I Want To Talk About This Photograph!!!

I want to talk about this photograph!!!

I Want To Talk About This Photograph!!!

It’s the one on Reigen’s “With our satisfied customers!” corkboard hung up in the office and it appears specifically when seen by Tsubomi in s2e8.

This corkboard displaying all of Reigen’s satisfied clients didn’t show up until s2e6—after Separation Arc begins. Reigen realizes he’s completely alone at the bar, has his panic attack in the alleyway, and then starts his big push for fame with the livestreams and stuff. He puts up this corkboard around that point in the episode, partially to showcase his efficacy to potential clients, and probably also to try and convince himself that he’s not alone.

Upon first—and even subsequent—watches, I didn’t think anything about the picture. Like, yeah, of course Tsubomi would see some evidence of Mob in the Spirits n’ Such office. He’s been there multiple days a week for years. But I’ve been thinking about it more this time around and it kinda just hit me how sweet it is.

This picture of Mob and Reigen is on the corkboard for satisfied clients, where it doesn’t really belong. Mob isn’t a client. It’s markedly more casual than the other photos all taken in the field because it’s literally just them hanging out together in the office. Also, Reigen has his arm on Mob’s shoulder, so this is the only picture on the entire board where Reigen is initiating contact and demonstrating affection (the one where the lady has her arm around his shoulder doesn’t count because that wasn’t his personal action).

I Want To Talk About This Photograph!!!

The picture is also pinned beneath two other photos that are layered on top, insinuating that they happened after his picture with Mob. I like to think that Reigen hung this picture up on the board after he and Mob reunited, even though it’s a board for clients, just because he loved it and wanted to have it in the office. I think he wanted to have tangible evidence of his connection with Mob after spending so long alone, especially in the office. And the two pictures on top might just be clients that came after the end of Separation Arc but before the events of episode 8. Sneaking photos of a loved one into office space is such a classic dad/big brother move lol.

In addition to this, there’s an illustration that came in the Mob Psycho 100 II DVD/Blu-Ray set that’s very similar to this. (I couldn’t find a full version without the “SAMPLE” 😭)

I Want To Talk About This Photograph!!!

It looks like another version of the “satisfied client” board with another picture of Reigen and Mob pinned on it, both of them making peace signs and smiling at the camera. I think Reigen just really likes taking cute photos with Mob and pinning them around the office lol. It’s incredibly endearing when you think about it—especially since Reigen tried to act so cool and unaffected by everything near the start of the series. No one is immune to Mob.

More Posts from Phantompages and Others

1 year ago

i see a lot of people talk about edward being disabled in fma, but it's less often talked about how alphonse is also disabled. i think it's partially because alphonse doesn't experience physical pain like edward so for a majority of the series, he's not having any of those kind of symptoms, but he is still disabled. also because alphonse's experiences are unique. like you don't see ant walking, talking suits of armour in real life (unless they're piloted by a human being physically inside them) and in world, there are about 3 others like alphonse).

alphonse is dependent on edward's survival to function. after fighting scar for the first time, alphonse is literally in pieces. he can't walk or anything until edward is in a position to fix him. similarly his body is dependent on nutrients from edward's body. like there's the point towards the end where edward gets impaled and alphonse collapses. furthermore, these periods where alphonse collapses start to become debilitating towards the end of the series and massively alter his daily living.

also, alphonse constantly talks about how upsetting it is for him to not feel any physical sensations. yeah, he's not feeling physical pain, but he's also not feeling the warmth of a fire, the sun on his face, or the fluffiness of the cats he keeps petting. he talks a lot about not being able to eat or sleep, and how there's a lot of foods he wants to try.

there's another thing that highlighted by edward at one point. alphonse's body doesn't regenerate at all. the parts scar destroys are gone forever; edward stretches out the metal that alphonse has left to repair his body. and obviously human beings don't regrow limbs, but imagine if your skin didn't ever heal over a cut. how long would your body last?

also alphonse gets told several times that his body is great throughout the series, and he literally argues against it every time, because to him it is shit. like he is missing some of his senses just for some supposedly immortal body that isn't even immortal.

even once alphonse gets his own body back, the amount of physical therapy the boy has to go through. his body has essentially been doing nothing and only receiving what nutrients it can get from edward for years. by the end of the series, he's still using a cane as a walking aid. it's unknown whether he requires that cane for the years to come, but for at least a period of time he requires a mobility aid. I don't know enough to say what effect muscle decay from inactivity and severe malnourishment during a major portion of his teenage years would have long term.


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1 year ago
two waist-up coloured sketch illustrations of the characters roy mustang and riza hawkeye from the fullmetal alchemist series. they are both in blue military uniforms. roy looks off the left with a signature smug smile on his face, accented by a dimple, while his right hand is up to adjust his shirt collar. riza, beside him, looks off to the right, her hands held neatly behind her back, with a neutral and alert expression on her face.
a simple three-panel comic of roy and riza.
panel 1: riza cups roy's face, startling him suddenly in the middle of a task. she stares at him intently, thinking, "round face...", while roy stares back in surprise.
panel 2: roy leans in closer while riza is still holding his face and staring blankly, half in curiosity and half in some brazen hopefulness encouraged by their close positions.
panel 3: drawn in diminutive chibi style, riza simply starts kneading roy's face gently, baffling him.
two thigh-up coloured sketch illustrations of roy and riza. roy wears a black high-neck t-shirt and shoulder gun holsters, along with black versions of his ignition gloves, while riza wears a white dress shirt with roy's long black coat draped over her shoulders. on the right is a small three-panel comic about the style swap.
panel 1: riza remarks, "as expected sir, your coat is very well-made and comfortable-"; concurrently, roy says, "as expected, of course i have the physique for this outfit as well-"
panel 2: both stop short as they stare at each other, processing what the other said.
panel 3: both of them, enthused for slightly different reasons, exclaim at the same time, "i won't mind if you want to keep wearing it!!"
on the left is another three-panel comic.
panel 1: riza, facing the viewer, says "my... ideal type...?" with a quizzical expression (as if repeating a question asked by an offscreen interviewer).
panel 2: somewhat unsure but seemingly giving it some thought, riza replies, "i... suppose i'm partial to dark hair and dark eyes... a handsome, sturdy build... someone with intelligent instincts, a fiery will, and a kind soul..."
to the right of the panel, roy suddenly slides in in profile on his chair, hands clasped in thought, although clearly eavesdropping.
panel 3: a thought bubble above a satisfied riza shows she was thinking of her black shiba inu dog, black hayate. roy, still in the background of the panel, obviously doesn't know this, and preens smugly thinking she was describing him.
to the right is a thigh-up illustration of the both of them with kemonomimi designs. roy has black rounded big-cat-esque ears and a long tail, and stands with an almost overbearingly smug expression next to riza, leaning close enough to bump her shoulder into his chest. riza stands upright, with big pointed wolf ears and a sandy-coloured tail. she holds her hands behind her back, somewhat pleasedly tolerating his presence.

recently watched this fresh hot new anime called fullmetal alchemist: brotherhood for the first time and i absolutely loved it! also these two made me deeply unwell (positive)


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1 year ago

I'm thinking about this idea a bit more, and I think instead of Shigeo enrolling into UA, even if the General Studies course, I'd like to see Teru take a crack at it actually. Shigeo's off in a non-heroics high school just working on bettering himself while Teru goes straight for UA's Hero course, after all he's worked with Seasoning City's totally legitimate hero and psychic Reigen Arataka.

Teru's already had his development in middle school, and now he gets to impart this wisdom upon the kids of UA, he's an amazing fighter with excellent control over his powers (are they still psychic powers or a Quirk here I haven't decided yet) but most importantly he's a great rescue hero. He always makes sure to get civilians to safety and does what he can to subdue threats, he's gotten plenty of practice in after all the stuff that's gone down in Seasoning after all.


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