your composure, ignoring the feeling of a body behind you, keeping your heels glued to the ground even when you wanted to jump at the feeling of a hand pressed into your lower back. By the end of the night, you felt like you were losing your mind. 

Maybe one of the seniors slipped something in your drink during dinner. Maybe your lack of sufficient sleep was finally catching up to you. Maybe you’ve been secretly predisposed to some sort of mental illness and these are the warning symptoms. 

Or maybe it’s real. 

The possibility is there. Maybe Split River is haunted. Maybe you should’ve chosen another school in another district to be a teacher’s assistant. 

You’re busy trying to hold the remains of your mind together when the feeling intensifies. Your eyes stare straight in the bathroom mirror, the remnants of cold water from a damp paper towel sliding down your face, dripping into the porcelain sink that you’re leaning over. You take deep breaths, trying to clear the thoughts speeding around in your head. And just when you think you’ve gotten it all under control, you feel it. 

The feel of a human hand touches right between your legs, brushing against the skin revealed by your shorts. You swear under your breath, staring down with an expectation to see a hand in that very spot. There’s nothing there, just empty space between your legs. 

“What the fuck?” You’re about to turn around and get out of there, join the others with the belief that there’s safety in numbers. But a strong grip keeps you still by your hips, pushing you right against the counter. 

Your heart thumps in your chest with such ferocity that it hurts. You’re scared you might go into cardiac arrest at this rate, left to become another spirit to wander these halls. You close your eyes, waiting for the moment to come, but the only thing that happens is a hand pressed against your mound from behind. The feeling of fingers reaching into your shorts and pulling your lips apart through the cotton fabric of your panties. Those same fingers press right into your clit, experimentally tweaking the bud a few times. You try to remain shocked, refusing to give voice to a moan bubbling within your belly. But then your panties are pulled to the side and there’s a finger slowly penetrating you, in and out in and out. An arm wrapped around your waist, a chest against your back, one finger that soon becomes two opening you up. 

You feel ashamed as you wantonly gasp into the stale bathroom air. You should be recoiling away from the apparition, running out of this place and leaving completely. Maybe skipping town if you’re really scared enough. You shouldn’t be pushing yourself back into the touch and searching for more. 

It’s a purely human instinct, that’s what you tell yourself. It’s natural to search for the touch that makes you feel good, to want to amplify it, receive more and more until you reach a climax. And after you’ve orgasmed, gasping into the sink as you’re slumped over, trying to catch your breath—it’s natural to want it again. 

You don’t know how long you’re in that bathroom, but you’re there for a while. On your knees with your mouth open, letting the cavern be used by someone you cannot see. You would help if it weren’t anything other than air on your end, but you like it like this. All of the control is out of your hands, leaving you pliant as you sit on your knees, your mouth hung open, your eyes closed as you enjoy the feeling. 

By the time you’re done—or, by the time whoever is done with you—you’re spent, limbs and joints aching in ways they never have before. You want more, but the phantom doesn’t touch you after he’s done, leaving you to stand to your feet and splash water on your face, trying to get rid of the flush that’s taken over your features. 

When you come up for air, you swear you see someone standing behind you, their frame present in the mirror. Taller than you by a longshot, dark hair, a mole under the lips spread into a small smirk. You make eye contact and he grins, but then you blink and he’s gone like he was never there. 

Maybe he wasn’t. But you choose to believe he was. 

Split River was a peculiar school, after all. 

Masterlist

This will grow and include more fandoms and characters in the future.

School Spirits

Separate Masterlist

Includes Wally Clark, Rhonda Rosen, and Simon Elroy.

Prom Pact

Ben Plunkett

For the freaks

Study Date

Scream

Charlie Walker

NSFW Headcanons

Avatar

Spider Socorro

Headcanons

Zombies

Zed Necrodopolis

Freaky ahh headcanons

Characters that aren't on the list but I'd write for if requested:

Dan Copper

Ethan Landry

Billy Loomis

Brahms Heelshire

Thomas Hewitt

Jennifer Check

(My requests are open. I write for every character on here for Smut, Fluff, and Angst. Please note that I'm still trying to get the hang of writing and am better with headcanons. I have also never written for a male reader but I would be open to it. I do NOT write for actors or real life people only characters they play.)