Blessed Are the Peacemakers, Brionne Janae
No words can describe the pain I feel for my trans sisters who have to live in a world where women like jk rowling exist and write. No words. I will always protect you and be vocal and open about your struggles and about your beauty.
That evening they managed to brew some tea. The handful of leaves that the bear had saved for a special occasion was enough for exactly two cups. They were fortunate to find some candles in the old house, for this meant they could have a real festive tea party.
Though it was dark and cold outside, in that house, around the round wooden table, a miracle took place...
happy upcoming new year!
ending a story in other languages
kurdish: “my story went to other homes, god bless the mothers and fathers of its listeners” (Çîroka min çû diyaran, rehmet li dê û bavê guhdaran.)
greek: “and they lived well, and we lived better” (και ζήσανε αυτοί καλά και εμείς καλύτερα)
afrikaans: “whistle whistle, the story is done” (fluit fluit, die storie is uit)
goemai: “my tale has finished, (it) has returned to go (and) come home.” (tamtis noe lat / dok ba muaan yi wa)
amharic: “return my story and feed me bread” (ተረቴን መልሱ አፌን በዳቦ አብሱ::)
bengali: “my story ends and the spinach is eaten by the goat” (aamaar kothati furolo; Notey gaachhti murolo) *means something is irreversibly ended because goats eats herbs from the root
norwegian: “snip snap snout, the tale is finished” (snipp snapp snute, så er eventyret ute”
polish: “and i was there [at the wedding] too, and drank mead and wine.” (a ja tam byłem, miód i wino piłem.)
georgian: “disaster there, feast here… bran there, flour here…” (ჭირი – იქა, ლხინი – აქა, ქატო – იქა, ფქვილი – აქა)
hungarian: “this is the end, run away with it” (itt a vége, fuss el véle)
turkish: “lastly, three apples fell from the sky; one for our story’s heroes, one for the person who told their tale, and one for those who listened and promise to share. And with that, they all achieved their hearts’ desires. Let us now step up and settle into their thrones.” (Gökten üç elma düşmüş; biri onların, biri anlatanın, diğeri de dinleyenlerin başına. Onlar ermiş muradına, biz çıkalım kerevetine.)
Kazuo Ishiguro - “Dream Techniques”
1. Unwarranted Emotion 2. Unwarranted Relationship 3. Delayed realization (ENTER/EXIT) 4. Odd postures—figurative postures + escaped metaphors 5. Placing 6. Weird Venues 7. Extended, tangential monologues 8. Distorted time frame 9. Unwarranted recognition of place 10. Private enclaves 11. Unwarranted familiarity with situation (or person or place) 12. Characters from foreign contexts 13. Characters continuing under different surfaces 14. Distorted Logistics 15. Transmuting Narrator 16. Partial invisibility (And odd witnessing) 17. Backward projection of Intentions 18. Bleeding with Memory 19. BACKWARD projection of Judgment 20. Restricted Witnessing 21. Tunnel Memory 22. The Dim Torch Narrative Mode 23. Crowds—Unwarranted Uniformity 24. Robert Altman [illegible] 25. (“More than I expected”) Unwarranted Expectation 26. MIXED PERSONALITY
Religious cults in ancient societies
Poison and why it’s so prominent in mystery novels
Methods of forensic investigations throughout the years
Influence of fashion based on past media
The transition to the Renaissance and renaissance philosophy
The pioneers of Pop Art
Artists in times of war
Music and political propaganda
Symbolism in surrealistic art
The Trail of Tears
Dead branches of evolution
Art Fraud
Barbie doll fashion
Southern Asian Empires
Advance of science and maths in Islamic kingdoms
Dark academia and its subtle racism and elitism/classisms
What defines as ‘alien’ in different cultures
Opium War
Modernism in South America
Egyptian revolution
White washing in media
Racial identity in the Caribbean
History of puppetry in Chinese drama
Problems revolving organized crimes
Cuban missile crisis and the Cold War
any true crime case that fascinates you
Your views on immortality
Feral children and the impact of isolation
Themes of self discovery in Albert Camus ‘The Stranger’
Early concepts of feminism in literature and then later on music
Add some of your own in the comments :)
ruia i have a 5 day weekend!! what movies should i watch?? the weather is changing around me and i've been feeling very moody and introspective....
omg this is a mood i can get behind! hopefully you havent seen some of these:
antareen (1994)
asha jaoar majhe (2015)
a death in the gunj (2016)
siddheshwari (1989)
crossing bridges (2013)
sanjhbatir rupkathara (2002)
daera (1953)
aparoopa (1982)
ek din achanak (1989)
arvind desai ki ajeeb dastaan (1978)
shevri (2006)
ethrayum yathra bhagam (2003)
asukh (1999)
bhalo theko (2003)
gaman (1978)
snapshots from a family album (2003)
nirnay (2012)
drishti (1990)
rajnigandha (1974)
lekin… (1991)
hope you enjoy your weekend!!!!
comprehensive thread of petitions + donation links in the replies + gofundme directly from george floyd’s family
the asian american writers’ workshop just published 16 love poems by poets of palestinian heritage that were featured in the anthology we call to the eye & the night edited by hala alyan & zeina hashem beck
han kang, winner of the nobel prize for literature, refused to celebrate because of the wars: 'With the war intensifying and people being carried out dead every day, how can we have a celebration or a press conference?'
toshiyuki mimaki, co-chair of Hidankyo, the A-bomb survivors’ group that won nobel peace prize, said: 'Gaza right now is like Japan 80 years ago' and had thought the prize would go to those working hard in Gaza, not to Hidankyo.
arundhati roy, winning the PEN pinter prize, in her speech at the british library: "Not all the power and money, not all the weapons and propaganda on earth can any longer hide the wound that is Palestine."
alaa abdel fattah, who was named PEN Writer of Courage by Roy, is in egyptian prison. but in 2021 his mother brought his letters from prison on gaza: Free Jerusalem; tranquil Alexandria, Bride of the Sea; Beirut, the Sheltering Tent — the symbols seem more real than the cities. But Gaza and Cairo are both cities that resist romanticization and so elude song. No one sings to Cairo, but it is the capital of the Arabs. No one sings to Gaza either, but it remains the indisputable capital of Palestine. Both are always present in a crisis. [...]
Do I have the right to dream of escaping to Gaza? Do I have the right to dream of a road to Cairo that passes through Gaza? Does a captive have the right to ask for help from the besieged? I know that these questions show how ancient I am, but I’m an Arab and Palestine’s always on my mind. And, in my defense, I’ll say that I refused to be humiliated in my country, and I never lowered my banners, and it should count that I stood in the face of my oppressors: an orphan, naked and barefoot, and my solace is that the tragedy I’m living is but my share of yours. I call out to you: you are always on my mind."
these are the things the brave and intellectual people of our time are saying. it is possible to be principled. it is always possible to be principled. it is also possible to be less than that—look around and you'll see it in all the writers and artists of our time who are abdicating their roles within humanity. we're living in a time of perfect clarity.