Not That Anyone Asked But Writings Gonna Be A Little Slow. I Was Supposed To Be Getting A Lot Of Writing

my biggest red flag is that I can listen to the most brutal murder documentary's while writing smut.

Y’all repost this post with your favorite Spencer pic in his fbi vest

We can all blame Allison for acting shitty in s3 of the umbrella academy but what we can't ignore is what she went through. No one paid attention to the way she struggled. Losing a child is something i can't even imagine, sure you can argue that she got her back but the emotional turmoil must have been unbearable for her. She tried to make herself happy and pretend everything was alright but at the end of the day she's just one woman that was going through hell. Of course this doesn't excuse everything she did but it does make it understandable, to me atleast. I don't have kids, but if I did I would do unimaginable things to make sure they were happy and safe even if that makes me a bad person. I relate to Allison and I understand. Thank you for coming to my ted talk.

Alphabet Soup

summary: prompt fill. the journey of a clandestine love affair at several stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it.

pairing: grey!Wally Clark x fem!reader

warnings: smut. AU - modern setting. romanticized toxic behavior. cheating. egregious use of the word 'baby'.

bon reading, frens

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Alphabet Soup - H

H is for hot, hypnotizing touches and hard kisses at a party Wally should be focused on hosting. But how can he think when you swan in wearing that fucking dress, hair styled just right for him fist into when he has you on your knees. Janet commanded that he not invite you, gave him a look and a threat, and he didn't listen because fuck her, it's his house, his party, and he'll invite whoever he wants to.

Your friends surround you like the Secret Service, Xavier and Maddie and Simon watchful and out of place amongst the hypersexual pop squad and their clingers-on. It's a smaller party, harder to get away with what Wally wants to do (that being tying you to his bed and wrecking you over and over again until sunup), but he steals moments here and there to make you aware of how fucking horny he is for you.

Halfway through the night, Janet's hammered to the degree she doesn't give a shit that you're there anymore, her arm around your shoulders, convinced she's the best thing to ever happen to you because she rescued you from social squalor. Now everyone who matters knows who you are, she beams, hugging you like a sister, thanks to me. Wally helps you help her up the stairs to his old room—the struggle real—Janet handsy in a way she never gets without her audience to perform for.

She grabs and gropes and pouts for Wally to cuddle, to kiss her, to touch her how she knows he fantasizes about touching you. And it's the closest you and he have come to being caught on Candid Camera, holy hell, but she passes out before he's forced to fess up.

Once he closes the door behind him, he hunts you down, finds you in the bathroom down the hall trying to dab out the Sour Puss and Blue Curaçao Janet spilled (accidentally-on-purpose) on your dress.

"Just take it off," Wally smirks, arms folded, leaning his shoulder on the doorframe, "We both know it's gonna end up on my floor anyway."

"Yeah? You're right." Your reflection flashes him a coy look. Slowly, you turn, prop against the sink, eyes heated, "No harm in giving everyone a show, right?" Your dress pools at your feet when you slip it off, leaving you in dark green satin that Wally's cock highly appreciates.

He kicks the door closed with his heel, on you in two long strides, grabbing your hair and forcing your head back so you have to look at him. "Naughty girl," He grips your ass with his other hand, "You know that's not what I meant." A bite to your neck, a lap of his tongue to soothe the sting, "No one else gets this, baby. You're all. mine."

Wally hoists you onto the sink, insinuates himself between your thighs as soon as his shoves his jeans to his knees. He humps himself against the imprint of your pussy through the satin, his brain fogging from the friction. Your eyes are hazy, lips parted on sweet sighs of need that he hastily swallows. The music downstairs might be loud, but eventually, someone's going to come looking and he can't have them hear you. Those sounds are as much his as the rest of you.

In less time than it took to put Janet to bed, Wally has you on his cock, bouncing like a beauty queen in his lap as he sits on his haunches, one arm behind him to hold himself up, the other tight around your waist. Fuck, he's never felt this hopeless for someone. This hungry and desperate and obsessed. His hips buck in tandem with yours, driving himself as deep as he can get, wanting every inch of you to be his, his, his, "That's it baby, ride daddy's cock just like that, fuck—"

When you and he rejoin the party, he's dressed you in one of his button-downs, belted around the waist with the tie he wore to his cousin's wedding. His scent all over you, his come inside you, and nobody notices a thing thanks to too many shots of Hennessey.

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MASTERLIST

also available on AO3!

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Tongue Twister

summary: a PWP drabble highlighting Wally Clark's addiction to eating your pussy like a man possessed.

pairing: Wally Clark x fem!reader

warnings: smut. oral sex (cunnilingus).

bon reading, frens

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Fuck. God. Wally's starving for it. Can practically taste it through your panties as he nuzzles his face against you, his eyes rolling back, lips parting as he pants like a fucking dog for it.

He forgot his History homework, football practice ran late, Simon needed a ride. It was all in all a stressful day, and then Wally was on his way home like a good boy when the craving struck. T-boned his limbic system and made him rabid for it. For you.

He didn't give you a chance. No politesse; no greeting; no indication whatsoever that this was where today's drop-in was going. At least Wally called (when he was already at your front door, licking his chops as he fantasized about tasting you). It felt like it was years and not the handful of hours it was since he last had you, the itch steadily barreling toward fucking rampage.

As soon as you answered the door, he crowded you back inside to the couch; shoved you seated and stripped you from the waist down without a word. Dropped to his knees at the altar, large hands spread your legs, and now there he is, making out with your pussy through thin cotton, moaning like the position is reversed.

"Baby," He whines, fingers hooked in the elastic of your panties, "Please, let me—" He gently sucks your clit through the fabric, tongues through the imprint of your folds, "Please, let me taste you, baby. I can't—" He cuts himself off with a hungry groan as he peels your panties down and off your legs.

Oh fuck, the weak little moan you release makes his head spin and his cock throb, and in an instant, he pulls you to the floor with him. You straddle his waist as he kisses you senseless, his hands on your thighs directing you upward.

"Want you to sit on my face, baby, come on," His tone begging, his eyes heavy-lidded and hot, so soulfully sweet that you can't say no. Wally rambles as you adjust, pussy hovering over his mouth, and oh God yes, he's so close to getting what he wants. "I need it so bad, I can't get enough, I need to taste you, baby..."

His big hands slide up your thighs to grip your ass, squeezing to encourage you to settle your weight on his face. He can take it, just let him, fuck, please, just let him. Once he has you where he needs you, he inhales deeply, groans in pleasure when your scent fills his nostrils. His cock throbs again, aching for you, for this. He wants you more than food, water, oxygen. More than anything.

Wally closes his eyes, fingers digging into your flesh, and he finally leans in. Presses his tongue flat against your slit and inhales again. He tastes your soft lips, kisses you gently, and chokes out a needy whimper. Fuck, you're so wet for him. And you taste so fucking good; heavenly nectar, sweet ambrosia, it's all he ever wants to taste again.

His brain melts completely when you start to grind against his mouth, and, yeah, that's it baby, just like that, take what you want. Those pretty sighs and tight whines that spill out of you make his cock twitch in his jeans and he humps the air, so fucking desperate to alleviate the ache, but unwilling to do anything about it until he's satisfied you. He grips your ass more firmly, holding you down as his tongue darts in and out, probes as deep as he can get it.

Wally wants to say your name, but all he can manage like this is a long, feverish groan; blissed-out gibberish that he spells on your clit with the pointed tip of his tongue before returning to kiss your pussy deeply, lovingly, with restless obsession.

You taste so damn good that he can't think. He groans into you again, his tongue moving in and out, teasing and exploring as he tries to get deeper. His hands knead your ass in a possessive, wanting grasp, like he's eager to keep you there above him, like he never wants this to end. He needs you so fucking badly now and always.

"Wally, oh fuck, you're gonna make me come..." And he can feel how close you are, your thighs trembling as you rub your pussy against his mouth. Every shiver and shake accentuated by a sweet moan or whimper that goes straight to his cock. He wants more of those sounds. Every single one of them.

He quiets, low moans replaced by heavy breathing as he works you toward the edge. He's so hard just from this; craving your touch, yearning for it, his lust consuming any hope of rational thought. He presses a little harder, tongue moving faster and more desperately, wanting to please you as much as he can. Wanting you to fucking use him as much as he needs you to.

"Please, Wally, I'm so close!"

F u u u c k, that plea, that tone, triggers him; makes him plunge his tongue deeper as he presses you down and holds you still. The sounds you make and the way you react to his ministrations—God, he promises to be so fucking good for the rest of his life so long as he always has this. It's almost enough to make him come in his jeans. He needs to hear you fall apart. Needs to be the reason it happens. And he knows just how to do it.

Wally pulls his tongue out of you long enough to say, "Come for me, baby, let me have it, please." Doesn't give you a chance to respond before he leans in again, tongue flicking your clit, lips and teeth grazing over it. A deep moan of pure longing escapes him as he sucks and swirls his tongue over your clit, his breathing ragged, cheeks flushed, oh God, he needs you to fucking soak his mouth and chin.

Finally, yes, baby, he laps up your sweet juices when you come, sobbing in pleasure as he drinks it all down. Slurps and groans greedily, tongue working you until you plead for him to stop, too much, I can't—Jesus, he loves having the evidence of how he makes you feel on his face.

"Mmm, thank you," He sighs as he pats your hip, signaling for you to rise so he's able to shift positions. Wally sits up, gathers you in his arms, and licks his lips, the inside of his jeans wet where his come stained the denim. He looks down at you with a lopsided, sated grin, his eyes still at half-mast.

"Feel better?" You ask through a hazy smile.

"Much better." He murmurs. Rubs his hands up and down your legs as he gazes at you like a 5-star buffet.

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also on AO3!

if you enjoyed this, you may also enjoy Alphabet Soup.

smut. the journey of a clandestine love affair at several non-linear stages because Wally Clark craves what he can't have and refuses to keep his hands to himself. and you live for it.(Janet and Wally are dating to increase their social value. meanwhile, Wally wants to get closer to her step-sister. you.)

October Sun

summary: Wally had lost his grip on reality. Even for a ghost, what had transpired in the theater had been messed up. What the fuck had happened? Where had you gone? Where had everyone gone? How had he ended up in a dirty, cramped cellar that had looked like something out of a horror movie? And who had been the people he'd been stuck with?

pairing: Wally Clark x fem!reader

warnings: manslaughter. depictions of lethal violence against a child. eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

⏰we continue...🐾 we clocked in at 6818 words. for anyone triggered by violence or murder, especially involving children, the plot will still make sense if you choose to SKIP that scene. it begins in Act 3 when we return to Wally's POV. i have indicated that act with "‗‗‗‗🚩‗‗‗‗" to avoid confusion. if you wish to back-arrow out but would like a summary of events, please DM me and i'll happily catch you up in a gentler way 🧡

stay safe & bon reading, frens

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OCTOBER SUN pt.26

Question Three.

Why did the Monster seek revenge?

‗‗‗‗•‗‗‗‗

The supernatural wind hit Wally like a solid force, a blunt and brutal strike that propelled him backward, flung through the air, and spat through the farmhouse door. His back slammed against something hard and immovable, head cracking against the uneven surface. Grunting in pain, he fell forward, breath kicked out of him, barely catching himself before his face met the ground. He lay there for a few beats to allow a wave of nausea to settle before, on a shaky arm, he pushed himself up.

"Jesus Christ," He coughed, sitting back on his haunches, and closed his eyes to center himself. It took too many deep breaths before the throb at the back of his head receded and he felt stable again. In the absence of pain, Wally's other senses returned and he realized something was different. Wrong. The light too bright and the air too damp. He pressed the meat of his hands into his sockets, blinked rapidly, and then opened his eyes fully to take in his surroundings.

Dazed, he uttered, "Uh, okay..." and hoisted himself to his feet to look around.

He wasn't in the theater.

Exposed stone walls, low ceiling, packed dirt floor. Wally did a circuit of the space, as sparse as it was, and tried to find some clue as to where he'd ended up. A weathered work table sat against the wall to his right, its contents the typical accouterments one might find in a hobbyist's garage—drill, crowbar, hammer, welding torch. Totally normal. Except for the chemistry set assembled across the back of it.

"Weird," Wally muttered, fingers ghosting over the looping glass tubes and empty beakers. He picked up a beaker and sniffed, his face instantly twisting into an expression of disgust, "Gah!" He shoved the beaker back on the table, panting through his nose to expel the pungent odor. "Nasty."

Moving around, he saw a metal-framed shelf boasting three-deep rows of jars containing a variety of dried plants, all labeled—datura, rose, groundcherry, tobacco, mandragora, and more—and tightly sealed. That explained the reek from the beaker, Wally thought, cringing as it lingered in his nostrils. It was so bad he could almost taste it at the back of his throat. Heady and floral. Like licking soap.

Eventually, he came to a stop where he'd appeared, nothing else of interest in the space apart from a bare, stained mattress lying in the middle of the floor and a pile of wood under the staircase. Rising on his toes, he peered out one of the high windows, hoping to catch a glimpse of something familiar; a landmark or sign or anything. But there was nothing. Just trees and unpaved road and more trees.

As he sank back to the flats of his feet, the world around him flickered like film in an old VHS. Fast as a blink. Gone then there. Wally's eyes widened and he staggered a short distance, stunned that things had gone from milky daylight to dark and stormy in no time at all. As if the day had been sucked away as night forced its way in. And more shockingly, Wally wasn't alone anymore.

"Fuck. FUCK." Someone shouted. A deep, male voice that belonged to a man in uniform who was pacing a groove into the floor, gesturing wildly; hands gripping his head, beating the wall, tugging his military jacket. Agitated. Feral. Eyes blazing as he climbed the stairs, banged on the closed door at the top, kicked and punched it, "LET ME OUT!!" and then descended again.

Wally cleared his throat, cautious as he approached the man, "Erm...hi?" He started, hands raised like he was about to engage an angry lion. "Dude, are you okay?"

The man didn't acknowledge him. Didn't even seem to hear Wally. Which, sure, Wally was used to after decades of being ignored by the living, except that this man wasn't the living. Wally felt it in his bones the same way he always did. That lack of physical pressure that arced from living bodies. Yet, even when Wally stepped directly into the man's space to force his attention, the man didn't bat an eye. Continued cursing and lashing out at everything within reach. Everything but Wally.

"What the hell?" Wally murmured, peering at the man and then around the cellar. He tried again, waving his arms, getting right in the man's face, "Hellooo~?"

Nothing.

The man continued his rampage, grabbed the hammer off the worktable, and began to smash the jars on the shelf, yelling with every strike. They reset in seconds and he'd do it all over again. And again. And again.

"Cool." Wally swallowed, "That's cool," a tad more anxious than he had been moments before. Being dead and trapped and ignored by the majority of people he was surrounded by, he could handle. Being dead and trapped and completely invisible to everyone, including other ghosts? He didn't like that at all. He had to get out of here. Now.

Wally charged up the stairs two at a time, his breathing ragged as he began to panic. He grabbed the door handle and twisted to wrench the door open, only it seemed he needn't have bothered as someone on the other side was already on their way in. Wally reared back as the door was kicked open, stumbling a few steps down before he pressed himself against the wall to make room for that arc of physical presence that pushed outward from a living body.

When Wally glanced at the person, his mouth went dry; his eyes bulged; his heart stopped mid-tick. He hadn't felt this lost or confused since the first few minutes of his death.

"H-holy fucking Christ." Wally stammered, watching the man—who Wally was pretty fucking sure was still downstairs breaking shit—shove through the door, his steps laden under the weight of what he carried. Wait. Not what. Who. "Holy. Fucking. Christ." Wally repeated, syllables breathless and strained.

One body slung over the man's shoulder, the other, much smaller, tucked under his arm like a sack of potatoes. Both limp, unconscious, limbs loose and heads swaying with every encumbered movement. The man ranted, words punched out of him as he stomped down the stairs one heavy step at a time, briefly stopping to adjust the body on his shoulder before continuing.

"—and had I known, you useless little bitch, I would've taken care of it while he was still in the womb." The man spat at someone who'd remained upstairs, just out of sight. Almost regretfully, the man added under his breath, "Save us both from the pain of doing it like this."

Wally's attention snapped to the bottom of the steps when an identical voice shouted, "What the hell are you doing!?" And then, "Jesus," distressed, "they're just kids!!"

Twins? Wally questioned of the two men who were identical down to their military-issued boots. He followed Living Man down the stairs, watching as Living Man teetered slightly at the last step before correcting his stance. While the two men might've been mirror images of each other, Wally noted that Living Man moved differently than Dead Man. Dead Man was straight lines and authoritative strides. Living Man, on the other hand, was strangely graceful despite his bulk. Sort of...feminine.

Living Man scowled at Dead Man, biting out, "You have no idea what is really going on, you ignorant fool," as he moved further into the cellar, dropping the body tucked under his arm unceremoniously onto the mattress before trudging to the back wall. With more consideration, he lay the second body down, pillowing the head and placing the arms and legs in a comfortable position. He caressed a cheek, gaze softening as he muttered, "We'll get this all fixed, child." A shuddery breath, "I still need you, after all."

Wally frowned as he noted another difference. The way Living Man spoke felt unnatural in that voice. The care in each intonation, the antique vernacular. Dead Man didn't speak like that. He was rough, gritty; belly-deep pitch, and sawed off suffixes. A sensation of wrongness crept up Wally's spine as he thought about it. There were many weirdnesses setting off alarm bells in Wally's brain—the fact that Living Man, like you, could commune with the dead and that Living Man had apparently abducted two people and delivered them to a creepy cellar. But also...something Wally couldn't yet identify.

He shifted closer to Living Man and the body, the person, on the ground, leaning over to look at who Living Man had spoken to so apologetically. And, oh God, no, no way. How!? He sprung forward, dropped to his knees, immediately taking Living Man's place when he stood and walked away.

"Baby!"

Although you looked younger by a few years, he knew without a doubt that it was you. His stomach flipped, heart beating at triple speed in his chest, hands near your face as he tried in vain to rouse you. But his palms wouldn't touch. A thick halo of energy repelling his efforts. You looked pale, sick, a frail little thing drenched to the bone and Wally whimpered in dismay when he couldn't hold you. All he wanted in that moment was to scoop you up and run, to get you far away from whatever sinister plot was unfolding around him.

"Fuck." He choked, "Fuck, what did he do to you?!"

Then he smelled it on your rattled breath. Heady. Floral. Like licking soap.

At the bottom of the stairs, Living Man called up, "Hurry up! I didn't bring you here to sit idly in the kitchen, I brought you here to learn!" But Wally was too busy trying to figure out how to wake you up, how to help, he needed to help. Distantly, he heard faint footsteps descending, mild and even.

"What are you going to do to them?" Dead Man asked in a tone that edged on fear.

Living Man didn't respond, simply moved toward the mattress. Rather, a new voice answered Dead Man's question, a voice that made Wally's blood run cold. All-American, sweet as sugar, an amused hum before a statement that, on the surface was friendly, but beneath was cold and unaffected. "Isn't it obvious?" A pause. "She's going to kill them."

Time stopped. The world narrowed as Wally turned slowly to confirm the impossible. Standing primly at the end of the mattress with a darling dear smile on her face was someone Wally had seen every day since his death. Every day, that was, until last Friday.

"Janet..."

‗‗‗‗•‗‗‗‗

You froze when the man held out his hand, staring right at you with a soft, private smile that made your skin crawl. It didn't look right. A sharp, twisty curl to its corners. You didn't know what to do. Running seemed pointless. Never mind that you couldn't—fuck, please—make your feet move. Couldn't make your tongue work or your lungs expand or your heartbeat slow. The man's smile widened, uncanny and odd, and he shifted closer.

"Amelia," He said with a fond lilt.

Finally, you budged your foot a scant half-step back, muscles stiff with fear. In your periphery, you saw something reach toward the man's waiting hand and then a voice like birdsong replied, "Alastair," with equal fondness. Your attention snapped to the right, the fear abating somewhat, and took in a vision of a woman. About your mother's age, auburn hair pleated and pinned; eyes that sparkled with an attractive combination of mischief and mirth; and a pink petal smile that grew as she placed her delicate hand in Alastair's.

Beside her was a much older woman whose severe features shared a resemblance to Amelia's. Beneath her wrinkles, the roundness of her face was the same, and her eyes held that same youthful sparkle. However, unlike Amelia, and the other female guests, who were draped in tasseled frocks and strings of pearls, the woman wore a beautifully beaded floor-length gown, her hair fluffed and wrapped in matching Gibson Girl style.

"Anabelle," Alastair bowed in deference, plucking her gloved hand in his and bussing a kiss to her knuckles. "I'm so pleased you were able to join us."

Anabelle's only response was to nod her head and take back her hand. She swept her gaze to Amelia's and the two appeared to have an entire conversation with their eyes in the time it took you to process that, no, Alastair hadn't been looking at you, he'd been looking through you.

A blessing as much as a curse, you thought grimly, still uncertain as to where the hell you were and what the hell was going on. You watched in fascination as the crowd parted for Alastair and Amelia, their hands joined and raised as if they were stepping onto a ballroom floor, about to engage in a waltz. Anabelle glided along behind them at a close distance, hands clasped, eyes trained ahead, unflinching. Instinctively, you followed, observing how the crowd closed the space behind you and positioned themselves in an arc that faced a raised platform you hadn't noticed before. They moved in perfect synchronicity. A sci-fi hive mind that made a cold chill trickle through your veins.

When you turned again to creep along behind Alastair, Amelia, and Anabelle, your gaze snagged on what was at the center of the formation. Almost choked on your own saliva. Your brain seemed to malfunction as your eyes absorbed the image of three low stone altars set into the shape of a triquetra. On each altar—holy hell—lay a person. Two young women and a young man. Unbound, eyes closed, skin like porcelain. Serene in repose. If you had to guess, they couldn't have been much older than you, possibly even the same age, and all were strikingly beautiful.

Sacrifices. The reality hit you like a punch. Casting about, you began to understand exactly what was going on, Ajay's voice echoing in your head: "The Something-Something of Dagda."

The unconscious teenagers were dressed in ceremonial robes, green velvet with gold clasps at the waist, but were otherwise nude beneath. Their chests were exposed, ash smeared like ink down their sternums in the same triskele pattern you'd seen on the broaches in the portraits. There were other symbols across their collars, over their hearts, wrists, ankles, and foreheads. Similar to the bastardized symbols you'd been investigating with Ajay, except more elegantly drawn and with flourish.

You approached the young woman closest to you, blonde with a dusting of freckles across her nose, and crouched beside the altar to inspect her. When you leaned in, a bold, flowery smell tickled your nostrils. Heady. Familiar. Like Aurora's horrible tea but worse.

"Dearest friends," Amelia began, projecting her voice to be heard in the large space. She stood behind a podium on the platform, Alastair and Anabelle flanking her. Amelia's smile was gentle and kind as she regarded her congregation. "Tonight, you will bear witness to what we have all been working so hard toward." The crowd applauded, some of the men declaring hear hear! while the women tittered daintily. "Though not all of us could be here tonight, I am pleased with our number." She paused, expression softening, "After all, it takes the power of many to change the world, does it not?"

Again, applause which Amelia silenced with a faint gesture of her hands. "Before we get started—" Anabelle and Alastair turned on their heels in synch, striding to a ceremonial table at the back of the platform, each lifting a carafe of what appeared to be red wine before stepping down from the platform and starting to replenish the crowd's empty coupes. "—We drink to the Father who will deliver us into a new and glorious future."

Everyone waited patiently for Alastair and Anabelle to finish and resume their places on either side of Amelia with their own coupes in hand. Amelia raised one that had been set for her on the podium, stepping out in front of it to admire the crowd who mimicked her action in one hybrid motion.

"To youth and revival!" Amelia saluted and the group returned the claim in a boastful chorus.

You glanced around as everyone chugged their drinks in unison, the sound of indulgent slurping spooky in the large, echoey space. Alastair, Amelia, and Anabelle, however, didn't take more than a refined sip, watching on with secretive smiles as the crowd downed the wine and then placed their empty coupes on the floor at their feet. Dainty clinks against the marble and the shuffling of cloth all made as if by one person. Vaguely, you pondered if they'd learned the choreography like churchgoers learned at what intervals to stand and sit.

Amelia began to speak again, but you weren't listening. It was the usual culty drivel anyway: We're here to celebrate the Father's approval; we're going to live forever with His blessing, blah blah blah. Rather, you stepped onto the platform and moved toward the table at the back, wanting to get a better look at the items laid across it. The whole thing—steeped in pomp and circumstance—felt contrived. As if put on to give the crowd's devotion value. Shallow. False. Orchestrated. A script and a stage to give a convincing show.

You weren't sure where that thought came from, but the longer it lingered the more certain you were that you were right. The pieces on the table were neatly placed; the carafes equal distances from the centerpiece—a green silk cushion with a wooden box upon it—a couple of blunt daggers that, so far, you didn't see a use for; and an arrangement of tarot cards—the Juggler, the Lovers, the Wheel of Fortune, and the House of God. Major Arcana. Set out to look important but meaningless within the context of the ritual unfolding behind you.

Thump.

Your head shot up and you spun around, marching to the front of the platform to stand between Amelia and Anabelle.

Thump. Thump. Thump thump thump—

One by one, Amelia's flock collapsed, some clutching their throats, red eyes bulging, cheeks flushed, lips purple. Others simply fell like puppets whose strings were cut. Meanwhile, Alastair, Amelia, and Anabelle remained poised, monitoring the proceedings with mild expressions until each member of the crowd was a mass on the floor, their bodies forming a perfect arc. Although no one could see or hear or sense you, you took several steps back, away from the danger that had manifested; away from those you knew had to be responsible.

At her sides, Amelia turned her palms face-up, closing her fingers around Alastair and Anabelle's hands when they took hers. "Let's begin," She said in a tranquil tone, lifting her chin as she led Alastair and Anabelle in a chant. The words were soft around the syllables, drawn and pretty and entirely foreign. A language lost to time that was only resurrected for this purpose. You gasped as the bodies on the floor jerked and quivered, chests arching up to release amorphous balls of bright white-gold light that floated above the bodies they belonged to.

Not lights, you corrected, souls.

"Shit." You croaked, watching in horror and fascination as the souls swelled and bled into each other, forming a dome around the altars at their center. A breeze fluttered through the space, quickly turning into a wind and then a roaring gale like the one that had flung you out of the theater and into this nightmare. Amelia continued to chant, louder and louder as the gale found its strength, her knuckles white as she gripped Alastair and Anabelle's hands, the vein in her neck throbbing, eyes rolling back, shouting the spell into existence.

You raised your arms against the gale, shuffled further away, and crouched in front of the table, trying to glimpse what was happening through the building supernova ahead. The light grew more intense, bigger and brighter, and Amelia kept chanting, ferocious now, practically foaming at the mouth as she screamed above the powerful noise of the gale.

And then, as the roar increased, her voice diminished and together, Alastair, Amelia, and Anabelle took a step forward. And then another. Slow. Deliberate. Down the few platform steps, shedding their skins like old coats. Their bodies dropped in heaps on the platform behind them as they continued forward, unphased. Two more thoughtful steps, then the light embraced them.

Unlike how it had started, it ended abruptly. The light expanded to the edge of the arc of bodies as if trying to escape before popping like a balloon. Shattered into fine dust that glittered in the air, but turned to motes of dry ash when they reached the ground. The sudden silence was heavy, weighing down on your shoulders as you pushed yourself to your feet, short of breath in the aftermath.

Just as you climbed down from the platform, you heard a sharp inhale, followed by a second, followed by a third. Simultaneously, three pairs of eyes flew open. The colors in them waned, changed from one to another. Amber to blue. Hazel to blue. Brown to seafoam green. Features subtly shifted, freckles faded or appeared, lips pinked or paled, hairs leached new hues.

On the altars, the three teenagers sat up; stiff and labored.

Alive.

But no longer themselves.

‗‗‗‗•‗‗‗‗

Question Four.

What happens as a result of Frankenstein's ambitions?

‗‗‗‗🚩‗‗‗‗

Wally stared, stunned, as Janet strode to the top of the mattress and knelt as if about to pray, setting her hands modestly in her lap. She was exactly as Wally remembered her. Brown hair perfectly groomed, outfit tidy, blue eyes sharp against a sedate expression. She studied Living Man as he hovered above the small body he'd deposited on the mattress. It was a little boy, Wally realized, dread sinking into his bones. Adorable and pudgy, no older than six or seven. Tiny beneath Living Man's bulk.

"No!" Dead Man cried out, flinging himself at Living Man but tripping and dropping to the ground on his side before he could make contact.

Janet laughed, nails on a chalkboard, "Idiot. You're a ghost. You can't touch the living." A smarmy smile and then, "Even if it is your body."

Wally gawped. Because that wasn't possible. It couldn't be possible. People couldn't steal bodies like that...could they? And it couldn't be a ghost thing, definitely not. Wally couldn't get close enough to walk through a living person, never mind shove their soul out so he could wear their body like a meat suit. The only conclusion he could draw was it had to be magic, something you might know about—you you, the you he knew, safe and healthy back in the theater where Wally hoped to God you still were.

He glanced over his shoulder at you, on guard between you and the rest of the room as if it would do any good when Living Man decided to do whatever he planned to do with you. It didn't matter, Wally had to try. You looked one strong breeze away from crumbling to dust and he couldn't live with himself if he sat back and watched, a silent audience to a movie he never wanted to see.

"I'll get you out of here." He promised you, jaw tense, determined against all odds, "I don't know how, but, I swear, I'll figure it out."

Dead Man hollered in frustration, hit the ground with his fist before hauling himself upright to attack Living Man again. Failed. Tried three more times before he fell back on his ass, elbows on his knees, head hung in defeat. Throughout the commotion, Living Man hadn't so much as flinched, totally transfixed on the little boy beneath him, thumb stroking his cheek, eyes brimming with sorrow as he muttered, "You shouldn't have come back...you self-righteous bastard," the last word spat in a hush that Wally's ears almost hadn't picked up.

"He's just a kid." Dead Man implored, broken. "He hasn't even lived yet."

Living Man snorted, "That's where you're wrong, Christopher." Living Man turned his head to pin Dead Man—Christopher—with a dark stare. "You should know better given your family's connectedness."

Christopher growled, "I told you before, I don't know anything about that! We aren't magic! We're normal people!"

"Wrong again," Living Man rolled his eyes derisively, "Your family has been a thorn in my side since the earliest days of the Order. How else could I have taken your body so easily?"

Shaking his head, pressing his palms into his eyes, openly annoyed, "What fucking order? What do you even mean!?" Christopher dropped his hands, casting about, arms gesturing wide, "My grandfather was a beef farmer. My grandmother was a seamstress. My dad worked at the gravel pits. He was a loser and a drunk who beat my mom until she never woke up, what the fuck makes us so special!?"

"Your bloodline." Living Man stated, the hardness in him abating when he returned his gaze to the little boy. "It's funny, you know..." Living Man began conversationally, "I thought I'd taken care of all the loose ends last time. Turned out I was wrong and now I've spent the best parts of this life snuffing out every. single. one of them. all over again." He chuckled, dry and without humor, "You should be glad that I need your daughter or she'd be next." At the last part, Living Man shot Christopher a grin that would look at home on the Devil's face.

"You piece of shit," Christopher hissed, "You'll never lay a hand on her!"

"You won't be around to stop us." Janet chimed in blithely, leaning forward to put her hands on the little boy's shoulders as Living Man instructed her to. She seemed surprised that she could touch him, giving Living Man a brief look of amazement.

"They're the same," Living Man explained. "It's part of their connectedness. Death ushered them into the world and left a piece of himself within them." Living Man continued, fitting his big hand around the little boy's small neck, not tight, but with intention.

"You can't hurt him," Christopher pleaded, "He's six, he doesn't know anything. He can't do anything!"

Janet piped in, voice thick with undisguised condescension, "The thing about souls, Chris-to-pher," A lovely smile, "Is that they're infinite." She deferred to Living Man, "Right?"

Living Man appeared reluctant to agree, like Janet was a fly he couldn't swat, bothersome, eager for approval. "Yes. And, regrettably for dear Aiden, his knows too much, whether or not he remembers." Living Man sighed, burdened, "You are already too powerful, child. I cannot risk letting this go on any longer..." His hand began to tighten around Aiden's throat. "May God forgive me..."

Wally spurred into action, pivoting to lean over you, "Hey, hey, come on sweetheart, you've gotta get up. Please....fuck, please, get up!" He remembered what Living Man had said, that you were still part of some bigger plan, but Wally didn't trust it, gritted his teeth and squeezed his eyes shut when he heard Aiden start to protest, clearly coming to when his lungs couldn't take in enough oxygen.

"Stop!" Wally shouted, tears rolling down his cheeks (when had he started crying?), his hands over his ears to muffle the sound of Aiden's gasps, choking, begging for his big sister—"S-sissy May..." Please no, please no, "I'm so sorry, kid, I'm so sorry." Make it stop. Make it stop. Make it stop, stop, stop. Wally hacked a feeble whine, a kicked dog of a sound, hating himself, hating the world, because he couldn't do a damn thing to make it "STOP!"

When Wally cried out, a pulse of energy burst through the room, emanating from Aiden's tiny body. Below Wally, your eyes shot open and you inhaled as if sucking in that first breath after being held under water. You heaved and coughed, rolling over to leverage yourself upright on your arm. You were disoriented and muzzy, movements drunk.

"Ai-Aiden?" Your head hurt and your limbs were wet-paper weak, mouth tasting like soap. You had no idea where you were. The last thing you remembered was the back seat of Christopher's car; accepting a juice box after handing one to Aiden and helping Aiden puncture his with the straw. "Aiden, what's...?" You squinted your eyes to hone your vision and then screamed when you grasped what was happening, "AIDEN!"

Janet shrieked, "She's awake!" just as you launched yourself at Living Man, tackling him like a linebacker.

Commanding Janet, Living Man released Aiden, "Hold him down! Don't let him go!" to fend you off. It didn't take much, you weren't strong enough against his mass and still weak from whatever you'd been dosed with. A mouse against a bear. Aiden sobbed, Janet kept her hands firmly on him so he couldn't crawl away, and Living Man managed to push you off with little to no effort. One punch and you muddled backwards several steps to crumple onto the cold, packed dirt.

"You can't stop her!" Janet sneered at you, "You're just a twig!"

On the other side of the mattress, Christopher rose, snarling under his breath, "But I can."

Seconds. That's how fast everything happened. Wally barely had time to jump out of the way (not that it would've mattered) as Christopher rushed you, propelled himself forward, fueled by adrenaline and anger, and hurled himself at you. No. Into you. Your ghost lurched out of your body, stammering into the wall behind you where you sank to the ground, eyes as wide and frightened as Wally's.

Living Man yelled at Janet, "You stupid girl! You didn't make it strong enough! You didn't listen!"

"I did exactly what you told me!" Janet insisted, struggling to keep Aiden in place as he writhed and jerked, wailing to be released, pleading for his Sissy May, for his mommy, for home, he wanted to go home, snotty and tear-stained and so, so small.

Without hesitation, Living Man seized his tiny neck again and squeezed with renewed vengeance. "You have to die, you bastard. You made me do this! It's your own fault!" And Janet held down his arms when he tried to claw Living Man's wrists, gagging, gasping, apologizing for something he thought he'd done to cause this, wanting desperately for it to end.

In your body, Christopher swayed on your feet, the sensation of going from massive, military-built to preteen featherweight dizzying. But he still had his strength, he knew that, to his very core he knew that and Wally could tell Christopher knew that without having it said aloud because his eyes—your eyes—bled to hazel, the same color as Christopher's, as Living Man's. Wally knee-walked closer to you, to your ghost. You were wobbly, fragile as a fawn, calling Aiden's name over and over as you wept.

Christopher turned your head to look at you and then—Wally's breath caught—he looked directly at Wally. In the eye. No questions, no uncertainty, no confusion. Just a firm order. "Don't let her see." And he sprinted forward. Wally didn't second guess it. He shifted his body to shield you from whatever the fuck was about to happen, his chest tight, a lump in his throat that strangled his words as he said them.

"Don't look, sweetheart," He choked, vision starting to blur as he was forced to watch you in agony, helpless to save Aiden. Remarkably, when you caved to your knees, reaching toward the nightmare unraveling behind Wally, you and he made contact. "God, f-fuck," Wally stuttered, catching you, grabbing your head, and pressing your face into his chest. "Don't look, I've got you, I'm here." Every word felt like cinder in his mouth. Meaningless. Empty. Because a little boy who meant so much to you was dying and all Wally could do was hold you as it happened. "I'm sorry," He whimpered, "I'm so sorry."

And then Wally heard Janet shout, "Amelia!" in warning, followed by a bloodcurdling squelch.

Wally chanced a look over his shoulder. Christopher in your body had a crowbar in his hands, raised to deliver another strike, stance set, face twisted in rage, and something else...something like grief. It's his body, Wally thought despondently. May God have mercy. Christopher kicked Living Man onto his back on the other side of the mattress, Living Man groaning and disoriented. Janet was hysterical, scurrying into a corner to hide.

"You piece of shit," Christopher bit out as he positioned himself above Living Man, one foot on either side of Living Man's ribs. "You will never. use me. again." And he swung the crowbar with the strength of a grown man, the forked tip stabbing Living Man's temple. Again. Again. Again. Over and over until Living Man's face—Christopher's face—was caved in, a pulpy mess of sinew, blood, and bone.

In Wally's arms, you cried. You cried like the world had ended. Like love didn't exist. Like all you'd ever feel again is hollow and hurt. His arms tightened around you as he rocked you, wet sniffles and a broken heart, shushing you softly. "It'll be okay, you'll be okay." He didn't think it would be. Didn't know how you'd survived this, how you had a life after this with laughter and friendship and trust.

If murdering a ghost was possible, Wally would've killed Janet. He wasn't sure if his ability to touch you extended to her—she certainly hadn't indicated that she'd seen him—but if he could, he'd beat her into oblivion. Because she'd been here, she'd participated. Wally had always had a sense about her; that she was twisted and ugly beneath the America's Sweetheart mask she'd worn around Split River High's dead.

In a voice that grated Wally's nerves, "Wh-what have you done!?" Janet panicked and scrambled toward the mangled corpse on her hands and knees. "You've ruined everything!"

Christopher tossed the crowbar aside, giving Janet a mean look as he voiced Wally's thoughts, "If I could kill you too, I would." And then, he turned on your heel and marched with purpose toward the worktable. In one swipe, he sent the chemistry set to the ground where it shattered. Next, he toppled the shelf and stomped on the jars that didn't break on impact. Finally, he stumbled back to you and Wally. He—you—was covered in blood, hair stringy and matted with it, skin stained red, speckles and smears across your face and hands and soaked into your clothes. Wally would never be able to unsee that image.

The cellar was eerily silent apart from Janet's sniveling and your weak sobs.

"I'm sorry, kid." Christopher lamented, placing a hand on your shoulder. He looked at Wally and said quietly, "You have to let her go now."

Wally swallowed, "You can see me?" as if that mattered right now.

Christopher snorted as if it was somehow funny, "It's him," he nodded to indicate behind him. "You're here but not here. I'm here but not here. A loop he dragged you into. A cry for help."

"I don't understand," Wally said, further securing his arms around you, unwilling to let you go.

"You will," Christopher assured, and then it was like he switched, got back into character, an actor on a film set redoing his lines when the director called action. "You have to let me in, kid." He told you, gentle, parental, taking your spectral face in your own physical palms. "You have to let me in so I can get out."

You didn't even protest. Simply closed your eyes and evened your breathing; embraced your physical body like a friend and melted back into it while Christopher slumped out.

Wally attempted to take your hand and give you some comfort, but, as it'd been before, he couldn't get a grip, unable to touch you, repelled by that thick halo of living energy.

Christopher crouched in front of you, blocking your view of the mattress, of Janet who was scooping flesh and brain back into the gored face of Christopher's body as if she could piece it back together, a sick cat with her dramatic wails. "I need you to do something for me, kid," Christopher said, pausing for a moment, expression apologetic, "There's something in my pocket. I...I need it to find it's way to my daughter."

You nodded, but it was clear you were only half there. Your eyes were glassy, gaze distant. Christopher didn't seem to mind as he continued, "Please, tell my daughter I'm sorry." His voice sounded pained. "Tell her...Tell Maddie I love her," and you nodded as if you understood. As if the request was as normal as pass the salt.

Before Wally could react to what he'd heard, his wrists and ankles were suddenly restrained, pitch black shadow clutching him and yanking him back through the farmhouse door before it slammed closed and vanished.

‗‗‗‗•‗‗‗‗

"It worked!" The boy declared, excited, admiring his new hands with a lopsided grin.

You couldn't know for certain who was who, but it didn't take a genius to deduce that the boy was likely Alastair. The girls, however, were impossible to distinguish, both moving with the grace of a grown woman of high social status. Neither seemed as taken by their new skins as Alastair; another day, another body to wear.

"We need to finish the ritual," One of the girls said primly, brown curls getting lighter with every moment that passed. The girl glided to the platform, up the steps, and to the table at the back. She stood at the box on the cushion. Opened the lid and retrieved whatever was inside, concealing the object in the folds of her robe.

Meanwhile, the other girl padded to the podium and fetched three glass vials from the cupboard in its reservoir. Corked. Filled with clear liquid.

Alastair cocked his head as he watched the girl at the podium come to him. "What else is there to do?" He asked, brow furrowing when she handed him a vial.

"We have to bind our souls to our new vessels," She smiled prettily. "Drink up."

Trusting the instruction, Alastair uncorked his vial and poured the contents into his mouth. You glanced between the girls, but neither one followed suit, merely observing Alastair as if he were a monkey performing tricks in a big top. They shared a look similar to the one you'd seen Amelia and Anabelle share earlier; a whole conversation passing between them. Alastair didn't notice, swishing the liquid in his mouth before swallowing, frowning at the vial.

"I thought their souls were what bound us to the bodies." He said after a few beats.

The girl who'd gone to the box shook her head. "Oh, no," She said, speaking as one would to a child, "That was merely to cast the lambs from their flesh."

It sounded like a lie, you thought, peering between the girls.

The first girl lifted her hand to cradle Alastair's soft jaw, "There you go, good boy," She praised when he started to look dazed.

"What's happening?" He breathed, strained.

The girl regarded him sympathetically, "You truly were marvelous, Ali." She sighed, "But mama thinks it best that you don't come with us." Amelia. It had to be.

Alastair swayed on his feet, "I don't understand," and if he could muster concern or shock or anything more than groggy confusion, you were sure he'd make a run for it.

The other girl—Anabelle—spoke, stepping into Alastair's space and presenting him with the object she'd removed from the box. A shiny silver revolver. She pressed it into his hand, curled his fingers where they needed to go, her smile somehow simultaneously wicked and gentle. "We couldn't have succeeded without your connections, Lord Belgrave, and, for that, I thank you." Anabelle took Amelia's hand to lead her away, "However, my daughter is correct. You are a loose thread that needs snipping."

Alastair began to shake, scraping together a sentiment to Amelia, "But...I loved you."

Pitying, Amelia answered, "I know."

Anabelle lifted her chin, authoritative and commanding, voice smooth as she directed Alastair to, "Put the gun to your head." Which he obeyed, the metal rattling as he put the barrel to his temple, the action obviously made against his will.

"Please," He urged, "I could help you. I know more like them."

Amelia exhaled sharply and reminded him, "But they don't know you."

"Enough," Anabelle said, forcing Alastair's attention back to her.

Again, Alastair begged for his life, "Please, I don't want to die like this."

"You don't have a choice," Anabelle said, and then, "Now be a good boy and pull the trigger."

One thin, shallow breath.

Two.

Three.

BANG.

And you were snatched back through the farmhouse door.

💀___________________________

PART TWENTY-FIVE - PART TWENTY-SEVEN

note: unedited. written at midnight. you know the drill: i will most likely come back to tinker at the bits i think need fixing 😅

this chapter was written to Daylight (Cinematic) by David Kushner (Act 3). parts of Act 3 had also been inspired by Devil Devil by Milck, specifically the violence that unfolds when Christopher Nears attacks Living Man. the last act was written to Outta My Head by The Eagle Rock Gospel Singers. if anyone is interested in an October Sun playlist, it will be released upon completion of the story (i.e.: after PART 27)🥲🥀

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ABOUT THE TAGLIST: y'all know, it ain't a thing around here anymore due to the overuse of ritual magic, some demon-summoning, and an unfortunate sacrifice that resulted in more technical issues than tumblr could handle 🔮🗡️ if you'd like to be kept up-to-date, please FOLLOW ME and TURN ON NOTIFICATIONS. we have fun here (•¯ ∀ ¯•)

October Sun

summary: it had been settled. everything had gone to shit and then everyone had had front row seats to watch how that'd happened. back in the theater, no one had known what to say, how to describe what they'd seen, how to reconcile that whoever had been behind the circumstances haunting Split River High could've been anyone.

pairing: Wally Clark x fem!reader

warnings: eventual smutty smut smut. mad spoilers. and obvious Canon divergence. very involved, very dense plot.

bon reading, frens

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OCTOBER SUN pt.27

"Love this for me."

Charley scanned the area, confused, disoriented, nervous. We're not in Kansas anymore, Toto, he shuddered, wrapping his jacket tighter around himself as he began to trek in the direction he hoped would take him back to civilization.

This wasn't how he imagined finally being free from the school. Lost in the middle of nowhere, dense trees as far as the eye could see. There weren't many wooded areas around Split River. A couple of parcels here and there, wilderness parks, but not like this, and he had to wonder if the forest was actually native to the land.

Finally, he found a trodden path in the dirt and decided to follow it. What did he have to lose? There was no danger. He couldn't die twice. Food, sleep, shelter weren't required despite he and the others keeping up those habits in the afterlife at Mr. Martin's guidance. Still, what you'd mentioned on the rooftop the night before—about how your great aunt or your mother could blast his soul into oblivion—made Charley paranoid.

What if he'd landed here just for an evil witch to use his ghost for some nefarious plan to make her young and beautiful again? He'd seen Hocus Pocus. And it didn't matter that he was technically too old for that spell to work. He was stuck at 17 until he moved on and he wasn't keen on having a wicked witch absorb him for the sake of vanity.

Which, okay, Charley reasoned, sounded ridiculous, but one couldn't blame him. After a tornado had manifested in the theater and he'd been transported to some creepy, dark forest alone; he wasn't going to criticize himself for the insane theories his brain churned out.

He followed the path until it brought him to a winding, unpaved road. Turning left, he trailed down the edge of it for what felt like hours. It'd started raining halfway through his journey to wherever the hell, and night had fallen before the road widened into a bare plot of land stretched in front of a dilapidated farmhouse, its shadow a fanged monster raking toward Charley's ankles.

"Oh, that's not freaky at all." Charley muttered, quickly glancing over his shoulder and debating whether or not to go back the way he'd come. The darkness blurring the unpaved road seemed to push toward him as if discouraging him from turning around. He groaned in despair, "I hate everything about this," wanting the universe to take pity on him and return him to—God help him—the safe and familiar halls of Split River High.

It was Movie Night, he winged internally, and Wally had agreed (with conditions) to watch Ghost—shut up—and Katelynn and Bernadette were in charge of snacks which meant there'd be a smorgasbord of good options because Mr. Martin always filled the table with carrot sticks and his homemade tuna salad ("Just like my mother's! Doesn't it taste like home?"—"Why is it encased in jell-o?"—the 50s were a heinous decade, Charley thought, green around the gills at the memory).

Today was supposed to be a good day. A day of progress. A day of togetherness. He and Rhonda and Wally, and now Maddie, a united front against the mystery of Maddie's.....well, not "death", Charley supposed, because you'd debunked that. But against the mystery of Maddie's situation, nonetheless. Except he was here, wet and cold and lost; an Addams Family-esque farmhouse towering in front of him like a bad omen and no one to turn to for answers.

"It can't get worse," Charley sighed, about to ascend the first of the front steps.

As his foot set down on the wood, the screen door creaked and someone emerged, using their back to push the door open so they could exit. When they turned around, Charley nearly jumped for joy. He knew that face! That was your face! Your face... Charley reeled back. Your face was coated in blood. You were coated in blood. Hair, hands, jeans.

"What happened!?" He questioned, pitching toward you to scan you for injuries. You didn't seem to be in any pain, not favoring a leg or curling over a gut wound. Beneath the thin red film on your face, Charley couldn't spot a gash, a cut, a scrape, nothing. He panned to the front door, speculating in startled flashes what lay beyond it. The color drained from his face as he thought about it and he decided, no thanks, he didn't want—didn't need—to know.

The most unnerving part, however, wasn't the Evil Dead amount of blood on you. It was how your eyes stared ahead, completely blank; the same dissociative gaze Charley had witnessed on Emilio's face in the wake of Charley's death. Like Emilio's mind had evaporated while his brain repressed every bad thing that'd ever happened just to keep him upright.

Charley wanted to ask if you were okay but the words lodged in his throat when he finally noticed that you had something—someone—bundled in your arms. Small, child-sized (probably because it was a child, Charley, he chided himself), wearing Spiderman rainboots and a Looney Tunes sweater. A queasy sensation flushed through him as he watched you fumble down the stairs, gaze fixed ahead, arms fastened around the little body.

When Charley shifted to follow you, the screen door creaked again then slammed closed. Another person hurried out, clomping down the steps to chase after you. Small. Child-sized. Spiderman rainboots and a Looney Tunes sweater. Charley's expression twisted with sorrow. He bit the inside of his lip as he turned and walked beside the little boy who contemplated his boots as he squelched through the mud.

"Where are we going?" The little boy asked you, stomping into and out of a puddle.

You answered, "I'm taking you home," your voice light as a feather and far, far away.

"Will mommy be mad at me?" The little boy paused, big green eyes on your back, worried that he'd be in trouble for...for what? Charley couldn't discern. For dying?

"No." You said, dragged your feet with effort, your Converse not made for soft, sinking ground. "She'll know what to do. She'll make it all better, Aiden, I swear." On the last word, your voice cracked, but your face didn't change, your gaze still distant.

Charley kept pace with the little boy, Aiden, until you came to the end of the unpaved road. You were shaking, probably freezing, soaked to the bone and in shock. The unpaved road intersected a tarred section of old, narrow highway, a rusted mailbox keeping vigil in the tall grass that lined the shoulder. Part of the name was scraped away by time and weather. Still, Charley could make it out: Meheive. A name Charley had had hammered into his skull in Grade 7 History. The name of one of the four industry men who'd founded Split River in 1850.

"Oh," He commented mildly, "It gets freakier. Fantastic." Then, as he lifted his foot to continue after you, he simply couldn't. He tried again, again, again, walked in place as if on a treadmill while an invisible force kept him at bay. "Never mind," He gulped, "Now it's freakier." At least he wasn't being shot back to the cafeteria at speed, he mused glumly when he took the time to feel the identical vibrations he felt when he got too close to the one around the school.

Slanting his attention to the side, he saw Aiden standing alone, face pinched, lower lip trembling and eyes filled with tears. "Sissy May, wait... I can't follow you..." He stuttered several breaths, hands balled into fists at his sides. "Sissy May!"

You didn't turn around. "It'll be okay, Aiden. Mom will fix it. She'll know what to do." Charley heard you murmur, dreamlike, detached, as you began to walk along the shoulder of the highway, adjusting Aiden's weight in your arms. "She'll fix it..."

Charley came up beside Aiden, watching you blend into the dark the further away you got. Aiden sniffled, squeaked before he coughed out a sob. He craned his neck to look up at Charley in devastation. Briefly, Charley was surprised though that settled into sympathy the longer Aiden blinked those green eyes up at him.

"I don't want to be alone," Aiden whimpered and took Charley's hand, his grip limp, his fingers tiny.

There was nothing to say to that. Charley didn't want Aiden to be alone either, and if he had to stay with Aiden for eternity, he would. He knelt down and pulled Aiden into a hug, his voice wet as he said, "You aren't alone, buddy," the way he would've comforted his younger cousin, Luca.

Unfortunately, the moment the words slipped out of him, Charley was snatched away and dragged through the farmhouse door.

‗‗‗‗•‗‗‗‗

Where Charley couldn't follow, Ajay did. Down the shoulder of the unlit highway, stomach rolling as he observed how you swayed and stumbled as you pressed onward, Aiden's dead weight becoming more and more difficult to manage. A car had stopped, a woman had called out to you, and Ajay had heard her on the phone with the police, asking for help.

It was as if you hadn't heard her. Ajay doubted you had, the state you were in, mumbling gentle promises to your brother as you carried him home. "Mom will know what to do, Aiden..."

Twenty minutes came and went before an ambulance and two squad cars screeched to a halt meters in front of you, lights flashing, red blue, red blue, red blue. When the EMTs tried to take Aiden from you, you put up a fight; kicked, gnashed, snarled, screamed. Not words, just noise, like a provoked animal. Deputy Baxter managed to get you in a submissive hold so an EMT could sedate you before he helped settle you into a stretcher. Strapped you in, just in case, the corners of his mouth severely turned down and his eyes shuttered to conceal the heartbreak Ajay had caught a glimmer of.

"Take them to St. Vincent's." Deputy Baxter instructed the ambulance driver. "I'll call their mother." He moved on to order the second unit that'd arrived with him to follow the ambulance, that he would check the road, "For anything that'll tell us what the hell happened here."

"Noah, are you sure you want to do it alone? If someone's responsible, they could still be out there. They could be armed." Deputy Hayes voiced her concern through the passenger-side window. She was new, too new to understand a protocol had been established between Deputy Baxter and Sheriff Stallow when it came to your family. A grandfathered in whatever it takes that often involved doing things off-book.

Deputy Baxter shook his head and reassured, "I'm just going to see what I can find along the road. If anything comes up, I'll call it in." He straightened and peered down the highway in the direction you'd obviously come from, a deep-seated foreboding frosting beneath his skin.

He was at a crossroads, his gut told him. Something terrible waited for him in the dark and whatever choice he made to deal with it would change his life forever. Damned if he did, damned if he didn't. He just prayed to God that he'd still be able to be there for his own little boy in the after. That he'd have the chance to hug Xavier and tell him the world might not be safe, but his dad will always be there to protect him.

In the side mirror of his vehicle, Deputy Baxter stared at the retreating image of the ambulance and squad car as they blared down the highway toward the town. Once the sound of the sirens faded, he shifted the gear into drive, gravel crunching under the tires, and he drove to the only building in the area for miles.

Once Deputy Baxter was gone, Ajay vanished through the farmhouse door.

‗‗‗‗•‗‗‗‗

Question Five.

Does the Monster die?

‗‗‗‗•‗‗‗‗

Simon's eyes flew open and he jolted upright, waking abruptly in a cold sweat. The sky was dark outside his window, his room pitched black, and his mom was tugging at his shirt. He barely registered her words, you told the police you'd return the phone tonight, get up, as she fussed over him, fuming, lecturing him in Tagalog as she switched on the overhead light and pinned him with a strict expression.

He scrubbed his face to wake himself up. Dragged his hands through his hair, eyes drifting to his closet. He could've sworn... Hadn't there been...? The door was open and, apart from the two rails of clothes and the shoe rack, it was empty.

"Hurry up, iho! Before your father gets home." His mom commanded before she turned on her heel and left the room.

In English, Simon responded, "I'm going, I'm going..." and rose from his bed. He felt weak, exhausted despite having apparently slept through the day. Again, his gaze settled on his closet as if the person who'd been crying in there had just tucked themselves in the corner and would pop out any second now that the coast was clear.

But nothing happened.

Taking a deep breath, Simon stood and treaded to his closet. Just to make sure; just to see if it had really all been a dream. There was nothing inside to indicate anyone had been hiding there. No displaced clothes to suggest Simon had shoved them aside to get a better look at the little boy who'd quivered beside the shoe rack. No puddle from the rain that had dripped from the little boy's hair and Spiderman rainboots. No scuff marks in the carpet. No mud. No little boy.

"She's gonna hurt him," The little boy wailed into Simon's hip. "She's gonna take him and she's gonna hurt Sissy!"

Simon tripped backward, away from the closet, breath suddenly ragged as the memory flooded his mind. Because it had to be that. A memory. He'd had vivid dreams before, but never like that. He could still feel the little boy's tight grip around his waist, could still feel the wet and cold of the little boy's body through his Looney Tunes sweater when Simon had instinctually returned the embrace.

"She wants t'take them!" The little boy sniffed thickly, "You gotta help! You can't let her!" And then he added as if he'd been reprimanded enough times by his mommy, imploring "Pleeease!"

"Who are you talking about?" Simon asked. Leaned back and crouched so he was eye-level with the little boy, his hands holding the little boy's boney shoulders, "Who's going to get hurt?"

Simon grabbed his sweater and his car keys, calling out, "I'll be back soon," to his mother who'd installed herself in front of Wheel of Fortune. He had to get to the school. He had to see Maddie. To tell her what he'd dreamt or prophesized or hallucinated because, guess what, he'd apparently graduated from unwitting medium to Nostradamus.

As he trotted down the front walkway, he checked his phone. 7 missed calls from Nicole. 2 missed calls from Mathilda. 3 texts from Nicole asking the same question—are you okay?—and a novel from Mathilda that detailed the lessons he'd missed and what he'd have to make up over the weekend, but don't worry, I'll help you. And 1 text from you. Short and sweet, sent that morning just after Simon had returned home from the police station.

"We found something to get Mr. A. I'll meet you at the bus stop when you get here."

Simon hoped it wasn't too late. That you'd stayed behind to wait for him even though he hadn't answered you. Unlikely, but he tried to remain optimistic, even as he took a moment to collect himself once behind the wheel of his car. That dream...it lingered like a bruise.

The little boy's voice stuttered through rough breaths, "Sh-she said because M-Maddie's gone, she needs s-someone else now and that she still wants Sissy. But she can't do it w-without trapping more people."

Simon started the car and pulled into the road.

"What do you mean, 'gone'? You mean because Maddie died?" Simon pushed, but the little boy wasn't listening, sobbing about 'him' and 'Sissy' and how they were in danger. Simon grabbed the little boy's face between his palms, soft but firm, and god, his cheeks were so cold. He looked the boy straight in the eye, "What can't 'she' do without trapping more people?"

He rolled down the window to let the fresh air soothe his anxiety.

Eventually, the little boy quieted though tears continued to stream down his face, "She can't have a new body." He said in a little voice. "Now she needs more people because Maddie got away."

And what the gentlest fuck did that mean?

Simon still didn't know who the 'Sissy' and 'him' were that the little boy had referred to. The little boy had been too distressed to divulge their names, talking as if Simon should already know everything. Just 'Sissy' and 'him'. 'Sissy' and 'him' and Maddie and someone named Janet. Did Simon know a Janet? He wracked his brain, trying to summon the names of everyone in his class who could have a connection to Maddie's death. There was a Jessica and a Jennifer and a Jayden. No Janet.

Then there was the matter of 'she' wanting a new body. Because that was sane. And impossible. Right...? Fuck, what if Maddie's death had been some nutcase's idea of a ritual sacrifice. What if another teenage girl was about to be murdered because, lo and behold, magic isn't real and Maddie just died instead of ceding her body.

The devil on Simon's shoulder quipped, "But ghosts are real," which, fair. If ghosts were real, surely they weren't the only eldritch phenomenon to exist in the world. Maybe there were cursed mummies or body snatching aliens out there scheming to take over America via its youth. No child left behind. Jesus Christ. Simon was spiraling, brain spitting random images of every creature feature he'd ever seen at him. Had the little boy been trying to warn Simon about mummies? Aliens? Was. it. aliens!?

As he stopped at a pedestrian crosswalk, he stared—definitely too intensely—at the young woman who passed in front of his car. Like he could see straight to her bones and determine whether or not she was really human. The woman picked up her pace, shoulders up, head down, and folded her leather jacket tighter around her.

Don't be suspicious, Simon, he admonished himself, ashamed of his behavior, eyes darting to his lap until the woman was safely on the other side of the road. "What even is my life anymore?" He wallowed. Ghosts and Mystery Inc. side-quests and pinning crimes on teachers. He felt he'd lived a hundred lifetimes in the last week and was seriously considering becoming a hermit the minute Maddie moved on.

There wouldn't be much reason to stick around after that anyway...

‗‗‗‗•‗‗‗‗

Mina Volkov hadn't left the theater since 1987. She was a looper. She performed the same tasks every day, from morning to night to morning. She didn't sleep. She didn't eat—except for the paper bag lunch she'd brought with her the day she'd died. She didn't stray. Mina had to make sure that what had happened to her wouldn't happen to someone else.

There was safety in her loop. Not just for the living students she protected through her hard work, but for herself. Her loop allowed her mind to remain clear, focused entirely on the task at hand. She didn't have to think or reflect or question why her soul had lingered after being squashed by a stage light. Rhonda had called it denial when she'd visited Mina a week after Mina's death. Rhonda had been sizing Mina up, prodding and poking to see how Mina would react.

Mina had simply gone about her safety checks and Rhonda had eventually gotten bored. And had never come back.

Sometimes, her loop veered off-course. Sometimes Mr. Martin came to check on her. Just to say hi. Never to invite her to those stupid meetings he hosted in the gym. The ones Ajay attended and would tell Mina about later when they picnicked on the stage or between kisses in the green room.

She liked Ajay. He was kind and thoughtful, and he respected her loop. He didn't complain when she prioritized double-checking the lighting cables and tightening ropes and cordage for the dropdown scenery. He'd simply sit and talk to her. Recite poetry or passages from books she never intended to read. Ajay was smart. Ajay was handsome. Ajay was...

Ajay was comatose. Slumped on the floor along with the others, his face, like theirs, twisted in anguish. Whatever measures Mina used to wake him up didn't work and she had no idea how to help. But she knew she needed to. Not because New Girl had brought Mina flowers. Or because Hawaiian Shirt Man had caused her so many headaches since the start of the school year and they'd found something to make him stop banging around under the stage. But because Ajay needed Mina to be brave.

He needed help and she was going to help him. Which meant Mina had to leave the theater. She had to find Mr. Martin.

Though Ajay often thought Mina didn't listen when he spoke, he was wrong. She held onto every word like a treasure that she'd tuck away in her heart and savor in the moments she was alone. Mr. Martin took his privacy in the fallout shelter in the basement. Mina had been there before she'd died. Several times, in fact. It'd been an opening night ritual conducted an hour before curtain. The cast and crew piled downstairs and hid in the fallout shelter to pass around a spliff.

No, Mina hadn't partaken, much too responsible, but she'd wanted to participate in some way even if that was just being there. She'd wanted to feel like part of the group when she'd so often felt like an outsider the actors and other crew members made fun of, "for being so snooty and uptight, God, Mina, chill out."

Standing slowly, Mina regarded the theater door. Her heart slammed against her ribs, palms clammy as she tightened and loosened her fists. A comforting motion to calm her nerves as she stepped carefully to the door and placed her hand on the exit bar.

Mina hadn't left the theater since 1987. But today, she would.

For Ajay.

She spilled into the hall, the world spinning in her panic, and took off at speed to the other side of the school. Down two flights of stairs, through the door that led to the basement.

Most of the basement had been bricked off which had narrowed the hallway, making it feel like a catacomb. Poorly lit and spooky. The fallout shelter was at the far end, directly below the gym. Its vault door was open as Mr. Martin usually kept it. A practical solution given how regularly he had to come and go during office hours.

It hadn't been his idea originally. No. It'd been hers. The woman currently speaking through the janitor's mouth as she stared Mr. Martin down.

"I've had someone canvas the area and several others every night since that traitorous little bitch escaped." Mr. South stated, "There's no sign of her."

Helplessly, Mr. Martin explained for the second time, "I don't know what you want me to do, Amelia. I've done everything you asked me. I'm doing what I can to keep the kids present, like you said, and I need to concentrate on that. I've already noticed a shift in sentient ones since Maddie joined us."

Mr. South—Amelia—snarled, "I'm not asking you to participate in a search and seize, Everett. I simply want you to tell me where that conniving piece of shit would have gone! She confided in you, you told me that. So, tell. me. where she's most likely to go!"

Mr. Martin shook his head, a cowardly expression miring his face, "I've told you everything I know, Amelia, please. I've given you her notes, her journal. Every piece of information I had is already in your hands."

Quite unexpectedly, a frightened voice interrupted from the vault door, "Mr. Martin?"

Mr. Martin whipped his head to the side, his eyes going wide in panic when he saw Mina stood just over the threshold, inside the fallout shelter. She looked ashen. Scared. Shaking like a leaf in the wind. Her brown eyes slid away from Mr. Martin's face to rest on Mr. South for a second before returning to Mr. Martin.

Mr. Martin swallowed, opened his mouth to say something, anything to explain why he was mid-conversation with the live and well school janitor, when suddenly it didn't matter anymore. Mr. Martin choked as he watched Mina glance down her body. Her chest seared like paper in a candle flame. She looked back up, fear contorting into betrayal, before she quietly burned away into oblivion.

Unable to reconcile what he'd witnessed, Mr. Martin merely stared at the spot Mina had just been standing, expression slack in horror. His chest rose and fell heavily, "Why?" he rasped, and it took every ounce of self-preservation not to lash out.

Behind him, Amelia lowered Mr. South's hand, scoffing, "Oh, don't look so sad, Everett. She didn't feel a thing," but Mr. Martin didn't believe it. Still, he was too intimidated to argue. He knew what Amelia was capable of and he didn't want to be on the wrong end of her wrath.

Virtuously, Amelia commented, "You'll have to find me another to replace that one. So, two more, I suppose,. And we need someone to step in for Janet," breezy, as if she'd killed nothing more than a house fly. "And soon. We can't have any more delays." In Mr. South's lumbering body, she picked across the floor like a debutante, "Time is running out." She finished, already out the vault door and returning Mr. South's body to the storage room Mr. South used as his office.

Alone in the fallout shelter, Mr. Martin buckled to his knees.

‗‗‗‗•‗‗‗‗

Operating with half his mind still on aliens and mummies, Simon waited in the bus shelter. He was grateful you hadn't left, had responded to the text he'd sent when he'd arrived at the school: "See you in 5," you'd told him. At the metal crack of the side entrance opening, Simon stood up from the bench and faced the school. He frowned when he saw who emerged.

Steps uneven, Xavier exited the school. He stopped when he noticed Simon, stood still like a deer in headlights. Damn, Xavier looked like his whole world had been turned upside down. More so than it already had been, that was. Pale and bug eyed and jittery. They watched each other for a moment. Simon nodded his head in greeting. Xavier didn't return the gesture.

Instead, he lifted the hood of his sweater and turned toward the parking lot, skulking off with his head down. A minute or so later, the door opened again and this time it was you. And Maddie. Together. Followed by a tall guy in a varsity jacket, a girl in a newsboy cap, and a boy with frosted tips wearing a Canadian tuxedo. The trio of strangers stayed by the door to watch as you and Maddie—together—approached Simon.

When you and Maddie were within earshot, Simon said, "Okay. What the hell is this?"

You at least had the decency to look apologetic.

"So you can see ghosts." Simon stated, irritated.

"So can you." You shot back, but it didn't sound like your heart was in it. In fact, you looked just as rattled as Xavier had when he'd come out of the school.

Although he wanted to chew you out for having lied to him, Simon wanted to make sure, "Are you alright?" His demeanor softened as he took you in. Puffy eyes, flushed cheeks, red nose. You'd been crying. And Simon would never be angry enough to let that trump being there for a friend who needed him. He bundled you into a hug, one hand rubbing your back, and asked Maddie with his eyes what was wrong.

In his periphery, he saw Varsity straighten and move to take a step forward. His friends each grabbed an arm and appeared to shut whatever idea he'd had down because he shifted back before shaking them off.

Urgently, Maddie told Simon they'd discuss everything, "Later," and ushered him back into the bus shelter. He kept an arm slung around your shoulders, a shoulder to lean on, though had to release you when you decided to lean against the interior glass. Simon took what was becoming his usual seat on the concrete base and Maddie folded herself onto the bench.

When neither you nor Maddie spoke, Simon took the lead, "Mr. Anderson totally played us," he began, glancing between you and Maddie. "I mean, the cops are convinced I helped Maddie run away."

Maddie immediately defended, "Seriously? That's—"

"I know. They only let me come back here because I promised I'd get Anderson's phone and turn it in."

You cleared your throat, "Okay, well, before you do that..."

Maddie continued where you trailed off, "I think we might've found something that can help maybe keep the cops off your back." She fished something out of her back pocket and handed it to you which you, in turn, handed to Simon.

Stunned, Simon gawked at the piece of paper, eyes darting between it, you, and Maddie several times before finally resting on the paper. "We're just...not going to acknowledge how insane this is?" He sputtered, flapping the paper to indicate what he meant.

"Just go with it for now, Si." Maddie implored, "Let's take down Mr. Anderson first."

"Yeah," Simon agreed and examined the paper. It was a receipt for new band uniforms. He pulled out his phone when Maddie informed him he'd have to call the company the receipt was from and punched in the number. As the line connected, Simon cast to the three people at the school entrance. "Quick question, and not to alarm anyone, but who are they?" He asked as he waited for someone to answer the phone.

You and Maddie looked to the three people then at each other, Simon, the three people, each other, and ended with open-mouthed stares at Simon.

"They're dead, aren't they?" Simon deadpanned. You and Maddie nodded. Simon kissed his teeth. "Of course they are."

‗‗‗‗•‗‗‗‗

After all was said and done, you, Maddie, and Simon had watched Wally—the tallest of the three ghosts Simon had seen outside—drape his varsity jacket over your shoulders and stamp a kiss to your head. Simon had watched Wally hold you protectively in the wake of Simon's impassioned announcement to the table of Split River High staff.

He'd heard Wally whisper comforting words and stroke your cheek with his thumb and, wow, you hadn't been joking about saving yourself for the hot ghost on campus.

It was a mindfuck, to be sure, but Simon adjusted. Or he was in shock. Toe-may-toe, toe-mah-toe. Wally had mentioned to the group at large as they huddled in the hallway that he and Charley—Canadian tuxedo—had needed to go lest Mr. Martin—whoever that was—get suspicious of their absence at Movie Night. Which could've been dead dove, do not eat, or could've been ghost code for watching the living go to the bathroom.

"Dude, we don't do that." Wally had cringed, offended.

Charley had raised his brows in consideration, "Well, not all of us."

Simon was beginning to double-down on putting together a personal bestiary à la Teen Wolf just to aid him in navigating this shitshow.

Afterward, you, Simon, and Maddie had holed away in a classroom to watch Mr. Anderson be escorted into the back of a squad car. In a line at the window. Discussing in solemn tones what you and Maddie had seen in the theater. How it related to Mr. Anderson. How whoever was behind Maddie's death—no, not death, Simon emended, since you'd brought him up to speed. How whoever was behind Maddie's missing body could be literally anyone. That was if her Maddie's circumstances were related to the terrors you and she had experienced in the theater earlier.

"What do you think's gonna happen?" Maddie asked faintly as she watched the deputy closed the back door of the squad car.

"He'll be questioned." Simon said. "Probably arrested."

Angry, Maddie replied, "But not for abduction. Not for bodily injury." A weighted pause. "I swear to God, if he did this to me over some stupid band uniforms..."

His voice tinged with hope, "Maybe he'll confess."

"Or," Maddie offered the alternative, "You'll hand that phone over to the cops and we'll never know who he was working with. Or why he said he gave me money... I'll never know what really happened to me."

Maddie turned. As soon as she settled, you shuffled closer to her on the windowsill and put a supportive arm around her shoulders. Fuck if that didn't make Simon's heart ache. He wanted so badly to be the one to do that for her. To be there for her. To comfort her.

"We'll figure it out, Mads." You reassured, though your eyes still looked haunted.

"At least for now," Maddie said, gazing up at Simon, "some of the heat will be off you."

Her words struck Simon's soul. After everything she'd been through, she cared about what happened to him, and it made him yearn to show her how much that meant to him. Seeing you in Wally's varsity jacket gave him an idea. Slowly, he peeled off his sweater and hung it over the back of a chair. It wasn't enough, but at least he could do this.

"What are you doing?" Maddie asked.

Voice rough with emotion, Simon said, "I was thinking... I can't hug you, but my sweater can."

You hopped down from the windowsill and positioned yourself between Maddie and Simon, voice pitched just as low as Simon's as if not wanting to disturb the somber atmosphere that had befallen the classroom.

"I can do you one better." You said with a small smile and placed one hand on Maddie's shoulder. Your held out your other hand to Simon which he took, curious as to what you were going to do. It seemed Maddie knew because she came closer and then—god—she wrapped her arms around Simon and held him tight.

Without a second thought, Simon returned her embrace with his free arm, putting everything he had into it. All the grief, all the solace, all the love. He hiccupped a weak sound of overwhelm and pulled Maddie as close to himself as he could. She felt warm. Alive. Like she was right there in her body.

With wet eyes, Simon peeked up at you, "Thank you."

"You're my friend, Simon." You said easily, "I'd do anything for you in a heartbeat."

He dragged you into the hug; you and he and Maddie holding each other, leaning on each other, needing each other. And for that small segment of time, the weight of the world didn't feel so heavy.

‗‗‗‗•‗‗‗‗

Mr. Martin was surprised when Rhonda marched into the gym and pulled up a seat. It wasn't the first unusual thing Mr. Martin had noticed of his Support Group that night, though.

Something felt off. Ajay had been morose when he'd entered, but Bernadette and Katelynn had puppy piled him on the stack of gym mats and were comforting him with cuddles. Always upbeat and charismatic Wally had been reserved until halfway through the film. Perhaps he was truly taken by Demi Moore's performance, though Mr. Martin suspected there was more to it.

Charley hadn't made any sarcastic comebacks to Mr. Martin's purposefully cheesy jokes about the film before Mr. Martin had started it, either. Keeping an eye on Charley and Wally, Mr. Martin had entertained the idea that the two had had a falling out. Teenagers were fickle beings. Even those in their forties and fifties.

Of course, Mr. Martin could be seeing things that weren't there. Reading too much into every small shift in behavior because he'd been on edge since Amelia's impromptu visit. A shiver ran through him, cold as ice, as he recalled what he'd witnessed and what he'd been ordered to do.

Banishing the memory, he forced a smile to his face, "Rhonda. You usually boycott movie night."

Rhonda stiffened in her seat, gaze fixed determinedly on the screen even if it seemed to go against everything she believed in to do it.

"Is everything alright?" Mr. Martin probed when she didn't say anything. His first priority was always his students' wellbeing, no matter what Amelia felt about it.

Rhonda took her time to answer, but eventually, "I've been here for sixty years. Sixty graduations," She explained, jaw tense, as if her words were being forced out of her. Rhonda rarely shared and, when she did, she'd smother the sentiment beneath myriad barbed wire remarks and threatening stares so no one would examine what she'd revealed too closely.

As Rhonda disclosed what had motivated her to join Movie Night, Mr. Martin heard Amelia's voice in his head, "we need someone to step in for Janet."

"—I've made my peace with it because nothing changes...but now..." Mr. Martin listened, giving Rhonda his full, undivided attention. Rhonda didn't elaborate on how her views had shifted, rather redirecting to claim, "I know I'm not always a joiner but," her voice was raw, "I gotta get outta here."

She was outright doing her damnedest to hold back tears and it shook Mr. Martin to his core. The sight made Mina's image flash in his mind, the pain and fear in her eyes as she'd silently begged Mr. Martin to help her before being disintegrated into nothingness.

When Rhonda admitted, "I'm willing to try anything," Mr. Martin was brought back to the present, Mina fading from his mind. What Rhonda said next made his smile falter, a pang of regret in his heart. There was nothing else for it, his hand forced, because everything was easier when the participants were willing. But Rhonda needed to say it right. She needed to mean it without Mr. Martin's direct interference.

And, just like that, she did.

He ignored how his gut wrenched as he heard Rhonda speak into the air, "So, whatever you did to help Janet, I want in."

Mr. Martin felt Rhonda's words vibrate through the veil, the gears shifting as the pieces on Amelia's board were recast.

Mr. Martin forced another smile. However, turning back to the screen, his smile faded completely as Mina's final moments crowded his mind again. The fear. The helplessness. One of his students...gone. His conscience kicked and screamed and berated him. Challenged him. Brought his face right up to the hundreds of mistakes he'd made leading up to Mina's permanent erasure from this earth.

He'd had no choice, a milder, more detached part of him reminded, and it's too late to undo what'd already been done. There was no going back.

All Mr. Martin could do now was offer Rhonda his bowl of popcorn and tell her, "I'm glad to hear it."

💀___________fin.____________

PART TWENTY-SIX - OCTOBER MOON

note: i will definitely be tinkering away here tomorrow 💀

Act 1 was written to The Night We Met (Slowed & Thunder Storm) by Lord Huron. Act 5 was written to You're Somebody Else by Flora Cash. finally, Act 6 was written to Willow Tree March by The Paper Kites.

i can't believe it, guys. we made it. (ignoring that i now have less that 3 weeks to accomplish Series 2 before the second season airs...) thank you everyone who's still clinging for their lives on the sides of this chaos canoe. you're all legends and i love each and every one of you to the moon and beyond 😭

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ABOUT THE TAGLIST: y'all know, it ain't a thing around here anymore due to the overuse of ritual magic, some demon-summoning, and an unfortunate sacrifice that resulted in more technical issues than tumblr could handle 🔮🗡️ if you'd like to be kept up-to-date, please FOLLOW ME and TURN ON NOTIFICATIONS. we have fun here (•¯ ∀ ¯•)

Sex, Drugs, Etc.

Warnings: Talk of drugs/Drug use. Possible smut in the future. SH. A lot of plot. EXTREME Canon divergence. Before Maddies time. Set in 2022

I got a lot of inspiration and motivation from @whoopsyeahokay series called October Sun if you haven't read it yet I recommend you do its amazing, you can find it on tumblr and Ao3. October Sun

(This is very self indulgent and based on things ive been through and how I could have very easily ended up as a ghost. This is NOT meant to romanticize addiction or mental illness. This is a judgment free zone so I want no bullying or hate on anyone. I'm not the best writer so be nice)

1.9k Words

Enjoy :)

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Two days, two fucking days you’ve been rotting and no ones come to find you. Well no one alive at least. 

It started off normal, nothing out of the ordinary. Just another boring school day with the same washed out boring people. Tired eyes and even more tired souls. So what changed? A little slip up on the same thing that had almost claimed your life many times over the years except this time no one was there to save you. 

You were 14 when you first learned the only way for your brain to stop spinning, trying to find a new way to obtain peace was with a very simple little thing. Weed, this wasn't what was deadly, no it was what started the cycle. First it was weed, then it was alcohol, then it was late night parties, until one day it fell into the palm of your hand. A simple little pill, how could it cause so much damage? Things were fine until one pill turned into two then two turned into three and then you ended up on the patio of a stranger's porch foaming out the mouth. 4 days in the hospital and 2 weeks in rehab was enough to scare you for a while, but not enough to make you forget about the relief that came with it. 

That's how you ended up here, sitting in a circle sharing stories about life and death, a group of highschool boys who had no idea you were even there, playing basketball behind you. Should have just gone to group like you were told to, at least then you would have been with people who understood addiction. Now judgmental eyes fall upon you because you caused your own death. As much as you wanted to find someone, something to blame you knew you couldn't, this was your fault. The spinning hasn't stopped. At least ghosts couldn't go through withdrawal, doesn’t change the fact that the empty feeling you tried so desperately to fill is more presint than ever.  

The sweet voice of Mr.Martin fills the room. Like white nose until you heard him call your name. Head shooting up to look up at him. “Have you started working on your obituary?” Ah yes, ghost homework. you would have never thought that you would have been asked to write your own obituary yet here we are. Not as easy as it sounds.

“I’ve got some ideas” Like when you got so drunk you threw up on your friends cat, or when you were so high that your brother convinced you the plane flying over your house was a UFO, fun memories. Apparently you were supposed to write about the good parts of your life but that's kinda hard when the only good memories you had were caused by what put you in this situation to begin with. 

“Take your time, if you need to im sure some of the others wouldn't mind telling you about what they wrote, for motivation.” You give a simple nod, wanting all the prying eyes around you to look away. And they do, except a certain pair that had been watching you since you got here. 

Wally Clark, a sweet boy, bright future, died to soon like everyone else in this fucked up version of your own personal hell. He asked too many questions, it wasn't a secret how you died, just something you didn't want to talk about.  He respected that, like most of the others, most. Doesn't stop him from prying, staring with curious eyes. 

“I think that's all for today,  don't forget tomorrow's movie night as always our newest member will be picking the movie.” You give an awkward smile before standing up and turning to leave along with the rest of the group. Heavy footsteps creeping up behind you and the sound of your name being called stops you as the tall boy catches up.

“So um do you need help with your obituary? not to brag but I think I did a pretty good job on mine.” Wally was quite attractive, tall, with big brown eyes, and slick back brown fluffy hair. No doubt having made girls fawn over him during his lifetime. You and him weren't exactly friends but the idea of having a little help writing… well, a self obituary wasn't bad. 

“Sure, we could go to the library.” An excited grin grew on Wallys face, not expecting you to say yes. 

“Yeah, yeah the library sounds great” It was kinda cute how he acted sometimes. Not like a typical jock, a pure golden retriever. 

“Cool” You stand there kinda awkwardly, hands in the pockets of your red zip up hoodie as you gave him an expecting look. 

“Oh like now?” He was somehow the most confident yet most awkward person in the world. “Um okay yeah that works” 

You tilt your head sideways towards the door leading out the gym, indicating for him to follow you out. Taking the lead and making your way out, opening the door for him. “Ladies first” He let out a small chuckle at your attempt at a joke, considering it was the first time you really talked to anyone since everything happened. It wasn't that you didn't like people, you just didn’t understand the point of friends. It might sound depressing but having a small group of people that you know will stick around is better than hanging around people that barely know you. Yet here you are, stuck with strangers for eternity or until you finally move on, however long that’ll take. 

The hallway was filled with loud teens, some rushing to their next class others going out the back door, more than likely skipping. “So how does this work?” You look over at him.

“What? The afterlife?” He looks at you, a little nervous. “I don’t think im the best person to explain it to you, that's more of Charley's thing.” Charley was sweet, the first person you met when you woke up. Some sort of after life guide. 

“No, a self obituary.” The words felt weird coming out your mouth. “I know I'm supposed to write about all the great things in life but I don't think huffing nitrous in my uncles bathroom on thanksgiving really counts as a good memory.” 

“Nitrous? like the shit in whipped cream?” He gave you a sideways look, a concerned but humored smile on his face. 

“Yes, the shit in whipped cream, I don't recommend. I passed out and almost had a seizure.” As we reach the library he opens the door, allowing you to go in first. 

“Okay, maybe don’t include that in your obituary, how about” He thought for a second. “Write about your friends and family, I'm sure you have some good memories with them.” 

You let out a frustrated sigh as you sat down at a table, Wally sitting down across from you as you take off your backpack, pulling a pencil and the folder Mr.Martin had given you. “That's too much work, do you think Mr.Martin would notice if I just copied yours?” Wally laughs a little, his straight white teeth showing.

“No, he’ll totally believe that you played football and lost your virginity in your moms car.” Now you’re the one laughing, his sentence coming out way too casually. 

“You lost your virginity in your moms car?” You take a few seconds to process before you look at him judgmentally. “You included how you lost your virginity?” Though the smiles’ still apparent on your face. 

“Happy memories, remember?” And there's the jock attitude you were waiting for, somehow a bit surprising but not unexpected. “You could just write your feelings.” You have a whole journal for that from when you got sober… soberish. 

“This may come as a shock to you but I'm not exactly a feelings person.” Not totally true, it was just easier to not feel anything at all, especially with the situation you're in right now. 

“Really? I couldn't tell” The sarcastic tone in his voice very apparent. “Alright fine, if you were happiest when you were high then it's worth writing.” 

“Great, so high stories, got it” Though it wasn't the best idea, you had to write something so Mr.Martin would get off your ass about it. Reminiscing was a slippery slope, you were holding up decently so far but contrary to what all the others think it hurt deep down. “How about the first time I tried molly?” Probably one of the best ‘happy pills’ you tried in your lifetime. 

“What was it like?” He clearly had no intentions of finding out first hand, just curious of the experience. 

“It made me really aware but like in a good way.” There was no real way to describe it without going into depth. “And kinda trippy I guess, does that make sense?” 

“Yeah, I guess.” He knew he could never truly understand, no one could unless they experienced it themselves. As you begin to jot down the memory Wally peaks over, looking at the page though it's not very useful due to the fact that he doesn't possess the skill to read upside down. 

“Nosey” You laugh a little at his attempt to get to know you better. “You know if you want to get to know me, maybe there are better ways to do it then helping me write my own obituary” Yep, still didn't sound right.  

“Oh um yeah, this is probably a really weird first hang out.” He laughs awkwardly at the realization that this is still new to you. It wasn't like he had never been around a new ghost before, he knew he was supposed to be slow, supportive, ease them into it but with the way you acted sometimes made him think you were more used to this than he was. In a way you were, death was something that you had imagined so many times so when it actually came the idea of being trapped wasn't one you hadn't thought of before. “How about after we're done with this I could take you down to the pool?” 

You smile, the sentiment was sweet. “Thanks, but I don't know how to swim.” You were never taught and it didn't seem important in life so you just never learned. The surprised look on Wallys face was priceless.

“How the hell are you 18 and don’t know how to swim?” It wasn't judgmental, just a little surprised, but the grin on his face indicated that he had an idea. 

“Oh god, what are you thinking about?” You knew what was coming, he wouldn't be him if he didn’t jump at the opportunity to help a new friend. Wally was very readable and you didn’t know if that was a good thing yet. 

“I could teach you.” And there it was, of course he wanted to teach you. “It could be fun, plus you don't have much else to do.” 

“You know what fuck it, you’re right there isnt shit else to do.” Especially with your body still laying cold in the old abandoned locker rooms aka ‘the brain cave’. 

“Great, you should keep writing, the faster you get it over with the less weird it feels.” And that's how it started, you were never the friend type but as much as you hated to say it you needed someone. Sure that someone is very attractive and the idea of seeing him in nothing but swim trunks was a nice image but who could blame you? The afterlife is lonely.

Pt.2

INTERVIEW 020. WALLY CLARK murdrtober oct 5th. ghost sex

You've never really believed the ghost stories about Split River, but this encounter definitely gave you a new outlook 800+ words MDNI 18+

You’ve been downplaying it the entire day. There were rumors that Split River was haunted, usually nothing but ghost stories told between kids during lock-ins, followed by dares to venture down dark hallways alone. 

You were instructed to make sure none of that happened at tonight’s lockin. It was supposed to be nothing but fun, with as few freshmen sent home crying as possible. You didn’t know how much authority you would have as just a TA, but you wanted to keep as much credibility as possible. Spewing out accusations of phantom touches to your back wouldn’t have helped your credibility at all. So you kept it to yourself. 

You tried your best to keep your composure, ignoring the feeling of a body behind you, keeping your heels glued to the ground even when you wanted to jump at the feeling of a hand pressed into your lower back. By the end of the night, you felt like you were losing your mind. 

Maybe one of the seniors slipped something in your drink during dinner. Maybe your lack of sufficient sleep was finally catching up to you. Maybe you’ve been secretly predisposed to some sort of mental illness and these are the warning symptoms. 

Or maybe it’s real. 

The possibility is there. Maybe Split River is haunted. Maybe you should’ve chosen another school in another district to be a teacher’s assistant. 

You’re busy trying to hold the remains of your mind together when the feeling intensifies. Your eyes stare straight in the bathroom mirror, the remnants of cold water from a damp paper towel sliding down your face, dripping into the porcelain sink that you’re leaning over. You take deep breaths, trying to clear the thoughts speeding around in your head. And just when you think you’ve gotten it all under control, you feel it. 

The feel of a human hand touches right between your legs, brushing against the skin revealed by your shorts. You swear under your breath, staring down with an expectation to see a hand in that very spot. There’s nothing there, just empty space between your legs. 

“What the fuck?” You’re about to turn around and get out of there, join the others with the belief that there’s safety in numbers. But a strong grip keeps you still by your hips, pushing you right against the counter. 

Your heart thumps in your chest with such ferocity that it hurts. You’re scared you might go into cardiac arrest at this rate, left to become another spirit to wander these halls. You close your eyes, waiting for the moment to come, but the only thing that happens is a hand pressed against your mound from behind. The feeling of fingers reaching into your shorts and pulling your lips apart through the cotton fabric of your panties. Those same fingers press right into your clit, experimentally tweaking the bud a few times. You try to remain shocked, refusing to give voice to a moan bubbling within your belly. But then your panties are pulled to the side and there’s a finger slowly penetrating you, in and out in and out. An arm wrapped around your waist, a chest against your back, one finger that soon becomes two opening you up. 

You feel ashamed as you wantonly gasp into the stale bathroom air. You should be recoiling away from the apparition, running out of this place and leaving completely. Maybe skipping town if you’re really scared enough. You shouldn’t be pushing yourself back into the touch and searching for more. 

It’s a purely human instinct, that’s what you tell yourself. It’s natural to search for the touch that makes you feel good, to want to amplify it, receive more and more until you reach a climax. And after you’ve orgasmed, gasping into the sink as you’re slumped over, trying to catch your breath—it’s natural to want it again. 

You don’t know how long you’re in that bathroom, but you’re there for a while. On your knees with your mouth open, letting the cavern be used by someone you cannot see. You would help if it weren’t anything other than air on your end, but you like it like this. All of the control is out of your hands, leaving you pliant as you sit on your knees, your mouth hung open, your eyes closed as you enjoy the feeling. 

By the time you’re done—or, by the time whoever is done with you—you’re spent, limbs and joints aching in ways they never have before. You want more, but the phantom doesn’t touch you after he’s done, leaving you to stand to your feet and splash water on your face, trying to get rid of the flush that’s taken over your features. 

When you come up for air, you swear you see someone standing behind you, their frame present in the mirror. Taller than you by a longshot, dark hair, a mole under the lips spread into a small smirk. You make eye contact and he grins, but then you blink and he’s gone like he was never there. 

Maybe he wasn’t. But you choose to believe he was. 

Split River was a peculiar school, after all. 

Sex, Drugs, Etc.

pt.8

Warnings: Talk of drugs/Drug use. Possible smut in the future. A lot of plot. EXTREME Canon divergence. Before Maddies time. Set in 2022. Relapse. Huffing Bleach (Please don't do this). The 10,000 Mental Break Down. Hearing Voices. Giving up on Recovery. This is NOT meant to romanticize addiction or mental illness.

1.2k words

pt.7

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Deep, slow, squared breaths. A remedy you’d been taught to do over and over again. Forcing the air into your lungs so they wouldn’t have time to close up, bringing your mind back to the pool where you felt them explode. Inhaling the chemical scent that left an upset feeling in your stomach. It was suffocating but better than allowing the tightening to form, not allowing yourself to fall into that state of confusion, where nothing made sense and the world blurred. 1,2,3 more breaths. 

Head spinning….. Your head was spinning. This was different, it wasn’t from lack of air or the anguish in your body. It was from that deep sickening smell of cleaning supplies. Without thinking you grabbed the bleach, unscrewed the top, and brought the bottle to your nose. You took a deep inhale and let the smell fill your senses. It was brief but that feeling you’d been craving took over. A single moment of silence where it was just you and that bottle. 

Once the feeling passed you took another deep inhale. The few seconds where your mind went just slightly fuzzy made you feel like you were on top of the world. It wasn’t much but it was enough, then shame hit. “What the fuck am I doing?” It was quiet, whispered but held so much pain and guilt. 

This is probably the most pathetic site anyone could ever possibly see. You curled up with your knees to your chest, tear stained face and shaky hands as you put the bottle down. The image of Mags hearing the news of your death played on repeat in your brain. Face distorting in a way that made vial build in the back of your throat begging to escape. 

It’s all fucked, everything. She deserves to know what’s happening, that you didn’t mean to leave her behind. When's the last time you told her you love her? She has to know, she has to know that you love her no matter what. That even though you’re gone the memory of her in your mind isn’t. 

Perfectly cut images of her played in your mind like flipping through pages of a photo album. Her sweet smile and kick ass attitude that always gave you whiplash because she could go from 0-100 in less than a minute. Having her as your best friend was the best gift you’d ever been given and now it’s all over. Soon that friendship will die along with every memory of you.

You tried to wash the thought away. It bears too much pain but they don’t let you. Screams of how you’ll be nothing but what you became made your chest feel like it was being crushed. A ghost in life and death, that’s all you’ll ever be. 

You forced the tears to stop, face hurting and eyes swollen from how long you hid away in the closet, drawing in your own mess. With one last inhale of the strong chemical you stood up, not bothering to wipe away the water that stuck to your cheeks, knowing that by the time you open the door they’ll be gone like everything else behind the veil. You were right, one big loop. 

The strong fluorescent lights blinded you for a split second before your vision adjusted. Kids were leaving the school. Apparently it was already the end of the day. How long had you been in there? 

You started walking, now knowing where to, just needing to get away from the closet that holds the key to fulfilling your deepest darkest desires. You hated to admit it but you knew you’d be back, that’s a problem for future you. For now getting out of immediate danger was top priority. 

You absentmindedly let your legs guide you, taking you outside where you could finally breathe fresh air. No ambulances or police cars in sight, that's a good sign. You couldn’t handle the thought of having to watch your own body get carded away, covered by a white sheet. 

Maybe absentmindedly was a bad idea because they led you right to the football field. There he was, this is really starting to feel like an overplayed meet cute. Except nothing about this situation is cute. 

You try to back track before he could see you, legs turning to walk away but of course it’s too late. 

“Hey” You heard him yell from across the field. You stopped, closing your eyes tight as you cursed your stupid fucking legs for leading you straight to him. Reluctantly you turn back around, facing him as he speed walks towards you. “You okay?” He was slightly out of breath from walking fastly across the field. 

“Yeah, I'm great. Why wouldn’t I be?” You couldn’t stop the sarcasm that dripped from your voice. You knew it wasn’t his fault, just a simple little question people ask when things are out of place but no one ever answered truthfully. How could you be okay? You just watched the one person who’s been by your side through it all, who’s never once asked if you’re fucking okay because she knows your not, break down because of you and you couldn’t do anything about it. No you’re not fucking okay. 

“Really? Because you seem kinda mad.” Thanks captain obvious. You could tell he was trying to be playful with the way he spoke, it felt out of place but understandable. You just couldn’t help the anger it boiled in you. 

“Oh, I seem mad?” You knew it was wrong. He didn’t deserve this, none of your anger should be pointed towards him but you couldn’t stop the words from leaving your mouth, laced with venom. 

“Yeah, I'm not doing this.” And with that he gave you a tight lipped smile and walked away, leaving you there confused and upset. Granted it was deserved. 

You threw your arms in the air before you let them fall back down, hitting your thighs with a clap. “Thanks a fucking lot!” You couldn’t stop the frustrated tears that built up in your eyes. It all hurt, everything, just excruciating pain like being burned alive by your own swirl of emotions. “FUUUUCK!” You kicked the cone beside you, it didn’t do much but it felt right. Then you just felt weak and guilty. 

You sat on the grass, pulled your knees to your chest and cried. It was the only thing you could do. You felt powerless, like you had no control over anything. Have you ever? Shit you can’t even contain your own emotions. 

Choosing how to numb the pain of your swollen broken fingers was the first time you had power over yourself. Even then that turned into a downwards spiral that you got lost in. Powers motivation, something you don’t have. What's the point? You’re dead, all of the ‘healing’ and ‘fighting for those around you’ means nothing. You have nothing to get better for, so why try? 

Were you supposed to pull yourself off the ground and ask for help? There's no point, its over. Life, death, its all the same fucked up loop that left you lost. Self pity and breakdowns aren't going to fix anything, it just can’t be fixed. It’s over

It’s over

                                                                                      It’s over

                                                                       It’s over

                                                         t’s over 

                                                                       I

                                                                        t

                                                                         s

                                                                           o

                                                                             v

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r

Pt.9

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