Reading a Terry Pratchett book is literally just: Here's a funny little joke Here's something that you can tell is a joke but don't get and will only figure out five years later Here's a surprisingly cool fantasy concept Here's a unique and well written simile Here's a lil guy Here's something that has aged depressingly well into the modern day Here's something that has aged remarkably queer into the modern day Here's a character that you can barely understand what he's saying Here is the most terrifying and deeply disturbing concept you have ever heard, casually mentioned Here is the dumbest fucking pun you've ever heard but in the best way Here is a quote so profound that it makes you view morality and the world in a different way Here is a plot twist that you can't tell if it's genius or stupid Congratulations! You've finished the book! It has fundamentally changed you as a person and you will never be the same!
holy shit yβall should watch this one, what an admirable person
Literally part of the plot of His Dark Materials season 2
Mermay 2025 - Day 3 π«§π
Mochizuki Honami - Manta Ray
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Manta rays are large rays belonging to the genus Mobula. They have the largest brain-to-body ratio of all fish, and can pass the mirror test.
I have never once wished for Tolkien to still be alive as much as I do in this moment
Portal 2's Turret Opera still hits soooo hard as a closing point for Chell and GLaDOS' story dude. Right after a monologue about how after everything they've been through she realizes she's incapable of killing Chell, GLaDOS has actually.. set up a perfect, inescapable death trap. She could've easily had the turrets shoot through the glass, sent the elevator all the way back down to Old Aperture or simply gassed her without letting the elevator even leave her central chamber. She basically had her. She could've obliterated her while she was still out cold from fighting Wheatley, but she doesn't. Instead, she has them perform an opera about walking as far away from science as possible. An opera that's implied to have been rehearsed even before Chell broke out with Wheatley - was she considering doing this long before Chell went out to try and kill her again?? This is very blatantly me steering into headcanon territory, but I like to think this whole room was the "REAL surprise with tragic consequences" GLaDOS spoke of. I imagine this is exactly what she originally planned to do - give her false hope by having her ride an escape elevator only for it to stop right in the middle of a massive turret ambush. She would literally treat Chell like a fish in a barrel. Quick, easy and delightfully painful. Each instance where she escaped was either due to oversight or third party intervention - so she created a situation where none of that is possible. All that would arrive to the surface and see the sun is a bullet-riddled corpse. But that's not what the elevator brings to that dingy faux shed in the end. I wonder what she's done with this room after the elevator made its ascent. Do the turrets still stand there, waiting on the off-chance the elevator goes back down with a familiar face within? Do they still sing the same song, over and over, hoping she'll hear it up there? Do they think of her, does she think of them, does she think of her? If Chell were to step back in, would GLaDOS even have the heart to let that elevator go back down? Either way, they'd still be down there, gathered for someone that may never ever come back. They'll all be faithfully standing at their usual spots in the chambers, ready to lovingly shoot her again should she be back to test forever.
Golden potato I need your shining help, taking anything big or small
This is exactly what I thought when I began to watch P-Valley. Their presence in their respective shows makes them so much better, and I love to imagine them meet and both be sassy, and kind, and uniquely themselves together.
Left - Nico Annan Right - Nelsan Ellis
my other controversial take for the day is that anger, sadness, shame and fear are seen as inherently negative emotions and because of that the second you express them you are deemed as 'not good' because of experiencing the full breadth of the human experience. so instead of not experiencing these feelings (impossible challenge) everyone just hides them and we develop weirder and weirder complexes about them until we wind up finding new ways to psychologically torment each other.
you've got to learn how to express these feelings, earnestly, when to express them and how to process them yourself. you are going to make mistakes in doing so. but simply denying you have them or WORSE, denying yourself the experience of them by bottling them away... there is no crueler fate and you will never understand why you keep hurting yourself and others regardless.
Sea animals, hopepunk, fantasy, queerness, and a bit of philosophy
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