153 posts
wow.... i cant believe they were abandoned and Luffy collected them like treasures.....
the rest of the strawhats/friends that were gonna be in this post but i decided against it
Not all of them were abandoned by individual people like family members and their community, but the government. Specifically Franky and Law.
Vivi was gonna be in there too but i couldnt,,,, really,,,,, fit her in there.
i WISH more people knew about age of bronze, it's literally the 'historically accurate' comprehensive and GAY adaptation of the trojan war all the accuracy warriors are clamoring for
it's a comic series written and drawn entirely by Eric Shanower, started in 1998 with those exact parameters
historically situated in the Mycenaean/Hittite cultures
drawing from nearly every text on the war from Homer to Shakespeare
explicit about the possibility that achilles+patroclus may have been meant as lovers. Shanower is gay himself, and found it important to depict them as such all the way back in 1998.
it can be read here in part or here completely (đ´ââ ď¸), but i also highly recommend supporting the artist, since this is a multi-decade passion project.
Illustrations by Janet & Anne Grahame Johnstone for Jason and the Golden Fleece
another three đ˛
based on a book about Czech forests (NaĹĄe pralesy) first part here
Hello dear people đ
As promised, Iâm opening my store again! Serendipitously thereâs an up to 40% sale right now, hope you see something you like đŤ
actaeon the hunter and king lycaon
the princess and the dragon of colchis
I've been SO crazy about Medea lately. colchian dragon design is based on THIS kylix where it eats Jason <3
love this vase art of achilles by the achilles painter because it's got it all. the gorgoneion. the cunty little hand on the hip with the half-lidded eyes expression. the sheer fabric tunic with fancy draping and visible dick and balls. incredible work all around
tales of greeks and trojans circe im inlove.
Values so clear it could bring a man to tears :âD
Finally GIFs from my project! I made a simple animation for a story about the death of Ajax. I combined the first dialogue of Athena and Odysseus from the tragedy of Sophocles with the episode of Odysseus in Hades from the Odyssey. And Ajax in this project had no words :( dying in silence.
This Etruscan mirror of Athena and Ajax is amazing because itâs a uniquely Etruscan conception of the myth where Athena literally urges Ajax to commit suicide rather than simply driving him mad. Today I got to see it in person at the Boston Museum Of Fine Art!
thinking of King Priam's grief, watching Teucer, the child of the sister who was stolen from him and Troy all those years ago, the sister who he has longed for all these years, stand against him and his children during the trojan war
From The Odyssey Of Homer Engraved From The Compositions Of John Flaxman.
"Sing for me, angel of music."
Eurpidesâ The Trojan Women at Alumnae Theatre (2011)
valentine doodles
hey remember that absolutely gut wrenching part in the iliad when hector is running for his life from achilles, totally out of sorts, completely outmatched, thinking heâs been abandoned by Troy and everyone he loves, until he sees his brother, deiphobosâhis dearest brother, the only person who showed up to fight by his sideâand feels so much relief because he doesnât have to face achilles aloneâand thanks him for being the only one in Troy stand beside him? and so hector goes to achilles with new courage, hurls a spear at him, misses, is so discouraged, but nonetheless turns to his brother to ask for a new one because so long as deiphobos is there, thereâs hope. but heâs gone. and hector, as he stands facing the death that has been destined for him since before he was born, has this moment of realization that no one ever came to help him. no one is standing beside him, and deiphobos is still behind the Trojan wall watching hector die alone like everyone else. what he saw was just Athenaâs cruel trick to get him killed.
yeah, so, that makes me cry.
Blessed with visions pt. 3
Odysseus, who just violently and mercilessly murdered 108 or so men, who claims in the next song that heâs no longer a kind or gentle man, actively listens to Telemachus and kindly and gently responds to everything his sonâs expressed.
Telemachus asks, âAm I like you? Am I strong like you? Will you embrace me? Will you love and accept me as yours?â He says, âIâve felt so alone.â
And Odysseus claims him in a heartbeat, answering, âMy son. My boy. My sweetest joy Iâve ever known. I embraced you twenty years ago. Iâd do the impossible for you. Iâd die for you.â He says, âSeeing the men here today, I can only wonder what youâve been through for twenty years. My son, youâre already strong. Youâre my own. Youâre not alone. Iâm home.â
And then they fucking embrace.
thinking about heroes wishing to switch places........
[...] when Odysseus meets the shade of Achilles, he addresses Achilles as "best of the Achaeans". But the Odyssey then has Achilles saying that he would rather be alive and the lowliest of serfs than to be dead and the kingliest of shades. [...] Achilles seems ready to trade places with Odysseus, whose safe homecoming will be marked by a painful transitional phase at the very lowest levels of the social order. The words of Achilles in the first nekuia are ironically conjuring up the glorious days of the Iliad when he had said: "I have lost a safe return home [nostos], but I will have unfailing glory [kleos]." (IX 413) The destiny of the Odyssey is that Odysseus shall have a nostos, 'safe return home'. From the retrospective vantage point of the Odyssey, Achilles would trade his kleos for a nostos. It is as if he now would trade an Iliad for an Odyssey. By contrast, at a moment when Odysseus is sure that he will perish in the stormy sea, he wishes that he had died at Troy: "...and then the Achaeans would have carried on my kleos." (v 308-311)
From Gregory Nagy's The Best of the Achaeans: Concepts of the hero in ancient Greek poetry (1979)
the girls!!!! and toxic old man yaoi.
my uni staged philoctetes and one of the best choices was to have odysseus walk in with a cigarette through the entrance directly beneath the "no smoking" sign
Sthenelus bandaging Diomedes' finger
(from a lost 550bce amphora)
This is too cute
Etruscan mirror, 4th-3rd century BC. This bronze mirror case shows Odysseusâs homecoming, namely him reuniting with Penelope - with his dog Argos in between the two.
I found another rare behind the scenes one.
In The Odyssey, Odysseus is extraordinary for the flexibility with which he can inhabit many different names, or no name at all. It is this quality of being multinamed and nameless that enables him to survive. By contrast, almost all the warriors of The Iliad yearn to have a name and a story that lasts forever. Their many names and titles, as sons and brothers and comrades and fathers and rulers, are essential to their identities, their connections with one another, and their fame after death. They fear, above all, being humiliated (cursed with a negative name), or forgotten and nameless. The lists and catalogs of names are essential to the poemâs own work, of memorializing and mourning the dead. Once the bodies return to dust, these syllables are all that remain.
â Emily Wilson, Translator's note for The Iliad.