i WISH more people knew about age of bronze, it's literally the 'historically accurate' comprehensive and GAY adaptation of the trojan war all the accuracy warriors are clamoring for
it's a comic series written and drawn entirely by Eric Shanower, started in 1998 with those exact parameters
historically situated in the Mycenaean/Hittite cultures
drawing from nearly every text on the war from Homer to Shakespeare
explicit about the possibility that achilles+patroclus may have been meant as lovers. Shanower is gay himself, and found it important to depict them as such all the way back in 1998.
it can be read here in part or here completely (đ´ââ ď¸), but i also highly recommend supporting the artist, since this is a multi-decade passion project.
Do you have any article related to the odyssey you'd reccommend as complementary to the source?
sorry i've been sitting on your ask for so long! i am not and never have been a classics student; i came across most of these articles incidentally or here on tumblr:
"the odysseys within the odyssey" by italo calvino
"a note on memory and reciprocity in homer's odyssey" by anita nikkanen
"penelope and the poetics of remembering" by melissa mueller
"a glossary of haunting" by eve tuck and c. ree (this is mostly about horror fiction and settler-colonialism but it has a gloss on the cyclops that i think everyone, certainly everyone american, should read)
silence in the land of logos by silvia montiglio chapter 8: "silence, ruse, and endurance: odysseus and beyond"
"the name of odysseus" by g.e. dimock, jr.
also ok it's very much not "good" but there's an article by w.b. stanford called "personal relationships" that just lists all his hot takes about the relationships in the odyssey for 25 pages. it reads just like scrolling the blog of a mutual twice removed. they let men publish ANYTHING in the 60s. i love this essay. i would read this essay out loud over discord right now if someone asked me.
âMoreover, the language she uses of herself evokes the heroes of Greek epic and specifically Achilles - âequal to the gods, save for death aloneâ. Death gives Polyxena the opportunity to confer herolike status upon herself, while condemning the Greeks for the life and the assault they would have subjected her to.â
â Casey DuĂŠ, The captive womanâs lament in Greek tragedy
Gaston de Latenay, Nausikaa scans by Book Graphics blogspot/2014
Bronze statue of Apollo from Pompeii. National Archaeological Museum of Naples, Italy.
Ancient Greek culture/mores for deceit and archery is like
Male-coded intelligence vs. female-coded trickery, FIGHT
Male-coded intelligent warfare (fighting from afar is smart and minimizes injury so you can do more of it) vs. female-coded fighting from afar because of trickery and cowardice in not standing up to close combat, FIGHT
Myth-wise, then you've on the one hand got all those female characters resorting to trickery to achieve their aims (Hera, Klytaimnestra, for example) = bad. And on the other hand you've got characters like Odysseus, where the deceit of the wooden horse, which would be the modern-day war crime of perfidy, is smart and good.
And you've got instances like an author writing a dialogue between Chiron and Achilles, where Achilles is scorning archery for being a cowards' method of combat and Chiron rebuking him that it's smart fighting. And in extension/connection, we've got Odysseus who is archery-coded (even if he does not do any archery in the war, at least in our surviving source(s)), and, in the Odyssey, using it to win the day, contra Paris, our ur-example of ~bad coward archer~
She
Loved the Annihilation book, just saw the 2018 movie, and thoughts on the ending. Heavily spoilers, partial ending explanation.
The first moment in the movie I stopped and said âWait, that makes no senseâ is the ending when Lena walks on the beach with the glass trees. Up until this moment I followed with a âeldritch cosmic horror being unrealityâ mindset, but this moment stopped me.
Because it made no sense to me that there could be any sort of mutation that results in clear, crystalline forms. This movie hammers in that biology is being disfigured, but not non organic forms; we see the old buildings, the boats are practically untouched, old weaponry is usable. So why now with these trees? Minerals donât have dna to mutate.
But THEN the movies goes on, and Lena is replicated with a green being. And we see the inside of the lighthouse, the underneath with that shimmer black moving WHATEVER, and the creature itself, which is an iridescent green. Then it all makes sense.
Sand is the largest source of silicon in the world, and silicon is the second most abundant element on earth. Sand is also a primary ingredient in glass. Silicon -> Sand -> Glass -> Glass trees.
This is the best photo I could get of the being underneath the lighthouse, if youâve seen the movie you know itâs more shimmery, almost liquid, looking identical to the material on the right, which is solid silicon.
Silicon is also used in making computer chips and wafers.
Silicon wafers have a holding, greenish iridescent shimmer as well, much like the being that tries to relocate Lena at the climax.
Hereâs the thing about Silicons atomic properties. Silicon has 4 valence electrons, and if you remember grade school chemistry, an unreactive, stable atom has 8. So silicon is semi stable, but would really like to bond with other atoms to achieve 8 valence electrons. This basic concept is what makes it a good semiconductor, or a material that easily allows electrons to move through it. Thereâs a lot more technical science that has to do with it Iâll cut out, but some elements are âinjectedâ into silicon to manipulate these properties, creating a system that allows electrons/electricity/energy to very very easily run through it. A very popular choice is phosphorous.
I couldnât get photos of the scene, but Oscar Isaacâs human character self immolates with a PHOSPHORUS grenade. When he destroys himself, itâs a contained, rapid fire that does not spread to his surrounding and dies out fairly quickly. But when the creature is then trapped in a phosphorous blast, it doesnât dissolve, but continuously burns. The burn doesnât spread to the regular stone of the lighthouse, but absolutely rips through the underground area and being growing on the side of the lighthouse that the movie has us believe is a living creature, apart of the clone, or obviously at least the same substance that one (aka me) might say is silicon.
Hereâs one last thing about silicone properties. The material most related to silicon on the periodic table is carbon.
All known organic life is made of carbon. Period. If itâs alive itâs carbon. Many traits responsible for why carbon makes life possible is shared with other Group 16 elements. Silicon is the closest Group 16 element to carbon. Therefore, it is hypothesized that any non-carbon based life would have to be made of silicon. Many theories and sci-fi stories play with the idea of an alien life being made of silicon is more environments that can accommodate that.
So back to my initial confusion. I was confused as to why the creature, or the shimmer, or whatever force that is responsible for the movie could make clear, crystalline, glass like trees. Itâs ability was clearly stated to genetically mutate living things. But Iâm arguing that somehow through sci-fi movie reasons, the creature is silicon based life, or become silicon based upon hitting the sand at the beach, then perhaps adapted into carbon based life.
After this scene, when Lena is being interrogated, she is asked âWas it carbon based?â Imma say that is a very, very relevant question, and maybe the entire point of this line of questions. So cool thing the movie did, it all still makes sense.
End credits: the reason we donât see silicon based life is it would theoretically require an insane amount of energy to sustain. Doesnât react with this theory but yo itâs a movie they gotta make it work somehow.
another three đ˛
based on a book about Czech forests (NaĹĄe pralesy) first part here
According to Tolkien, there was a time that Sauron genuinely repented and turned away from evil. He even confessed his deeds to the herald of ManwĂŤ.
In RoP the reason he was on that boat in the beginning is because he was on his way to Valinor to confess and repent before the Valar and be judged. I'm convinced he booked passage on that boat, then possibly summoned the Worm to destroy most of the ship once he drew closer to Valinor since no mortals would be permitted to accompany him to Aman. He was likely planning to float that raft, alone, to Valinor's gates.
Then he met Galadriel and ended up in NĂşmenor, and decided to start a new life instead. Galadriel was the one who really pushed and pushed him back toward evil because the darkness (vengeance) inside her was that tantalizing.
Sauron totally "fell" for her. He started manipulating her after he abandoned his smithing post and agreed to return to Middle-earth. Everything before that was genuine, especially his desire to start anew.
Sauron genuinely wanted her to rule with him.
Fortunately, Galadriel said no. And that's a good thing, because Celeborn (her husband) is likely not dead. He needs to return to her, so that Aragorn, himself, may one day have an heir. (Because it's important to the entire lotr story... not because it's important for a woman to breed. Come on.)
queen of ithaca :D